Difference between revisions of "Miklós Peternák"

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'''Miklós Peternák''' (1956, Esztergom, [[Hungary]]) is a writer, lecturer and film/video artist. He is Head of the [[Intermedia MKE Budapest|Intermedia Department]] at the Hungarian University of Fine Arts since its foundation (1990) and director of [[C3|C3: Center for Culture and Communication]] since 1997.   
 
'''Miklós Peternák''' (1956, Esztergom, [[Hungary]]) is a writer, lecturer and film/video artist. He is Head of the [[Intermedia MKE Budapest|Intermedia Department]] at the Hungarian University of Fine Arts since its foundation (1990) and director of [[C3|C3: Center for Culture and Communication]] since 1997.   
  
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Miklós Peternák studied history and art history at ELTE University, Budapest (1981). He received his PhD in New Media – Art and Science (1994). He was a member of the [[Balázs Béla Studio|Béla-Balázs-Studio]], Budapest (1981-1987) and the [[Indigo|Indigo-Group]] (from 1981). He worked at the Hungarian National Gallery (1981-1983) and at the Research Institute for Art History of the Hungarian Academy of Sciences (1983-87). He has produced several films and videos during the 1980s and published widely on contemporary media art and history. He has also organised numerous exhibitions and events. He lives in [[Budapest]].
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Miklós Peternák studied history and art history at ELTE University, Budapest (1981). He received his PhD in New Media – Art and Science (1994). He was a member of the [[Balázs Béla Studio|Béla Balázs Studio]], Budapest (1981-1987) and the [[Indigo|Indigo Group]] (from 1981). He worked at the Hungarian National Gallery (1981-1983) and at the Research Institute for Art History of the Hungarian Academy of Sciences (1983-87). He has produced several films and videos during the 1980s and published widely on contemporary media art and history. He has also organised numerous exhibitions and events. He lives in [[Budapest]]. [http://www.pm.c3.hu/en_us/cv/ (2019)]
  
