File:Espejo Jose Luis ed Escucha por favor 13 textos sobre sonido para el arte reciente 2019.pdf

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Escucha, por favor. 13 textos sobre sonido para el arte reciente

ed. José Luis Espejo

Escucha, por favor es "una invitación a descubrir parte de la resonancia propia del arte contemporáneo. Este libro evita definiciones concretas y se ordena según una cronología tentativa, teniendo en cuenta acontecimientos y contextos históricos específicos. Es, sobre todo, una selección de textos que permite a personas interesadas por el arte, el sonido o la música, tomar referencias para acercarse a los últimos cien años de su historia a través de exposiciones, publicaciones y unos pocos nombres importantes que no siempre han tenido el calado necesario."

Escucha, por favor. 13 texts about sound for recent art is "an introduction about sound and music in the arts that contains previously unpublished texts in Spanish. This anthology avoids deliberately the most well known names, and shows some equally important artists that, due their gender, their country or their relation with central discourses and institutions, has not been fully recognized in the art system. The book contains the following translations, editions and reprints: Pauline Oliveros, Douglas Kahn, Helga de la Motte-Haber, Andrey Smirnov, Carmen Cecilia Piñero Gil on Carmen Barradas, Brian Morton, Charlotte Moorman, Hildegard Westerkamp, David Crowley on Eastern Europe experimental music from 1957 to 1984, John Oswald on Plunderphonics, David Toop on Sonic Boom, Bonaventure Soh Bejeng Ndikung on his curatorial program at documenta 14, Susan Campos Fonseca on microcoloniality and José Manuel Costa."

Publisher Exit Libris, Madrid, 2019
ISBN 9788494058585
252 pages
(Spanish)

via Editor Sound art

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current16:11, 30 November 2022 (2.38 MB)Dusan (talk | contribs)file size optimized
16:09, 30 November 2022 (5.09 MB)Dusan (talk | contribs)Escucha, por favor.13 texts about sound for recent art is an introduction about sound and music in the arts that contains previously unpublished texts in Spanish. This anthology avoids deliberately the most well known names, and shows some equally important artists that, due their gender, their country or their relation with central discourses and institutions, has not been fully recognized in the art system. The book contains the following translations, editions and reprints: Pauline Olivero...
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