Difference between revisions of "Alvin Lucier"

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* [http://rd.slavepianos.org/ut/rttcc-text/Lucier1998a.pdf "Origins of a Form: Acoustical Exploration, Science and Incessancy"], ''Leonardo Music Journal'' 8: "Ghosts and Monsters: Technology and Personality in Contemporary Music", MIT Press, 1998, pp 5-11.
 
* [http://rd.slavepianos.org/ut/rttcc-text/Lucier1998a.pdf "Origins of a Form: Acoustical Exploration, Science and Incessancy"], ''Leonardo Music Journal'' 8: "Ghosts and Monsters: Technology and Personality in Contemporary Music", MIT Press, 1998, pp 5-11.
 
* [http://rd.slavepianos.org/ut/rttcc-text/Lucier2001a.pdf "On Stuart Marshall: Composer, Video Artist and Filmmaker, 1949-1993"], ''Leonardo Music Journal'' 11: "Not Necessarily 'English Music': Britain's Second Golden Age", MIT Press, 2001, pp 51-52.
 
* [http://rd.slavepianos.org/ut/rttcc-text/Lucier2001a.pdf "On Stuart Marshall: Composer, Video Artist and Filmmaker, 1949-1993"], ''Leonardo Music Journal'' 11: "Not Necessarily 'English Music': Britain's Second Golden Age", MIT Press, 2001, pp 51-52.
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* ''[https://monoskop.org/log/?p=12720 Music 109: Notes on Experimental Music]'', forew. Robert Ashley, Middletown, CT: Wesleyan University Press, 2012, xi+215 pp.
 
* editor, ''[http://library.memoryoftheworld.org/b/_1ACbQeSHyTyM6oCLQ_-AyBbm3BgC9F2uAhlMwEfqTzcjIl6 Eight Lectures on Experimental Music]'', Middletown, CT: Wesleyan University Press, 2017, xi+144 pp.
 
* editor, ''[http://library.memoryoftheworld.org/b/_1ACbQeSHyTyM6oCLQ_-AyBbm3BgC9F2uAhlMwEfqTzcjIl6 Eight Lectures on Experimental Music]'', Middletown, CT: Wesleyan University Press, 2017, xi+144 pp.
 
* [http://musiktexte.de/epages/dc91cfee-4fdc-41fe-82da-0c2b88528c1e.sf/de_DE/?ObjectPath=/Shops/dc91cfee-4fdc-41fe-82da-0c2b88528c1e/Categories/Komponisten/7 more]
 
* [http://musiktexte.de/epages/dc91cfee-4fdc-41fe-82da-0c2b88528c1e.sf/de_DE/?ObjectPath=/Shops/dc91cfee-4fdc-41fe-82da-0c2b88528c1e/Categories/Komponisten/7 more]

Revision as of 14:18, 25 November 2017

Alvin Lucier (1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media.

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