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google street[edit]

cbll=lat,lng; z=zoom; cbp=x,yaw,x,zoom,pitch

http://maps.google.com/maps?q=Karel+Doormanhof+45,+Deelgemeente+Centrum,+Rotterdam,+Nederland&hl=en&ll=51.918345,4.474354&spn=0.008444,0.01929&sll=48.145329,17.111217&sspn=0.001142,0.002411&oq=Karel+Doormanhof+45&hnear=Karel+Doormanhof+45,+Deelgemeente+Centrum,+Rotterdam,+Zuid-Holland,+The+Netherlands&t=m&z=16&layer=c&cbll=51.918247,4.474387&panoid=CYD94kZwgx3ql_j0N_0XRA&cbp=12,47.13,,0,1.99

RSS[edit]

Martin Hägglund: This Life: Secular Faith and Spiritual Freedom (2019)

This Life offers a profoundly inspiring basis for transforming our lives, demonstrating that our commitment to freedom and democracy should lead us beyond both religion and capitalism. Philosopher Martin Hägglund argues that we need to cultivate not a religious faith in eternity but a secular faith devoted to our finite life together. He shows that all spiritual questions of freedom are inseparable from economic and material conditions: what matters is how we treat one another in this life and what we do with our time.

Engaging with great philosophers from Aristotle to Hegel and Marx, literary writers from Dante to Proust and Knausgaard, political economists from Mill to Keynes and Hayek, and religious thinkers from Augustine to Kierkegaard and Martin Luther King, Jr., Hägglund points the way to an emancipated life.”

Publisher Pantheon Books, New York, 2019
ISBN 9781101870402, 1101870400
450 pages

Interview with author: Meagan Day (Jacobin, 2019).

Reviews: Brandon M. Terry, Walter Benn Michaels, Benjamin Kunkel, Michael W. Clune, Jodi Dean, William Clare Roberts (Los Angeles Review of Books, 2020, with Hägglund’s response), Samuel Moyn (Jacobin, 2019), Michael A. McCarthy (Jacobin, 2019), Nathan Brown (Radical Philosophy, 2019), Tyler M. Williams (Critical Inquiry, 2020), Jedediah Britton-Purdy (The New Republic, 2019), Mathew Abbott (Marx & Philosophy, 2020), Martin Rayburn (Parrhesia, 2020), Conall Cash (boundary2, 2019), Oliver Burkeman (The Guardian, 2019), James Wood (New Yorker, 2019), Adam Kirsch (Wall Street Journal, 2019), Matt McManus (Areo, 2020), Daniel Steinmetz-Jenkins and Daniel Zamora (Dissent, 2019), William Egginton (Believer, 2020), Anton Jansson (Ord & Bild, 2020, SW), Matthew Engelke (Public Books, 2019), Kevin Schilbrack (Sophia, 2020).

Author
Wikipedia
Publisher
WorldCat

HTML

Vasulka Kitchen Cooking Reader (2020) [Czech]

“This collection of texts is being published either relatively early, or perhaps a bit late: about one year after the colloquium Art Works from the Digital Era in Galleries and Museums. Since then, unexpected events have altered our course, reframing our thinking about the overlap between art, time, entropy, duration and disappearance, and perhaps adding a greater sense of urgency than it had one year ago.

The colloquium was organized to celebrate the the first anniversary of the opening of the Vašulka Kitchen Brno: Center for New Media. The organizers discussed topics with colleagues from the Brno House of Arts and the National Film Archive in Prague, hoping to promote thinking about the state and fate of art works of an “unstable“ nature, especially within the context of Czech collections, galleries, and museums. The objective was to establish contact, and to potentially cooperate with similar initiatives in Central Europe. During the two‑day meeting, the contributions mostly touched on the orientation of artistic and expert initiatives and institutions which were already focused on this issue, or were planning to turn their attention to it. In addition to contributions from Czechia, Vasulka Kitchen also welcomed contributors from the Netherlands, Germany, France, Norway, Slovakia, Hungary, Poland and the United States, who shared their experiences of and opinions on the topic.

This publication is dedicated to the memory of Woody Bohuslav Vašulka.”

With English introduction and abstracts.

With contributions by Flóra Barkóczi, Dušan Barok, Martin Blažíček, Vannevar Bush, Lenka Dolanová, Kateřina Drajsajtlová, Jakub Frank, Joey Heinen, Jana Horáková, Erkki Huhtamo, Vít Janeček, Michal Klodner, Barbora Kundračíková, Štěpán Miklánek, Gustav Metzger, Anna Olszewska, Kryštof Pešek, Miklós Peternák, Pavel Sikora, Matěj Strnad, Barbora Šedivá, Miloš Vojtěchovský, Peter Weibel, Gaby Wijers, and Gene Youngblood.

Edited and with an Introduction by Miloš Vojtěchovský
Publisher Vašulka Kitchen Brno, Brno, October 2020
Creative Commons BY-NC-SA 4.0 License
ISBN 9788090776333
253 pages

Colloquium
Publisher

PDF, PDF (76 MB)

Jan Pettersson (ed.): Printmaking in the Expanded Field (2017)

“Radical changes within the field of printmaking the last twenty years have changed the approach towards media. Printmaking is now an art form that consists of sculpture, performance, clothes, installation, the commercial aspect, cyberspace, artist books, multiples, ready-mades, newspapers etc. This publication discusses the situation of printmaking today, from its tradition, theoretical aspects and future visions.

