Difference between revisions of "Template:Art exhibitions and events"
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[[A.r.#a.r._International_Collection_of_Modern_Art|a.r. International Collection of Modern Art]] (Łódź, 1931), | [[A.r.#a.r._International_Collection_of_Modern_Art|a.r. International Collection of Modern Art]] (Łódź, 1931), | ||
[[New Tendencies]] (Zagreb, 1961-73), | [[New Tendencies]] (Zagreb, 1961-73), | ||
| + | [[The Responsive Eye]] (New York, 1965), | ||
[[9 Evenings: Theatre and Engineering]] (New York, 1966), | [[9 Evenings: Theatre and Engineering]] (New York, 1966), | ||
[[Cybernetic Serendipity]] (London, 1968), | [[Cybernetic Serendipity]] (London, 1968), | ||
| + | [http://ubu.com/historical/szeemann/ Live In Your Head: When Attitudes Become Form] (Bern, 1969), | ||
| + | [[Information (1970 exhibition)|Information]] (New York, 1970), | ||
[[Software - Information Technology: Its New Meaning for Art]] (New York, 1970), | [[Software - Information Technology: Its New Meaning for Art]] (New York, 1970), | ||
| + | [http://monoskop.org/log/?p=14502 Documenta 5] (Kassel, 1972), | ||
| + | [[Pictures (exhibition)|Pictures]] (New York, 1977), | ||
| + | [[Biennial of Dissent]] (Venice, 1977), | ||
[[Les Immatériaux]] (Paris, 1985), | [[Les Immatériaux]] (Paris, 1985), | ||
| + | [https://monoskop.org/log/?p=17368 Magiciens de la Terre] (Paris, 1989), | ||
[[Hybrid Workspace]] (Kassel, 1997) | [[Hybrid Workspace]] (Kassel, 1997) | ||
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Revision as of 11:05, 20 September 2016
| Art exhibitions and events | ||
|---|---|---|
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Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997) | ||
