Difference between revisions of "Brian Holmes"
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Theorist, critic, artist. | Theorist, critic, artist. | ||
| + | ; Publications | ||
| + | * ''[http://monoskop.org/log/?p=1621 Hieroglyphs of the Future: Art & Politics in a Networked Era]'', Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp. | ||
| + | * ''Unleashing the Collective Phantoms: Essays in Reverse Imagineering'', Autonomedia, 2008, 187 pp. | ||
| + | * ''[http://monoskop.org/log/?p=1640 Escape the Overcode: Activist Art in the Control Society]'', Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp. | ||
| + | |||
| + | ; Links | ||
* http://brianholmes.wordpress.com/ | * http://brianholmes.wordpress.com/ | ||
* http://www.egs.edu/faculty/brian-holmes/ | * http://www.egs.edu/faculty/brian-holmes/ | ||
Revision as of 21:14, 28 April 2015
Theorist, critic, artist.
- Publications
- Hieroglyphs of the Future: Art & Politics in a Networked Era, Zagreb: Arkzin/What, How and for Whom, 2003, 294 pp.
- Unleashing the Collective Phantoms: Essays in Reverse Imagineering, Autonomedia, 2008, 187 pp.
- Escape the Overcode: Activist Art in the Control Society, Eindhoven: Van Abbemuseum, and Zagreb: WHW, 2009, 414 pp.
- Links
