Difference between revisions of "Sergei Eisenstein"
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|death_date = {{Death date and age|1948|2|11|1898|1|22|mf=y}} | |death_date = {{Death date and age|1948|2|11|1898|1|22|mf=y}} | ||
|death_place = Moscow, Soviet Union | |death_place = Moscow, Soviet Union | ||
| − | |web = [[Aaaaarg::http://aaaaarg.fail/maker/53106b1b334fe07269201483|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Sergei_Eisenstein|Wikipedia]], [[ | + | |web = [[Aaaaarg::http://aaaaarg.fail/maker/53106b1b334fe07269201483|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Sergei_Eisenstein|Wikipedia]], [[Academiaedu::http://www.academia.edu/Documents/in/Sergei_Eisenstein|Academia.edu]], [[OpenLibrary::http://openlibrary.org/authors/OL67746A/|Open Library]] |
}} | }} | ||
'''Sergei Mikhailovich Eisenstein''' (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage. | '''Sergei Mikhailovich Eisenstein''' (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage. | ||
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[[Image:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory.jpg|thumb|200px|''Film Form: Essays in Film Theory'', 1944/1977, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|PDF]], [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]].]] | [[Image:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory.jpg|thumb|200px|''Film Form: Essays in Film Theory'', 1944/1977, [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.pdf|PDF]], [[Media:Eisenstein_Sergei_Film_Form_Essays_in_Film_Theory_1977.epub|EPUB]].]] | ||
[[Image:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.jpg|thumb|200px|''Selected Works, 1: Writings, 1922-34'', 1988, [http://monoskop.org/log/?p=2046 Log], [[Media:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.pdf|PDF]].]] | [[Image:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.jpg|thumb|200px|''Selected Works, 1: Writings, 1922-34'', 1988, [http://monoskop.org/log/?p=2046 Log], [[Media:Eisenstein_Sergei_Selected_Works_Volume_I_Writings_1922-34.pdf|PDF]].]] | ||
| − | [[Image:Eisenstein_Sergei_Nonindifferent_Nature.jpg|thumb|200px| ''Nonindifferent Nature'', 1987, [http://monoskop.org/log/?p=14731 Log | + | [[Image:Eisenstein_Sergei_Nonindifferent_Nature.jpg|thumb|200px| ''Nonindifferent Nature'', 1987, [http://monoskop.org/log/?p=14731 Log].]] |
[[Image:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.jpg|thumb|200px| ''Notes for a General History of Cinema'' [1946-47], 2016, [http://monoskop.org/log/?p=16917 Log], [[Media:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.pdf|PDF]].]] | [[Image:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.jpg|thumb|200px| ''Notes for a General History of Cinema'' [1946-47], 2016, [http://monoskop.org/log/?p=16917 Log], [[Media:Eisenstein_Sergei_M_Notes_for_a_General_History_of_Cinema.pdf|PDF]].]] | ||
==Writings== | ==Writings== | ||
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* ''Neravnodushnaya priroda'' [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. {{ru}} | * ''Neravnodushnaya priroda'' [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. {{ru}} | ||
** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}} | ** ''La non-indifférente nature'', 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. {{fr}} | ||
| − | ** ''[http://monoskop.org/log/?p=14731 Nonindifferent Nature]'', trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp | + | ** ''[http://monoskop.org/log/?p=14731 Nonindifferent Nature]'', trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp. {{en}} |
* ''Das dynamische Quadrat. Schriften zum Film'', eds. & trans. Oksana Bulgakowa and Dietmar Hochmuth, Leipzig: Reclam, 1988; 1991, 411 pp. [http://de.potemkinpress.com/products/sme-das-dynamische-quadrat] {{de}} | * ''Das dynamische Quadrat. Schriften zum Film'', eds. & trans. Oksana Bulgakowa and Dietmar Hochmuth, Leipzig: Reclam, 1988; 1991, 411 pp. [http://de.potemkinpress.com/products/sme-das-dynamische-quadrat] {{de}} | ||
