Difference between revisions of "Andy Warhol"
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− | + | {{Infobox artist | |
− | [[ | + | |image = Andy_Warhol_with_a_Giant_Sunflower,_1981.jpg |
− | '''Andy Warhol''' ( | + | |imagesize = 338px |
+ | |caption = Warhol, photographed by Steve Wood, 1981. | ||
+ | |birth_date = {{birth date|1928|8|6|mf=y}} | ||
+ | |birth_place = Pittsburgh, Pennsylvania, United States | ||
+ | |death_date = {{Death date and age|1987|2|22|1928|8|6|mf=y}} | ||
+ | |death_place = New York City, New York, US | ||
+ | |web = [[UbuWeb::http://www.ubu.com/film/warhol.html|UbuWeb Film]], [[UbuWeb::http://ubu.com/sound/warhol.html|UbuWeb Sound]], [[Aaaaarg::http://aaaaarg.fail/maker/53d89f50334fe04b3ea2398b|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Andy_Warhol|Wikipedia]] | ||
+ | }} | ||
+ | '''Andy Warhol''' (born Andrew Warhola; 1928–1987) was an American artist, director and producer who was a leading figure in pop art. | ||
− | == | + | ==Films== |
− | ( | + | Beginning with the 5-hour-and-21-minute ''Sleep'' (1963), Warhol made hundreds of films between 1963 and 1968. Following his near-fatal shooting by Valerie Solanas, Warhol shifted into the role of producer with ''Flesh'' (1968–1969), directed by his associate, Paul Morrissey. Generally speaking, Warhol’s films interrogate cinematic conventions. For instance, instead of the shot or frame, Warhol used the film roll (whose length was determined by Kodak) as the basic unit of his cinema. He also projected his early films without sound as well as the silent ''Screen Tests'' (1964–1966) at 16 fps, a slower speed than the standard 24 fps. Warhol’s films can be broken down into several different phases or periods, including works created with different collaborators. His early films, such as ''Sleep, Eat'' (1964), ''Blow Job'' (1964), and ''Empire'' (1964), are notorious for being excessively “minimal.” He later switched to shooting in synchronous sound, first using scenarios written by playwright Ronald Tavel, and then later with the involvement of Chuck Wein and Paul Morrissey. Warhol also made sound portraits (including biopics), including 472 cinematic portraits or ''Screen Tests''. These were short, 100-foot long film portraits of artists, celebrities, and ordinary people who gravitated to his infamous art studio known as the Factory. Warhol’s “middle period” experimented with expanded cinema and utilizing multiple screens. Warhol called these multimedia events “the Exploding Plastic Inevitable,” which involved films, dancing, light shows, theater, and music by the Velvet Underground. This period culminated in the release of Warhol’s most commercially successful film, ''The Chelsea Girls'' (1966), which became the epic of the underground cinema. In 1967, Warhol began making sexploitation films at the bequest of the owner of the Hudson Theater in Midtown Manhattan, where his earlier ''My Hustler'' (1965) had been a box office success. Many of Warhol’s films, most notably ''Lonesome Cowboys'' (1967–1968) and ''Blue Movie'' (1968), ran into censorship problems. Warhol also worked in video and television. [http://www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0158.xml] |
− | + | ===Filmography=== | |
+ | Including the ''Screen Tests'', Warhol made well over 300 movies between 1963 and the late 1970s. 16mm prints of films from the pre-Paul Morrissey era are available for rental through [https://www.moma.org/research-and-learning/circulating-film/ MoMA's Circulating Film and Video Library] which helpfully provides PDFs of titles, durations, and rental fees for [https://www.moma.org/momaorg/shared/pdfs/docs/learn/Andy_Warhol_Complete_Price_List-US.pdf the United States and Canada] and [https://www.moma.org/momaorg/shared/pdfs/docs/learn/Andy_Warhol_Complete_Price_List_nonUS.pdf other countries]. The [https://www.moma.org/momaorg/shared/pdfs/docs/learn/Andy_Warhol_Screen_Tests-inventory.pdf ''Screen Tests''] are distributed on twenty-eight different reels, each containing ten tests. | ||