 
==Publications==
 
==Publications==
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===Books, catalogues===
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* editor, with László Beke, ''[http://monoskop.org/log/?p=967 Bódy Gábor, 1946-1985: életműbemutató / Gábor Bódy, 1946-1985: A Presentation of His Work]'', Budapest: Műcsarnok, 1987, 335 pp. Catalogue. {{hu}}/{{en}}
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* ''[[Media:Intermedia Budapest 1993.pdf|Intermedia]]'', Budapest: Ilona Barabas, 1993, 101 pp. Catalogue. {{hu}}/{{en}}
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* ''[http://www.concept.c3.hu/?page_id=203 A konceptuális mûvészet hatása Magyarországon] / [http://www.concept.c3.hu/?page_id=203&lang=en Conceptual Art in Hungary]'', [1988] 1997; new ed. as ''[http://koncept.c3.hu/ concept.hu / koncept.hu: A konceptuális művészet hatása Magyarországon]'', Budapest: C3 Foundation, and Paksi Képtár, 2014, 200 pp. First appeared in 1997 as an electronic publication of manuscript from 1988. [http://www.c3.hu/c3/publications/index.php]. [http://www.concept.c3.hu/?lang=en Exhibition] (2014). {{hu}}/{en}}
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* ''[http://www.intermedia.c3.hu/2.0/intermedia-1999/ Intermedia]'', Budapest: Barabas, 1999, 151 pp. Catalogue. [https://issuu.com/mkeintermedia/docs/intermedia] {{hu}}/{{en}}
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* co-editor, ''Perspektíva / Perspective: compiled on the basis of the exhibition and event series entitled Perspective, realised in 1999 within the collaborative organisation of the C3: Center for Culture & Communication and the Műcsarnok/Kunsthalle Budapest, 30 June-22 August 1999'', Budapest: Mester Press, 2000, 514 pp. [http://www.c3.hu/perspektiva/frameseten.html Exhibition]. [https://www.worldcat.org/oclc/248969567] {{en}}/{{hu}}
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* co-editor, ''Média Modell: intermédia, új képfajták, interaktív technikák / Media Model: Intermedia, New Image Genres, Interactive Techniques'', Budapest: C3 Foundation, and Műcsarnok, 2001, 291 pp. Catalogue. [http://www.mediamodell.c3.hu/ Exhibition]. {{hu}}/{{en}}
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* co-editor, ''Vision: látás kép és percepció / Vision: Image and Perception'', Budapest: C3, 2002, 124 pp. Catalogue. [http://vision.c3.hu Exhibition & symposium]. {{hu}}/{{en}}
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* co-editor, ''Активное изображение: Медиа искусство Венгрии / Active Image: Media Art in Hungary'', Moscow: NCCA, 2005, 24 pp. Catalogue. [http://activeimage.c3.hu Exhibition]. {{ru}}/{{en}}
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* editor, ''[https://monoskop.org/log/?p=5712 Kempelen. Ember a gépben / Kempelen: Man in the Machine]'', Budapest: C3 Foundation, and Műcsarnok, 2007, 112 pp. Catalogue. [http://www.kempelen.hu/index_en.html Exhibition]. {{hu}}/{{en}}
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* editor, with Zoltán Kékesi, ''[[Media:Pillanatgepek_2009.pdf|Pillanatgépek]]'', Budapest: C3, and Műcsarnok, 2009, 205 pp. Catalogue. [http://pillanatgepek.c3.hu/ Exhibition]. [http://pillanatgepek.c3.hu/kiallitas/katalogus/] {{hu}}
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* editor, with Éva Kozma, ''[https://monoskop.org/log/?p=2585 Bauhaus Lab, Film Workshop, Budapest]'', Budapest: C3, 2010, 85 pp. {{en}}/{{hu}}
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* editor, ''Németh Hajnal: CRASH – Passzív Interjú 2/1. 54. Velencei Képzőművészeti Biennále, Magyar Pavilon'', Budapest: Műcsarnok, 2011. Catalogue. [http://www.crash-passiveinterview.c3.hu/ Exhibition]. {{hu}}
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** ''Hajnal Németh: CRASH – Passive Interview 2/1. The Hungarian Pavilion at the 54th International Art Exhibition – la Biennale di Venezia'', Budapest: Műcsarnok, 2011. {{en}}
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* co-editor, ''[[Media:Timebase Time-Based Media in Contemporary Art 2015.pdf|Időalap: Idő-alapú médiaművek a kortárs képzőművészetben / Timebase: Time-Based Media in Contemporary Art]]'', Budapest: C3, and Budapest Gallery, 2015, [278] pp. Catalogue. [http://www.c3.hu/idoalap/ Exhibition]. {{hu}}/{{en}}
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* [http://www.c3.hu/~pm/ more]
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===Book chapters, essays===
 
* [http://www.c3.hu/~ligal/54.htm "Majomszemüveg (jegyzetek Sugár János kiállítása mellé)"], Budapest, Apr 1987. For an exhibition of János Sugár at Liget Galéria, Budapest, 1987. {{hu}}
 
* [http://www.c3.hu/~ligal/54.htm "Majomszemüveg (jegyzetek Sugár János kiállítása mellé)"], Budapest, Apr 1987. For an exhibition of János Sugár at Liget Galéria, Budapest, 1987. {{hu}}
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* editor, with László Beke, ''[http://monoskop.org/log/?p=967 Bódy Gábor, 1946-1985: életműbemutató / Gábor Bódy, 1946-1985: A Presentation of His Work]'', Budapest: Műcsarnok, 1987, 335 pp. Catalogue. {{hu}}/{{en}}
 
 
* in ''Bachman Gábor: Ravatal/Catafalque'', Budapest: NA-NE Galéria, 1990. Catalogue text. {{hu}}/{{en}}
 
* in ''Bachman Gábor: Ravatal/Catafalque'', Budapest: NA-NE Galéria, 1990. Catalogue text. {{hu}}/{{en}}
 
