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“This artist’s book is the first comprehensive monograph on sound and media artist Paul DeMarinis. DeMarinis has avidly followed the development of communication media, interested in discoveries being made in the realm of physical phenomena and the corresponding objects and devices that have been invented as well as in their cultural and social aspects. His works embody an aesthetic culture of invention permeated by a critical, yet humorous and poetic spirit. Buried in Noise is being published on the occasion of DeMarinis’s artist fellowship at the DAAD artists’ program in Berlin. The publication compiles documentation on Paul DeMarinis’s complete oeuvre since 1973 and the first published compendium of texts by the artist.”

Contributors include Gascia Ouzounian, Fred Turner, Erkki Huhtamo, Douglas Kahn, Bernd Schulz, Siegfried Zielinski, and Thomas Y. Levin.

Edited by Ingrid Beirer, Sabine Himmelsbach, and Carsten Seiffarth
Publisher Kehrer Verlag, Heidelberg/Berlin, 2010
ISBN 9783868281415, 386828141X
279 pages

PDF (77 MB)

“Those who make it possible to really live as a trans woman are rarely those who are our representatives to the other, and still less those who appoint themselves among us as the police of our supposed collective identity. Those who make it possible are artists. Not fine artists necessarily, nor writers of “fine writing.” They might work in minor, vernacular forms. They might just be artists of trans life itself. They might be undetectable outside of our little covens of care. They make up stories or images or gestures that elude the limits of what they, and we, were handed. Making it up as they go.”

Contributors: Isabel Sandoval, Jules Gill-Peterson, Rosza Daniel Lang/Levitsky, Bishakh Som, Sultana Isham, Tamarra and Riksa Afiaty, Kira Xonorika, Maxi Wallenhorst, Eva Hayward, McKenzie Wark, Emily Alison Zhou, Comrade Josephine (embodied by Luce deLire).

Edited by McKenzie Wark
Publisher e-flux, New York, April 2021
ISSN 2164-1625

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<wikitex refresh dpi="144"> \section*{Education} \begin{itemize} \item M.A. Media Design and Communication: Networked Media, Piet Zwart Institute, Willem de Kooning Academy, Rotterdam University, Netherlands, 2010--2012. \item M.A. Information Technologies, Faculty of Economic Informatics, Economic University of Bratislava, Slovakia, 1997--2002. \begin{itemize} \item \textit{Dissertation:} Electronic Business (Online Market in the Mirror of Chaos Theory). \end{itemize} \item Mass Media Communication, Faculty of Mass Media Communication, University of Cyril and Method in Trnava, Slovakia, 1999--2001. \end{itemize} </wikitex>

<wikitex> Let $Q$ be any finite set, and $\mathcal B=2^Q$ be the collection of the subsets of $Q$. Let $f:\mathcal B\rightarrow \mathbb R$ be a function assigning real numbers to the subsets of $Q$ and suppose $f$ satisfies the following conditions:

(i) $f(A)\ge 0$ for all $A\subseteq Q$, $f(\emptyset)=0$,
(ii) $f$ is monotone, i.e. if $A\subseteq B\subseteq Q$ then $f(A)\le f(B)$,
(iii) $f$ is submodular, i.e. if $A$ and $B$ are different subsets of $Q$ then
     $$f(A)+f(B)\ge f(A\cap B) + f(A\cup B).\eqno{(2)}$$


</wikitex>

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<lua who="Sandbox"> function hello(s)

 return string.format("Hello, %s!", s)


end

print(hello(who)) </lua>

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"I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..

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