+ | * [https://vimeo.com/4880378 ''Sleep''], with John Giorno, 1963 | ||
− | + | * ''Kiss'', 1963 | |
− | * | + | |
− | + | * [https://vimeo.com/13640404 ''Screen Tests''], 1964. Features [[Marcel Duchamp]], Bob Dylan, Salvador Dali, Dennis Hopper, and others. | |
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* ''Eat'', with Robert Indiana, 1964 | * ''Eat'', with Robert Indiana, 1964 | ||
− | == | + | [http://www.ubu.com/film/warhol.html Films about Warhol on UbuWeb]. |
− | The [http:// | + | |
+ | ==Publications== | ||
+ | * with Gerard Malanga, ''[https://monoskop.org/log/?p=6766 Screen Tests]'', New York: Kulchur, 1967, 115 pp. | ||
+ | |||
+ | * ''[http://libgen.rs/book/index.php?md5=27BB358D7F0F20220EAE09F7764D7049 The Philosophy of Andy Warhol (From A to B & Back Again)]'', written by Pat Hackett and Bob Colacello, New York: Harcourt Brace Jovanovich, 1975. | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=63E5ACFE8D16B3BBBBCE8465A312A935 Filosofiya Endi Uorkhola]'' [Философия Энди Уорхола], Apolon, 2002. {{ru}} | ||
+ | |||
+ | * with Pat Hackett, ''[[Media:Warhol Andy Hackett Pat POPism The Warhol 60s 1980.pdf|POPism: The Warhol '60s]]'', New York: Harcourt Brace Jovanovich, 1980, 310 pp; repr. as ''[http://libgen.rs/book/index.php?md5=344547E9DD979328505F00878F309A6A Popism: The Warhol Sixties]'', Penguin, 2009. Memoir. | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=FDF982FCD29A4797666D44B6540BE1B1 POPizam. Warholove šezdesete]'', trans. Josip Preveo, Zagreb: Studeni, 2009. {{cr}} | ||
+ | |||
+ | * ''[http://libgen.rs/book/index.php?md5=EF44C21C8487E87CBF406E2EDF9ACFFD The Andy Warhol Diaries]'', ed. Pat Hackett, Grand Central Publishing, 1991. | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=CAAB5B62FCE06A2225B4543CE21ADD44 Diarios de Andy Warhol]'', L&PM Pocket, 2011. {{pt}} | ||
+ | |||
+ | ==Interviews== | ||
+ | * ''[http://library.memoryoftheworld.org/#/book/a473d14e-271c-44d3-a940-981021030f25 I'll Be Your Mirror: The Selected Andy Warhol Interviews]'', ed. Kenneth Goldsmith, New York: Carroll & Graf, 2004. | ||
+ | ** ''Interviews mit Andy Warhol'', intro. Klaus Theweleit, trans. Susanne Höbel, Kippenheim: Liebig, 2005, 381 pp. {{de}} | ||
+ | ** ''Entretiens: 1962-1987'', trans. Alain Cueff, Paris: Bernard Grasset, 2006, 405 pp. {{fr}} | ||
+ | ** ''Będę twoim lustrem: wywiady z Warholem'', trans. Marcin Zawada, Warsaw: Twój Styl, 2006, 391 pp. {{pl}} | ||
+ | ** ''Wo jiang shi ni de jing zi: An diWo huo er fang tan jing xuan'', Beijing: San lian shu dian, 2007, 463 pp. {{cn}} | ||
+ | ** ''Entrevistas: 1962-1987: treinta y siete entrevistas con el maestro del pop'', intro. Reva Wolf, afterw. Wayne Koestenbaum, trans. Ferran Esteve, Barcelona: Blackie Books, 2010, 559 pp. {{es}} | ||
+ | * [https://academic.oup.com/oaj/article-abstract/41/1/85/4864368 'What is Pop Art?' A Revised Transcript of Gene Swenson’s 1963 Interview with Andy Warhol], ed. Jennifer Sichel, ''Oxford Art Journal'', March 2018. | ||
==Literature== | ==Literature== | ||
− | ; | + | * Peter Gidal, ''[https://monoskop.org/log/?p=20512 Andy Warhol: Films and Paintings]'', London: Studio Vista, 1971, 160 pp; new ed., 1991. |
− | * '' | + | * David Bourdon, ''Warhol'', New York: Abrams, 1989. |
− | * | + | * Victor Bockris, ''[http://libgen.rs/book/index.php?md5=7F0D3233CE1F1E4E84177D57CB6B92FF The Life and Death of Andy Warhol]'', New York: Bantam Books, 1989. |
− | * | + | * Kurt Easterwood, E. S. Theise, [[Media:Easterwood_Kurt_Theise_ES_The_Films_of_Andy_Warhol_2021.pdf|''The Films of Andy Warhol: A Seven-Week Introduction'']], San Francisco: San Francisco Cinematheque, 1990; repr., 2021, 52 pp. |
− | ; | + | * Alan R. Pratt (ed.), ''[[Media:Pratt Alan R ed The Critical Response to Andy Warhol 1997.pdf|The Critical Response to Andy Warhol]]'', Westport, CT: Greenwood Press, 1997, 306 pp. |
− | * | + | * Klaus Honnef, ''[http://libgen.rs/book/index.php?md5=B3033DAE4DD380D5CA6568125CBADFF1 Andy Warhol, 1928-1987: Commerce Into Art]'', Taschen, 2000. |