* ''[http://monoskop.org/log/?p=2046 Selected Works, 1: Writings, 1922-34]'', ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. {{en}} | * ''[http://monoskop.org/log/?p=2046 Selected Works, 1: Writings, 1922-34]'', ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. {{en}} | ||
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* Masha Salazkina, ''[http://gen.lib.rus.ec/book/index.php?md5=72273DF38CBB49A0070C3A765755DA6D In Excess: Sergei Eisenstein's Mexico]'', 2009. {{en}} | * Masha Salazkina, ''[http://gen.lib.rus.ec/book/index.php?md5=72273DF38CBB49A0070C3A765755DA6D In Excess: Sergei Eisenstein's Mexico]'', 2009. {{en}} | ||
* Elena Vogman, [https://sci-hub.tw/10.1162/grey_a_00251 "Dance of Values: Reading Eisenstein's ''Capital''"], ''Grey Room'' 72, Summer 2018, pp 94-124. {{en}} | * Elena Vogman, [https://sci-hub.tw/10.1162/grey_a_00251 "Dance of Values: Reading Eisenstein's ''Capital''"], ''Grey Room'' 72, Summer 2018, pp 94-124. {{en}} | ||
| + | * Luka Arsenjuk, ''Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis'', University of Minnesota Press, 2018, 280 pp. Review: [http://sci-hub.tw/10.1162/leon_r_01760 Luers] (Leonardo). {{en}} | ||
| + | * ''Zmiennokształtność: Eisenstein jako metoda / Shapeshifting: Eisenstein as a Method'', ed. Aleksandra Jach, Lodz: Muzeum Sztuki w Łodzi, 2018, 180 pp. Catalogue. [https://msl.org.pl/en/eventsms/publications/shapeshifting-eisenstein-as-a-method,2674.html] {{pl}}/{{en}} | ||
==Links== | ==Links== | ||
| − | * http:// | + | * http://sensesofcinema.com/2017/great-directors/sergei-eisenstein/ |
{{featured article}} {{DEFAULTSORT:Eisenstein, Sergei}} [[Category:Film]] | {{featured article}} {{DEFAULTSORT:Eisenstein, Sergei}} [[Category:Film]] | ||
Revision as of 13:33, 7 November 2019
 Boris Pasternak, Sergei Eisenstein, Vladimir Mayakovsky, Lilya Brik, 1924. | |
| Born |
January 22, 1898 Riga, Governorate of Livonia, Russian Empire |
|---|---|
| Died |
February 11, 1948 (aged 50) Moscow, Soviet Union |
| Web | Aaaaarg, Wikipedia, Academia.edu, Open Library |
Sergei Mikhailovich Eisenstein (Сергей Михайлович Эйзенштейн; 1898–1948) was a film director and film theorist, a pioneer in the theory and practice of montage.
The Film Sense, 1942/1957, PDF.
Nonindifferent Nature, 1987, Log.
Writings
- The Film Sense, ed. & trans. Jay Leyda, New York: Hartcourt, 1942; New York: Meridian, 1957, 282 pp. (English)
- El sentido del cine, trans. Norah Lacoste, 1958; 2nd ed., Buenos Aires: Siglo XXI, 1974. (Spanish)
- O sentido do filme, trans. Teresa Ottoni, notes Jose Carlos Avelar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 159 pp. (Brazilian Portuguese)
- Ivan Grozny [Иван Грозный], Moscow: Goskinoizdat, 1944, 192 pp. (Russian)
- Ivan the Terrible, Faber, 1989. (English)
- Film Form: Essays in Film Theory, ed. & trans. Jay Leyda, New York: Meridian, 1944; repr., New York: Hartcourt, 1977, 279 pp, EPUB. (English)
- A forma do filme, trans. Teresa Ottoni, intro. & notes José Carlos Avellar, Rio de Janeiro: Jorge Zahar, 1990; 2002, 235 pp. (Brazilian Portuguese)
- Kak ya stal rezhisserom [Как я стал режиссёром], Riga: Goskinoizdat, 1946, 340 pp; repr. in Izbrannye proizvedeniya, 5, 1968. (Russian)
- Izbrannye stati [Избранные статьи], Moscow: Iskusstvo, 1956, 456 pp. (Russian)
- Notes of a Film Director, ed. R. Yurenev, Moscow: Foreign Languages Pub. House, 1959, ARG. (English)
- Динамический квадрат: Предложения в пользу новых пропорций экрана, выдвинутые в связи с вопросом о практической реализации «широкого» фильма // Вопросы киноискусства, Moscow: AN SSSR, 1960, 424 pp. (Russian)
- Ausgewählte Aufsätze, intro. R. Jurenew, trans. Lothar Fahlbusch, Berlin: Henschel, 1960. (German)
- Risunki / Dessins / Drawings, ed. L.A. Ilina, Moscow: Iskusstvo, 1961, 226 pp. (Russian)/(English)/(French)
- Izbrannye proizvedeniya [Избранные произведения], 6 vols., Moscow: Iskusstvo, 1964-71. (Russian)
- 1. Автобиографические записки разных лет, замыслы. Краткая летопись жизни и деятельности, фильмография, библиография, 1964, 696 pp.
