Difference between revisions of "Flóra Barkóczi"

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'''Flóra Barkóczi''' is an art historian who works as an archivist and researcher at [[Artpool|Artpool Art Research Center Budapest]]. She is also a PhD candidate in the Film, Media and Contemporary Culture doctoral programme at ELTE, [[Budapest]]. At Artpool she is responsible for the development and research of materials based on new media and digital technologies since the 1980s. She is interested in reinterpreting Artpool's online presence since the mid-1990s as a continuation of its former networking activities from the 1970s. Her research interests include new media art, contemporary fine art photography and internet art practices since the 1990s. As a PhD candidate, she focuses on the development of digital culture and media art in Hungary and in a broader context in the CEE region in the 1990s and its conditions determined by the establishment of liberal democracies immediately after the regime change. [https://isea2022.isea-international.org/event/short-paper-experimental-archiving-artpools-website-as-a-digital-archive-of-underground-art-in-hungary/ (2022)]
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'''Flóra Barkóczi''' is an art historian who works at the research department of the Central European Research Institute for Art History (KEMKI) in Budapest. Between 2018-2022 she worked at the [[Artpool|Artpool Art Research Center]]. Since 2020 she has been a PhD student in the Film, Media and Cultural Theory Doctoral Program at Eötvös Loránd University, Budapest. Her research focuses on the role of technological media in post-1960s avant-garde art in Hungary, including conceptual photography of the 1960s and 1970s, media art of the 1980s and 1990s, Internet-based art and culture of the 1990s, and contemporary photo-based art practices. [https://kemki.hu/en/contentitems/details/29-Flora_Barkoczi (2024)]
  
 
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Latest revision as of 21:46, 29 January 2024

Flóra Barkóczi is an art historian who works at the research department of the Central European Research Institute for Art History (KEMKI) in Budapest. Between 2018-2022 she worked at the Artpool Art Research Center. Since 2020 she has been a PhD student in the Film, Media and Cultural Theory Doctoral Program at Eötvös Loránd University, Budapest. Her research focuses on the role of technological media in post-1960s avant-garde art in Hungary, including conceptual photography of the 1960s and 1970s, media art of the 1980s and 1990s, Internet-based art and culture of the 1990s, and contemporary photo-based art practices. (2024)

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