Difference between revisions of "Unlimited Edition"
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; Interwar avant-garde | ; Interwar avant-garde | ||
+ | * Aleksei Gan, ''Konstruktivizm'' [Конструктивизм], Tver: Tverskoe izdatelstvo, 1922, 70 pp. {{ru}} | ||
* [http://monoskop.org/log/?p=11956 (Posted.)] El Lissitzky, Hans Arp, ''Die Kunstismen/Les Ismes De L’Art/The Isms of Art: 1914-1924'', Erlenbach-Zürich/Munich/Leipzig: Eugen Rentsch, 1925. {{de}}/{{fr}}/{{en}} | * [http://monoskop.org/log/?p=11956 (Posted.)] El Lissitzky, Hans Arp, ''Die Kunstismen/Les Ismes De L’Art/The Isms of Art: 1914-1924'', Erlenbach-Zürich/Munich/Leipzig: Eugen Rentsch, 1925. {{de}}/{{fr}}/{{en}} | ||
* [http://monoskop.org/Bauhaus#Books (Posted: 1-2, 4, 7-12, 14.)] [[Bauhaus#Bauhaus_Books_Series|Bauhaus books series]], 14 vols., 1925-30. {{de}} | * [http://monoskop.org/Bauhaus#Books (Posted: 1-2, 4, 7-12, 14.)] [[Bauhaus#Bauhaus_Books_Series|Bauhaus books series]], 14 vols., 1925-30. {{de}} | ||
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* [http://monoskop.org/log/?p=14642 (Posted.)] Leslie Martin, Ben Nicholson, Naum Gabo (eds.), ''Circle: International Survey of Constructive Art'', London, 1937. | * [http://monoskop.org/log/?p=14642 (Posted.)] Leslie Martin, Ben Nicholson, Naum Gabo (eds.), ''Circle: International Survey of Constructive Art'', London, 1937. | ||
* Laszlo Moholy-Nagy, ''Vision in Motion'', Paul Theobald, 1947. | * Laszlo Moholy-Nagy, ''Vision in Motion'', Paul Theobald, 1947. | ||
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+ | ; Artists' writings, Art history and theory | ||
+ | * I. Matsa (И. Маца) (ed.), ''Sovetskoe iskusstvo za 15 let. Materialy i dokumentatsiya'' [Советское искусство за 15 Лет. Матерялы и документация], Moscow/Leningrad: Ogiz-Izogiz [Огиз-Изогиз], 1933, 664 pp. {{ru}} | ||
* Sophie Lissitzky-Küppers (ed.), ''El Lissitzky: Life, Letters, Texts'', trans. Helene Aldwinckle, London: Thames and Hudson, 1968; 1980. | * Sophie Lissitzky-Küppers (ed.), ''El Lissitzky: Life, Letters, Texts'', trans. Helene Aldwinckle, London: Thames and Hudson, 1968; 1980. | ||
+ | * ''Zero'' magazine, eds. Heinz Mack and Otto Piene, 3 issues, 1958-61; facsimile, MIT Press, 1973. | ||
+ | * Peter Stansill, David Zane Mairowitz (eds.), ''BAMN: Outlaw Manifestos and Ephemera, 1965-70'', Penguin, 1971. | ||
+ | * Michel Benamou, Charles Caramello (eds.), ''Performance in Postmodern Culture'', University of Wisconsin-Milwaukee, 1977, 234 pp. | ||
+ | * Harald Szeemann, ''Le mammelle della verità / The Breasts of Truth'', 1978. Catalogue of an exhibition of the utopian enclave/proto-hippie resort. | ||
+ | * Christina Lodder, ''Russian Constructivism'', Yale University Press, 1983. | ||
* Linda Dalrymple Henderson, ''The Fourth Dimension'', Princeton University Press, 1983; 2013. | * Linda Dalrymple Henderson, ''The Fourth Dimension'', Princeton University Press, 1983; 2013. | ||
* Marjorie Perloff, ''The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture'', University of California Press, 1985. | * Marjorie Perloff, ''The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture'', University of California Press, 1985. | ||
− | * [http://monoskop.org/log/?p= | + | * [http://monoskop.org/log/?p=12807 (Posted.)] Jimmie Durham, ''A Certain Lack of Coherence: Writings on Art and Cultural Politics'', Kala Press, 1993. |
