Difference between revisions of "Prishtina"
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| − | '''Spaces''': [[Stacion]] (*2006). | + | '''Spaces''': [https://www.kinoarmata.org/ Kino Armata] space for alternative culture and social dialogue, [[Stacion]] (*2006). |
| − | '''Art workers''': [[Alban Muja]] (1980), [[Albert Heta]], [[Vala Osmani]]. | + | '''Initiatives''': [https://www.balkansocietytp.com/ Balkan Society for Theory and Practice] (*2017). |
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| + | '''Art workers''': [[Alban Muja]] (1980), [[Albert Heta]], [https://kosovotwopointzero.com/en/alush-gashi-we-wanted-to-create-a-forum-in-which-critical-thought-is-cultivated/ Alush Gashi] [https://www.koha.net/en/culture/122784/Gashi-says-that-Kino-Armata-is-becoming-an-alternative-space-for-cultural-and-artistic-values/], [https://www.ohio.edu/scripps-college/dm210619ohio-edu Deniza Mulaj], [https://www.jetamulaj.com/ Jeta Mulaj], [[Vala Osmani]]. | ||
; Publications | ; Publications | ||
Latest revision as of 17:14, 16 January 2024
Spaces: Kino Armata space for alternative culture and social dialogue, Stacion (*2006).
Initiatives: Balkan Society for Theory and Practice (*2017).
Art workers: Alban Muja (1980), Albert Heta, Alush Gashi [1], Deniza Mulaj, Jeta Mulaj, Vala Osmani.
- Publications
- Odstupanje: Savremena umetnička scena Prištine / Exception: Contemporary Art Scene of Prishtina, eds. Vida Knežević, Kristian Lukić, Ivana Marjanović, and Gordana Nikolić, Belgrade: Kontekst, 2008, 79 pp. Exh. catalogue. [2] (Serbian)/(English)
- Katharina Schendl (ed.), Notes on Contemporary Art in Kosovo, Berlin: Sternberg Press, 2019, 128 pp. [3] [4]
| Cities alternative base |
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Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb | ||
