Difference between revisions of "Thomas Crow"
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==Publications== | ==Publications== | ||
===Monographs=== | ===Monographs=== | ||
| − | * ''Painters and Public Life in Eighteenth Century Paris'', New Haven and London: Yale University Press, 1985. | + | * ''Painters and Public Life in Eighteenth Century Paris'', New Haven and London: Yale University Press, 1985, 290 pp. {{en}} |
| − | * ''Emulation: Making Artists for Revolutionary France'', New Haven and London: Yale University Press, 1995. | + | ** ''Pintura y sociedad en el París del siglo XVIII'', trans. Luis Carlos Benito Cardenal, Madrid: Nerea, 1989, 382 pp. {{es}} |
| − | * ''The Rise of the Sixties: American and European Art in the Era of Dissent'', New York: Harry N. Abrams, 1996. | + | ** ''La peinture et son public à Paris au dix-huitième siècle'', trans. André Jacquesson, Paris: Macula, 2000, 335 pp. {{fr}} |
| − | * ''[[Media:Crow_Thomas_Modern_Art_in_the_Common_Culture_1996.pdf|Modern Art in the Common Culture]]'', New Haven and London: Yale University Press, 1996. | + | |
| − | * ''The Intelligence of Art'', University of North Carolina Press, 1999. | + | * ''Emulation: Making Artists for Revolutionary France'', New Haven and London: Yale University Press, 1995. {{en}} |
| − | ** ''[[Media:Crow Thomas La inteligencia del arte 2008.pdf|La inteligencia del arte]]'', trans. Laura E. | + | ** ''L'atelier de David: émulation et révolution'', trans. Roger Stuveras, Paris: Gallimard, 1997, 453 pp. {{fr}} |
| − | * with Corinne Diserens, Christian Kravagna and Judith Russi Kirshner, ''Gordon Matta-Clark'', | + | ** ''Emulación: la formación de los artistas para la Francia revolucionaria'', trans. Luis Arenas and Óscar Arenas, Madrid: Machado Libros, 2002, 480 pp. {{es}} |
| − | * ''The Long March of Pop | + | |
| + | * ''The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69'', New York: Harry N. Abrams, 1996. {{en}} | ||
| + | ** ''El Esplendor de los sesenta: arte americano y europeo en la era de la rebeldía 1955-1969'', trans. Selina Blasco, Madrid: Akal, 2001, 192 pp. {{es}} | ||
| + | |||
| + | * ''[[Media:Crow_Thomas_Modern_Art_in_the_Common_Culture_1996.pdf|Modern Art in the Common Culture]]'', New Haven and London: Yale University Press, 1996. {{en}} | ||
| + | ** ''El arte moderno y la cultura de lo cotidiano'', trans. Joaquín Chamorro Mielke, Madrid: Akal, 2002, 259 pp. {{es}} | ||
| + | |||
| + | * ''The Intelligence of Art'', University of North Carolina Press, 1999. {{en}} | ||
| + | ** ''[[Media:Crow Thomas La inteligencia del arte 2008.pdf|La inteligencia del arte]]'', trans. Laura E. Manríquez, México D.F.: Fondo de Cultura Económica, 2008, 155 pp. {{es}} | ||
| + | |||
| + | * with Corinne Diserens, Christian Kravagna and Judith Russi Kirshner, ''Gordon Matta-Clark'', Phaidon Press, 2003. {{en}} | ||
| + | |||
| + | * ''The Long March of Pop: Art, Music, and Design 1930 to 1995'', New Haven and London: Yale University Press, 2015. {{en}} | ||
===Book chapters=== | ===Book chapters=== | ||
| + | * [https://monoskop.org/images/0/02/Guilbaut_Serge_ed_Reconstructing_Modernism_Art_in_New_York_Paris_and_Montreal_1945-1964.pdf#page=331 "Saturday Disasters: Trace and Reference in Early Warhol"], in ''Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964'', ed. Serge Guilbaut, MIT Press, 1990, pp 311-331. | ||
* "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in ''Robert Smithson'', ed. Eugenie Tsai, University of California Press, 2004. | * "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in ''Robert Smithson'', ed. Eugenie Tsai, University of California Press, 2004. | ||
Revision as of 19:50, 16 November 2017
Thomas E. Crow (1948) is an American art historian and art critic. He is a contributing editor to Artforum magazine.
Publications
Monographs
- Painters and Public Life in Eighteenth Century Paris, New Haven and London: Yale University Press, 1985, 290 pp. (English)
- Pintura y sociedad en el París del siglo XVIII, trans. Luis Carlos Benito Cardenal, Madrid: Nerea, 1989, 382 pp. (Spanish)
- La peinture et son public à Paris au dix-huitième siècle, trans. André Jacquesson, Paris: Macula, 2000, 335 pp. (French)
- Emulation: Making Artists for Revolutionary France, New Haven and London: Yale University Press, 1995. (English)
- L'atelier de David: émulation et révolution, trans. Roger Stuveras, Paris: Gallimard, 1997, 453 pp. (French)
- Emulación: la formación de los artistas para la Francia revolucionaria, trans. Luis Arenas and Óscar Arenas, Madrid: Machado Libros, 2002, 480 pp. (Spanish)
- The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69, New York: Harry N. Abrams, 1996. (English)
- El Esplendor de los sesenta: arte americano y europeo en la era de la rebeldía 1955-1969, trans. Selina Blasco, Madrid: Akal, 2001, 192 pp. (Spanish)
- Modern Art in the Common Culture, New Haven and London: Yale University Press, 1996. (English)
- El arte moderno y la cultura de lo cotidiano, trans. Joaquín Chamorro Mielke, Madrid: Akal, 2002, 259 pp. (Spanish)
- The Intelligence of Art, University of North Carolina Press, 1999. (English)
- La inteligencia del arte, trans. Laura E. Manríquez, México D.F.: Fondo de Cultura Económica, 2008, 155 pp. (Spanish)
- with Corinne Diserens, Christian Kravagna and Judith Russi Kirshner, Gordon Matta-Clark, Phaidon Press, 2003. (English)
- The Long March of Pop: Art, Music, and Design 1930 to 1995, New Haven and London: Yale University Press, 2015. (English)
Book chapters
- "Saturday Disasters: Trace and Reference in Early Warhol", in Reconstructing Modernism: Art in New York, Paris, and Montreal 1945-1964, ed. Serge Guilbaut, MIT Press, 1990, pp 311-331.
- "Cosmic Exile: Turns in the Life and Art of Robert Smithson", in Robert Smithson, ed. Eugenie Tsai, University of California Press, 2004.
