Difference between revisions of "Karl Ioganson"
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==Writings== | ==Writings== | ||
| − | * "Ot konstruktsii k tekhnike i izobreteniiu" [От конструкции к технике и изобретению] [9 Mar 1922], | + | * "Ot konstruktsii k tekhnike i izobreteniiu" [От конструкции к технике и изобретению] [9 Mar 1922], typescript, 3 pp; Khan-Magomedov collection, Moscow; printed in Maria Gough, ''The Artist as Producer'', Harvard University, 1997. Given as lecture at INKhUK; outlines two different types of construction. {{ru}} |
| − | ** "From Construction to Technology and Invention", in ''Art Into Life: Russian Constructivism, 1914-1932'', eds. Richard Andrews and Milena Kalinovska, New York: Rizzoli, 1990, | + | ** "From Construction to Technology and Invention", trans. James West, in ''Art Into Life: Russian Constructivism, 1914-1932'', eds. Richard Andrews and Milena Kalinovska, New York: Rizzoli, 1990, p 70. {{en}} |
** "From Construction to Tekhnika and Invention", in Maria Gough, ''The Artist as Producer'', Harvard University, 1997. {{en}} | ** "From Construction to Tekhnika and Invention", in Maria Gough, ''The Artist as Producer'', Harvard University, 1997. {{en}} | ||
Revision as of 10:27, 11 August 2015
 Karl Ioganson, Moscow, c1922. | |
| Born |
January 16, 1890 Cēsis, Latvia, Russian Empire |
|---|---|
| Died |
October 18, 1929 (aged 39) Moscow, Soviet Union |
| Collections | Costakis |
Karl Ioganson, Voldemars Andersons, Karlis Veidemanis, and Gustav Klutsis pose in Lenin's Model T Ford at the Kremlin, Summer 1918. All four artists were members of a detachment of Latvian machine gunners appointed to guard the Kremlin after Lenin's transfer of the Russian capital to Moscow in March 1918.
Karl Ioganson (Kārlis Johansons, Kaрл Вольдемарович Иогансон; 1890-1929) was a Latvian and Russian Constructivist artist.
Contents
Works
Spatial Constructions
Study in Balance, c1920.
Construction from Spatial Cross series, c1920.
Spatial Constructions [Пространственные конструкции], 1921. Wood, metal, and wire. Dimensions unknown.
Drawings for the construction/composition debate at Inkhuk
Ioganson, Graphic Representation of a Construction, 7 Apr 1921. Colored pencil and pencil on paper, 32.3 x 24.1 cm. Costakis.
Ioganson, Plan of a Composition: Natur-Morte, 7 Apr 1921. Colored pencil, ink, and pencil on paper, 24.3 x 31.8 cm. Costakis.
Writings
- "Ot konstruktsii k tekhnike i izobreteniiu" [От конструкции к технике и изобретению] [9 Mar 1922], typescript, 3 pp; Khan-Magomedov collection, Moscow; printed in Maria Gough, The Artist as Producer, Harvard University, 1997. Given as lecture at INKhUK; outlines two different types of construction. (Russian)
- "From Construction to Technology and Invention", trans. James West, in Art Into Life: Russian Constructivism, 1914-1932, eds. Richard Andrews and Milena Kalinovska, New York: Rizzoli, 1990, p 70. (English)
- "From Construction to Tekhnika and Invention", in Maria Gough, The Artist as Producer, Harvard University, 1997. (English)
Literature
- S.O. Khan-Magomedov (Селим Хан-Магомедов), "Пространственные конструкции К. Иогансона, К. Медунецкого, В. и Г. Стенбергов и А. Родченко", in Khan-Magomedov, Arkhitektura sovetskogo avangarda, 1 [Архитектура советского авангарда, 1], Moscow: Stroyizdat, 1996. (Russian)
- Maria Gough, The Artist as Producer: Karl Ioganson, Nikolai Tarabukin and Russian Constructivism, 1918-1926, Harvard University, 1997. Dissertation. (English)
- Maria Gough, "In the Laboratory of Constructivism. Karl Ioganson's Cold Structures", October 84 (Spring 1998), pp 90-117; new version as "In the Laboratory of Constructivism", ch. 2 in Gough, The Artist as Producer: Russian Constructivism in Revolution, University of California Press, 2005, pp 60-99. (English)
- "Letter from Kenneth Snelson to Maria Gough on Karl Ioganson", 17 Jun 2003. (English)
- Maria Gough, The Artist as Producer: Russian Constructivism in Revolution, University of California Press, 2005, 257 pp. (English)
- http://archvuz.ru/2006_4/29
