Difference between revisions of "Shu Lea Cheang"

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Mobilized media artist, working in the field of net-based installation, social interface and film production. Her Net installation works were commissioned and permanently collected by Walker Art Center, NTT ICC, Tokyo and the Guggenheim Museum. She is co-curator for an online web project, Kingdom of Piracy. Her mobile network project Baby Love was on view at [[ISEA]]2006. Co-founded [[Take2030]] collective.
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Born 1954 in Taiwan. 1976, BA in history at the National Taiwan University. 1979, MA in film studies at the New York University. Beginning 1981 she was involved with the media activists’ collective Paper Tiger TV. Cheang first became known with experimental video works, which celebrate lesbian sexuality from the angle of an aggressive and humorously radical Punk-attitude. Among her important multimedia and www works are the projects «Bowling Alley» (1995) for the Online-Gallery of the Walker Art Center in Minneapolis and «Brandon Project» (1996), a collaboration with numerous artists, commissioned by the Guggenheim Museum. Following the production of the cyberporno film «I.K.U.» (2000 she focused on questions of copyrights and economy in media culture, with the projects «Kingdom of Privacy» (collaborating with Armin Medosch, 2002) and «Burn» (2003).
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Shu Lea Cheang considers herself a cybernomad. She lives and works in different parts of America, Europe, and Asia, depending on her current project.
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; Links
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* [http://www.mauvaiscontact.info/ Home page]
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[[Category:Cyberfeminism]]
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{{DEFAULTSORT:Cheang, Shu Lea}}

Latest revision as of 12:33, 14 October 2019

Born 1954 in Taiwan. 1976, BA in history at the National Taiwan University. 1979, MA in film studies at the New York University. Beginning 1981 she was involved with the media activists’ collective Paper Tiger TV. Cheang first became known with experimental video works, which celebrate lesbian sexuality from the angle of an aggressive and humorously radical Punk-attitude. Among her important multimedia and www works are the projects «Bowling Alley» (1995) for the Online-Gallery of the Walker Art Center in Minneapolis and «Brandon Project» (1996), a collaboration with numerous artists, commissioned by the Guggenheim Museum. Following the production of the cyberporno film «I.K.U.» (2000 she focused on questions of copyrights and economy in media culture, with the projects «Kingdom of Privacy» (collaborating with Armin Medosch, 2002) and «Burn» (2003). Shu Lea Cheang considers herself a cybernomad. She lives and works in different parts of America, Europe, and Asia, depending on her current project.

Links