Difference between revisions of "Bio art"

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==Literature==
 
==Literature==
 +
* Karl Gerbel, Peter Weibel (eds.), ''Genetische Kunst (Ars Electronica 1993)'', PVS-Verleger, 1993.
 +
* Christine Schöpf, Gerfried Stocker (eds.), ''Flesh Factor (Ars Electronica 1997)'', Springer, 1997.
 +
 +
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
 +
* Suzanne Anker, Dorothy Nelkin, ''The Molecular Gaze: Art in the Genetic Age'', Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
 +
* Jens Hauser, [http://90.146.8.18/en/archiv_files/20051/FE_2005_Jens_Hauser_en.pdf "Bio Art: Taxonomy of an Etymological Monster"], in ''Hybrid: Living in a Paradox (Ars Electronica 2005)'', eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.
 +
* [https://www.erudit.org/en/journals/inter/2006-n94-inter1121523/ ''Inter'' 94: "L'art biotech et le posthumain"], Fall 2006. {{fr}}
 +
* Eduardo Kac (ed.), ''[https://monoskop.org/log/?p=88 Signs of Life: Bio Art and Beyond]'', MIT Press, 2007, 420 pp.
 +
* Beatriz da Costa, Kavita Philip (eds.), ''[https://monoskop.org/log/?p=90 Tactical Biopolitics: Art, Activism, and Technoscience]'', MIT Press, 2008, 504 pp.
 +
* Melentie Pandilovski, ''Art in the Biotech Era'', Experimental Art Foundation, 2008.
 +
* Ingeborg Reichle, ''Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art'', pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. [https://link.springer.com/content/pdf/bfm%3A978-3-211-78161-6%2F1.pdf TOC & Preface], [https://link.springer.com/content/pdf/bbm%3A978-3-211-78161-6%2F1.pdf Illustrations]. [https://link.springer.com/book/10.1007/978-3-211-78161-6]
 +
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice)'', Kaliningrad: National Centre for Contemporary Arts, 2009.
 +
 +
* George Gessert, ''Green Light: Toward an Art of Evolution'', MIT Press (Leonardo), 2010.
 
* Robert E. Mitchell, ''BioArt and the Vitality of Media'', Seattle: University of Washington Press, 2010.
 
* Robert E. Mitchell, ''BioArt and the Vitality of Media'', Seattle: University of Washington Press, 2010.
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
 
* Allison Kudla, ''[http://scribd.com/doc/228804243 Biological Systems Art: Artistic Research into the Algorithms of Living Systems]'', University of Washington, 2011. Dissertation.
 +
* William Myers, ''BioDesign: Nature + Science + Creativity'', Thames & Hudson, 2012.
 +
* Dmitry Bulatov (ed.), ''Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory)'', Kaliningrad: National Centre for Contemporary Arts, 2013.
 +
* Laura Beloff, Erich Berger, Terike Haapoja (eds.), ''Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon'', Printon Printinghouse, 2013.
 +
* Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), ''Synthetic Aesthetics'', MIT Press, 2014.
 +
* Regine Rapp, Christian de Lutz (eds.), ''Art and the Biological Sublime in the 21st Century'', Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.
 +
* Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), ''Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts'', MIT Press (Leonardo), 2014, 691 pp. [https://synthbioart.texashats.org/ Web companion]. Review: [https://muse.jhu.edu/article/577893/summary Etxeberria] (Leonardo).
 +
* William Myers, ''Bio Art: Altered Realities'', Thames & Hudson, 2015.
 
* Anne Byerley, Derrick Chong, [http://sci-hub.tw/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216.
 
* Anne Byerley, Derrick Chong, [http://sci-hub.tw/10.1080/14759551.2013.836194 "Biotech Aesthetics: Exploring the Practice of Bio Art"], ''Culture and Organization'' 21:3, 2015, pp 197-216.
 +
* Magdalena Sick-Leitner, [https://ars.electronica.art/aeblog/en/2015/06/02/es-gibt-keine-bio-art/ "There Is No Bio Art! Interview with Jens Hauser"], ''Ars Electronica Blog'', 2 Jun 2015.
 +
* Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, [http://arep.med.harvard.edu/pdf/Yetisen_Bioart_2015.pdf "Bioart"], ''Trends in Biotechnology'' 33:12, Dec 2015, pp 724-734.
 
* Lindsay Kelley, ''[http://library.memoryoftheworld.org/b/Zvqeh5hU8lLlOL_Vy3g7Oy2Tl7q53EGNylu3VWudnjccIEoD Bioart Kitchen: Art, Feminism and Technoscience]'', London and New York: I.B. Tauris, 2016.
 