− | * Klaus Honnef, [ | + | * Annette Michelson (ed.), ''[http://libgen.rs/book/index.php?md5=020CFC598C0CBC29E1230432FBEA36B4 Andy Warhol]'', MIT Press, 2001. |
− | * [[Media: | + | * Wayne Koestenbaum, ''Andy Warhol'', New York: Viking, 2001. |
+ | * Linda Bolton, [[Media:Bolton_Linda_Andy_Warhol_2002.pdf|''Andy Warhol'']], London: Franklin Watts, 2002, [http://libgen.rs/book/index.php?md5=49F5FF8D61739DF33079D7BE5B5A81B5 PDF], [http://aaaaarg.fail/static/reader.htm?0=2260d71b02f8749da7577ea60908a060-0 ARG]. | ||
+ | * Steven Watson, ''Factory Made: Warhol and the Sixties'', New York: Pantheon, 2003. | ||
+ | * Callie Angell, ''Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonné Volume 1'', New York: H. N. Abrams, Whitney Museum of American Art, 2006. | ||
+ | * Arthur C. Danto, ''Andy Warhol'', Yale University Press, 2009. | ||
+ | * Tony Scherman, David Dalton, ''Pop: The Genius of Andy Warhol'', New York: Harper, 2009. | ||
+ | * Gary Indiana, ''[http://libgen.rs/book/index.php?md5=9627179234469A4CC8DAE5A7A360FE25 Andy Warhol and the Can that Sold the World]'', New York: Basic Books, 2010. | ||
+ | * Douglas Crimp, ''[http://library.memoryoftheworld.org/#/book/7b9032ba-1ccc-40be-b03d-64df992df476 "Our Kind of Movie": The Films of Andy Warhol]'', MIT Press, 2012, xv+171 pp, [http://aaaaarg.fail/thing/534996dd334fe0078b216590 ARG]. Collection of Crimp's essays on Warhol's films. | ||
+ | * Anthony E. Grudin, ''[http://library.memoryoftheworld.org/#/book/c4318773-4eb1-41c4-a27a-1bc52dc5879e Warhol's Working Class: Pop Art and Egalitarianism]'', University of Chicago Press, 2017, 240 pp. [http://press.uchicago.edu/ucp/books/book/chicago/W/bo26850194.html] | ||
+ | * Lucy Mulroney, ''[http://library.memoryoftheworld.org/#/book/f6540341-b1f2-4e50-becc-b8299770c331 Andy Warhol, Publisher]'', University of Chicago Press, 2018, 193 pp. | ||
+ | * Jennifer Sichel, [https://academic.oup.com/oaj/article/41/1/59/4864367 "‘Do you think Pop Art’s queer?’ Gene Swenson and Andy Warhol"], ''Oxford Art Journal'', March 2018, pp. 59-83. | ||
+ | * Andrew Higgins, Miroslava Germanova, [https://www.nytimes.com/2018/10/07/world/europe/andy-warhol-slovakia-mikova-medzilaborce.html "Andy Warhol Said He Came From ‘Nowhere.’ This Is It"], ''New York Times'', 7 Oct 2018. | ||
==Links== | ==Links== | ||
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* http://avantgardefilmindex.org/filmmakers/warhol-andy/ | * http://avantgardefilmindex.org/filmmakers/warhol-andy/ | ||
− | * http:// | + | * [http://www.warhol.org/ Andy Warhol Museum], Pittsburgh, Pennsylvania. |
+ | * [http://www.warholcity.com/ Andy Warhol Museum of Modern Art], Medzilaborce, Slovakia, est 1991 | ||
+ | * [https://www.moma.org/interactives/exhibitions/2010/warhol/ Andy Warhol: Motion Pictures], online companion to 2010 exhibition at MoMA | ||
+ | * http://www.artbabble.org/topic/people/warhol-andy | ||
+ | * [http://www.openculture.com/2012/04/andy_warhol_digitally_paints_debbie_harry_with_the_amiga_1000_computer_1985.html Warhol digitally paints Debbie Harry with the Amiga 1000 Computer (1985)] | ||
+ | * [http://angiewaller.com/video/andy-warhol-robot-2007/ Warhol robot designed by Walt Disney animator Alvaro Villa] | ||
+ | * https://www.washingtonpost.com/lifestyle/travel/visiting-the-andy-warhol-museum--in-slovakia/2011/04/07/AFWBhJjD_story.html | ||
− | [[ | + | [[Series:Experimental film]] [[Series:Photography]] {{DEFAULTSORT:Warhol, Andy}} |
− | [[ | ||
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Latest revision as of 19:55, 25 September 2023
![]() Warhol, photographed by Steve Wood, 1981. | |
Born |
August 6, 1928 Pittsburgh, Pennsylvania, United States |
---|---|
Died |
February 22, 1987 New York City, New York, US | (aged 58)
Web | UbuWeb Film, UbuWeb Sound, Aaaaarg, Wikipedia |
Andy Warhol (born Andrew Warhola; 1928–1987) was an American artist, director and producer who was a leading figure in pop art.