* Margarita Tupitsyn, ''El Lissitzky: Beyond the Abstract Cabinet: Photography, Design, Collaboration'', Yale University Press, 1999. | * Margarita Tupitsyn, ''El Lissitzky: Beyond the Abstract Cabinet: Photography, Design, Collaboration'', Yale University Press, 1999. | ||
+ | * Laura Hoptman, Tomas Pospiszyl (eds.), ''Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s'', MIT Press, 2002, 304 pp. [http://mitpress.mit.edu/books/primary-documents] | ||
* Timothy O. Benson, Éva Forgács (eds.), ''Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930'', Los Angeles County Museum of Art, 2002. | * Timothy O. Benson, Éva Forgács (eds.), ''Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930'', Los Angeles County Museum of Art, 2002. | ||
− | * | + | * Oskar Hansen, ''Towards Open Form'', Frankfurt am Main: Revolver and Warsaw: Foksal, 2005. {{en}}/ {{pl}} |
− | + | * Olav Velthuis, ''Imaginary Economics: Contemporary Artists and the World of Big Money'', Rotterdam: nai010, 2005. | |
− | * | + | * Christina Kiaer, ''Imagine No Possessions: The Socialist Objects of Russian Constructivism'', MIT Press, 2005, 344 pp. [http://mitpress.mit.edu/books/imagine-no-possessions] |
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; Marxist aesthetics | ; Marxist aesthetics | ||
* [http://monoskop.org/log/?p=12040 (Posted.)] ''Marx & Engels on Literature and Art: A Selection of Writings'', eds. Stefan Morawski and Lee Baxandall, St. Louis: Telos Press, 1973, 175 pp; New York: International General, 1974, 179 pp; Telos Press, 1983. | * [http://monoskop.org/log/?p=12040 (Posted.)] ''Marx & Engels on Literature and Art: A Selection of Writings'', eds. Stefan Morawski and Lee Baxandall, St. Louis: Telos Press, 1973, 175 pp; New York: International General, 1974, 179 pp; Telos Press, 1983. | ||
* [http://monoskop.org/log/?p=11862 (Posted.)] Margaret A. Rose, ''Marx's Lost Aesthetic: Karl Marx and the Visual Arts'', Cambridge University Press, 1984, 216 pp; 1988. | * [http://monoskop.org/log/?p=11862 (Posted.)] Margaret A. Rose, ''Marx's Lost Aesthetic: Karl Marx and the Visual Arts'', Cambridge University Press, 1984, 216 pp; 1988. | ||
− | * Michael Sprinker, ''Imaginary Relations: Aesthetics & Ideology in the Theory of Historical Materialism'', Verso, 1988, 312 pp. | + | * Michael Sprinker, ''Imaginary Relations: Aesthetics & Ideology in the Theory of Historical Materialism'', London: Verso, 1988, 312 pp. |
+ | |||
+ | ; Art and the machine, Electronic and media art | ||
+ | * Pontus Hultén (ed.), ''The Machine: As Seen at the End of the Mechanical Age'', Museum of Modern Art, 1968, 218 pp. | ||
+ | * [http://monoskop.org/log/?p=11682 (Posted.)] ''Les Immatériaux, 1: Épreuves d'écriture'', Paris: Centre Georges Pompidou, 1985. Catalogue. {{fr}} | ||
+ | * Stephen Kovats (ed.), ''Ost-West-Internet/Media Revolution. Electronic Media in the Transformation Process of Eastern and Central Europe'', Campus Verlag, 1999. | ||
− | ; | + | ; Literary theory, history of literature |
− | + | * Stephen Bann, John E. Bowlt (eds.), ''Russian Formalism: A Collection of Articles and Texts in Translation'', Edinburgh: Scottish Academy Press, 1973; New York, 1974. | |
− | * | + | * [http://monoskop.org/log/?p=13364 (Posted.)] Roman Jakobson, ''My Futurist Years'', trans. Stephen Rudy, ed. Bengt Jangfeldt, New York: Marsilio, 1997, 345 pp. |
− | * [http://monoskop.org/log/?p= | + | |
− | + | ; Film theory and history | |
