Difference between revisions of "Sandbox"
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+ | I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.</span><br><span></span>The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.<br><span></span>The sound of the flight of an aeroplane.. | ||
+ | }} | ||
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+ | I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.</span><br><span></span>The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.<br><span></span>The sound of the flight of an aeroplane.. | ||
+ | }} | ||
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+ | I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.</span><br><span></span>The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.<br><span></span>The sound of the flight of an aeroplane.. | ||
+ | }} | ||
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+ | I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.</span><br><span></span>The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.<br><span></span>The sound of the flight of an aeroplane.. | ||
+ | }} | ||
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+ | }} | ||
+ | |||
+ | ==mastodon== | ||
+ | <div style="float:right; clear:right"><iframe align=center key="postlurk" level="" path="/@monoskop/109511671423339850/embed" /></div> | ||
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+ | ==infobox book== | ||
+ | {{Infobox book | ||
+ | |name = Soundings | ||
+ | |author = Suzanne Delehanty | ||
+ | |image = Soundings_Neuberger_Museum_1981.jpg | ||
+ | |image_size = 250px | ||
+ | |publisher = Neuberger Museum/State University of New York | ||
+ | |pub_city = Purchase, NY | ||
+ | |pub_date = 1981 | ||
+ | |pages = 96 | ||
+ | |format = 21 x 14.85 cm | ||
+ | |fabrication = Risograph | ||
+ | |isbn = | ||
+ | |ebook = [https://monoskop.org/images/3/30/Soundings_Neuberger_Museum_1981.pdf PDF] | ||
+ | }} | ||
+ | |||
+ | ==monoskop log category listing== | ||
+ | |||
+ | https://monoskop.org/log/?cat=887 | ||
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+ | https://monoskop.org/log/?cat=887&json=1 | ||
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+ | https://monoskop.org/log/?cat=887&json=1&count=40 | ||
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Latest revision as of 16:33, 8 December 2023
RSS[edit]
You are welcome to follow and join us on mastodon at post.lurk.org/@monoskop.
“From the “Big Science” of Bell Laboratories to the esoteric world of séance chambers to university media labs to neighborhood makerspaces, places we call “labs” are everywhere—but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the “hybrid lab” and offering an extended—and rare—critical investigation of how labs have proliferated throughout culture.
Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute’s Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs’ tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.”
Publisher University of Minnesota Press, March 2022
ISBN 9781517902179, 1517902177
x+333 pagesProject website
Publisher
WorldCatHTML (Manifold)
“In 2021, Networks of Care offered a platform at the nGbK enabling an exchange of ideas and information between practitioners and experts concerning strategies for dealing with artistic estates, private and public archives, or idle documentation volumes. The present contributions reflect—in their theoretical analyses and also partly fleeting or historical thoughts, notes, and reflections and through their polyphony and contradictoriness—the fact that practices of preserving and discarding are always also political and must be understood principally as unfinished processes of continuous selecting, deciding, translating, transferring, actualizing, and transforming. The publication concludes with a preliminary interim result and a proposal for next steps regarding these structural and cultural-political challenges.”
With contributions by Dušan Barok, Nanne Buurman, Amalia Calderòn, Mela Dávila Freire, Annet Dekker, Lukas Fuchsgruber, Michael Hiltbrunner, Megan Hoetger, Bettina Knaup, Christin Lahr, Anne Luther, Katalin Krasznahorkei, Laurence Rassel, Peter Rehberg, Elske Rosenfeld, Friederike Schäfer, Anna Schäffler, Olga Schubert, Cornelia Sollfrank, Ingrid Wagner, and Mark Waugh.
Publisher neue Gesellschaft für bildende Kunst (nGbK), Berlin, May 2022
ISBN 9783938515952
178 pages
Trading Zones: Camera Work in Artistic and Ethnographic Research (2022)
“This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness. In shared practices such as recording in the field, editing in post-production and modes of presentation, the camera is involved as an agent rather than an innocent device. How does the camera grapple with the invisible and how does it reveal what the camerawoman is unable to see? How do films, videos and photographs provide access to vulnerable knowledges and what presentation formats can extend the linearity of narration?
Taking account of their own situatedness and the limits of representation, many of this book’s contributors attempt to speak with — rather than about — the other. These negotiations appearing in the featured projects open up a shared field of artistic and ethnographic inquiry, whose potential — for experiments and reflections — is far from exhausted.”