Films[edit]
Beginning with the 5-hour-and-21-minute Sleep (1963), Warhol made hundreds of films between 1963 and 1968. Following his near-fatal shooting by Valerie Solanas, Warhol shifted into the role of producer with Flesh (1968–1969), directed by his associate, Paul Morrissey. Generally speaking, Warhol’s films interrogate cinematic conventions. For instance, instead of the shot or frame, Warhol used the film roll (whose length was determined by Kodak) as the basic unit of his cinema. He also projected his early films without sound as well as the silent Screen Tests (1964–1966) at 16 fps, a slower speed than the standard 24 fps. Warhol’s films can be broken down into several different phases or periods, including works created with different collaborators. His early films, such as Sleep, Eat (1964), Blow Job (1964), and Empire (1964), are notorious for being excessively “minimal.” He later switched to shooting in synchronous sound, first using scenarios written by playwright Ronald Tavel, and then later with the involvement of Chuck Wein and Paul Morrissey. Warhol also made sound portraits (including biopics), including 472 cinematic portraits or Screen Tests. These were short, 100-foot long film portraits of artists, celebrities, and ordinary people who gravitated to his infamous art studio known as the Factory. Warhol’s “middle period” experimented with expanded cinema and utilizing multiple screens. Warhol called these multimedia events “the Exploding Plastic Inevitable,” which involved films, dancing, light shows, theater, and music by the Velvet Underground. This period culminated in the release of Warhol’s most commercially successful film, The Chelsea Girls (1966), which became the epic of the underground cinema. In 1967, Warhol began making sexploitation films at the bequest of the owner of the Hudson Theater in Midtown Manhattan, where his earlier My Hustler (1965) had been a box office success. Many of Warhol’s films, most notably Lonesome Cowboys (1967–1968) and Blue Movie (1968), ran into censorship problems. Warhol also worked in video and television. [1]
Filmography[edit]
Including the Screen Tests, Warhol made well over 300 movies between 1963 and the late 1970s. 16mm prints of films from the pre-Paul Morrissey era are available for rental through MoMA's Circulating Film and Video Library which helpfully provides PDFs of titles, durations, and rental fees for the United States and Canada and other countries. The Screen Tests are distributed on twenty-eight different reels, each containing ten tests.
- Sleep, with John Giorno, 1963
- Kiss, 1963
- Screen Tests, 1964. Features Marcel Duchamp, Bob Dylan, Salvador Dali, Dennis Hopper, and others.
- Eat, with Robert Indiana, 1964
Publications[edit]
- with Gerard Malanga, Screen Tests, New York: Kulchur, 1967, 115 pp.
- The Philosophy of Andy Warhol (From A to B & Back Again), written by Pat Hackett and Bob Colacello, New York: Harcourt Brace Jovanovich, 1975.
- Filosofiya Endi Uorkhola [Философия Энди Уорхола], Apolon, 2002. (Russian)
- with Pat Hackett, POPism: The Warhol '60s, New York: Harcourt Brace Jovanovich, 1980, 310 pp; repr. as Popism: The Warhol Sixties, Penguin, 2009. Memoir.
- POPizam. Warholove šezdesete, trans. Josip Preveo, Zagreb: Studeni, 2009. (Croatian)
- The Andy Warhol Diaries, ed. Pat Hackett, Grand Central Publishing, 1991.
