Difference between revisions of "Nikolai Tarabukin"
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* [http://www.goodwin.ee/ekafoto/tekstid/Tarabukin,%2520Nikolai%2520-%2520from%2520Easel%2520to%2520Machine.rtf "From Easel to Machine"], 1923. | * [http://www.goodwin.ee/ekafoto/tekstid/Tarabukin,%2520Nikolai%2520-%2520from%2520Easel%2520to%2520Machine.rtf "From Easel to Machine"], 1923. | ||
* [http://scribd.com/doc/124939828/Nikolai-Tarabukin-The-Art-of-the-Day-1925 "The Art of the Day"] [Iskusstvo Dnya], 1925. | * [http://scribd.com/doc/124939828/Nikolai-Tarabukin-The-Art-of-the-Day-1925 "The Art of the Day"] [Iskusstvo Dnya], 1925. | ||
+ | * ''Le Dernier tableau: Du chevalet à la machine / Pour une théorie de la peinture'', Paris: Champ Libre, 1972. (in French) | ||
+ | ** ''[[Media:Tarabukin_Nikolai_El_ultimo_cuadro.pdf|El último cuadro: Del caballete a la máquina/Por una teoría de la pintura]]'', trans. Rosa Feliu and Patricio Vélez, Barcelona: Gustavo Gili, 1977. (in Spanish) | ||
; On Tarabukin | ; On Tarabukin |
Revision as of 16:51, 11 December 2013
Literature
- By Tarabukin
- "From Easel to Machine", 1923.
- "The Art of the Day" [Iskusstvo Dnya], 1925.
- Le Dernier tableau: Du chevalet à la machine / Pour une théorie de la peinture, Paris: Champ Libre, 1972. (in French)
- El último cuadro: Del caballete a la máquina/Por una teoría de la pintura, trans. Rosa Feliu and Patricio Vélez, Barcelona: Gustavo Gili, 1977. (in Spanish)
- On Tarabukin
- Maria Elizabeth Gough, The Artist as Producer: Karl Ioganson, Nikolai Tarabukin and Russian Constructivism, 1918-1926, Harvard University Press, 1997.
- Maria Gough, "Tarabukin, Spengler, and the Art of Production", 2000.