Difference between revisions of "Signe Lidén"

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'''Signe Lidén''' (NO) is an artist based in [[Amsterdam]] and [[Bergen]]. Her installations and performances examine man-made landscapes and their resonance. She is interested in how places and their histories resonate; in memory, through narratives and various materials, as ideological manifestations and political territories. Her work spans from sound installations, sculpture, video and performance to more documentary forms such as sound essays and archives.  
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[[Image:Signe_Liden_2016.jpg|thumb|258px]]
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'''Signe Lidén''' is an artist based in [[Oslo]]. Her work explores relations between place, sensing and sound. Through field recording, instrument-building and conversations, she approaches place as a dynamic produced by geological, biological and atmospheric processes, as well as social and economic relations. Her work spans sound installations, video and performance to more documentary forms such as sound essays and archives.
  
Lidén has an MA from the Academy of Arts in Bergen and graduated from the [[Nordic Sound Art]] MA program in 2012. Lidén realised her work ''Vertical Studies: Acoustic Shadows and Boundary Reflections'' (2017) in collaboration with [[Espen Sommer Eide]] at [[Sonic Acts Festival]] (Amsterdam) and [[Borealis]] festival (Bergen). She made the performance ''Altitude and History'' (2016) and ''[http://signeliden.com/?p=1338 krysning/пересечение/conflux]'' (2014) for the Dark Ecology project in Nikel (Kola peninsula); the installation series ''[http://signeliden.com/?p=780 Writings]'' for the European Sound Art Network Resonance (2013-14); and collaborated with Steve Rowell and Annesofie Norn on ''[http://www.coldcoastarchive.org/ The Cold Coast Archive]'' (2010-12), an exhibition series on the Global Seed Vault launched at the Centre for PostNatural History, Pittsburgh. She was commissioned to make works for Volt, Hordaland Art Center, Kunsthall Oslo and Ny Musikk, Touch Radio, Inteferenze New Arts Festival, and St John's College Oxford. She was one of the curators for ''[http://www.lydgalleriet.no/archive/lydhort-i-her-jobber-skog-og-hegre Lydhørt]'' at Lydgalleriet in Bergen.
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Lidén has an MA from the Academy of Arts in Bergen and graduated from the [[Nordic Sound Art]] MA program in 2012. Lidén’s project ''[https://signeliden.com/?p=1994 The Tidal Sense]'' (2019) consisted of a residency, exhibition and seminar, commissioned by LIAF. ''[https://signeliden.com/?p=1948 Field Modulations]'' is a series of works and exhibitions created during Sound Art Residency at St John’s College, Oxford. ''[https://signeliden.com/?p=1672 Vertical Studies]'', a collaboration with [[Espen Sommer Eide]], generated the performance ''[https://signeliden.com/?p=1720 Acoustic Shadows and Boundary Reflections]'' (2017), shared at the [[Sonic Acts Festival]] (Amsterdam) and [[Borealis|Borealis Festival]] (Bergen), and ''[https://signeliden.com/?p=1672 Altitude and History]'' (2016) for the Dark Ecology project. The collaboration ''[http://www.coldcoastarchive.org/ The Cold Coast Archive]'' (2010–2012) was launched at the Centre for PostNatural History (Pittsburgh, 2012) and presented at The Long Now Foundation (2012), Eastern Bloc (Montreal, 2016) and L´Atelier (Nantes, 2019). She was commissioned to make works for SALT, Volt, the Hordaland Art Centre, Kunsthall Oslo, nyMusikk and Touch Radio, among others. Lidén has initiated the upcoming group projects Pavilion Wetland and [https://arm.flytedokk.org/ Academy of Rhythmorphology]. [https://signeliden.com/?page_id=736 (2022)]
  
 
; Articles and interviews
 
; Articles and interviews
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* Salomé Voegelin, [https://www.thewire.co.uk/in-writing/collateral-damage/collateral-damage_salome-voegelin "Collateral Damage"], ''The Wire'', May 2014.
 
* Salomé Voegelin, [https://www.thewire.co.uk/in-writing/collateral-damage/collateral-damage_salome-voegelin "Collateral Damage"], ''The Wire'', May 2014.
 
* Salomé Voegelin, ''Sonic Possible Worlds'', Bloomsbury, 2014, pp 36-45.
 
* Salomé Voegelin, ''Sonic Possible Worlds'', Bloomsbury, 2014, pp 36-45.
* Bonnie Fortune, "Cold Coast Archive: AnneSofie Norn & Signe Lidén" [Interview], in , ''An Edge Effect: Art & Ecology in the Nordic Landscapes'', ed. Bonnie Fortune, Chicago: Half Letter Press, 2014, pp 142-167. [https://halfletterpress.com/an-edge-effect-art-ecology-in-the-nordic-landscape-pdf-5/]
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* Bonnie Fortune, "Cold Coast Archive: AnneSofie Norn & Signe Lidén" [Interview], in , ''An Edge Effect: Art & Ecology in the Nordic Landscapes'', ed. Bonnie Fortune, Chicago: Half Letter Press, 2014, pp 142-167. [https://halfletterpress.com/an-edge-effect-art-ecology-in-the-nordic-landscape-pdf-5/] [http://www.bonniefortune.info/overview/an-edge-effect-art-ecology-in-the-nordic-landscape/]
 
* Daniela Cascella, "S.", in Cascella, ''F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound'', London: Zero Books, 2015.
 
