Difference between revisions of "Dana Tomečková"

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'''Dana Tomečková''' (1986, Bratislava) works with object and installation, based on phenomenons that are hard to see, but easy to feel. Her background in jewelry makes a room for working with detail, where the viewer needs to sensitize himself in order to see - to discover. Her interest lies in the duality of being in a space and being a space (having our own interior). She holds an MA from the Academy of Fine Arts in Bratislava (2017).
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'''Dana Tomečková''' (1986, Bratislava) studied metal and jewellery (prof. Karol Weisslechner) at the S+M+L_XL studio at the Academy of Fine Arts in Bratislava. She deepened her studies with a one-year stay at the National Academy of Arts in Oslo (prof. Jorge Manilla Navarrete). Tomečková works primarily with the object, installation and the nature of place. She creates ephemeral situations that are difficult to capture but easy to feel, perceiving space and its relationship to the body. At the heart of her artistic strategy is a fascination with the unstable nature of reality, its elusiveness. Her response to it is perseverance and slowness. She deliberately relinquishes firm control over the material and over the process of creating the work. She lives and works in [[Bratislava]]. [https://www.danatomeckova.com/about (2022)]
  
 
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* [http://www.danatomeckova.com/ Home page]
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* [http://www.danatomeckova.com/ Website]
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* [https://artyoucaneat.sk/dana-tomeckova/ Video profile], Art You Can Eat, 2022
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* [https://www.instagram.com/danatomeckova__/ Instagram]

Latest revision as of 14:01, 28 November 2023

Dana Tomečková (1986, Bratislava) studied metal and jewellery (prof. Karol Weisslechner) at the S+M+L_XL studio at the Academy of Fine Arts in Bratislava. She deepened her studies with a one-year stay at the National Academy of Arts in Oslo (prof. Jorge Manilla Navarrete). Tomečková works primarily with the object, installation and the nature of place. She creates ephemeral situations that are difficult to capture but easy to feel, perceiving space and its relationship to the body. At the heart of her artistic strategy is a fascination with the unstable nature of reality, its elusiveness. Her response to it is perseverance and slowness. She deliberately relinquishes firm control over the material and over the process of creating the work. She lives and works in Bratislava. (2022)

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