* [http://www.c3.hu/ican.artnet.org/ican/textcd6e.html?id_text=89 "Who is (was) the Victim, Who is (was) the Culprit and What Happened? Hungarian Art in the Eighties"], in ''Modern and Contemporary Hungarian Art. Bulletin, 1985-1990'', ed. Suzanne Mészöly, Budapest: Soros Foundation, and Műcsarnok, 1991. [http://www.c3.hu/c3/publications/index.php?kiid=10] {{en}}
 
* [http://www.c3.hu/ican.artnet.org/ican/textcd6e.html?id_text=89 "Who is (was) the Victim, Who is (was) the Culprit and What Happened? Hungarian Art in the Eighties"], in ''Modern and Contemporary Hungarian Art. Bulletin, 1985-1990'', ed. Suzanne Mészöly, Budapest: Soros Foundation, and Műcsarnok, 1991. [http://www.c3.hu/c3/publications/index.php?kiid=10] {{en}}
 
* [https://monoskop.org/images/5/59/Sub_Voce_Contemporary_Hungarian_Video_Installation_1991.pdf#page=23 "Cross Chronology: A History of Hungarian Video Art / Adatok a magyar videóművészet történetének tanulmányozásához"], in ''[[Media:Sub Voce Contemporary Hungarian Video Installation 1991.pdf|Sub Voce: Contemporary Hungarian Video Installation]]'', ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, pp 21-24. Catalogue text. {{en}}/{{hu}}
 
* [https://monoskop.org/images/5/59/Sub_Voce_Contemporary_Hungarian_Video_Installation_1991.pdf#page=23 "Cross Chronology: A History of Hungarian Video Art / Adatok a magyar videóművészet történetének tanulmányozásához"], in ''[[Media:Sub Voce Contemporary Hungarian Video Installation 1991.pdf|Sub Voce: Contemporary Hungarian Video Installation]]'', ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, pp 21-24. Catalogue text. {{en}}/{{hu}}
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* ''[[Media:Intermedia Budapest 1993.pdf|Intermedia]]'', Budapest: Ilona Barabas, 1993, 101 pp. Catalogue. {{hu}}/{{en}}
 
 
* "Detaillierte Spuren von Geheimnisse", ''artintact'' 3, ed. ZKM Zentrum Für Kunst und Medientechnologie Karlsruhe, Ostfildern, 1996, pp 89-94. [http://web.archive.org/web/20041110074214/on1.zkm.de/zkm/stories/storyReader$514] {{de}}
 
* "Detaillierte Spuren von Geheimnisse", ''artintact'' 3, ed. ZKM Zentrum Für Kunst und Medientechnologie Karlsruhe, Ostfildern, 1996, pp 89-94. [http://web.archive.org/web/20041110074214/on1.zkm.de/zkm/stories/storyReader$514] {{de}}
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* ''[http://www.intermedia.c3.hu/2.0/intermedia-1999/ Intermedia]'', Budapest: Barabas, 1999, 151 pp.  Catalogue. [https://issuu.com/mkeintermedia/docs/intermedia] {{hu}}/{{en}}
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* with Zoltán Szegedy-Maszák, [http://www.c3.hu/scripta/balkon/98/05/16szeg.htm "Akhilleusz és a teknősbéka"], ''Balkon'' 5, 1998. {{hu}}
 
* "Art, Research, Experiment: Scientific Methods and Systematic Concepts", in ''Beyond Geometry: Experiments in Form, 1940s-1970s'', ed. Lynn Zelevansky, Los Angeles: Los Angeles County Museum of Art, 2004. Catalogue text. {{en}}
 
* "Art, Research, Experiment: Scientific Methods and Systematic Concepts", in ''Beyond Geometry: Experiments in Form, 1940s-1970s'', ed. Lynn Zelevansky, Los Angeles: Los Angeles County Museum of Art, 2004. Catalogue text. {{en}}
 