− | * | + | * P. Adams Sitney (ed.), ''The Avant-garde Film: A Reader of Theory and Criticism'', New York: New York University Press, 1978. Contains the often-hard-to-find theoretical writings of experimental filmmakers, beginning in France in the 1920s and continuing internationally through the 1970s. |
− | + | * Ian Christie, John Gillett (eds.), ''Futurism / Formalism / FEKS: Eccentrism and Soviet Cinema, 1918-36'', London: British Film Institute, 1978, 74 pp. | |
− | * | + | * Teresa de Lauretis, Stephen Heath (eds.), ''The Cinematic Apparatus'', New York: St. Martin's Press, 1980, 213 pp. |
− | * | + | * Holger Wilmesmeier, ''Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute film" (3. und 10. Mai 1925)'', 1994, 220 pp. {{de}} |
− | + | * Yuri Tsivian, ''Lines of Resistance: Dziga Vertov and the Twenties'', 2004. | |
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− | * '' | ||
; Music, music theory, sound art and sound studies | ; Music, music theory, sound art and sound studies | ||
* Pierre Schaeffer, ''À la recherche d'une musique concrète'', Paris: Seuil, 1952. {{fr}} | * Pierre Schaeffer, ''À la recherche d'une musique concrète'', Paris: Seuil, 1952. {{fr}} | ||
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* Pierre Schaeffer, ''Traité des objets musicaux'', Paris: Seuil, 1966; 2nd ed., 1977. {{fr}} | * Pierre Schaeffer, ''Traité des objets musicaux'', Paris: Seuil, 1966; 2nd ed., 1977. {{fr}} | ||
* Germano Celant, ''The Record as Artwork: From Futurism to Conceptual Art'', Chicago: Museum of Contemporary Art, 1977, 121 pp. Catalogue. [http://archive.org/details/recordasartworkf00fort] {{en}}/{{fr}} | * Germano Celant, ''The Record as Artwork: From Futurism to Conceptual Art'', Chicago: Museum of Contemporary Art, 1977, 121 pp. Catalogue. [http://archive.org/details/recordasartworkf00fort] {{en}}/{{fr}} | ||
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* Ursula Block, Michael Glasmeier (eds.), ''Broken Music: Artists' Recordworks'', Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. Catalogue. {{en}}/{{fr}}/{{de}} | * Ursula Block, Michael Glasmeier (eds.), ''Broken Music: Artists' Recordworks'', Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. Catalogue. {{en}}/{{fr}}/{{de}} | ||
* Douglas Kahn, Gregory Whitehead (eds.), ''Wireless Imagination: Sound, Radio, and the Avant-Garde'', MIT Press, 1992, 452 pp. [http://mitpress.mit.edu/books/wireless-imagination] | * Douglas Kahn, Gregory Whitehead (eds.), ''Wireless Imagination: Sound, Radio, and the Avant-Garde'', MIT Press, 1992, 452 pp. [http://mitpress.mit.edu/books/wireless-imagination] | ||
− | * Erik Satie, ''Musiques d'ameublement'', Salabert, 1999. 'Furniture music' scores written from 1917 to the 1920s | + | * Erik Satie, ''Musiques d'ameublement'', Salabert, 1999. 'Furniture music' scores written from 1917 to the 1920s. {{fr}} |
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; Architecture | ; Architecture | ||
+ | * Bruno Zevi, ''Towards An Organic Architecture'', Faber & Faber, 1950. | ||
* Oswald Mathias Ungers, ''Morphologie: City Metaphors'', Cologne: Walther König, 1982. | * Oswald Mathias Ungers, ''Morphologie: City Metaphors'', Cologne: Walther König, 1982. | ||
+ | * K. Michael Hays (ed.), ''Oppositions Reader: Selected Readings from A Journal for Ideas and Criticism in Architecture 1973-1984'', Princeton Architectural Press, 1998. | ||
* Catherine de Zegher, Mark Wigley (eds.), ''The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond'', New York: Drawing Center, and MIT Press, 2001. | * Catherine de Zegher, Mark Wigley (eds.), ''The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond'', New York: Drawing Center, and MIT Press, 2001. | ||