* Lindsay Kelley, ''[http://library.memoryoftheworld.org/b/Zvqeh5hU8lLlOL_Vy3g7Oy2Tl7q53EGNylu3VWudnjccIEoD Bioart Kitchen: Art, Feminism and Technoscience]'', London and New York: I.B. Tauris, 2016.
 +
* Jens Hauser, [https://www.academia.edu/33982703 "Biomediality and Art"], in ''Recomposing Art and Science: Artists-in-Labs'', eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
 
* Assimina Kaniari (ed.), ''Institutional Critique to Hospitality: Bio Art Practice Now'', Athens: Grigoris Books, 2017, 190 pp. Review: [https://www.leonardo.info/review/2017/09/review-of-institutional-critique-to-hospitality-and-open-science-singularity-and Terranova] (Leonardo).
 
* Assimina Kaniari (ed.), ''Institutional Critique to Hospitality: Bio Art Practice Now'', Athens: Grigoris Books, 2017, 190 pp. Review: [https://www.leonardo.info/review/2017/09/review-of-institutional-critique-to-hospitality-and-open-science-singularity-and Terranova] (Leonardo).
 
* [http://monoskop.org/log/?tag=bio-art Publications on bio art at Monoskop Log]
 
* [http://monoskop.org/log/?tag=bio-art Publications on bio art at Monoskop Log]
 +
 +
; Bibliography
 +
* https://synthbioart.texashats.org/bibliography/
  
 
==See also==
 
==See also==

Revision as of 21:49, 2 December 2018

Pages

Mediamatic Biotoop

Literature

  • Karl Gerbel, Peter Weibel (eds.), Genetische Kunst (Ars Electronica 1993), PVS-Verleger, 1993.
  • Christine Schöpf, Gerfried Stocker (eds.), Flesh Factor (Ars Electronica 1997), Springer, 1997.
  • Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)
  • Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
  • Jens Hauser, "Bio Art: Taxonomy of an Etymological Monster", in Hybrid: Living in a Paradox (Ars Electronica 2005), eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.
  • Inter 94: "L'art biotech et le posthumain", Fall 2006. (French)
  • Eduardo Kac (ed.), Signs of Life: Bio Art and Beyond, MIT Press, 2007, 420 pp.
  • Beatriz da Costa, Kavita Philip (eds.), Tactical Biopolitics: Art, Activism, and Technoscience, MIT Press, 2008, 504 pp.
  • Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.
  • Ingeborg Reichle, Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art, pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. TOC & Preface, Illustrations. [1]
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.
  • George Gessert, Green Light: Toward an Art of Evolution, MIT Press (Leonardo), 2010.
  • Robert E. Mitchell, BioArt and the Vitality of Media, Seattle: University of Washington Press, 2010.
  • Allison Kudla, Biological Systems Art: Artistic Research into the Algorithms of Living Systems, University of Washington, 2011. Dissertation.
  • William Myers, BioDesign: Nature + Science + Creativity, Thames & Hudson, 2012.
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), Kaliningrad: National Centre for Contemporary Arts, 2013.
  • Laura Beloff, Erich Berger, Terike Haapoja (eds.), Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon, Printon Printinghouse, 2013.
  • Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), Synthetic Aesthetics, MIT Press, 2014.
  • Regine Rapp, Christian de Lutz (eds.), Art and the Biological Sublime in the 21st Century, Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.
  • Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts, MIT Press (Leonardo), 2014, 691 pp. Web companion. Review: Etxeberria (Leonardo).
  • William Myers, Bio Art: Altered Realities, Thames & Hudson, 2015.
  • Anne Byerley, Derrick Chong, "Biotech Aesthetics: Exploring the Practice of Bio Art", Culture and Organization 21:3, 2015, pp 197-216.
  • Magdalena Sick-Leitner, "There Is No Bio Art! Interview with Jens Hauser", Ars Electronica Blog, 2 Jun 2015.
  • Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, "Bioart", Trends in Biotechnology 33:12, Dec 2015, pp 724-734.
  • Lindsay Kelley, Bioart Kitchen: Art, Feminism and Technoscience, London and New York: I.B. Tauris, 2016.
  • Jens Hauser, "Biomediality and Art", in Recomposing Art and Science: Artists-in-Labs, eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
  • Assimina Kaniari (ed.), Institutional Critique to Hospitality: Bio Art Practice Now, Athens: Grigoris Books, 2017, 190 pp. Review: Terranova (Leonardo).
  • Publications on bio art at Monoskop Log
Bibliography

See also

DIY biology


Visual art

Styles and movementsCollectionsHistorians and criticsPreservation and conservationReference works