* [https://monoskop.org/images/1/13/Weibel_Peter_ed_Beyond_Art_A_Third_Culture_2005.pdf#page=85 "Light and Sound from Hungary"], [https://monoskop.org/images/1/13/Weibel_Peter_ed_Beyond_Art_A_Third_Culture_2005.pdf#page=92 "Vision in Motion"], [https://monoskop.org/images/1/13/Weibel_Peter_ed_Beyond_Art_A_Third_Culture_2005.pdf#page=339 "Hungarian Computer Art"], in ''Beyond Art: A Third Culture. A Comparative Study in Cultures, Art and Science in 20th Century Austria and Hungary'', ed. Peter Weibel, Vienna: Springer, 2005, pp 84-85, 91-95, 338-340. {{en}}
 
* [https://monoskop.org/images/1/13/Weibel_Peter_ed_Beyond_Art_A_Third_Culture_2005.pdf#page=85 "Light and Sound from Hungary"], [https://monoskop.org/images/1/13/Weibel_Peter_ed_Beyond_Art_A_Third_Culture_2005.pdf#page=92 "Vision in Motion"], [https://monoskop.org/images/1/13/Weibel_Peter_ed_Beyond_Art_A_Third_Culture_2005.pdf#page=339 "Hungarian Computer Art"], in ''Beyond Art: A Third Culture. A Comparative Study in Cultures, Art and Science in 20th Century Austria and Hungary'', ed. Peter Weibel, Vienna: Springer, 2005, pp 84-85, 91-95, 338-340. {{en}}
 
* "Convention and Invention: Notes on the Illustrations to Orbis Pictus", in ''Variantology 2: On Deep Time Relations of Arts, Sciences and Technologies'', eds. Siegfried Zielinski and David Link, Cologne: Verlag der Buchhandlung Walther König, 2006, pp 87-111. {{en}}
 
* "Convention and Invention: Notes on the Illustrations to Orbis Pictus", in ''Variantology 2: On Deep Time Relations of Arts, Sciences and Technologies'', eds. Siegfried Zielinski and David Link, Cologne: Verlag der Buchhandlung Walther König, 2006, pp 87-111. {{en}}
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* editor, ''[https://monoskop.org/log/?p=5712 Kempelen. Ember a gépben / Kempelen: Man in the Machine]'', Budapest: C3 Foundation, and Műcsarnok, 2007, 112 pp. {{hu}}/{{en}}
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* [https://monoskop.org/images/5/57/Peternak_Miklos_ed_Kempelen_Man_in_the_Machine_catalogue.pdf#page=21 "Művészet, tudomány, mutatvány Kempelen korában. Médiaarcheológiai vázlat a XVIII. század második feléről"] / [https://monoskop.org/images/5/57/Peternak_Miklos_ed_Kempelen_Man_in_the_Machine_catalogue.pdf#page=29 "Art, Science and Spectacle in the Age of Kempelen"], in ''Kempelen. Ember a gépben / Kempelen: Man in the Machine'', ed. Miklós Peternák, Budapest: C3 Foundation, and Műcsarnok, 2007. {{hu}}/{{en}}
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* in ''Wolfgang von Kempelen. Mensch in der Maschine / Man in the Machine'', eds. Bernhard Serexhe and Peter Weibel, Berlin: Matthes & Seitz, and Karlsruhe: ZKM, 2007, pp 28-38. [https://zkm.de/de/publikation/wolfgang-von-kempelen-mensch-in-der-maschine-man-in-the-machine] [https://www.matthes-seitz-berlin.de/buch/wolfgang-von-kempelen-mensch-in-der-maschine.html] {{de}}
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** in ''Wolfgang von Kempelen. Mensch in der Maschine / Man in the Machine'', eds. Bernhard Serexhe and Peter Weibel, Berlin: Matthes & Seitz, and Karlsruhe: ZKM, 2007, pp 28-38. [https://zkm.de/de/publikation/wolfgang-von-kempelen-mensch-in-der-maschine-man-in-the-machine] [https://www.matthes-seitz-berlin.de/buch/wolfgang-von-kempelen-mensch-in-der-maschine.html] {{de}}
 