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* Martin Heidegger, ''Sojourns: The Journey to Greece'', SUNY Press, 2005. | * Martin Heidegger, ''Sojourns: The Journey to Greece'', SUNY Press, 2005. | ||
− | ; | + | ; Political theory |
− | * | + | * Padraic Kenney, ''Carnival of Revolution: Central Europe 1989'', Princeton University Press, 2002. |
; History and philosophy of science, technology, media and computing | ; History and philosophy of science, technology, media and computing | ||
Line 93: | Line 80: | ||
* [http://monoskop.org/log/?p=11747 (Posted.)] James Nyce, Paul Kahn (eds.), ''From Memex to Hypertext: Vannevar Bush and the Mind's Machine'', London: Academic Press, 1991. | * [http://monoskop.org/log/?p=11747 (Posted.)] James Nyce, Paul Kahn (eds.), ''From Memex to Hypertext: Vannevar Bush and the Mind's Machine'', London: Academic Press, 1991. | ||
* [http://monoskop.org/log/?p=11778 (Posted.)] Ursula Franklin, ''The Real World of Technology'', Toronto: Anansi, 1992. | * [http://monoskop.org/log/?p=11778 (Posted.)] Ursula Franklin, ''The Real World of Technology'', Toronto: Anansi, 1992. | ||
− | * Thomas L. Hankins, Robert J. Silverman, ''Instruments and the Imagination'', Princeton University Press, 1999, 352 pp. [http://www.gbv.de/dms/goettingen/183130413.pdf | + | * Thomas L. Hankins, Robert J. Silverman, ''Instruments and the Imagination'', Princeton University Press, 1999, 352 pp. [http://www.gbv.de/dms/goettingen/183130413.pdf TOC]. |
* Georg Trogemann, Wolfgang Ernst, A. Y. Nitussov (eds.), ''History of Computer Devices in Russia'', Friedrick Vieweg & Son, 2001. | * Georg Trogemann, Wolfgang Ernst, A. Y. Nitussov (eds.), ''History of Computer Devices in Russia'', Friedrick Vieweg & Son, 2001. | ||
− | ; | + | ; Media theory and media aesthetics |
− | * | + | * Friedrich Kittler, Horst Turk, ''Urszenen. Literaturwissenschaft als Diskursanalyse und Diskurskritik'', Frankfurt am Main: Suhrkamp, 1977, 409 pp. {{de}} |
− | * | + | * Eric A. Havelock, Jackson P. Hershbell (eds.), ''Communication Arts in the Ancient World'', New York: Hastings House, 1978, 162 pp. |
+ | * [http://monoskop.org/log/?p=503 (Posted.)] Friedrich Kittler, ''Grammophon Film Typewriter'', Berlin: Brinkmann & Bose, 1986. {{de}} | ||
+ | * Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989. {{de}} | ||
+ | * Neil Strauss, Dave Mandl (eds.), ''Radiotext(e)'', Autonomedia, 1993. [http://www.akpress.org/radiotexte.html] | ||
+ | * Régis Debray, ''Transmitting Culture'', trans. Eric Rauth, University of Columbia Press, 2000; 2004. | ||
+ | * [http://monoskop.org/log/?p=14691 (Posted.)] Friedrich Kittler, ''Musik und Mathematik I: Hellas 1: Aphrodite'', Munich: Wilhelm Fink, 2006. {{de}} | ||
+ | * Eric Kluitenberg (ed.), ''Book of Imaginary Media'', Rotterdam: NAi, 2006. | ||
+ | * Friedrich Kittler, ''Musik und Mathematik I. Hellas 2: Eros'', Munich: Wilhelm Fink, 2009. {{de}} | ||
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The list continues on [http://monoskop.org/log/?page_id=111 Monoskop Log]. | The list continues on [http://monoskop.org/log/?page_id=111 Monoskop Log]. | ||
''First posted on 26 June 2014.'' | ''First posted on 26 June 2014.'' |
Revision as of 15:21, 22 August 2015
A list of treasures that would be lovely to see online and a way to contribute to Monoskop and the internet.
