Bio art

Pages

• The Arts & Genomics Centre
• Heather Dewey-Hagborg
• Ivor Diosi
• Anna Dumitriu
• Marc Dusseiller
• Hackteria
• Natalie Jeremijenko
• Cecilia Jonsson
• Eduardo Kac
• Akihiro Kubota
• Špela Petrič
• Maja Smrekar
• Stelarc
• Transnatural

Mediamatic Biotoop

Literature

• Karl Gerbel, Peter Weibel (eds.), Artificial Life / Genetic Art (Ars Electronica 1993), PVS-Verleger, 1993.
  • Genetische Kunst / Künstliches Leben (Ars Electronica 1993), 1993. (German)
• Christine Schöpf, Gerfried Stocker (eds.), Flesh Factor (Ars Electronica 1997), Springer, 1997. [1]
  • Fleshfactor. Informationsmaschine Mensch (Ars Electronica 1997), 1997. (German)

• Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)
• Kunstforum International 157: "Klone und Mutanten. Transgene Kunst I", Nov-Dec 2001. [2] (German)
• Kunstforum International 158: "Der erfundene Zwilling. Transgene Kunst II", Jan-Mar 2002. [3] (German)
• Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
• Eduardo Kac, Telepresence and Bio Art: Networking Humans, Rabbits and Robots, forew. James Elkins, University of Michigan Press, 2005, 311 pp.
• Jens Hauser, "Bio Art: Taxonomy of an Etymological Monster", in Hybrid: Living in a Paradox (Ars Electronica 2005), eds. Gerfried Stocker and Christiane Schöpf, Ostfildern-Ruit, Hatje Cantz, 2005, pp 181-192.
• Inter 94: "L'art biotech et le posthumain", Fall 2006. (French)
• Eduardo Kac (ed.), Signs of Life: Bio Art and Beyond, MIT Press, 2007, 420 pp.
• Beatriz da Costa, Kavita Philip (eds.), Tactical Biopolitics: Art, Activism, and Technoscience, MIT Press, 2008, 504 pp.
• Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.
• Ingeborg Reichle, Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art, pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. TOC & Preface, Illustrations. [4]
• Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.

• George Gessert, Green Light: Toward an Art of Evolution, MIT Press (Leonardo), 2010.
• Robert Mitchell, BioArt and the Vitality of Media, Seattle: University of Washington Press, 2010.
• Ruth G. West, "Working With Wetware", in Context Providers: Conditions Of Meaning In Media Arts, eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011. [5]
• Allison Kudla, Biological Systems Art: Artistic Research into the Algorithms of Living Systems, University of Washington, 2011. Dissertation.
• William Myers, BioDesign: Nature + Science + Creativity, Thames & Hudson, 2012.
• Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), Kaliningrad: National Centre for Contemporary Arts, 2013.
• Laura Beloff, Erich Berger, Terike Haapoja (eds.), Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon, Printon Printinghouse, 2013.
• Alexandra Daisy Ginsberg, Jane Calvert, Pablo Schyfter, Alistair Elfick, Drew Endy (eds.), Synthetic Aesthetics: Investigating Synthetic Biology's Designs on Nature, MIT Press, 2014.
• Regine Rapp, Christian de Lutz (eds.), Art and the Biological Sublime in the 21st Century, Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.
• Annick Bureaud, Roger F. Malina, Louise Whiteley (eds.), Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts, MIT Press (Leonardo), 2014, 691 pp. Web companion. Review: Etxeberria (Leonardo).
• William Myers, Bio Art: Altered Realities, Thames & Hudson, 2015.
• Anne Byerley, Derrick Chong, "Biotech Aesthetics: Exploring the Practice of Bio Art", Culture and Organization 21:3, 2015, pp 197-216.
• Magdalena Sick-Leitner, "There Is No Bio Art! Interview with Jens Hauser", Ars Electronica Blog, 2 Jun 2015.
• Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, "Bioart", Trends in Biotechnology 33:12, Dec 2015, pp 724-734.
• Lindsay Kelley, Bioart Kitchen: Art, Feminism and Technoscience, London and New York: I.B. Tauris, 2016.
• Marc Jimenez, Art et technosciences. Bioart - neuroesthétique, Paris: Klincksieck, 2016, 112 pp. (French)
• Jens Hauser, "Biomediality and Art", in Recomposing Art and Science: Artists-in-Labs, eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
• Assimina Kaniari (ed.), Institutional Critique to Hospitality: Bio Art Practice Now, Athens: Grigoris Books, 2017, 190 pp. Review: Terranova (Leonardo).
• Carsten Strathausen, Bioaesthetics: Making Sense of Life in Science and the Arts, University of Minnesota Press, 2017, 320 pp. [6]. Review: Galati (Leonardo).
• Eva Šlesingerová, "Bioart a sciart. Proplétání věcí, těl a technologií", Sešit pro umění, teorii a příbuzné zóny 23, Prague, 2017, pp 40-60. (Czech)
• Publications on bio art at Monoskop Log

Bibliography

• https://synthbioart.texashats.org/bibliography/

See also

DIY biology