Difference between revisions of "Cornelia Sollfrank"

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Born 1960 in Feilershammer. Lives in Celle, [[Hamburg]] and [[Berlin]]. Artist whose central concerns in her conceptual and performative works in 'mixed media' are the relation between art and politics, subversive potential of new media art, the advent of a new image of the artist in the information age, gender-specific handling of technology, as well as networking and communication as art. She was a member of the collectives 'frauen-und-technik' and '-Innen,' and initiated the Cyberfemininist alliance known as [[Old Boys Network]]. Facilitator of the conference series 'Next Cyberfeminist International'. Her project 'female extension' (1997) was a hack of the first net.art competition initiated by a museum, in which she flooded the museum's network with submissions by 300 virtual female net artists.
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'''Cornelia Sollfrank''' (1960, Feilershammer) is an artist, researcher and university lecturer, living in [[Berlin]]. She studied painting at the Academy of Art in Munich (1987-90), fine art at the University of the Arts Hamburg (1990-94), and received her PhD from the University of Dundee (UK).
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Her 'net.art generator' automatically produces art on demand.
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Her means of expression include writing, performance, sound, video and (other) Internet-based formats. Recurring subjects in her artistic and academic work about digital cultures are authorship, self-organization, gender and techno-feminism. As a pioneer of [[Internet art]], Sollfrank built up a reputation with two central projects: ''the net.art generator'', a web-based machine producing art, and ''Female Extension'' (1997), her hack of the first competition for [[Internet art]] initiated by a museum in which she flooded the museum's network with submissions by 300 virtual female net artists.  
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Her most recent project 'improved tele-vision' is an intervention in Arnold Schoenberg's composition 'Verklaerte Nacht' and consists of two parts: an online audio platform, as well as a sound installation.
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Her experiments with the basic principles of aesthetic modernism implied conflicts with its institutional and legal framework and led to her academic research. In her dissertation ''Performing the Paradoxes of Intellectual Property'', Sollfrank investigated the conflicting relationship between art and copyright.  
She published the readers 'first cyberfeminist international' (1988) and 'next cyberfeminist international' (1999).
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The current artistic research project ''Giving What You Don’t Have'' brings together art projects that all contribute to the creating and maintenance of digital commons. Her recent performance ''À la recherche de l’information perdue'' is about gender stereotypes in the digital underground.
In 1999/2000 Sollfrank produced a body of work on the subject of 'women hackers'.
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She was a member of the collectives 'frauen-und-technik' and '-Innen', initiated the Cyberfemininist alliance known as [[Old Boys Network]], and facilitated the conference series ''Next Cyberfeminist International''.  
Sollfrank is currently continuing to work on the idea of 'generative art', and is co-developer of the 'pool-prj'.
 
 
Free-lance writer on net.culture for the online magazine [[telepolis]].
 
 
WS 1998/99 and SS 1999 lecturer at the Hochschule fuer Bildende Kuenste, Hamburg.
 
WS 2000/01 and SS 2001 lecturer at University of Lueneburg, Germany.
 
SS 2001 and WS 2001/02 lecturer at University of Oldenburg, Germany.
 
SS 2003 lecturer at University of Lueneburg, Germany.
 
 
1987-1990 studies of fine art (painting), Academy of Fine Arts, Munich.
 
1990-1994 studies of fine art, Hochschule fuer Bildende Kuenste, Hamburg.
 
1995/96 Multimedia Product Manager (Philips Media).
 
 
   
 
   
 
Websites:
 
Websites:
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* old boys network -- http://www.obn.org
 
* old boys network -- http://www.obn.org
 
* improved tele-vision -- http://www.artwarez.org/improvedTV
 
* improved tele-vision -- http://www.artwarez.org/improvedTV
 
Prizes/ fellowships/ residencies:
 
* 2. German Award for artistic photography (1991);
 
* DAAD-fellowship (German Academic Exchange Servcie) USA, New York (1996/97);
 
* Residency at the media lab of Kuenstlerhaus Bethanien Berlin (1997);
 
* Fellowship of the city of Hamburg for fine arts (1998);
 
* Fellowship for women in fine arts of the Senate of the city of Berlin (1999);
 
* EMARE (european artists exchange program) residency at Duncan of Jordanstone University, Dundee, Scotland (2000/01);
 
* Residency at the Women Artist Colony "Die Hoege", Germany (2001).
 
  
; Articles
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; Interviews
* [[Josephine Bosma]], [http://www.nettime.org/Lists-Archives/nettime-l-9707/msg00018.html "Interview with Cornelia Sollfrank"], 1997.  
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* Josephine Bosma, [http://www.nettime.org/Lists-Archives/nettime-l-9707/msg00018.html "Interview with Cornelia Sollfrank"], 1997.  
  
 
; Links
 
; Links
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* http://www.irational.org/tm/mr/cornelia.html
 
* http://www.irational.org/tm/mr/cornelia.html
  
[[Category:Cyberfeminism|Sollfrank, Cornelia]]
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[[Category:Cyberfeminism|Sollfrank, Cornelia]] [[Category:Net art|Sollfrank, Cornelia]]

Revision as of 22:22, 9 February 2017

Cornelia Sollfrank (1960, Feilershammer) is an artist, researcher and university lecturer, living in Berlin. She studied painting at the Academy of Art in Munich (1987-90), fine art at the University of the Arts Hamburg (1990-94), and received her PhD from the University of Dundee (UK).

Her means of expression include writing, performance, sound, video and (other) Internet-based formats. Recurring subjects in her artistic and academic work about digital cultures are authorship, self-organization, gender and techno-feminism. As a pioneer of Internet art, Sollfrank built up a reputation with two central projects: the net.art generator, a web-based machine producing art, and Female Extension (1997), her hack of the first competition for Internet art initiated by a museum in which she flooded the museum's network with submissions by 300 virtual female net artists.

Her experiments with the basic principles of aesthetic modernism implied conflicts with its institutional and legal framework and led to her academic research. In her dissertation Performing the Paradoxes of Intellectual Property, Sollfrank investigated the conflicting relationship between art and copyright.

The current artistic research project Giving What You Don’t Have brings together art projects that all contribute to the creating and maintenance of digital commons. Her recent performance À la recherche de l’information perdue is about gender stereotypes in the digital underground.

She was a member of the collectives 'frauen-und-technik' and '-Innen', initiated the Cyberfemininist alliance known as Old Boys Network, and facilitated the conference series Next Cyberfeminist International.

Websites:

Interviews
Links