- Interwar avant-garde
- Aleksei Gan, Konstruktivizm [Конструктивизм], Tver: Tverskoe izdatelstvo, 1922, 70 pp. (Russian)
- (Posted.) El Lissitzky, Hans Arp, Die Kunstismen/Les Ismes De L’Art/The Isms of Art: 1914-1924, Erlenbach-Zürich/Munich/Leipzig: Eugen Rentsch, 1925. (German)/(French)/(English)
- (Posted: 1-2, 4, 7-12, 14.) Bauhaus books series, 14 vols., 1925-30. (German)
- Franz Roh, Jan Tschichold (eds.), Foto-Auge / Oeil et Photo / Photo-Eye, Stuttgart: Akademischer Verlag Dr. Fritz Wedekind, 1929. Catalogue. (German)/ (French)/(English)
- (Posted.) František Kalivoda (ed.), Telehor: The International Review New Vision, Vol 1, Nos 1-2, Brno, 1936. (English)/(Czech)/(German)
- (Posted.) Leslie Martin, Ben Nicholson, Naum Gabo (eds.), Circle: International Survey of Constructive Art, London, 1937.
- Laszlo Moholy-Nagy, Vision in Motion, Paul Theobald, 1947.
- Artists' writings, Art history and theory
- I. Matsa (И. Маца) (ed.), Sovetskoe iskusstvo za 15 let. Materialy i dokumentatsiya [Советское искусство за 15 Лет. Матерялы и документация], Moscow/Leningrad: Ogiz-Izogiz [Огиз-Изогиз], 1933, 664 pp. (Russian)
- Sophie Lissitzky-Küppers (ed.), El Lissitzky: Life, Letters, Texts, trans. Helene Aldwinckle, London: Thames and Hudson, 1968; 1980.
- Zero magazine, eds. Heinz Mack and Otto Piene, 3 issues, 1958-61; facsimile, MIT Press, 1973.
- Peter Stansill, David Zane Mairowitz (eds.), BAMN: Outlaw Manifestos and Ephemera, 1965-70, Penguin, 1971.
- Michel Benamou, Charles Caramello (eds.), Performance in Postmodern Culture, University of Wisconsin-Milwaukee, 1977, 234 pp.
- Harald Szeemann, Le mammelle della verità / The Breasts of Truth, 1978. Catalogue of an exhibition of the utopian enclave/proto-hippie resort.
- Christina Lodder, Russian Constructivism, Yale University Press, 1983.
- Linda Dalrymple Henderson, The Fourth Dimension, Princeton University Press, 1983; 2013.
- Marjorie Perloff, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, University of California Press, 1985.
- (Posted.) Jimmie Durham, A Certain Lack of Coherence: Writings on Art and Cultural Politics, Kala Press, 1993.