* "Die heroische Zeit der großen Illusion", in ''Blickmaschinen'', eds. Nike Bätzner, Eva Schmidt, and Werner Nekes, Cologne: DuMont, 2008, pp 215-221. [http://web.archive.org/web/20110324184742/www.blickmaschinen.de/katalog.php?id=31] {{de}}
 
* "Die heroische Zeit der großen Illusion", in ''Blickmaschinen'', eds. Nike Bätzner, Eva Schmidt, and Werner Nekes, Cologne: DuMont, 2008, pp 215-221. [http://web.archive.org/web/20110324184742/www.blickmaschinen.de/katalog.php?id=31] {{de}}
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* editor, with Zoltán Kékesi, ''[[Media:Pillanatgepek_2009.pdf|Pillanatgépek]]'', Budapest: C3, and Műcsarnok, 2009, 205 pp. Catalogue. [http://pillanatgepek.c3.hu/kiallitas/katalogus/] {{hu}}
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* [https://monoskop.org/images/5/52/Pillanatgepek_2009.pdf#page=101 "A nagy illúzió hőskora"], in ''Pillanatgépek'', eds. Miklós Peternák and Zoltán Kékesi, Budapest: C3, and Műcsarnok, 2009, pp 101-106. Catalogue text. [http://pillanatgepek.c3.hu/kiallitas/katalogus/] {{hu}}
 
* "Art Beyond the Pictorial Turn", in ''Zoltán Szegedy-Maszák'', Budapest: Paksi Képtár, 2008-2009, pp 5-17. {{en}}
 
* "Art Beyond the Pictorial Turn", in ''Zoltán Szegedy-Maszák'', Budapest: Paksi Képtár, 2008-2009, pp 5-17. {{en}}
−
* editor, with Éva Kozma, ''[https://monoskop.org/log/?p=2585 Bauhaus Lab, Film Workshop, Budapest]'', Budapest: C3, 2010, 85 pp. {{en}}/{{hu}}
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* "A heuréka katarzisa", in ''Csörgő Attila Archimédeszi pont című kiállításának megnyitója'', Budapest: Ludwig Múzeum, 2009. {{hu}}
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* "The Catharsis of Eureka!", in ''Attila Csörgő: Archimedean Point'', Ljubljana: Gurgur Editions, and Budapest: Ludwig Museum, 2010, pp 80-85. [https://www.ludwigmuseum.hu/en/exhibition/attila-csorgo-archimedean-point] {{en}}
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** "The Catharsis of Eureka!", in ''Attila Csörgő: Archimedean Point'', Ljubljana: Gurgur Editions, and Budapest: Ludwig Museum, 2010, pp 80-85. [https://www.ludwigmuseum.hu/en/exhibition/attila-csorgo-archimedean-point] {{en}}
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* with Annamária Szoke, "Das Morgen ist Beweis!" / "Tomorrow Is Evidence!", in ''Subversive Praktiken. Kunst unter Bedingungen politischer Repression 60er-80er/Sudamerika/Europa / Subversive Practices: Art under Conditions of Political Repression, 60s-80s/South America/Europe'', eds. Hans D Christ and Iris Dressler, Ostfildern: Hatje Cantz, 2010, pp 123-140. [http://subversive.c3.hu Exhibition]. [https://www.wkv-stuttgart.de/en/program/2009/exhibitions/subversive/introduction-sp/ Exhibition]. [https://www.wkv-stuttgart.de/uploads/media/reader_de.pdf#page=47] [https://www.wkv-stuttgart.de/uploads/media/inhalt_01.pdf] [https://www.wkv-stuttgart.de/publikationen/2010/] {{de}}/{{en}}
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* "Image, Vision and the Attribution of Meaning in Gábor Bódy's Oeuvre", in ''Der Stand der Bilder: die Medienpioniere Zbigniew Rybczyński und Gábor Bódy / State of Images: The Media Pioneers Zbigniew Rybczyński and Gábor Bódy'', eds. Siegfried Zielinski und Peter Weibel, Nürnberg: Verl. für Moderne Kunst, 2011. [http://stateofimages.c3.hu Exhibition]. {{de}}/{{en}}
 
