Difference between revisions of "Montréal"
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(Created page with "* Giorgio Tavano Blessi, Pier Luigi Sacco, Thomas Pilati, [https://sci-hub.st/10.1080/09548963.2011.563907 "Independent Artist-run Centres: An Empirical Analysis of the Montre...") |
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+ | * [https://www.cyberpowwow.net/events.html CyberPowWow] (1997-2004). | ||
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+ | * [https://www.oboro.net/en/home/ OBORO] centre for art, contemporary practices and new media (*1995). | ||
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* Giorgio Tavano Blessi, Pier Luigi Sacco, Thomas Pilati, [https://sci-hub.st/10.1080/09548963.2011.563907 "Independent Artist-run Centres: An Empirical Analysis of the Montreal Non-profit Visual Arts Field"], ''Cultural Trends'' 20:2, 2011, pp 141-166. [https://doi.org/10.1080/09548963.2011.563907] | * Giorgio Tavano Blessi, Pier Luigi Sacco, Thomas Pilati, [https://sci-hub.st/10.1080/09548963.2011.563907 "Independent Artist-run Centres: An Empirical Analysis of the Montreal Non-profit Visual Arts Field"], ''Cultural Trends'' 20:2, 2011, pp 141-166. [https://doi.org/10.1080/09548963.2011.563907] | ||
{{Cities}} | {{Cities}} |
Revision as of 14:27, 14 April 2024
- CyberPowWow (1997-2004).
- OBORO centre for art, contemporary practices and new media (*1995).
- Giorgio Tavano Blessi, Pier Luigi Sacco, Thomas Pilati, "Independent Artist-run Centres: An Empirical Analysis of the Montreal Non-profit Visual Arts Field", Cultural Trends 20:2, 2011, pp 141-166. [1]
Cities alternative base |
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Amsterdam, Bergen, Berlin, Bratislava, Budapest, Kyiv, London, New York City, Oslo, Paris, Prague, Rotterdam, Seoul, Tokyo, Vienna, Warsaw, Zagreb |