Difference between revisions of "Jasia Reichardt"
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| − | + | '''Jasia Reichardt''' (1933, Warsaw) is a British art critic, curator, and writer. | |
| − | + | In the 1950s she was assistant editor of the weekly arts magazine ''Art News and Review''. From 1963 to 1971 she was assistant director of the Institute of Contemporary Arts in [[London]]. In 1965, she curated the exhibition ''Between Poetry and Painting'' on concrete poetry and art, during whose preparation she met [[Max Bense]]. She curated the first major international exhibition on computer art, [[Cybernetic Serendipity]], which was exhibited at the ICA in London in [[1968]] after two years of preparation. | |
| − | + | ||
| + | From 1974 to 1976 Reichardt was director of the Whitechapel Art Gallery. She has taught at the Architectural Association and other colleges. She has organised and catalogued the Themerson Archive. | ||
| − | ; | + | ==Publications== |
| + | * editor, ''[https://archive.org/details/xfoml0003 Between Poetry and Painting]'', London: Institute of Contemporary Arts, 1965, 81 pp. | ||
| + | * editor, [http://monoskop.org/log/?p=388 ''Cybernetic Serendipidity. The Computer and the Arts: a Studio International Special Issue''], London: Studio International, Jul 1968; 2nd ed., rev., Sep 1968, 103 pp. Exhibition catalogue. Features a cover designed by Franciszka Themerson; an introduction by Jasia Reichardt; an overview of cybernetics and its founder, Norbert Wiener; separate sections dedicated to the connections between the computer and music, dance, poetry, painting, film, architecture, and graphics; a glossary; and a bibliography. | ||
| + | * editor, [https://monoskop.org/log/?p=20482 ''The Magazine of the Institute of Contemporary Arts'' 5: "Cybernetic Serendipidity"], London: Institute of Contemporary Arts, Aug 1968, 38 pp. With texts by Martin Gardner, Pierre Barbaud, and Charles Csuri. | ||
| + | * editor, ''The Magazine of the Institute of Contemporary Arts'' 6: "Cybernetic Serendipidity", ed. Jasia Reichardt, London: Institute of Contemporary Arts, Sep 1968, 38 pp. With texts by Daphne Oram, Max Bense, Petar Milojevic, and Nam June Paik. [https://www.beatbooks.com/pages/books/35847/cybernetic-serendipity/the-magazine-of-the-institute-of-contemporary-arts-no-6-london-september-1968/?soldItem=true] | ||
| + | * editor, ''Cybernetics, Art and Ideas'', London: Studio Vista, 1971, 207 pp. [[Media:Reichardt Jasia 1971 Cybernetics Art and Ideas introduction.pdf|Introduction]]. | ||
* http://viola.informatik.uni-bremen.de/typo/fileadmin/media/lernen/Reichardt2008.pdf | * http://viola.informatik.uni-bremen.de/typo/fileadmin/media/lernen/Reichardt2008.pdf | ||
* http://viola.informatik.uni-bremen.de/typo/fileadmin/media/lernen/Reichardt1971.pdf | * http://viola.informatik.uni-bremen.de/typo/fileadmin/media/lernen/Reichardt1971.pdf | ||
| − | * | + | |
| + | ==See also== | ||
| + | * [[Cybernetic Serendipity]] | ||
| + | |||
| + | ==Links== | ||
| + | * [https://en.wikipedia.org/wiki/Jasia_Reichardt Wikipedia] | ||
Revision as of 11:52, 26 October 2018
Jasia Reichardt (1933, Warsaw) is a British art critic, curator, and writer.
In the 1950s she was assistant editor of the weekly arts magazine Art News and Review. From 1963 to 1971 she was assistant director of the Institute of Contemporary Arts in London. In 1965, she curated the exhibition Between Poetry and Painting on concrete poetry and art, during whose preparation she met Max Bense. She curated the first major international exhibition on computer art, Cybernetic Serendipity, which was exhibited at the ICA in London in 1968 after two years of preparation.
From 1974 to 1976 Reichardt was director of the Whitechapel Art Gallery. She has taught at the Architectural Association and other colleges. She has organised and catalogued the Themerson Archive.
Publications
- editor, Between Poetry and Painting, London: Institute of Contemporary Arts, 1965, 81 pp.
- editor, Cybernetic Serendipidity. The Computer and the Arts: a Studio International Special Issue, London: Studio International, Jul 1968; 2nd ed., rev., Sep 1968, 103 pp. Exhibition catalogue. Features a cover designed by Franciszka Themerson; an introduction by Jasia Reichardt; an overview of cybernetics and its founder, Norbert Wiener; separate sections dedicated to the connections between the computer and music, dance, poetry, painting, film, architecture, and graphics; a glossary; and a bibliography.
- editor, The Magazine of the Institute of Contemporary Arts 5: "Cybernetic Serendipidity", London: Institute of Contemporary Arts, Aug 1968, 38 pp. With texts by Martin Gardner, Pierre Barbaud, and Charles Csuri.
- editor, The Magazine of the Institute of Contemporary Arts 6: "Cybernetic Serendipidity", ed. Jasia Reichardt, London: Institute of Contemporary Arts, Sep 1968, 38 pp. With texts by Daphne Oram, Max Bense, Petar Milojevic, and Nam June Paik. [1]
- editor, Cybernetics, Art and Ideas, London: Studio Vista, 1971, 207 pp. Introduction.
- http://viola.informatik.uni-bremen.de/typo/fileadmin/media/lernen/Reichardt2008.pdf
- http://viola.informatik.uni-bremen.de/typo/fileadmin/media/lernen/Reichardt1971.pdf