- Margarita Tupitsyn, El Lissitzky: Beyond the Abstract Cabinet: Photography, Design, Collaboration, Yale University Press, 1999.
- Laura Hoptman, Tomas Pospiszyl (eds.), Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, MIT Press, 2002, 304 pp. [1]
- Timothy O. Benson, Éva Forgács (eds.), Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930, Los Angeles County Museum of Art, 2002.
- Oskar Hansen, Towards Open Form, Frankfurt am Main: Revolver and Warsaw: Foksal, 2005. (English)/ (Polish)
- Olav Velthuis, Imaginary Economics: Contemporary Artists and the World of Big Money, Rotterdam: nai010, 2005.
- Christina Kiaer, Imagine No Possessions: The Socialist Objects of Russian Constructivism, MIT Press, 2005, 344 pp. [2]
- Marxist aesthetics
- (Posted.) Marx & Engels on Literature and Art: A Selection of Writings, eds. Stefan Morawski and Lee Baxandall, St. Louis: Telos Press, 1973, 175 pp; New York: International General, 1974, 179 pp; Telos Press, 1983.
- (Posted.) Margaret A. Rose, Marx's Lost Aesthetic: Karl Marx and the Visual Arts, Cambridge University Press, 1984, 216 pp; 1988.
- Michael Sprinker, Imaginary Relations: Aesthetics & Ideology in the Theory of Historical Materialism, London: Verso, 1988, 312 pp.
- Art and the machine, Electronic and media art
- Pontus Hultén (ed.), The Machine: As Seen at the End of the Mechanical Age, Museum of Modern Art, 1968, 218 pp.
- (Posted.) Les Immatériaux, 1: Épreuves d'écriture, Paris: Centre Georges Pompidou, 1985. Catalogue. (French)
- Stephen Kovats (ed.), Ost-West-Internet/Media Revolution. Electronic Media in the Transformation Process of Eastern and Central Europe, Campus Verlag, 1999.
- Literary theory, history of literature
- Stephen Bann, John E. Bowlt (eds.), Russian Formalism: A Collection of Articles and Texts in Translation, Edinburgh: Scottish Academy Press, 1973; New York, 1974.
- (Posted.) Roman Jakobson, My Futurist Years, trans. Stephen Rudy, ed. Bengt Jangfeldt, New York: Marsilio, 1997, 345 pp.
- Film theory and history
- P. Adams Sitney (ed.), The Avant-garde Film: A Reader of Theory and Criticism, New York: New York University Press, 1978. Contains the often-hard-to-find theoretical writings of experimental filmmakers, beginning in France in the 1920s and continuing internationally through the 1970s.
- Ian Christie, John Gillett (eds.), Futurism / Formalism / FEKS: Eccentrism and Soviet Cinema, 1918-36, London: British Film Institute, 1978, 74 pp.
- Teresa de Lauretis, Stephen Heath (eds.), The Cinematic Apparatus, New York: St. Martin's Press, 1980, 213 pp.
- Holger Wilmesmeier, Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute film" (3. und 10. Mai 1925), 1994, 220 pp. (German)
- Yuri Tsivian, Lines of Resistance: Dziga Vertov and the Twenties, 2004.
- Music, music theory, sound art and sound studies
- Pierre Schaeffer, À la recherche d'une musique concrète, Paris: Seuil, 1952. (French)
- Pierre Schaeffer, Traité des objets musicaux, Paris: Seuil, 1966; 2nd ed., 1977. (French)
- Germano Celant, The Record as Artwork: From Futurism to Conceptual Art, Chicago: Museum of Contemporary Art, 1977, 121 pp. Catalogue. [3] (English)/(French)
- Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces, Pasadena, CA: Los Angeles Institute of Contemporary Art, 1979, 68 pp. Early catalogue of sound art.
