Difference between revisions of "Unlimited Edition"
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; Marxist aesthetics | ; Marxist aesthetics | ||
* [http://monoskop.org/log/?p=12040 (Posted.)] ''Marx & Engels on Literature and Art: A Selection of Writings'', eds. Stefan Morawski and Lee Baxandall, St. Louis: Telos Press, 1973, 175 pp; New York: International General, 1974, 179 pp; Telos Press, 1983. | * [http://monoskop.org/log/?p=12040 (Posted.)] ''Marx & Engels on Literature and Art: A Selection of Writings'', eds. Stefan Morawski and Lee Baxandall, St. Louis: Telos Press, 1973, 175 pp; New York: International General, 1974, 179 pp; Telos Press, 1983. | ||
+ | * Armand Mattelart, Seth Siegelaub (eds.), ''Communication and Class Struggle'', 2 vols., New York: International General, and France: International Mass Media Research Center, 1983. | ||
* [http://monoskop.org/log/?p=11862 (Posted.)] Margaret A. Rose, ''Marx's Lost Aesthetic: Karl Marx and the Visual Arts'', Cambridge University Press, 1984, 216 pp; 1988. | * [http://monoskop.org/log/?p=11862 (Posted.)] Margaret A. Rose, ''Marx's Lost Aesthetic: Karl Marx and the Visual Arts'', Cambridge University Press, 1984, 216 pp; 1988. | ||
* Michael Sprinker, ''Imaginary Relations: Aesthetics & Ideology in the Theory of Historical Materialism'', London: Verso, 1988, 312 pp. | * Michael Sprinker, ''Imaginary Relations: Aesthetics & Ideology in the Theory of Historical Materialism'', London: Verso, 1988, 312 pp. |
Revision as of 14:02, 2 September 2015
A list of treasures that would be lovely to see online and a way to contribute to Monoskop and the internet.
- Interwar avant-garde
- Aleksei Gan, Konstruktivizm [Конструктивизм], Tver: Tverskoe izdatelstvo, 1922, 70 pp. (Russian)
- (Posted.) El Lissitzky, Hans Arp, Die Kunstismen/Les Ismes De L’Art/The Isms of Art: 1914-1924, Erlenbach-Zürich/Munich/Leipzig: Eugen Rentsch, 1925. (German)/(French)/(English)
- (Posted: 1-2, 4, 7-12, 14.) Bauhaus books series, 14 vols., 1925-30. (German)
- Franz Roh, Jan Tschichold (eds.), Foto-Auge / Oeil et Photo / Photo-Eye, Stuttgart: Akademischer Verlag Dr. Fritz Wedekind, 1929. Catalogue. (German)/ (French)/(English)
- (Posted.) František Kalivoda (ed.), Telehor: The International Review New Vision, Vol 1, Nos 1-2, Brno, 1936. (English)/(Czech)/(German)
- (Posted.) Leslie Martin, Ben Nicholson, Naum Gabo (eds.), Circle: International Survey of Constructive Art, London, 1937.
- Laszlo Moholy-Nagy, Vision in Motion, Paul Theobald, 1947.
- Artists' writings, Art history and theory
- I. Matsa (И. Маца) (ed.), Sovetskoe iskusstvo za 15 let. Materialy i dokumentatsiya [Советское искусство за 15 Лет. Матерялы и документация], Moscow/Leningrad: Ogiz-Izogiz [Огиз-Изогиз], 1933, 664 pp. (Russian)
- Sophie Lissitzky-Küppers (ed.), El Lissitzky: Life, Letters, Texts, trans. Helene Aldwinckle, London: Thames and Hudson, 1968; 1980.
- Zero magazine, eds. Heinz Mack and Otto Piene, 3 issues, 1958-61; facsimile, MIT Press, 1973.
- Peter Stansill, David Zane Mairowitz (eds.), BAMN: Outlaw Manifestos and Ephemera, 1965-70, Penguin, 1971.
- Michel Benamou, Charles Caramello (eds.), Performance in Postmodern Culture, University of Wisconsin-Milwaukee, 1977, 234 pp.
- Harald Szeemann, Le mammelle della verità / The Breasts of Truth, 1978. Catalogue of an exhibition of the utopian enclave/proto-hippie resort.