Contributions by Sepideh Abtahi, Shirin Barghnavard, Laura Coppens, Louis Henderson, Heidrun Holzfeind, Mina Keshavarz, Daniel Kötter, Jürgen Krusche, Bärbel Küster, Bina Elisabeth Mohn, Laura von Niederhäusern, Uriel Orlow, Barbara Preisig, Rani al Raji, Nahid Rezaei, Anette Rose, Sahar Salahshoori, Christoph Schenker, Amira Solh, Lena Maria Thüring, Zheng Mahler.
Edited by Barbara Preisig, Laura von Niederhäusern, and Jürgen Krusche
Publisher Archive Books, Berlin
Creative Commons BY-NC-ND 4.0 license
ISBN 9783948212827
164 pages
rss mastodon[edit]
Various examples of wiki use in arts and studies https://monoskop.org/Base:Wiki
[2]Announcing a new wiki section with a selection of books from Monoskop Log, converted into single-page websites https://monoskop.org/HTML ... click on any cover to read ... blue links lead to posts on Log...
...years in the making, the font sizes are not % consistent and may need some adjustment on your device...
Long overdue revamp of our wiki page dedicated to interdependent, feminist, trans*feminist, free/libre, self-hosted, autonomous, collective, community and art
, related publications, events, projects, workshops, collaborations and resources
Comments and suggestions welcome
https://monoskop.org/Community_servers #communityservers #underconstruction #digitaldepletionstrike #CounterCloudActionDay #CounterCloudAction
back up & running ... TBC next weekend ...
html5 video[edit]
headline in italic[edit]
headline[edit]
indent[edit]
"I should also say that I don’t see any contradictions at all between music and noise. Most so-called noises that have been used in the film have not been reproduced by means of noise instruments, but rather have been reproduced by musical means by real musical instruments.
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..
sortable table[edit]
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a | 10 |
b | 19 |
c | 8 |
columns[edit]
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grid[edit]
one
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two
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..
three
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..
four
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..
five
The harmonium has played a huge role in this business: we can produce the sound of a dynamo-motor, taking, for example, an interval of a semitone in the low register.
The sound of the flight of an aeroplane..
mastodon[edit]
category listing[edit]
- 17 May 2024: File:Archiving Activism in the Digital Age 2024.pdf
- 22 February 2024: File:Call it Something Else Something Else Press Inc 1963-1974 2023.pdf
- 23 April 2024: File:Collective Creativity Kollektive Kreativitaet 2005.pdf
- 30 November 2022: File:Espejo Jose Luis ed Escucha por favor 13 textos sobre sonido para el arte reciente 2019.pdf
- 22 February 2024: File:Fabus Palo Svoboda Lubos Prednaska o vznikavosti 2017.pdf
- 26 November 2023: File:Fremeaux Isabelle Jordan Jay We Are Nature Defending Itself 2021.pdf
- 11 August 2023: File:Het Andrea Behr Pamflet 41 BFFS 2023.pdf
- 11 May 2024: File:Home Works A Cooking Book Recipes for Organising with Art and Domestic Work 2020.pdf
- 28 October 2023: File:INCITE eds The Revolution Will Not Be Funded Beyond the Non-Profit Industrial Complex 2017.pdf
- 7 July 2023: File:Kraus Chris Summer of Hate 2012.pdf
- 16 April 2024: File:KUNCI Study Forum and Collective eds Tools for Radical Study A Collection of Manuals 2024.pdf
- 1 April 2024: File:Lindgren Jacob ed Extra-curricular 2018.pdf
- 21 February 2024: File:Lorusso Silvio What Design Cant Do Essays on Design and Disillusion 2023.pdf
- 25 February 2024: File:Lozhkina Alisa Permanent Revolution Art in Ukraine the 20th to the Early 21st Century 2020.pdf
- 8 April 2024: File:Ludovico Alessandro Tactical Publishing Using Senses Software and Archives in the Twenty-First Century 2024.pdf
- 28 November 2023: File:Lumbung Commons and Community Art A Conversation on the Behind-the-Scenes of documenta fifteen 2023.pdf