The publication concludes a research seminar held at Oslo National Academy of the Arts in September 2015.

Publisher Oslo National Academy of the Arts, Oslo, 2017
Open access
ISBN 9788292613665
384 pages

Conference (incl. video recordings)
Book launch (incl. video recording)
Publisher

PDF, PDF

School as a Laboratory of Modern Life: On the Reform of Art Education in Central Europe, 1900-1945 (2020) [EN, SK, DE]

Proceedings from the international symposium School as a Laboratory of Modern Life held on the occasion of the 90th anniversary of the establishment of the School of Arts and Crafts in Bratislava and the 100th anniversary of the establishment of the Bauhaus, organised by the Slovak Design Center at the Goethe-Institut in Bratislava in September 2019.

Contributors: Katalin Bakos, Simona Bérešová, Meghan Forbes, Lada Hubatová-Vacková, Vít Jakubíček, Alena Kavčáková, Alexandra Panzert, Klára Prešnajderová, Sonia de Puineuf, Mária Rišková, Grit Weber, Patrick Werkner, Cornelia Wieg, Julia Witt.

Edited by Simona Bérešová, Klára Prešnajderová, and Sonia de Puineuf
Publisher Slovak Design Center, Bratislava, September 2020
Open access
ISBN 9788089992065
277 pages

Symposium
Publisher

PDF, PDF (20 MB)
PDF (Slovak-only edition, no images, 1 MB)

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"I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..

sortable table[edit]

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I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..

three

I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..

four

I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..

five

I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..

twitter[edit]

infobox book[edit]

Soundings
Author Suzanne Delehanty
Publisher Neuberger Museum/State University of New York
City Purchase, NY
Year 1981
Pages 96
Format 21 x 14.85 cm
Fabrication Risograph
E-book PDF

monoskop log category listing[edit]

https://monoskop.org/log/?cat=887

https://monoskop.org/log/?cat=887&json=1

https://monoskop.org/log/?cat=887&json=1&count=40

https://monoskop.org/log/?cat=887&feed=rss2&count=40

Tanja Ostojić: Lexicon of Tanjas Ostojić (2018)

“This publication is based upon the Lexicon of Tanjas Ostojić (2011-2017), an interdisciplinary participatory research art project by Tanja Ostojić that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.”

Edited by Tanja Ostojić
Publisher Live Art Development Agency, London, and Museum of Modern and Contemporary Art, Rijeka, 2018
ISBN 9780993561139, 0993561136
157 pages
via author

Reviews: SeeCult (2017), Bojana Videkanic (Sociologija, 2018).
Interview with author: Matthew Rose (Artblog, 2018).

Author
Exhibition (MoCAB, Belgrade, 2017)
Exhibition (MMSU, Rijeka, 2017)
Publisher (with audio recording from book launch)
WorldCat

PDF (11 MB)

oneacre.online (2017–)

oneacre.online is an experimental publishing and distribution project that utilises an online platform to seed unprintable text-based works by emerging artists. The project explores the possibilities of hyper-publishing in a series of commissioned publications. Thematically the first four place themselves in the online world of constant updates and refresh buttons that, as theorist Wendy Chun observes, “exist at the bleeding edge of obsolescence. We thus forever try to catch up, updating to remain the same”. The publications use the omnidirectional online terrain and actions that are native to it — such as refreshing, instantly available to edit, easily erasable, highlighting, copy-pasting and non linear navigation — to explore and critically evaluate visions and versions of power systems by tracing the politics of technological infrastructures. Hidden in places as traditional as archives, as often used as smart phone applications, omnipresent and inescapable as the financial market and as quiet and evasive as the transfer of information in narrative structures.

The series showcased in December 2017 Poetics and Politics of Erasure by Yun Ingrid Eel, a multidisciplinary research paper on the aesthetics and politics of erasure. In March 2018, Artificial Intelligence Never Has a Headache by Karina Zavidova, a long-form about the fear of AI spread by the media, and the market of productivity-enhancing tools it has fuelled. In July 2018 Radio, Techno, Fossil by Eline Benjaminsen & Sophie Dyer, the story of a radio-image as it traverses the bounds of the Earth’s surfaces, atmospheres and techno-geographies. And in September 2018, Meaning Seeking Animals by Lisa van Casand, a subjective collection of a wide range of perspectives on the transfer of information.”

Made by Stef Kors, Titus Knegtel, Victoria Douka-Doukopoulou
Published 2017-2018

HTML (limited preview; use the direct links above to access publications)

Richard Avedon, James Baldwin: Nothing Personal (1964)

A book about the state of life in America. Photographs by Richard Avedon and text by James Baldwin.

First published by Atheneum, New York, 1964; and C. H. Bucher, Lucerne, 1964
This edition, Publisher Dell Publishing, New York, 1965
[88] pages
via Kelli Anderson

Interview with Hilton Als (Antwaun Sargent, Galerie, 2017).
Commentary: Hilton Als (New Yorker, 2017).
Reviews: Brian Willis (Aperture, 2016), Steven W Thrasher (Guardian, 2017), Buzz Poole (LA Review of Books, 2018), Carmen Merport (LA Review of Books, 2018).

WorldCat

PDF (9 MB)
JPGs
Reprint of Baldwin’s text