- 2. Работы 1923—1940 гг.: цикл работ о монтаже, программа преподавания режиссуры во Всесоюзном государственном институте кинематографии, выступление на творческом совещании 1935 года; статьи и заметки разных лет; «Заявка Эйзенштейна, Пудовкина, Александрова» (Будущее звуковой фильмы"), перевод доклада на английском языке, «Монтаж 1938» и др. исследования, 1964, 566 pp.
- 3. Теоретические исследования 1945—1948 гг, 1964, 672 pp.
- 4. «Искусство мизансцены», 1966, 790 pp.
- 5. История и теория кино: «Проблема советского исторического фильма», «Диккенс, Гриффит и мы»; Критика и публицистика, 1968, 600 pp.
- 6. Киносценарии, 1971, 560 pp.
- Film Essays and a Lecture, ed. Jay Leyda, foreword Grigori Kozintsev, New York: Praeger, 1970, 220 pp. (English)
- Schriften, 4 vols., Munich: Hanser, 1974-84. (German)
- Über mich und meine Filme, ed. Lilli Kaufmann, trans. Christiane Mückenberger, Lothar Fahlbusch and Lilli Kaufmann, Berlin: Henschelverlag, 1975. (German)
- Eine nicht gleichmütige Natur, ed. Rosemarie Heise, trans. Regine Kühn, Berlin: Henschel, 1980. (German)
- Yo. Ich selbst. Memoiren, 2 vols., Berlin: Henschel, 1984; 1988. (German)
- Neravnodushnaya priroda [Неравнодушная природа], 2 vols., ed. N. Kleyman, Moscow: Ejzenshtejn-tsentr, 2004 & 2006, 687 & 624 pp. (Russian)
- La non-indifférente nature, 2 vols., trans. Luda and Jean Schnitzer, preface Pascal Bonitzer (I) and François Albéra (II), Paris: Union générale d'éditions, 1975 & 1978, 444 & 377 pp. (French)
- Nonindifferent Nature, trans. Herbert Marshall, Cambridge University Press, 1987, xxv+428 pp. (English)
- Das dynamische Quadrat. Schriften zum Film, eds. & trans. Oksana Bulgakowa and Dietmar Hochmuth, Leipzig: Reclam, 1988; 1991, 411 pp. [1] (German)
- Selected Works, 1: Writings, 1922-34, ed. & trans. Richard Taylor, London: British Film Institute, 1988, 343 pp. (English)
- The Psychology of Composition, ed. & trans. Alan Upchurch, preface Jan Leyda, London: Methuen, 1988, 120 pp. (English)
- Beyond the Stars: The Memoirs of Sergei Eisenstein, trans. William Powell, Calcutta: Seagull Books, 1995, xxi+889 pp. (English)
- Memuary, 1: Wie sag' ich's meinem Kinde? [Мемуары], ed., intro. & comm. N.I. Kleyman, Moscow: Trud, 1997, 432 pp. (Russian)
- Memuary, 2: Автобиография; Обезьянья логика; Истинные пути изобретания; Профили [Мемуары], Moscow: Trud, 1997, 544 pp. (Russian)
- The Eisenstein Reader, ed. Richard Taylor, trans. Richard Taylor and William Powell, London: British Film Institute, 1998, vii+211 pp. (English)
- Eisenstein und Deutschland. Texte, Dokumente, Briefe, ed. Oksana Bulgakowa, Berlin: Henschel, 1998, 240 pp. (German)