- 28 March 2024: File:Messe 2ok 1996.pdf
- 17 July 2024: File:Oroza Ernesto Rikimbili une etude sur la desobeissance technologique et quelques formes de reinvention 2009.pdf
- 16 May 2024: File:Promiscuous Infrastructures Practicing Care 2024.pdf
- 11 July 2023: File:Rodney Walter How Europe Underdeveloped Africa rev ed 1981.pdf
- 7 July 2023: File:Schneider Ira Korot Beryl eds Video Art An Anthology 1976.pdf
- 23 March 2024: File:The Constituent Museum Constellations of Knowledge Politics and Mediation 2018.pdf
- 11 April 2024: File:The Long 1980s Constellations of Art Politics and Identities 2018.pdf
- 8 December 2023: File:Volcano Del LaGrace Halberstam Judith Jack The Drag King Book 1999.pdf
- 22 July 2024: File:Zamotka zine 2024.pdf
Archiving Activism in the Digital Age 2024.pdf 17 May 2024
Call it Something Else Something Else Press Inc 1963-1974 2023.pdf 22 February 2024
Collective Creativity Kollektive Kreativitaet 2005.pdf 23 April 2024
Fabus Palo Svoboda Lubos Prednaska o vznikavosti 2017.pdf 22 February 2024
Fremeaux Isabelle Jordan Jay We Are Nature Defending Itself 2021.pdf 26 November 2023
Het Andrea Behr Pamflet 41 BFFS 2023.pdf 11 August 2023
Kraus Chris Summer of Hate 2012.pdf 7 July 2023
Lindgren Jacob ed Extra-curricular 2018.pdf 1 April 2024
Messe 2ok 1996.pdf 28 March 2024
infobox book[edit]
![]() | |
Author | Suzanne Delehanty |
---|---|
Publisher | Neuberger Museum/State University of New York |
City | Purchase, NY |
Date | 1981 |
Pages | 96 |
Format | 21 x 14.85 cm |
Fabrication | Risograph |
E-book |
monoskop log category listing[edit]
https://monoskop.org/log/?cat=887
https://monoskop.org/log/?cat=887&json=1
https://monoskop.org/log/?cat=887&json=1&count=40
https://monoskop.org/log/?cat=887&feed=rss2&count=40
“This collection began as an idea to share some of our own scores* connected to the act or effects of borders, which we then expanded to include work by others in our creative communities. Artists / composers were asked to send scores that, in some way, referenced borders; social, political, virtual, perceptual, environmental or between species.”
Curated by Jez riley French and Pheobe riley Law
Self-published, April 2021
[52] pagesPDF (20 MB)
Henry Flynt: Blueprint for a Higher Civilization (1975)
Book collects the artist’s early philosophical writings on concept art (Flynt coined the term in 1961) and cognitive nihilism. Includes photographs by Jack Smith and Tony Conrad of Flynt’s anti-art demonstrations against MoMA and the Lincoln Center in 1963.
Edited by Germano Celant
Publisher Multhipla, Milan, October 1975
206 pages
via NouratharPDF (28 MB, broken link has been fixed on 2021-2-1)
Adam Pendleton: Black Dada: What Can Black Dada Do for Me Do for Me Black Dada, a Reader (2017)
“Black Dada Reader is a collection of texts and documents that elucidates “Black Dada,” a term that acclaimed New York–based artist Adam Pendleton (born 1984) uses to define his artistic output. The Reader brings a diverse range of cultural figures into a shared conceptual space, including Hugo Ball, W.E.B. Du Bois, Stokely Carmichael, LeRoi Jones, Sun Ra, Adrian Piper, Joan Retallack, Harryette Mullen, Ron Silliman and Gertrude Stein, as well as artists from different generations such as Ad Reinhardt, Joan Jonas, William Pope.L, Thomas Hirschhorn and Stan Douglas. The Reader also includes essays on the concept of Black Dada and its historical implications from curators and critics including Adrienne Edwards (Walker Arts Center / Performa), Laura Hoptman (MoMA), Tom McDonough (Binghamton), Jenny Schlenzka (PS122) and Susan Thompson (Guggenheim).”
Edited by Stephen Squibb
Publisher Koenig Books, London, 2017
ISBN 9783960981053, 3960981058
331 pages
via tildaInterviews with author: Jess Wilcox (Art in America, 2009), Karlynne Ejercito (Artforum, 2016), Awa Konaté (Third Text, 2020).
Reviews: Yaniya Lee (Flash Art, 2017), Terence Trouillot (ArtNet, 2017), Robin Pogrebin (New York Times, 2018).
PDF (64 MB)