Difference between revisions of "Brian Holmes"
Jump to navigation
Jump to search
Line 51: | Line 51: | ||
==Interviews== | ==Interviews== | ||
+ | |||
+ | * Robby Herbst, [https://joaap.org/4/holmes.html "Hinting at ways to work in current contexts; an interview with Brian Holmes"], ''Journal of Aesthetics and Protest'' 4, 2005. | ||
+ | |||
* Tom Vandeputte, Sidsel Meineche Hansen, [http://midwestcompass.org/boundaries-of-knowledge/ "Boundaries of Knowledge: Questions for Brian Holmes"], 2015. | * Tom Vandeputte, Sidsel Meineche Hansen, [http://midwestcompass.org/boundaries-of-knowledge/ "Boundaries of Knowledge: Questions for Brian Holmes"], 2015. | ||
+ | |||
* Tünde Mariann Varga, [http://mezosfera.org/political-ecology-and-anthropocene-public-space/ "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes"], ''Mezosfera'', Budapest, Jun 2016. | * Tünde Mariann Varga, [http://mezosfera.org/political-ecology-and-anthropocene-public-space/ "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes"], ''Mezosfera'', Budapest, Jun 2016. | ||
Revision as of 14:45, 10 April 2021
Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He lives in Chicago.
Publications
- Books
- Hieroglyphs of the Future: Art & Politics in a Networked Era, Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
- co-editor, Continental Drift, Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. (Croatian)
- Unleashing the Collective Phantoms: Essays in Reverse Imagineering, New York: Autonomedia, 2008, 187 pp. [1]. Review: Biles (Chicago Artists' News).
- Escape the Overcode: Activist Art in the Control Society, Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
- Driving the Golden Spike: The Aesthetics of Anthropocene Public Space, Deep Time Chicago, 2016, 19 pp. Pamphlet.
- Journal issues
- editor, with Gerald Raunig, Brumaria 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. TOC. Introduction. (Spanish)
- Book chapters, essays
- "The Flexible Personality: For a New Cultural Critique", transversal 1 (2002).
- "Der flexible Charakter. Für eine neue Kulturkritik", trans. Birgit Mennel, transversal 1 (2002). (German)
- "La personalidad flexible. Por una nueva crítica cultural", trans. Marcelo Expósito, rev. Brian Holmes and Joaquín Barriendos, transversal 1 (2002). (Spanish)
- "Fleksibilna ličnost: za novu kulturalnu kritiku", trans. Nataša Ilić, transversal 1 (2002). (Croatian)
- "Fleksibilna osebnost", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
- "The Revenge of the Concept: Artistic Exchanges, Networked Resistance", in Confronting Capitalism: Dispatches from a Global Movement, eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, Unleashing the Collective Phantoms, 2008. [4] [5]
- "Maščevanje koncepta", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
- "The Potential Personality: Trans-Subjectivity in the Society of Control", in 3 escenarios, Las Palmas: CAAM, 2006, PDF.
- "Personalidade potencial: trans–subjetividade na sociedade de controle", trans. Filipe Ferreira, Cadernos de Subjetividade 8:13, São Paulo: PUC-SP, Oct 2011, pp 194-205, PDF. (Brazilian Portuguese)
- "Further: Wisconsin and Dreamtimes West", in A Call to Farms: Continental Drift through the Radical Midwest Culture Corridor, Viroqua, WI: Heavy Duty Press, 2008, pp 35-37. [6]
- "Die Erfindung der Eventarbeit. Public Netbase in den 1990ern", in Vergessene Zukunft: radikale Netzkulturen in Europa, eds. Clemens Apprich and Felix Stalder, Bielefeld: transcript, 2012, pp 119-123. (German)
- "Cartography With Your Feet: Workshop Proposal for “Beneath the University, the Commons”", in Deep Routes: The Midwest in All Directions, eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [7] [8]
- "Continental Drift 2011: Argentina / China", in Deep Routes: The Midwest in All Directions, eds. Rozalinda Borcila, Bonnie Fortune and Sarah Ross, Wisconsin: White Wire, 2012. [9] [10]
- "Tactical Television. Movement Media in the Nineties", Regarding Spectatorship, 2015.
- "Future Map Reloaded, or, How the Cyborgs Learned to Stop Worrying and Love Surveillance", May 2015.
- "Captive Sun", in Petcoke: Tracing Dirty Energy, Chicago: Museum of Contemporary Photography, 2016. [11]
Interviews
- Robby Herbst, "Hinting at ways to work in current contexts; an interview with Brian Holmes", Journal of Aesthetics and Protest 4, 2005.
- Tom Vandeputte, Sidsel Meineche Hansen, "Boundaries of Knowledge: Questions for Brian Holmes", 2015.
- Tünde Mariann Varga, "Political Ecology and Anthropocene Public Space: An Interview with Brian Holmes", Mezosfera, Budapest, Jun 2016.
Links
- Continental Drift, blog, until 2015
- Time To Change / Just Transition, 2021 video presentation
- Living Rivers
- Profile on EGS (archived)
- Live Your Models: Self-orientation and urban form in the next “spirit of capitalism”, keynote at the Former West: Art and Labor after the End of Work conference, Warsaw, 2015
- ARG
- Wikipedia