- Montazh [Монтаж: Монтаж аттракционов; За кадром; Четвёртое измерение в кино; Монтаж 1938; Вертикальный монтаж; Вкладыш], intro. R. Yurenev, Moscow: VGIK, 1998, 193 pp. (Russian)
- Montazh [Монтаж], Moscow: Ejzenshtejn-tsentr, 2000, 592 pp. (Russian)
- Metod [Метод], 2 vols., Moscow: Ejzenshtejn-tsentr, 2002, 495 & 688 pp. (Russian)
- Problems of Film Direction, University Press of the Pacific, 2004. (English)
- Metod [Метод], 4 vols., ed., trans. & comm. Oksana Bulgakowa, Berlin: PotemkinPress, 2009, 1660 pp. [2] (Russian),(German),(English),(French)
- Disney, eds. & trans. Oksana Bulgakowa & Dietmar Hochmuth, Berlin: PotemkinPress, 2012, 202 pp. [3] (German)
- Disney, trans. Dustin Condren, Berlin: PotemkinPress, 2013, 180 pp. [4] (English)
- Notes for a General History of Cinema, eds. Naum Kleiman and Antonio Somaini, Amsterdam: Amsterdam University Press, 2016, 545 pp. (English)
- More
Literature
- Marie Seton, Sergei M. Eisenstein: A Biography, Grove Press, 1960. (English)
- Artforum 11(5): "Eisenstein/Brakhage", ed. Annette Michelson, New York: Artforum, Jan 1973, 95 pp.
- Lars Kleberg, Håkan Lövgren eds.), Eisenstein Revisited: A Collection of Essays, Stockholm: Almqvist & Wiksell, 1987, 145 pp. (English) [5]
- Oksana Bulgakowa, Sergej Eisenstein. Drei Utopien. Architekturentwürfe zur Filmtheorie, Berlin: PotemkinPress, 1996, 304 pp. [6] (German)
- Håkan Lövgren, Eisenstein's Labyrinth: Aspects of a Cinematic Synthesis of the Arts, Stockholm: Almqvist & Wiksell, 1996, 139 pp. (English) [7] [8]
- Oksana Bulgakowa, Sergej Eisenstein. Eine Biographie, Berlin: PotemkinPress, 1997, 304 pp. [9] (German)
- Sergei Eisenstein: A Biography, trans. Anne Dwyer, Berlin/San Francisco: PotemkinPress, 2001, xi+290 pp. [10] (English)
- Anne Nesbet, Savage Junctures: Sergei Eisenstein and the Shape of Thinking, I.B. Tauris, 2003. (English)
- Mike O'Mahony, Sergei Eisenstein, Reaktion Books, 2008. (English)
- Felix Lenz, Sergej Eisenstein: Montagezeit. Rhythmus, Formdramaturgie, Pathos, Munich: Fink, 2008. (German)
- Robert Robertson, Eisenstein on the Audiovisual: The Montage of Music, Image and Sound in Cinema I.B. Tauris, 2009, 304 pp. (English)
- Masha Salazkina, In Excess: Sergei Eisenstein's Mexico, 2009. (English)
- Elena Vogman, "Dance of Values: Reading Eisenstein's Capital", Grey Room 72, Summer 2018, pp 94-124. (English)
- Luka Arsenjuk, Movement, Action, Image, Montage: Sergei Eisenstein and the Cinema in Crisis, University of Minnesota Press, 2018, 280 pp. Review: Luers (Leonardo). (English)
- Zmiennokształtność: Eisenstein jako metoda / Shapeshifting: Eisenstein as a Method, ed. Aleksandra Jach, Lodz: Muzeum Sztuki w Łodzi, 2018, 180 pp. Catalogue. [11] (Polish)/(English)