* "“Born/Natura” – A Picture in the Background of a Picture", in ''Variantology 5: Neapolitan Affairs. On Deep Time Relations of Arts, Sciences and Technologies'', eds. Siegfried Zielinski and Eckhard Fürlus, Cologne: Verlag der Buchhandlung Walther Koenig, 2011, pp 361–384. {{en}}
 
* "“Born/Natura” – A Picture in the Background of a Picture", in ''Variantology 5: Neapolitan Affairs. On Deep Time Relations of Arts, Sciences and Technologies'', eds. Siegfried Zielinski and Eckhard Fürlus, Cologne: Verlag der Buchhandlung Walther Koenig, 2011, pp 361–384. {{en}}
 
* [http://www.crash-passiveinterview.c3.hu/iras2.html "Icarus és Transitus. A szabadság pillanata"], in ''Németh Hajnal: CRASH – Passzív Interjú 2/1. 54. Velencei Képzőművészeti Biennále, Magyar Pavilon'', Budapest: Műcsarnok, 2011, pp 25-38. {{hu}}
 
* [http://www.crash-passiveinterview.c3.hu/iras2.html "Icarus és Transitus. A szabadság pillanata"], in ''Németh Hajnal: CRASH – Passzív Interjú 2/1. 54. Velencei Képzőművészeti Biennále, Magyar Pavilon'', Budapest: Műcsarnok, 2011, pp 25-38. {{hu}}
 
** [http://www.crash-passiveinterview.c3.hu/text2.html "Icarus and Transitus: The Moment of Freedom"], in ''Hajnal Németh: CRASH – Passive Interview 2/1. The Hungarian Pavilion at the 54th International Art Exhibition – la Biennale di Venezia'', Budapest: Műcsarnok, 2011. {{en}}
 
** [http://www.crash-passiveinterview.c3.hu/text2.html "Icarus and Transitus: The Moment of Freedom"], in ''Hajnal Németh: CRASH – Passive Interview 2/1. The Hungarian Pavilion at the 54th International Art Exhibition – la Biennale di Venezia'', Budapest: Műcsarnok, 2011. {{en}}
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* [http://www.pm.c3.hu/en_us/ more], [http://www.pm.c3.hu/ more]
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* [http://www.goethe.de/ins/ee/pro/gateways/katalogtexte/E_Peternak.pdf "The Illusion of the Initiative: An Overview of the Past Twenty Years of Media Art in Central Europe"], in ''Gateways: Art and Networked Culture / Kunst und vernetzte Kultur'', ed. Sabine Himmelsbach, Ostfildern: Hatje Cantz, and Tallinn: Kumu Art Museum, 2011, pp 201-213. Catalogue text. [http://web.archive.org/web/20110807104555/http://www.goethe.de/ins/ee/prj/gtw/enindex.htm] [https://kumu.ekm.ee/en/gateways-art-and-networked-culture/] {{en}}/{{de}}
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* [http://eyeresonator.c3.hu/en/publications/ "A Future in the Past"], trans. Owen Good, in ''Eye Resonator'', Budapest, 2015. {{en}}
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* [https://issuu.com/tamasw/docs/photo-based-new-media-works-by-wali/14 "What is Personal and What Is Not: The Role of Photographs in Some of the Works of Tamás Waliczky"], in ''Photo-based New Media Works by Tamás Waliczky'', Hong Kong: School of Creative Media--City University of Hong Kong, 2016, pp 12-28. {{cn}}/{{en}}
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* [http://www.c3.hu/~pm/ more], [http://www.pm.c3.hu/en_us/ more], [http://www.pm.c3.hu/ more]
  
