Difference between revisions of "Griselda Pollock"

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(Created page with "Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her th...")
 
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* ''Avant-Garde Gambits: Gender and the Colour of Art History'', London: Thames and Hudson, 1993.
 
* ''Avant-Garde Gambits: Gender and the Colour of Art History'', London: Thames and Hudson, 1993.
 
* editor, ''Psychoanalysis and the Image'', Boston and Oxford: Blackwell, 2006.
 
* editor, ''Psychoanalysis and the Image'', Boston and Oxford: Blackwell, 2006.
 +
* ''Vision and Difference: Feminism, Femininity and the Histories of Art'', London and New York: Routledge, 2008.
 
* with Anthony Bryant, ''Digital and Other Virtualities: Renegotiating the Image'', London: I.B. Tauris, 2010, [https://archive.org/details/GriseldaPollockAnthonyBryantDigitalAndOtherVirtualitiesRenegotiatingTheImage2010 IA].
 
* with Anthony Bryant, ''Digital and Other Virtualities: Renegotiating the Image'', London: I.B. Tauris, 2010, [https://archive.org/details/GriseldaPollockAnthonyBryantDigitalAndOtherVirtualitiesRenegotiatingTheImage2010 IA].
  

Revision as of 16:39, 22 April 2015

Griselda Pollock (1949) is a visual theorist and cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is best known for her theoretical and methodological innovation, combined with readings of historical and contemporary art, film and cultural theory.

Works

  • Millet, London: Oresko Books, 1977.
  • Avant-Garde Gambits: Gender and the Colour of Art History, London: Thames and Hudson, 1993.
  • editor, Psychoanalysis and the Image, Boston and Oxford: Blackwell, 2006.
  • Vision and Difference: Feminism, Femininity and the Histories of Art, London and New York: Routledge, 2008.
  • with Anthony Bryant, Digital and Other Virtualities: Renegotiating the Image, London: I.B. Tauris, 2010, IA.

Links