Difference between revisions of "Bio art"

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==Publications==
 
==Publications==
  
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* Karl Gerbel, Peter Weibel (eds.), ''[http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745 Artificial Life / Genetic Art (Ars Electronica 1993)]'', PVS-Verleger, 1993.
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* ''[https://archive.aec.at/print/108304/ Ars Electronica 1993. Genetische Kunst. Künstliches Leben / Genetic Art. Artificial Life. Ars Electronica 1993]'', eds. Karl Gerbel and [[Peter Weibel]], Linz: PVS-Verleger, 1993, 445 pp. {{de}}/{{en}}
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** ''[http://90.146.8.18/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745 Genetische Kunst / Künstliches Leben (Ars Electronica 1993)]'', 1993. {{de}}
 
  
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* Christine Schöpf, Gerfried Stocker (eds.), ''[http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8457 Flesh Factor (Ars Electronica 1997)]'', Springer, 1997. [https://ars.electronica.art/fleshfactor/]
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* ''[https://archive.aec.at/print/108313/ Ars Electronica 1997. Fleshfactor. Informationsmaschine Mensch / Flesh Factor]'', eds. Christine Schöpf and Gerfried Stocker, Vienna: Springer, 1997, 447 pp. {{de}}/{{en}}
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** ''[http://90.146.8.18/de/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8457 Fleshfactor. Informationsmaschine Mensch (Ars Electronica 1997)]'', 1997. {{de}}
 
  
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}
 
* Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in ''Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur'', eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. {{de}}

Revision as of 08:12, 14 May 2025

Pages

Bioart Society, Mediamatic Biotoop, [1]

Publications

  • Oliver Grau, "Lebendige Bilder schaffen. Virtuelle Realität, Artificial Life und Transgenic Art", in Dschungel. Sammeln, Ordnen, Bewahren. 7 Hügel. Von der Vielfalt des Lebens zur Kultur der Natur, eds. B.-M. Baumunk and J. Joerges, Berlin: Henschel, 2000, pp 47-53. (German)
  • Kunstforum International 157: "Klone und Mutanten. Transgene Kunst I", Nov-Dec 2001. [2] (German)
  • Kunstforum International 158: "Der erfundene Zwilling. Transgene Kunst II", Jan-Mar 2002. [3] (German)
  • Suzanne Anker, Dorothy Nelkin, The Molecular Gaze: Art in the Genetic Age, Cold Spring Harbor, NY: Cold Spring Harbor Laboratory Press, 2004.
  • Melentie Pandilovski, Art in the Biotech Era, Experimental Art Foundation, 2008.
  • Ingeborg Reichle, Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art, pref. Robert Zwijnenberg, trans. Gloria Custance, Vienna: Springer, 2009, xxix+422 pp. TOC & Preface, Illustrations. [4]
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 1: Practice), Kaliningrad: National Centre for Contemporary Arts, 2009.
  • Ruth G. West, "Working With Wetware", in Context Providers: Conditions Of Meaning In Media Arts, eds. Margot Lovejoy, Christiane Paul, and Victoria Vesna, Intellect Books, 2011. [5]
  • William Myers, BioDesign: Nature + Science + Creativity, Thames & Hudson, 2012.
  • Dmitry Bulatov (ed.), Evolution Haute Couture: Art and Science in the Post-Biological Age (Part 2: Theory), Kaliningrad: National Centre for Contemporary Arts, 2013.
  • Laura Beloff, Erich Berger, Terike Haapoja (eds.), Field_Notes - From Landscape to Laboratory - Maisemasta Laboratorioon, Printon Printinghouse, 2013.
  • Regine Rapp, Christian de Lutz (eds.), Art and the Biological Sublime in the 21st Century, Blurb, 2015. On the [macro]biologies & [micro]biologies series which took place at Art Laboratory Berlin between 2013-2015.
  • William Myers, Bio Art: Altered Realities, London: Thames & Hudson, 2015.
  • Ali K. Yetisen, Joe Davis, Ahmet F. Coskun, George M. Church, and Seok Hyun Yun, "Bioart", Trends in Biotechnology 33:12, Dec 2015, pp 724-734.
  • Marc Jimenez, Art et technosciences. Bioart - neuroesthétique, Paris: Klincksieck, 2016, 112 pp. (French)
  • Jens Hauser, "Biomediality and Art", in Recomposing Art and Science: Artists-in-Labs, eds. Irene Hediger and Jill Scott, Berlin: De Gruyter, 2016, pp 201-219.
  • Assimina Kaniari (ed.), Institutional Critique to Hospitality: Bio Art Practice Now, Athens: Grigoris Books, 2017, 190 pp. Review: Terranova (Leonardo).
  • Living Object / Živi objekt, ed. Alenka Trebušak, Ljubljana: City Art Gallery Ljubljana, 2020, 146 pp. Exh. cat. Texts: Laura Benítez Valero, Ingeborg Reicle, Alenka Trebušak. Exhibition. Publisher. (English)/(Slovenian)
  • Caroline A. Jones, Natalie Bell, Selby Nimrod (eds.), Symbionts: Contemporary Artists and the Biosphere, MIT Press, 2022, 232 pp. Publisher. Exhibition. Exhibition.
Resources
  • Arch-ive, an open source digital platform that aggregates, preserves, publishes, distributes and contextualizes a variety of information, knowledge and documentation on art with a focus on biomedia. Project by Hangar. [10]
Bibliography

See also

DIY biology


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