Difference between revisions of "Douglas Kahn"
Jump to navigation
Jump to search
| Line 1: | Line 1: | ||
| − | * http:// | + | '''Douglas Kahn''' is Professor of Media and Innovation at the National Institute of Experimental Arts (NIEA), University of New South Wales, Sydney. |
| + | |||
| + | Historian and theorist of the media arts and experimental music with concentrations in the study of sound, electromagnetism, and natural media. | ||
| + | |||
| + | Author of ''Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts'' (University of California Press, 2013) and ''Noise, Water, Meat: A History of Sound in the Arts'' (MIT Press, 1999). | ||
| + | |||
| + | He is the recipient of an Australian Research Council Future Fellowship, an Arts Writers Grant from Creative Capital and Warhol Foundation, and a Guggenheim Fellowship. [http://web.archive.org/web/20200119140818/http://www.douglaskahn.com/ (2020)] | ||
| + | |||
| + | ; Publications | ||
| + | * editor, with Gregory Whitehead, ''[https://monoskop.org/log/?p=19473 Wireless Imagination: Sound, Radio and the Avant-garde]'', MIT Press, 1992, xi+452 pp. | ||
| + | * ''[https://monoskop.org/log/?p=63 Noise, Water, Meat: A History of Sound in the Arts]'', MIT Press, 1999, 455 pp. | ||
| + | * editor, with Larry Austin, ''[https://1lib.eu/book/2286336/7f13bc Source: Music of the Avant-garde, 1966-1973]'', University of California Press, 2011. [https://monoskop.org/log/?p=5951] | ||
| + | * ''[https://monoskop.org/log/?p=5612 The Aelectrosonic]'', Amsterdam: Sonic Acts, 2011, 64 pp. | ||
| + | * editor, with Hannah B. Higgins, ''[https://monoskop.org/log/?p=19231 Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts]'', University of California Press, 2012, xiv+362 pp. | ||
| + | * ''[https://1lib.eu/book/2564223/1c4c3f Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts]'', University of California Press, 2013, 343 pp. [https://monoskop.org/log/?p=11030] | ||
| + | * editor, ''Energies in the Arts'', MIT Press, 2019, 480 pp. [https://mitpress.mit.edu/books/energies-arts] | ||
| + | |||
| + | ; Links | ||
| + | * [http://web.archive.org/web/20200119140818/http://www.douglaskahn.com/ Personal website] (archived) | ||
| + | * [https://en.wikipedia.org/wiki/Douglas_Kahn Wikipedia] | ||
[[Category:Electromagnetism|Kahn, Douglas]] | [[Category:Electromagnetism|Kahn, Douglas]] | ||
Revision as of 19:28, 12 August 2020
Douglas Kahn is Professor of Media and Innovation at the National Institute of Experimental Arts (NIEA), University of New South Wales, Sydney.
Historian and theorist of the media arts and experimental music with concentrations in the study of sound, electromagnetism, and natural media.
Author of Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (University of California Press, 2013) and Noise, Water, Meat: A History of Sound in the Arts (MIT Press, 1999).
He is the recipient of an Australian Research Council Future Fellowship, an Arts Writers Grant from Creative Capital and Warhol Foundation, and a Guggenheim Fellowship. (2020)
- Publications
- editor, with Gregory Whitehead, Wireless Imagination: Sound, Radio and the Avant-garde, MIT Press, 1992, xi+452 pp.
- Noise, Water, Meat: A History of Sound in the Arts, MIT Press, 1999, 455 pp.
- editor, with Larry Austin, Source: Music of the Avant-garde, 1966-1973, University of California Press, 2011. [1]
- The Aelectrosonic, Amsterdam: Sonic Acts, 2011, 64 pp.
- editor, with Hannah B. Higgins, Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts, University of California Press, 2012, xiv+362 pp.
- Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts, University of California Press, 2013, 343 pp. [2]
- editor, Energies in the Arts, MIT Press, 2019, 480 pp. [3]
- Links
- Personal website (archived)
- Wikipedia
