Difference between revisions of "Danny Snelson"

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'''Danny Snelson''' (1984) is a writer, editor, and archivist. He is an Assistant Professor of English at the University of California - Los Angeles (UCLA).  
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'''Daniel Scott Snelson''' is a writer, editor, and archivist working as an Assistant Professor in the Departments of English and Design Media Arts at UCLA, where he serves as faculty for the Digital Humanities, the Laboratory for Environmental Narrative Strategies, and the UCLA Game Lab. His online editorial work can be found on ''PennSound, Eclipse, [[UbuWeb]], Jacket2'', and the ''EPC''. Published books works include ''[https://dss-edit.com/word/elden-poem/ Elden Poem]'' (Hysterically Real, 2022), ''[[Media:Snelson Danny Full Bleed A Mourning Letter for the Printed Page 2019.pdf|Full Bleed: A Mourning Letter for the Printed Page]]'' (2019), ''[https://monoskop.org/log/?p=22222 Apocalypse Reliquary]'' (Monoskop & Mediabus, 2018), ''[https://dss-edit.com/word/radios/ Radios]'' (Make Now, 2016), , ''[https://dss-edit.com/word/exe-txt/ EXE TXT]'' (Gauss PDF, 2015), ''[https://dss-edit.com/word/epic-lyric-poem/ Epic Lyric Poem]'' (Troll Thread, 2014), and ''[https://dss-edit.com/word/inventory-arousal/ Inventory Arousal]'' with James Hoff (Bedford Press/Architectural Association, 2011). With [[Mashinka Firunts Hakopian]] and Avi Alpert, he performs as one-third of the academic performance group Research Service. His forthcoming book, ''The Little Database: A Poetics of Media Formats'' (University of Minnesota Press, 2025), examines the networked afterlives of media-reflexive works of art and letters.
  
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His online editorial work can be found on [[UbuWeb]], PennSound, Eclipse, and Jacket2. He is the publisher of [http://aphasic-letters.com/edit/publications.html Edit Publications] and founding editor of the [http://jacket2.org/reissues Jacket2 Reissues] project. Recent books include ''[[Media:Snelson Danny Full Bleed A Mourning Letter for the Printed Page 2019.pdf|Full Bleed: A Mourning Letter for the Printed Page]]'' (2019), ''[https://monoskop.org/log/?p=22222 Apocalypse Reliquary]'' (Monoskop & Mediabus, 2018), ''[http://dss-edit.com/radios/ Radios]'' (Make Now, 2016), ''[http://dss-edit.com/exe-txt/ EXE TXT]'' (Gauss PDF, 2015), ''[http://dss-edit.com/epic-lyric-poem/ Epic Lyric Poem]'' (Troll Thread, 2014), and ''[http://dss-edit.com/inventory-arousal/ Inventory Arousal]'' with James Hoff (Bedford Press/Architectual Association, 2011). His book project ''The Little Database: A Poetics of Media Formats'' argues for materially-invested readings of works of print, sound, and cinema from within a new media context.
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Interests include: unwieldy lists, MFH, expanded poetics, lively conversation, media poetry, tabletop RPGs, manga/anime//manhua/donghua, file formats, unlikely cocktails, the Deseret Alphabet, print-on-demand books, emerging genres, VR exercise, speculative narratives, decolonial politics, shadow libraries, experimental gastronomy, handcrafted HTML, queer comics, algorithmic music, Post-Mormon poets, actual play podcasts, Kyoto-style cold-brew, internet vernaculars, IRL objects, archival aesthetics, videogame studies, Asta Theodore, and playful engagements of all stripes. In curriculum, composition, &critical work, he attends to experimental modes of play: collaboration, compression, and circulation. [http://dss-edit.com/about/ (2024)]
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With [[Mashinka Firunts Hakopian]] and Avi Alpert, he works as one-third of the academic performance group [http://researchservice.info/ Research Service]. Between 2015-2017, he was a Mellon Postdoctoral Fellow in Digital Humanities at Northwestern University.
 
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His articles, artworks, and performances have appeared widely, including venues such as ''Amodern, American Book Review'', Centre Pompidou, ''Jacket2'', Palais de Tokyo, The New Museum, and Brown University. [http://dss-edit.com/about/ (2023)]
 
  
 
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Revision as of 13:08, 20 November 2024

Daniel Scott Snelson is a writer, editor, and archivist working as an Assistant Professor in the Departments of English and Design Media Arts at UCLA, where he serves as faculty for the Digital Humanities, the Laboratory for Environmental Narrative Strategies, and the UCLA Game Lab. His online editorial work can be found on PennSound, Eclipse, UbuWeb, Jacket2, and the EPC. Published books works include Elden Poem (Hysterically Real, 2022), Full Bleed: A Mourning Letter for the Printed Page (2019), Apocalypse Reliquary (Monoskop & Mediabus, 2018), Radios (Make Now, 2016), , EXE TXT (Gauss PDF, 2015), Epic Lyric Poem (Troll Thread, 2014), and Inventory Arousal with James Hoff (Bedford Press/Architectural Association, 2011). With Mashinka Firunts Hakopian and Avi Alpert, he performs as one-third of the academic performance group Research Service. His forthcoming book, The Little Database: A Poetics of Media Formats (University of Minnesota Press, 2025), examines the networked afterlives of media-reflexive works of art and letters.

Interests include: unwieldy lists, MFH, expanded poetics, lively conversation, media poetry, tabletop RPGs, manga/anime//manhua/donghua, file formats, unlikely cocktails, the Deseret Alphabet, print-on-demand books, emerging genres, VR exercise, speculative narratives, decolonial politics, shadow libraries, experimental gastronomy, handcrafted HTML, queer comics, algorithmic music, Post-Mormon poets, actual play podcasts, Kyoto-style cold-brew, internet vernaculars, IRL objects, archival aesthetics, videogame studies, Asta Theodore, and playful engagements of all stripes. In curriculum, composition, &critical work, he attends to experimental modes of play: collaboration, compression, and circulation. (2024)

Links
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