 
==Interviews==
 
==Interviews==
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* [http://www.pm.c3.hu/ Personal website]
 
* [http://www.pm.c3.hu/ Personal website]
  
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[[Category:Writers]] [[Category:Art history]] {{DEFAULTSORT:Peternak, Miklos}}
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[[Category:Writers]] [[Category:Art history]] [[Category:Media archaeology]] {{DEFAULTSORT:Peternak, Miklos}}

Revision as of 22:14, 31 October 2019

Miklós Peternák (1956, Esztergom, Hungary) is a writer, lecturer and film/video artist. He is Head of the Intermedia Department at the Hungarian University of Fine Arts since its foundation (1990) and director of C3: Center for Culture and Communication since 1997.

Miklós Peternák studied history and art history at ELTE University, Budapest (1981). He received his PhD in New Media – Art and Science (1994). He was a member of the Béla Balázs Studio, Budapest (1981-1987) and the Indigo Group (from 1981). He worked at the Hungarian National Gallery (1981-1983) and at the Research Institute for Art History of the Hungarian Academy of Sciences (1983-87). He has produced several films and videos during the 1980s and published widely on contemporary media art and history. He has also organised numerous exhibitions and events. He lives in Budapest. (2019)

Publications

Books, catalogues

Book chapters, essays

  • "Majomszemüveg (jegyzetek Sugár János kiállítása mellé)", Budapest, Apr 1987. For an exhibition of János Sugár at Liget Galéria, Budapest, 1987. (Hungarian)
  • in Bachman Gábor: Ravatal/Catafalque, Budapest: NA-NE Galéria, 1990. Catalogue text. (Hungarian)/(English)
  • "Who is (was) the Victim, Who is (was) the Culprit and What Happened? Hungarian Art in the Eighties", in Modern and Contemporary Hungarian Art. Bulletin, 1985-1990, ed. Suzanne Mészöly, Budapest: Soros Foundation, and Műcsarnok, 1991. [5] (English)
  • "Cross Chronology: A History of Hungarian Video Art / Adatok a magyar videóművészet történetének tanulmányozásához", in Sub Voce: Contemporary Hungarian Video Installation, ed. Suzanne Mészöly, Budapest: Soros Foundation Fine Art Documentation Center - Mucsarnok, 1991, pp 21-24. Catalogue text. (English)/(Hungarian)
  • "Detaillierte Spuren von Geheimnisse", artintact 3, ed. ZKM Zentrum Für Kunst und Medientechnologie Karlsruhe, Ostfildern, 1996, pp 89-94. [6] (German)
  • with Zoltán Szegedy-Maszák, "Akhilleusz és a teknősbéka", Balkon 5, 1998. (Hungarian)
  • "Art, Research, Experiment: Scientific Methods and Systematic Concepts", in Beyond Geometry: Experiments in Form, 1940s-1970s, ed. Lynn Zelevansky, Los Angeles: Los Angeles County Museum of Art, 2004. Catalogue text. (English)
  • "Light and Sound from Hungary", "Vision in Motion", "Hungarian Computer Art", in Beyond Art: A Third Culture. A Comparative Study in Cultures, Art and Science in 20th Century Austria and Hungary, ed. Peter Weibel, Vienna: Springer, 2005, pp 84-85, 91-95, 338-340. (English)
  • "Convention and Invention: Notes on the Illustrations to Orbis Pictus", in Variantology 2: On Deep Time Relations of Arts, Sciences and Technologies, eds. Siegfried Zielinski and David Link, Cologne: Verlag der Buchhandlung Walther König, 2006, pp 87-111. (English)
