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  • ...ve of new media centers which produce, present and reflect on contemporary media/culture/technology and it's impact on the society. Founding members are 4 non-profit new media culture centers/labs: [[mama]] ([[Zagreb]], [[Croatia]]), [[Ljudmila]] ([[L
    531 bytes (67 words) - 13:38, 3 December 2022
  • ...ure and cyberart. The core group of Encart is formed by four leading media art institutes in Europe: [[Ars Electronica]] Center Linz, [[C3]] Budapest (H), [[Series:Media art institutional networks]]
    609 bytes (92 words) - 14:14, 3 December 2022
  • ...d before we arrived here? It was 3 years ago and i was a member of Burundi media lab in Bratislava. Educational structures in Slovakia don't really offer ve ...from the beginning the focus was put especially on social history of media art, including groups, collectives, communities, events, and institutions. So f
    2 KB (270 words) - 12:20, 5 December 2011
  • ...2021. The first comprehensive study of the former Yugoslavia’s alternative art scenes between the 1960s and 1980s, it tells the origin stories of some of ...Courtauld Institute of Art. Prior to joining the Department of History of Art at the University of Oxford, in 2023, he was a Leverhulme Early Career Fell
    2 KB (354 words) - 18:50, 3 January 2024
  • ...d individuals working together to creatively use and develop participatory media for social change. Based in [[Amsterdam]] and [[Vienna]]. ...a (PT), [[V2]] Organisatie (NL), [[Waag|De Waag]]/ Society for Old and New Media (NL).
    2 KB (283 words) - 18:37, 3 December 2022
  • ...f works, and activities aiming to raise the general awareness about hybrid art forms through seminars and social/artistic events. PNEK can provide limited ...ndalerforening.org/ Vandaler Forening] (Oslo), [http://www.artrepublic.no/ Art Republic] (Stavanger), and [http://noemata.net/ Noemata] (Gol).
    2 KB (285 words) - 16:26, 13 January 2020
  • ...a researcher and collection care professional specialised in contemporary art. ...tion strategies to support efficient care of growing collections of visual art, design, architecture and moving image.
    9 KB (1,217 words) - 17:54, 16 January 2024
  • ...zeum.hu/en/index.php?p=avant-garde_magazine Local Contexts / International Networks: Avant-Garde Magazines in Central Europe (1910-1935)] conference at the Kas ...ts' magazines from a hundred years ago are juxtaposed with the most recent art criticism as well as myriads of other writing.
    9 KB (1,446 words) - 22:09, 31 January 2016
  • ...–September 1969), changed its name to '''Centro de Arte y Comunicación''' [Art and Communications Center (CayC)]. ...stic proposals developed around the CAyC. Under this concept, the works of art are understood as ''sistemas de signos'' [sign systems], which, in turn, ca
    8 KB (1,120 words) - 15:31, 17 April 2024
  • ...based in [[Prague]]. He is an artist and programmer. He focuses on useful art, socially engaged projects and artivism which often incorporate coding, new *2018: Nomin - artistic computer program on the edge of software, institutional critique and collective performance. Its main goal is to help artists from
    4 KB (565 words) - 13:20, 25 March 2024
  • ...relations of production which are in the field of art production and outer-art social processes being reproduced through shifts of ideological and „poli ...blikacije, 2004, 120 pp. [https://kuda.org/en/transeuropean-picnic-art-and-media-accession-kudaorgv2institute] {{sr}}/{{en}}
    16 KB (2,166 words) - 08:54, 15 April 2024
  • ...would _any_ region need any special focus, and similarly why would _media_ art need to be researched as a specific field? I can assure you, I have been as ...The culture we were part of, whatever niche it was, was perceived as "new media".
    14 KB (2,385 words) - 20:08, 2 August 2015
  • ...ss some of you may came to see the guy who carries around 100 gigabytes of art on his harddrive. On one hand, it's true, and it's not about 4 high definit ...The culture we were part of, whatever niche it was, was perceived as "new media".
    13 KB (2,312 words) - 15:32, 9 December 2011
  • ...riter, independent researcher and organiser, currently working in the Fine Art department at Central Saint Martins College, and with the [https://www.weal ...ith Simon Ford, he developed a series of critical debates on young British art (yBa) and the Creative Industries, introducing the dystopian figure of the
    11 KB (1,498 words) - 19:55, 19 October 2023
  • ...70 articles with wiki resources. Twentieth-century avant-garde and modern art is also organised by country, currently in 23 entries, while more than 50 i * abstract art, [http://monoskop.org/log/?tag=abstract-art Log]
    85 KB (10,873 words) - 21:51, 21 April 2024
  • ...]] during the 1950s, and formed part of the broader European post-informel art movement in the 1960s and 70s. ...1968-73, 9 numbers) Zagreb became a point of initiation for aesthetics and media-theoretical thought.
    43 KB (5,882 words) - 22:20, 16 January 2024
  • ...ge:SCCA_Network_2022.jpg|thumb|350px|Ole Häntzschel, SCCA Network, 2022, [[Media:SCCA_Network_2022.pdf|PDF]]. [https://u-jazdowski.pl/en/programme/exhibitio ...pist, stock investor, and political activist George Soros. The SCCA was an institutional mechanism of the post-socialist transition, and its primary role was the mo
    47 KB (6,390 words) - 14:23, 1 February 2024
  • The present event brings together digital librarians, media theorists, designers, researchers and artists to discuss novel ways of read ...15, upon the invitation by Barbora Šedivá, 4AM: Forum for Architecture and Media, Brno.
    37 KB (5,510 words) - 17:49, 16 April 2024
  • Writings on socially engaged, political art and practice ...lective platform initiated by an international group of artists, curators, art historians and intellectuals in response to the abuse of their professional
    91 KB (11,808 words) - 21:10, 18 April 2024
  • ...and Hans Leganger Reusch. Between 1852–55 he served as chairman of Bergen Art Association [Bergens Kunstforening]. [http://nbl.snl.no/Georg_Prahl/utdypni ...d a daguerreotype depicting Barrière de la Chapelle in Paris in the Bergen Art Association already in 1840. He worked in Bergen (1844-48) and Stavanger (1
    71 KB (10,525 words) - 13:49, 16 November 2022

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