- René Block, Lorenz Dombois, Nele Herltling, Barbara Volkmann (eds.), Für Augen und Ohren. Von der Spieluhr zum akustischen Environment. Objekte. Installationen. Performances, Berlin: Akademie der Künste, 1980, 312 pp. Early catalogue of sound art. (German)
- Wolfgang Müller, Geniale Dilletanten, 1982. Manifesto and photos from the Grosse Untergangshow, Festival der Geniale Dilletanten, Tempodrom, Berlin, 1981. (German)
- Vito Acconci, William Hellermann, Don Goddard, Sound/Art, New York: The Foundation, 1984, 29 pp. Early catalogue of sound art.
- Ruth Katz, Carl Dahlhaus (eds.), Contemplating Music: Source Readings in the Aesthetics of Music, 4 vols., Pendragon, 1987.
- Ursula Block, Michael Glasmeier (eds.), Broken Music: Artists' Recordworks, Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. Catalogue. (English)/(French)/(German)
- Douglas Kahn, Gregory Whitehead (eds.), Wireless Imagination: Sound, Radio, and the Avant-Garde, MIT Press, 1992, 452 pp. [4]
- Erik Satie, Musiques d'ameublement, Salabert, 1999. 'Furniture music' scores written from 1917 to the 1920s. (French)
- Architecture
- Bruno Zevi, Towards An Organic Architecture, Faber & Faber, 1950.
- Oswald Mathias Ungers, Morphologie: City Metaphors, Cologne: Walther König, 1982.
- K. Michael Hays (ed.), Oppositions Reader: Selected Readings from A Journal for Ideas and Criticism in Architecture 1973-1984, Princeton Architectural Press, 1998.
- Catherine de Zegher, Mark Wigley (eds.), The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond, New York: Drawing Center, and MIT Press, 2001.
- Philosophy
- Martin Heidegger, Sojourns: The Journey to Greece, SUNY Press, 2005.
- Political theory
- Padraic Kenney, Carnival of Revolution: Central Europe 1989, Princeton University Press, 2002.
- History and philosophy of science, technology, media and computing
- Donna Haraway, Primate Visions: Gender, Race, and Nature in the World of Modern Science, Routledge, 1989.
- (Posted.) James Nyce, Paul Kahn (eds.), From Memex to Hypertext: Vannevar Bush and the Mind's Machine, London: Academic Press, 1991.
- (Posted.) Ursula Franklin, The Real World of Technology, Toronto: Anansi, 1992.
- Thomas L. Hankins, Robert J. Silverman, Instruments and the Imagination, Princeton University Press, 1999, 352 pp. TOC.
- Georg Trogemann, Wolfgang Ernst, A. Y. Nitussov (eds.), History of Computer Devices in Russia, Friedrick Vieweg & Son, 2001.
- Media theory and media aesthetics
- Friedrich Kittler, Horst Turk, Urszenen. Literaturwissenschaft als Diskursanalyse und Diskurskritik, Frankfurt am Main: Suhrkamp, 1977, 409 pp. (German)
- Eric A. Havelock, Jackson P. Hershbell (eds.), Communication Arts in the Ancient World, New York: Hastings House, 1978, 162 pp.
- (Posted.) Friedrich Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986. (German)
- Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989. (German)
- Neil Strauss, Dave Mandl (eds.), Radiotext(e), Autonomedia, 1993. [5]
- Régis Debray, Transmitting Culture, trans. Eric Rauth, University of Columbia Press, 2000; 2004.
- (Posted.) Friedrich Kittler, Musik und Mathematik I: Hellas 1: Aphrodite, Munich: Wilhelm Fink, 2006. (German)
- Eric Kluitenberg (ed.), Book of Imaginary Media, Rotterdam: NAi, 2006.
- Friedrich Kittler, Musik und Mathematik I. Hellas 2: Eros, Munich: Wilhelm Fink, 2009. (German)
The list continues on Monoskop Log.
First posted on 26 June 2014.