Difference between revisions of "Hans Haacke"
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* ''[http://scribd.com/doc/84512655/ Recent Work]'', Chicago: Renaissance Society, 1979, 51 pp. {{en}} | * ''[http://scribd.com/doc/84512655/ Recent Work]'', Chicago: Renaissance Society, 1979, 51 pp. {{en}} | ||
* [http://www.ahva.ubc.ca/EventPDFs/CarolineJones_JCI_Mar12_12.pdf ''Hans Haacke 1967''], ed. Caroline A. Jones, Cambridge, MA: MIT List Visual Arts Center, 2011, 28 pp. {{en}} | * [http://www.ahva.ubc.ca/EventPDFs/CarolineJones_JCI_Mar12_12.pdf ''Hans Haacke 1967''], ed. Caroline A. Jones, Cambridge, MA: MIT List Visual Arts Center, 2011, 28 pp. {{en}} | ||
| + | * ''Castles in the Sky'', Madrid: Museo Nacional Centro de Arte Reina Sofía, 2012, 174 pp. [https://academia.edu/26416737/ Buskirk's essay]. [http://www.museoreinasofia.es/en/publicaciones/hans-haacke-castles-sky-english] {{en}} | ||
==Interviews== | ==Interviews== | ||
Revision as of 01:32, 11 December 2016
Hans Haacke (1936) is a German-born artist who currently lives and works in New York.
Publications
- "Untitled Statement (1967)", in Walter Grasskamp, Molly Nesbit and Jon Bird, Hans Haacke, Phaidon Press, 2004, pp 102-103. Explains the difference between a "system" and a "sculpture"; previously unpublished.
- "Symbolic Capital Management, or What To Do With the Good, the True, and the Beautiful" [1977], in The Academy and the Corporate Public, ed. Stephan Dillemuth, Cologne: Permanent Press, 2002, pp 28-39; repr. in Institutional Critique: An Anthology of Artists' Writings, eds. Alexander Alberro and Blake Stimson, MIT Press, 2009. The essay began as a public lecture at the University of California, Berkeley, in 1977; a revised version of the lecture was presented at the Kunsthalle Zurich in 1996. (English)
- "Museums, Managers of Consciousness", Art in America 72:2 (Feb 1984); rev. in Haacke, Unfinished Business, 1986, pp 60-72; repr. in Institutional Critique: An Anthology of Artists' Writings, eds. Alexander Alberro and Blake Stimson, MIT Press, 2009. (English)
- Unfinished Business, ed. Brian Wallis, New York: New Museum of Contemporary Art, and Cambridge, MA: MIT Press, 1986. (English)
- with Pierre Bourdieu, Libre-Échange, 1994. (French)
- Free Exchange, Polity Press with Blackwell, 1995, 144 pp. (English)
- "Lessons Learned", Tate Papers 12, London, 2009.
Catalogues
- Recent Work, Chicago: Renaissance Society, 1979, 51 pp. (English)
- Hans Haacke 1967, ed. Caroline A. Jones, Cambridge, MA: MIT List Visual Arts Center, 2011, 28 pp. (English)
- Castles in the Sky, Madrid: Museo Nacional Centro de Arte Reina Sofía, 2012, 174 pp. Buskirk's essay. [1] (English)
Interviews
- Lutz Dammbeck, "Interview: Hans Haacke", n.d. For the film Das Netz (2003). (German)
- Stian Gabrielsen, "Touching Institutional Nerves. Interview with Hans Haacke", Kunstkritikk, 22 Dec 2015. (English)
Literature
- Benjamin H.D. Buchloh, "Hans Haacke: Memory and Instrumental Reason", Art in America, Feb 1988, pp 96ff.
- Marga Bijvoet, "Hans Haacke: Systems Artist", ch. 4 in Bijvoet, Art As Inquiry: Toward New Collaborations Between Art, Science, and Technology, Peter Lang, 1997. (English)
- "Hans Haacke: System-Künstler", ch. 4 in Bijvoet, Kunst-Forschung, n.d. (German)
- Luke Skrebowski, "All Systems Go: Recovering Hans Haacke's Systems Art", Grey Room 30 (Winter 2008), pp 54-83. (English)
- Caroline A. Jones, "Hans Haacke 1967", in Hans Haacke 1967, MIT Press, 2011, pp 6-28. (English)
- Jeannine Tang, "Future Circulations: On the Work of Hans Haacke and Maria Eichhorn", in Provenance: An Alternate History of Art, Getty Research Institute, 2013, pp 173-196. (English)
- Luke Skrebowski, "After Hans Haacke: Tue Greenfort and Eco-Institutional Critique", Third Text 27:1 (2013), pp 115-130.