- Christina Lodder, Russian Constructivism, Yale University Press, 1983.
- Linda Dalrymple Henderson, The Fourth Dimension, Princeton University Press, 1983; 2013.
- Marjorie Perloff, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, University of California Press, 1985.
- (Posted.) Jimmie Durham, A Certain Lack of Coherence: Writings on Art and Cultural Politics, Kala Press, 1993.
- Margarita Tupitsyn, El Lissitzky: Beyond the Abstract Cabinet: Photography, Design, Collaboration, Yale University Press, 1999.
- Laura Hoptman, Tomas Pospiszyl (eds.), Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, MIT Press, 2002, 304 pp. [1]
- Timothy O. Benson, Éva Forgács (eds.), Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930, Los Angeles County Museum of Art, 2002.
- Oskar Hansen, Towards Open Form, Frankfurt am Main: Revolver and Warsaw: Foksal, 2005. (English)/ (Polish)
- Olav Velthuis, Imaginary Economics: Contemporary Artists and the World of Big Money, Rotterdam: nai010, 2005.
- Christina Kiaer, Imagine No Possessions: The Socialist Objects of Russian Constructivism, MIT Press, 2005, 344 pp. [2]
- Marxist aesthetics
- (Posted.) Marx & Engels on Literature and Art: A Selection of Writings, eds. Stefan Morawski and Lee Baxandall, St. Louis: Telos Press, 1973, 175 pp; New York: International General, 1974, 179 pp; Telos Press, 1983.
- Armand Mattelart, Seth Siegelaub (eds.), Communication and Class Struggle, 2 vols., New York: International General, and France: International Mass Media Research Center, 1983.
- (Posted.) Margaret A. Rose, Marx's Lost Aesthetic: Karl Marx and the Visual Arts, Cambridge University Press, 1984, 216 pp; 1988.
- Michael Sprinker, Imaginary Relations: Aesthetics & Ideology in the Theory of Historical Materialism, London: Verso, 1988, 312 pp.
- Art and the machine, Electronic and media art
- Pontus Hultén (ed.), The Machine: As Seen at the End of the Mechanical Age, Museum of Modern Art, 1968, 218 pp.
- (Posted.) Les Immatériaux, 1: Épreuves d'écriture, Paris: Centre Georges Pompidou, 1985. Catalogue. (French)
- Stephen Kovats (ed.), Ost-West-Internet/Media Revolution. Electronic Media in the Transformation Process of Eastern and Central Europe, Campus Verlag, 1999.
- Literary theory, history of literature
- Stephen Bann, John E. Bowlt (eds.), Russian Formalism: A Collection of Articles and Texts in Translation, Edinburgh: Scottish Academy Press, 1973; New York, 1974.
- (Posted.) Roman Jakobson, My Futurist Years, trans. Stephen Rudy, ed. Bengt Jangfeldt, New York: Marsilio, 1997, 345 pp.
- Film theory and history
- P. Adams Sitney (ed.), The Avant-garde Film: A Reader of Theory and Criticism, New York: New York University Press, 1978. Contains the often-hard-to-find theoretical writings of experimental filmmakers, beginning in France in the 1920s and continuing internationally through the 1970s.
- Ian Christie, John Gillett (eds.), Futurism / Formalism / FEKS: Eccentrism and Soviet Cinema, 1918-36, London: British Film Institute, 1978, 74 pp.
- Teresa de Lauretis, Stephen Heath (eds.), The Cinematic Apparatus, New York: St. Martin's Press, 1980, 213 pp.
- Holger Wilmesmeier, Deutsche Avantgarde und Film: Die Filmmatinee "Der absolute film" (3. und 10. Mai 1925), 1994, 220 pp. (German)
- Yuri Tsivian, Lines of Resistance: Dziga Vertov and the Twenties, 2004.
- Music, music theory, sound art and sound studies
- Pierre Schaeffer, À la recherche d'une musique concrète, Paris: Seuil, 1952. (French)
- Pierre Schaeffer, Traité des objets musicaux, Paris: Seuil, 1966; 2nd ed., 1977. (French)
- Germano Celant, The Record as Artwork: From Futurism to Conceptual Art, Chicago: Museum of Contemporary Art, 1977, 121 pp. Catalogue. [3] (English)/(French)
- Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces, Pasadena, CA: Los Angeles Institute of Contemporary Art, 1979, 68 pp. Early catalogue of sound art.