  • "Művészet, tudomány, mutatvány Kempelen korában. Médiaarcheológiai vázlat a XVIII. század második feléről" / "Art, Science and Spectacle in the Age of Kempelen", in Kempelen. Ember a gépben / Kempelen: Man in the Machine, ed. Miklós Peternák, Budapest: C3 Foundation, and Műcsarnok, 2007. (Hungarian)/(English)
    • in Wolfgang von Kempelen. Mensch in der Maschine / Man in the Machine, eds. Bernhard Serexhe and Peter Weibel, Berlin: Matthes & Seitz, and Karlsruhe: ZKM, 2007, pp 28-38. [7] [8] (German)
  • "Die heroische Zeit der großen Illusion", in Blickmaschinen, eds. Nike Bätzner, Eva Schmidt, and Werner Nekes, Cologne: DuMont, 2008, pp 215-221. [9] (German)
  • "A nagy illúzió hőskora", in Pillanatgépek, eds. Miklós Peternák and Zoltán Kékesi, Budapest: C3, and Műcsarnok, 2009, pp 101-106. Catalogue text. [10] (Hungarian)
  • "Art Beyond the Pictorial Turn", in Zoltán Szegedy-Maszák, Budapest: Paksi Képtár, 2008-2009, pp 5-17. (English)
  • "A heuréka katarzisa", in Csörgő Attila Archimédeszi pont című kiállításának megnyitója, Budapest: Ludwig Múzeum, 2009. (Hungarian)
    • "The Catharsis of Eureka!", in Attila Csörgő: Archimedean Point, Ljubljana: Gurgur Editions, and Budapest: Ludwig Museum, 2010, pp 80-85. [11] (English)
  • with Annamária Szoke, "Das Morgen ist Beweis!" / "Tomorrow Is Evidence!", in Subversive Praktiken. Kunst unter Bedingungen politischer Repression 60er-80er/Sudamerika/Europa / Subversive Practices: Art under Conditions of Political Repression, 60s-80s/South America/Europe, eds. Hans D Christ and Iris Dressler, Ostfildern: Hatje Cantz, 2010, pp 123-140. Exhibition. Exhibition. [12] [13] [14] (German)/(English)
  • "Image, Vision and the Attribution of Meaning in Gábor Bódy's Oeuvre", in Der Stand der Bilder: die Medienpioniere Zbigniew Rybczyński und Gábor Bódy / State of Images: The Media Pioneers Zbigniew Rybczyński and Gábor Bódy, eds. Siegfried Zielinski und Peter Weibel, Nürnberg: Verl. für Moderne Kunst, 2011. Exhibition. (German)/(English)
  • "“Born/Natura” – A Picture in the Background of a Picture", in Variantology 5: Neapolitan Affairs. On Deep Time Relations of Arts, Sciences and Technologies, eds. Siegfried Zielinski and Eckhard Fürlus, Cologne: Verlag der Buchhandlung Walther Koenig, 2011, pp 361–384. (English)
  • "Icarus és Transitus. A szabadság pillanata", in Németh Hajnal: CRASH – Passzív Interjú 2/1. 54. Velencei Képzőművészeti Biennále, Magyar Pavilon, Budapest: Műcsarnok, 2011, pp 25-38. (Hungarian)
    • "Icarus and Transitus: The Moment of Freedom", in Hajnal Németh: CRASH – Passive Interview 2/1. The Hungarian Pavilion at the 54th International Art Exhibition – la Biennale di Venezia, Budapest: Műcsarnok, 2011. (English)
  • "The Illusion of the Initiative: An Overview of the Past Twenty Years of Media Art in Central Europe", in Gateways: Art and Networked Culture / Kunst und vernetzte Kultur, ed. Sabine Himmelsbach, Ostfildern: Hatje Cantz, and Tallinn: Kumu Art Museum, 2011, pp 201-213. Catalogue text. [15] [16] (English)/(German)
  • "A Future in the Past", trans. Owen Good, in Eye Resonator, Budapest, 2015. (English)
  • "What is Personal and What Is Not: The Role of Photographs in Some of the Works of Tamás Waliczky", in Photo-based New Media Works by Tamás Waliczky, Hong Kong: School of Creative Media--City University of Hong Kong, 2016, pp 12-28. (Chinese)/(English)
  • more, more, more

Interviews

Links

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