Difference between revisions of "China"
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* [[Beijing]], [[Shanghai]]. | * [[Beijing]], [[Shanghai]]. | ||
| − | ; | + | ; Events |
* ''[[eArts|eArts Festival]]'', Shanghai, 2006-2010. | * ''[[eArts|eArts Festival]]'', Shanghai, 2006-2010. | ||
* ''Synthetic Times'', Beijing, 2008. | * ''Synthetic Times'', Beijing, 2008. | ||
Revision as of 02:52, 5 January 2014
Visual art
- Paul Gladston, ‘Avant-garde’ Art Groups in China, 1979–1989, Intellect, 2013, 194 pp. [1]
- Karin Grace Oen, Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China, MIT, 2012. PhD Thesis.
- Materials of the Future: Documenting Contemporary Chinese Art From 1980-1990.
Media art
- Cities
- Events
- eArts Festival, Shanghai, 2006-2010.
- Synthetic Times, Beijing, 2008.
- Invisible City Transmediale, Beijing, 2010.
- Encode and Decode, Beijing, 2011.
- Translife New Media Art Triennial, Beijing, 2012.
- Motion is action, Beijing, 2013.
- Creators Project, UCCA 798, annually from 2010 to 2013.
- Academies
- Transmedia Department, China Academy of Arts
- School of Design, Tsinghua University
- TASML
- Digital Art department, Central Academy of Media Arts
- New Media Art department, Renmin University
Media Technology
- Gao Dasheng, Zou Tsing, "Philosophy of Technology in China", in Philosophy of Technology: Practical, Historical and Other Dimensions, ed. P. T. Durbin, Springer, 1989.