* Daniela Cascella, "S.", in Cascella, ''F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound'', London: Zero Books, 2015.
 
* Daniela Cascella, "Field of Heaven and Meteorites", in ''The Imaginary Reader'', ed. Marie Nerland, Bergen: Volt, 2016. [http://www.v-o-l-t.no/index.php?/prosjekter-2016/the-imaginary-reader/]
 
* Daniela Cascella, "Field of Heaven and Meteorites", in ''The Imaginary Reader'', ed. Marie Nerland, Bergen: Volt, 2016. [http://www.v-o-l-t.no/index.php?/prosjekter-2016/the-imaginary-reader/]
* Signe Lidén, "krysning/пересечение/conflux", in ''Living Earth: Field Notes From The Dark Ecology Project 2014-2016'', ed. Mirna Belina, Amsterdam: Sonic Acts Press, 2016, in 85-90.
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* Signe Lidén, "krysning/пересечение/conflux", in ''Living Earth: Field Notes From The Dark Ecology Project 2014-2016'', ed. Mirna Belina, Amsterdam: Sonic Acts Press, 2016, in 85-90. [http://www.darkecology.net/living-earth]
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* Oliver Lowenstein, [https://sculpturemagazine.art/signe-liden-the-sounds-of-place/ "Signe Lidén: The Sounds of Place"], ''Sculpture'', Washington, DC: International Sculpture Center, Jun 2020.
 
* [http://signeliden.com/?page_id=736 more]
 
* [http://signeliden.com/?page_id=736 more]
  
 
; Links
 
; Links
* [http://signeliden.com/ Home page]
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* [https://signeliden.com/ Personal website]
  
[[Category:Sound art|Liden, Signe]] [[Category:Electromagnetism|Liden, Signe]]
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[[Category:Sound art]] [[Category:Field recording]] [[Category:Electromagnetism]]
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{{DEFAULTSORT:Liden, Signe}}

Latest revision as of 09:23, 9 March 2022

Signe Liden 2016.jpg

Signe Lidén is an artist based in Oslo. Her work explores relations between place, sensing and sound. Through field recording, instrument-building and conversations, she approaches place as a dynamic produced by geological, biological and atmospheric processes, as well as social and economic relations. Her work spans sound installations, video and performance to more documentary forms such as sound essays and archives.

Lidén has an MA from the Academy of Arts in Bergen and graduated from the Nordic Sound Art MA program in 2012. Lidén’s project The Tidal Sense (2019) consisted of a residency, exhibition and seminar, commissioned by LIAF. Field Modulations is a series of works and exhibitions created during Sound Art Residency at St John’s College, Oxford. Vertical Studies, a collaboration with Espen Sommer Eide, generated the performance Acoustic Shadows and Boundary Reflections (2017), shared at the Sonic Acts Festival (Amsterdam) and Borealis Festival (Bergen), and Altitude and History (2016) for the Dark Ecology project. The collaboration The Cold Coast Archive (2010–2012) was launched at the Centre for PostNatural History (Pittsburgh, 2012) and presented at The Long Now Foundation (2012), Eastern Bloc (Montreal, 2016) and L´Atelier (Nantes, 2019). She was commissioned to make works for SALT, Volt, the Hordaland Art Centre, Kunsthall Oslo, nyMusikk and Touch Radio, among others. Lidén has initiated the upcoming group projects Pavilion Wetland and Academy of Rhythmorphology. (2022)

Articles and interviews
  • Regine, "The Cold Coast Archive: Future Artifacts from the Svalbard Global Seed Vault", we-make-money-not-art.com, May 2012.
  • Regine, "Interview with sound artist Signe Lidén", we-make-money-not-art.com, Sep 2012.
  • Harold Schellinx, Holes, Caves, Archives and Inscriptions", Resonance - European Sound Art Network, May 2013. An interview with Signe Lidén about her work Writings (2013).
  • Salomé Voegelin, "Collateral Damage", The Wire, May 2014.
  • Salomé Voegelin, Sonic Possible Worlds, Bloomsbury, 2014, pp 36-45.
  • Bonnie Fortune, "Cold Coast Archive: AnneSofie Norn & Signe Lidén" [Interview], in , An Edge Effect: Art & Ecology in the Nordic Landscapes, ed. Bonnie Fortune, Chicago: Half Letter Press, 2014, pp 142-167. [1] [2]
  • Daniela Cascella, "S.", in Cascella, F.M.R.L.: Footnotes, Mirages, Refrains and Leftovers of Writing Sound, London: Zero Books, 2015.
  • Daniela Cascella, "Field of Heaven and Meteorites", in The Imaginary Reader, ed. Marie Nerland, Bergen: Volt, 2016. [3]
  • Signe Lidén, "krysning/пересечение/conflux", in Living Earth: Field Notes From The Dark Ecology Project 2014-2016, ed. Mirna Belina, Amsterdam: Sonic Acts Press, 2016, in 85-90. [4]
  • Oliver Lowenstein, "Signe Lidén: The Sounds of Place", Sculpture, Washington, DC: International Sculpture Center, Jun 2020.
  • more
Links