Difference between revisions of "Jozef Jankovič"
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− | Artist. After becoming "unwanted" by communist regime in [[Slovakia]] he quit creating sculptures and in 1972 started to cooperate with computer scientist | + | Artist. After becoming "unwanted" by communist regime in [[Slovakia]] he quit creating sculptures and in 1972 started to cooperate with computer scientist Imrich Bertók and produced lithographies and serigraphies based on computer drawings. His first computer works were manually digitized and transformed, multiplied and morphed by the computer program, which controlled HP and Calcomp plotters. |
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+ | '''Works''': Ikarus (1974), Movement in a circle (1974). | ||
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+ | Made also decoration for facade of Výpočtové stredisko dopravy in Bratislava, 1971-1974. | ||
'''Articles''':<br> | '''Articles''':<br> | ||
− | + | Bertók, I., Jankovič, J.: A Collaborative Investigation of the Line: Interactive Computer- Aided Drawings, Leonardo, 19, No.1, 1986, pp. 27-30<br> | |
+ | Hrabušický, A.: Jozef Jankovič. Tvorba z rokov 1958-1997 |
Revision as of 21:28, 14 February 2006
Artist. After becoming "unwanted" by communist regime in Slovakia he quit creating sculptures and in 1972 started to cooperate with computer scientist Imrich Bertók and produced lithographies and serigraphies based on computer drawings. His first computer works were manually digitized and transformed, multiplied and morphed by the computer program, which controlled HP and Calcomp plotters.
Works: Ikarus (1974), Movement in a circle (1974).
Made also decoration for facade of Výpočtové stredisko dopravy in Bratislava, 1971-1974.
Articles:
Bertók, I., Jankovič, J.: A Collaborative Investigation of the Line: Interactive Computer- Aided Drawings, Leonardo, 19, No.1, 1986, pp. 27-30
Hrabušický, A.: Jozef Jankovič. Tvorba z rokov 1958-1997