Difference between revisions of "The Responsive Eye"
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| − | [[Image: | + | [[Image:Seitz_William_C_The_Responsive_Eye_1965.jpg|thumb|258px|Catalogue, [[Media:Seitz_William_C_The_Responsive_Eye_1965.pdf|PDF]].]] |
| − | An op art exhibition held at the Museum of Modern Art in [[New York City]] | + | An op art exhibition held at the Museum of Modern Art in [[New York City]] from 23 February-25 April 1965, curated by William C. Seitz. |
| − | ;Artists | + | ; Artists |
* [[Frank Stella]] | * [[Frank Stella]] | ||
* [[Ellsworth Kelly]] | * [[Ellsworth Kelly]] | ||
| Line 13: | Line 13: | ||
==Links== | ==Links== | ||
| + | * [http://moma.org/calendar/exhibitions/2914?locale=en Catalogue, press releases, installation views] | ||
* http://ubu.com/historical/responsive_eye/ | * http://ubu.com/historical/responsive_eye/ | ||
* http://ubu.com/film/depalma_responsive.html | * http://ubu.com/film/depalma_responsive.html | ||
Revision as of 10:09, 18 September 2016
An op art exhibition held at the Museum of Modern Art in New York City from 23 February-25 April 1965, curated by William C. Seitz.
- Artists
- Frank Stella
- Ellsworth Kelly
- Alexander Liberman
- The Anonima group
- Victor Vasarely
- Richard Anuszkiewicz
- Wen-Ying Tsai
- Bridget Riley
Links
- Catalogue, press releases, installation views
- http://ubu.com/historical/responsive_eye/
- http://ubu.com/film/depalma_responsive.html
- http://en.wikipedia.org/wiki/Op_art#The_Responsive_Eye
- http://www.youtube.com/view_play_list?p=9A8D78DB244E3654
| Art exhibitions and events | ||
|---|---|---|
|
Second Spring Exhibition of OBMOKhU (Moscow, 1920-21), Congress of International Progressive Artists (Düsseldorf, 1922), Congress of the Constructivists and Dadaists (Weimar, 1922), First Russian Art Exhibition (Berlin, 1922), New Art Exhibition (Vilnius, 1923), Zenit Exhibition (Belgrade, 1924), Contimporanul Exhibition (Bucharest, 1924), Machine-Age Exposition (New York, 1927), a.r. International Collection of Modern Art (Łódź, 1931), New Tendencies (Zagreb, 1961-73), The Responsive Eye (New York, 1965), 9 Evenings: Theatre and Engineering (New York, 1966), Cybernetic Serendipity (London, 1968), Live In Your Head: When Attitudes Become Form (Bern, 1969), Information (New York, 1970), Software - Information Technology: Its New Meaning for Art (New York, 1970), Documenta 5 (Kassel, 1972), Pictures (New York, 1977), Biennial of Dissent (Venice, 1977), Les Immatériaux (Paris, 1985), Magiciens de la Terre (Paris, 1989), Hybrid Workspace (Kassel, 1997) | ||