- Diarios de Andy Warhol, L&PM Pocket, 2011. (Portuguese)
Interviews[edit]
- I'll Be Your Mirror: The Selected Andy Warhol Interviews, ed. Kenneth Goldsmith, New York: Carroll & Graf, 2004.
- Interviews mit Andy Warhol, intro. Klaus Theweleit, trans. Susanne Höbel, Kippenheim: Liebig, 2005, 381 pp. (German)
- Entretiens: 1962-1987, trans. Alain Cueff, Paris: Bernard Grasset, 2006, 405 pp. (French)
- Będę twoim lustrem: wywiady z Warholem, trans. Marcin Zawada, Warsaw: Twój Styl, 2006, 391 pp. (Polish)
- Wo jiang shi ni de jing zi: An diWo huo er fang tan jing xuan, Beijing: San lian shu dian, 2007, 463 pp. (Chinese)
- Entrevistas: 1962-1987: treinta y siete entrevistas con el maestro del pop, intro. Reva Wolf, afterw. Wayne Koestenbaum, trans. Ferran Esteve, Barcelona: Blackie Books, 2010, 559 pp. (Spanish)
- 'What is Pop Art?' A Revised Transcript of Gene Swenson’s 1963 Interview with Andy Warhol, ed. Jennifer Sichel, Oxford Art Journal, March 2018.
Literature[edit]
- Peter Gidal, Andy Warhol: Films and Paintings, London: Studio Vista, 1971, 160 pp; new ed., 1991.
- David Bourdon, Warhol, New York: Abrams, 1989.
- Victor Bockris, The Life and Death of Andy Warhol, New York: Bantam Books, 1989.
- Kurt Easterwood, E. S. Theise, The Films of Andy Warhol: A Seven-Week Introduction, San Francisco: San Francisco Cinematheque, 1990; repr., 2021, 52 pp.
- Alan R. Pratt (ed.), The Critical Response to Andy Warhol, Westport, CT: Greenwood Press, 1997, 306 pp.
- Klaus Honnef, Andy Warhol, 1928-1987: Commerce Into Art, Taschen, 2000.
- Annette Michelson (ed.), Andy Warhol, MIT Press, 2001.
- Wayne Koestenbaum, Andy Warhol, New York: Viking, 2001.
- Linda Bolton, Andy Warhol, London: Franklin Watts, 2002, PDF, ARG.
- Steven Watson, Factory Made: Warhol and the Sixties, New York: Pantheon, 2003.
- Callie Angell, Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonné Volume 1, New York: H. N. Abrams, Whitney Museum of American Art, 2006.
- Arthur C. Danto, Andy Warhol, Yale University Press, 2009.
- Tony Scherman, David Dalton, Pop: The Genius of Andy Warhol, New York: Harper, 2009.
- Gary Indiana, Andy Warhol and the Can that Sold the World, New York: Basic Books, 2010.
- Douglas Crimp, "Our Kind of Movie": The Films of Andy Warhol, MIT Press, 2012, xv+171 pp, ARG. Collection of Crimp's essays on Warhol's films.
- Anthony E. Grudin, Warhol's Working Class: Pop Art and Egalitarianism, University of Chicago Press, 2017, 240 pp. [2]
- Lucy Mulroney, Andy Warhol, Publisher, University of Chicago Press, 2018, 193 pp.
- Jennifer Sichel, "‘Do you think Pop Art’s queer?’ Gene Swenson and Andy Warhol", Oxford Art Journal, March 2018, pp. 59-83.
- Andrew Higgins, Miroslava Germanova, "Andy Warhol Said He Came From ‘Nowhere.’ This Is It", New York Times, 7 Oct 2018.
Links[edit]
- http://avantgardefilmindex.org/filmmakers/warhol-andy/
- Andy Warhol Museum, Pittsburgh, Pennsylvania.
- Andy Warhol Museum of Modern Art, Medzilaborce, Slovakia, est 1991
- Andy Warhol: Motion Pictures, online companion to 2010 exhibition at MoMA
- http://www.artbabble.org/topic/people/warhol-andy
- Warhol digitally paints Debbie Harry with the Amiga 1000 Computer (1985)
- Warhol robot designed by Walt Disney animator Alvaro Villa
- https://www.washingtonpost.com/lifestyle/travel/visiting-the-andy-warhol-museum--in-slovakia/2011/04/07/AFWBhJjD_story.html