Self-portrait, c. 1920.
October 19, 1898|
August 13, 1927 (aged 28)|
Tatra Mountains, Poland
Constructivist and productivist artist, and mountaineer. Born 1898 in Warsaw. 1915-18 studies painting at the Academy of Fine Arts in Warsaw under Miłosz Kotarbiński, where he meets his future partner Teresa Żarnowerówna. Makes paintings, graphic art, sculptures, photomontages, abstract films, book illustrations, theatre sets, magazines and posters. 1920 exhibits expressionist paintings with religious motifs at the Warsaw's Polski Klub Artystyczny. Abandons easel painting in favor of "formes mobiles" and design. 1921 joint exhibition with Henry Stażewski and Edmund Miller at the Polski Klub Artystyczny, presents a multi-faceted spatial compositions made of wood and papier-mâché as a result of experiments on the effects of textural and color intensity. May 1923 exhibits spatial design, typography and theatre works at The New Art Exhibition in Vilnius (Konstrukcja przestrzenna - Portret rewolucjonisty, 1922). 1923 exhibits monuments and abstract films in Der Sturm gallery in Berlin with Żarnowerówna. Collection of his early expressionist and religious works exhibited in the Warsaw's Towarzystwie Zachęty Sztuk Pięknych under the pseudonym Józef Rekuć. Diagnosed with tuberculosis, 1923 moves to the mountain resort of Zakopane at the foot of Tatras, starts mountaineering, 1923-27 repeats some most difficult climbs of the time and establishes own new routes. 1924 co-founds the Blok group, publishes the programmatic texts in its journal which he co-edits. Participates in the Blok inaugural exhibition at the Automobile Salon of the Laurin & Clement company in Warsaw. November 1924 exhibits with Żarnowerówna at the International Art Exhibition organised by Contimporanul group in Bucharest. 1924 joins the Polish Communist Party and begins to work with the "New Culture" [Nowa Kultura] journal, for which he designs the constructivist typographic layouts. His most famous book cover designs include "Ziemia na lewo" by Bruno Jasieński and Anatola Stern (1924), and "Dymy nad miastem" by Władysław Broniewski (1927). Defends the Constructivist utilitarianist ideas in polemics with Antoni Słonimski. With Żarnowerówna they oppose Strzemiński's experimental assumptions with the productivist doctrine, calling for instrumental function of art. In search of new forms moves to industrial and interior design. Since 1925 primarily architecture design; 1926 co-initiates and participates at the International Exhibition of Modern Architecture in Warsaw; 1927 takes part in the Exhibition of Modern Architecture in Moscow. 1927 starts the Dźwignia journal affiliated to the Communist Party as its editor and publisher, promotes productivism; first issue in March, four issues are produced before his death; the editorial of the first issue: "Zadaniem 'Dźwigni' jest skupienie tych pracowników kultury (literatów, plastyków itd.), którzy stoją na gruncie dążeń współczesnego proletariatu. [..] Najlepsza kontrolą celowości i skuteczności naszej pracy będzie ściśle trzymanie się bazy marksistowskiej." Dies 1927 in an accident while climbing the south face of Zamarła Turnia in the Tatra Mountains with two novice climbers.
- Irena Kossowska, "Mieczysław Szczuka", Instytut Sztuki Polskiej Akademii Nauk, July 2002. (Polish) 
- Zofia Radwańska-Paryska, "Witold Henryk Paryski", in Wielka Encyklopedia Tatrzańska Wydawnictwo Górskie, 1995, reprint edition 2004, ISBN 83-7104-009-1