Difference between revisions of "Brian Holmes"

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==Publications==
 
==Publications==
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===Books===
  
 
* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
 
* ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
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* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
 
* ''[https://monoskop.org/log/?p=20449 Driving the Golden Spike: The Aesthetics of Anthropocene Public Space]'', Deep Time Chicago, 2016, 19 pp. Pamphlet.
  
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; Translator
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===Translator===
  
 
* Félix Guattari, Suely Rolnik, ''[http://monoskop.org/log/?p=2010 Molecular Revolution in Brazil]'', trans. Karel Clapshow and Brain Holmes, Semiotext(e), 2008, 495 pp.
 
* Félix Guattari, Suely Rolnik, ''[http://monoskop.org/log/?p=2010 Molecular Revolution in Brazil]'', trans. Karel Clapshow and Brain Holmes, Semiotext(e), 2008, 495 pp.
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* Clement Greenberg, ''[https://1lib.eu/book/2632129/bb2fa0 Between the Lines]'', trans. Thierry de Duve and Brian Holmes, University Of Chicago Press, 2010.
 
* Clement Greenberg, ''[https://1lib.eu/book/2632129/bb2fa0 Between the Lines]'', trans. Thierry de Duve and Brian Holmes, University Of Chicago Press, 2010.
  
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; Journal issues
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===Journal issues===
  
 
* editor, with Gerald Raunig, ''Brumaria'' 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. [http://web.archive.org/web/20070121082312/http://www.brumaria.net/publicacionbru5.htm TOC]. [https://transversal.at/transversal/0106/brumaria/es Introduction]. {{es}}
 
* editor, with Gerald Raunig, ''Brumaria'' 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. [http://web.archive.org/web/20070121082312/http://www.brumaria.net/publicacionbru5.htm TOC]. [https://transversal.at/transversal/0106/brumaria/es Introduction]. {{es}}
  
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; Book chapters, essays
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===Book chapters, essays===
  
 
* "Réveiller les fantômes collectifs. Résistance réticulaire, personnalité flexible", trans. Brian Holmes, ''Autonomie artistique'' 1, Paris, 2002; [https://transversal.at/transversal/1202/holmes/fr repr.], ''transversal'', Vienna, Dec 2002. {{fr}}
 
* "Réveiller les fantômes collectifs. Résistance réticulaire, personnalité flexible", trans. Brian Holmes, ''Autonomie artistique'' 1, Paris, 2002; [https://transversal.at/transversal/1202/holmes/fr repr.], ''transversal'', Vienna, Dec 2002. {{fr}}
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* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
 
* [[Media:Holmes_Brian_2016_Captive_Sun.pdf|"Captive Sun"]], in ''Petcoke: Tracing Dirty Energy'', Chicago: Museum of Contemporary Photography, 2016. [http://www.mocp.org/exhibitions/2016/07/petcoke-project.php]
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* [https://transversal.at/bio/holmes more]
  
 
==Interviews==
 
==Interviews==

Revision as of 15:03, 10 April 2021

Brian Holmes (1959, San Francisco) is a cultural critic who has worked with activists and artists in Europe and the Americas. He is interested primarily in the intersections of artistic and political practice. He holds a doctorate in Romance Languages and Literatures from the University of California at Berkeley. Holmes was the English editor of publications for Documenta X, Kassel, Germany in 1997. He is a member of the groups Deep Time Chicago and Compass, and a former member of the graphic arts group Ne pas plier from 1999 to 2001, and the French conceptual art group Bureau d'études. He lives in Chicago.

Publications

Books

  • co-editor, Continental Drift, Zagreb: What, How and for Whom/WHW, and Zagreb: AGM, 2008, 35 pp. Catalogue. (Croatian)
  • Unleashing the Collective Phantoms: Essays in Reverse Imagineering, New York: Autonomedia, 2008, 187 pp. [1]. Review: Biles (Chicago Artists' News).
  • Profanity and the Financial Markets. A User’s Guide to Closing the Casino, Hatje Cantz (100 Notes, 100 Thoughts: Documenta Series), 2012. (English)/(German)
  • with Beate Geissler and Oliver Sann, Volatile Smile, Nürnberg: Moderne Kunst, 2014, 182 pp. [2] [3]

Translator

  • Clement Greenberg, Between the Lines, trans. Thierry de Duve and Brian Holmes, University Of Chicago Press, 2010.

Journal issues

  • editor, with Gerald Raunig, Brumaria 5: "Arte : la imaginación política radical", Madrid: Asociación Cultural Brumaria, 2005, 379 pp. TOC. Introduction. (Spanish)

Book chapters, essays

  • "Liar's Poker", Springerin 1, Vienna, 2003; repr., Subsol 2: "Art of Commodification", n.d.
  • "The Revenge of the Concept: Artistic Exchanges, Networked Resistance", in Confronting Capitalism: Dispatches from a Global Movement, eds. Eddie Yuen, Daniel Burton-Rose, and George Katsiaficas, Brooklyn, NY: Softy Skull, 2004; repr. in Holmes, Unleashing the Collective Phantoms, 2008. [4] [5]
    • "Maščevanje koncepta", in Holmes, Fleksibilna osebnost. Maščevanje koncepta, trans. Alvina Žuraj, Ljubljana: Založba /*cf., 2005. (Slovenian)
  • "Captive Sun", in Petcoke: Tracing Dirty Energy, Chicago: Museum of Contemporary Photography, 2016. [11]

Interviews

Links

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