Difference between revisions of "Arts and engineering groups and collectives in CEE"

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Image:Svoboda-polyecran-1967.jpg|Josef Svoboda, [[Polyecran|Diapolyecran]] at the Czech Pavilion at Expo 67. Each square is a self-contained automatic slide-projector unit. Through careful programming the images appear either isolated or unified.
 
Image:Svoboda-polyecran-1967.jpg|Josef Svoboda, [[Polyecran|Diapolyecran]] at the Czech Pavilion at Expo 67. Each square is a self-contained automatic slide-projector unit. Through careful programming the images appear either isolated or unified.
 
Image:Svoboda-polyecran(2)-1967.jpg|Josef Svoboda. A fractured image on the [[Polyecran|Diapolyecran]]. The image can move as in film (through the extremely rapid changing of slides) or appear static in any kind of mosaic formation.
 
Image:Svoboda-polyecran(2)-1967.jpg|Josef Svoboda. A fractured image on the [[Polyecran|Diapolyecran]]. The image can move as in film (through the extremely rapid changing of slides) or appear static in any kind of mosaic formation.
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Image:Svoboda-polyecran(3)-1967.jpg|Josef Svoboda. The slide-projector equipment bank of the [[Polyecran|Diapolyecran]]. Each of 112 projectors was mounted on its own carriage which could take position in one of three places. The slide image and movement program was memorized on tape and controlled from a central booth not pictured.
 
Image:Sykora-blackandwhite-1969.jpg|Zdeněk Sýkora, ''Black-and-White Structure'', ceramic mosaic (detail), 530x350cm, 1969. The composition of the pattern was computed with a program on a LGP-30 (German) computer.  
 
Image:Sykora-blackandwhite-1969.jpg|Zdeněk Sýkora, ''Black-and-White Structure'', ceramic mosaic (detail), 530x350cm, 1969. The composition of the pattern was computed with a program on a LGP-30 (German) computer.  
 
Image:Sykora-blackandwhite(elements)-1969.jpg|Zdeněk Sýkora, geometrical elements used in the paintings ''Black-white Structure''.
 
Image:Sykora-blackandwhite(elements)-1969.jpg|Zdeněk Sýkora, geometrical elements used in the paintings ''Black-white Structure''.

Revision as of 18:46, 30 August 2008

Czechoslovakia
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Works

Literature

  • Martin Šperka, "The Origins of Computer Graphics in the Czech and Slovak Republics", Leonardo, Vol. 27, No. 1 (1994), pp. 45-50 [1]
  • Jarmila Doubravová, "Music and Visual Art: Their Relation as a Topical Problem of the Contemporary Music in Czechoslovakia", International Review of the Aesthetics and Sociology of Music, Vol. 11, No. 2 (Dec., 1980), pp. 219-228 [2]
  • Zdeněk Sýkora, Jaroslav Blažek, "Computer-Aided Multi-Element Geometrical Abstract Paintings", Leonardo, Vol. 3, No. 4 (Oct., 1970), pp. 409-413 [3]
  • Libor Zajíček, "The History of Electroacoustic Music in the Czech and Slovak Republics", Leonardo Music Journal, Vol. 5, (1995), pp. 39-48 [4]
  • http://www.ekac.org/dialogicimag.html
  • Jarmila Doubravová, Hudba a výtvarné umění, Prague: Academia, 1982