- René Block, Lorenz Dombois, Nele Herltling, Barbara Volkmann (eds.), Für Augen und Ohren. Von der Spieluhr zum akustischen Environment. Objekte. Installationen. Performances, Berlin: Akademie der Künste, 1980, 312 pp. Early catalogue of sound art. (German)
- Wolfgang Müller, Geniale Dilletanten, 1982. Manifesto and photos from the Grosse Untergangshow, Festival der Geniale Dilletanten, Tempodrom, Berlin, 1981. (German)
- Vito Acconci, William Hellermann, Don Goddard, Sound/Art, New York: The Foundation, 1984, 29 pp. Early catalogue of sound art.
- Ruth Katz, Carl Dahlhaus (eds.), Contemplating Music: Source Readings in the Aesthetics of Music, 4 vols., Pendragon, 1987.
- Ursula Block, Michael Glasmeier (eds.), Broken Music: Artists' Recordworks, Berlin: DAAD Galerie and gelbe Musik, 1989, 279 pp. Catalogue. (English)/(French)/(German)
- Douglas Kahn, Gregory Whitehead (eds.), Wireless Imagination: Sound, Radio, and the Avant-Garde, MIT Press, 1992, 452 pp. [4]
- Erik Satie, Musiques d'ameublement, Salabert, 1999. 'Furniture music' scores written from 1917 to the 1920s. (French)
- Architecture
- Bruno Zevi, Towards An Organic Architecture, Faber & Faber, 1950.
- Oswald Mathias Ungers, Morphologie: City Metaphors, Cologne: Walther König, 1982.
- K. Michael Hays (ed.), Oppositions Reader: Selected Readings from A Journal for Ideas and Criticism in Architecture 1973-1984, Princeton Architectural Press, 1998.
- Catherine de Zegher, Mark Wigley (eds.), The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond, New York: Drawing Center, and MIT Press, 2001.
- Philosophy
- Martin Heidegger, Sojourns: The Journey to Greece, SUNY Press, 2005.
- Political theory
- Padraic Kenney, Carnival of Revolution: Central Europe 1989, Princeton University Press, 2002.
- History and philosophy of science, technology, media and computing
- Donna Haraway, Primate Visions: Gender, Race, and Nature in the World of Modern Science, Routledge, 1989.
- (Posted.) James Nyce, Paul Kahn (eds.), From Memex to Hypertext: Vannevar Bush and the Mind's Machine, London: Academic Press, 1991.
- (Posted.) Ursula Franklin, The Real World of Technology, Toronto: Anansi, 1992.
- Thomas L. Hankins, Robert J. Silverman, Instruments and the Imagination, Princeton University Press, 1999, 352 pp. TOC.
- Georg Trogemann, Wolfgang Ernst, A. Y. Nitussov (eds.), History of Computer Devices in Russia, Friedrick Vieweg & Son, 2001.
- Media theory and media aesthetics
- Friedrich Kittler, Horst Turk, Urszenen. Literaturwissenschaft als Diskursanalyse und Diskurskritik, Frankfurt am Main: Suhrkamp, 1977, 409 pp. (German)
- Eric A. Havelock, Jackson P. Hershbell (eds.), Communication Arts in the Ancient World, New York: Hastings House, 1978, 162 pp.
- (Posted.) Friedrich Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986. (German)
- Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989. (German)
- Neil Strauss, Dave Mandl (eds.), Radiotext(e), Autonomedia, 1993. [5]
- Régis Debray, Transmitting Culture, trans. Eric Rauth, University of Columbia Press, 2000; 2004.
- (Posted.) Friedrich Kittler, Musik und Mathematik I: Hellas 1: Aphrodite, Munich: Wilhelm Fink, 2006. (German)
- Eric Kluitenberg (ed.), Book of Imaginary Media, Rotterdam: NAi, 2006.
- Friedrich Kittler, Musik und Mathematik I. Hellas 2: Eros, Munich: Wilhelm Fink, 2009. (German)
The list continues on Monoskop Log.
First posted on 26 June 2014.