Difference between revisions of "Carl Van Vechten"
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==Literature== | ==Literature== | ||
− | * Patricia Allmer, John Sears (eds.), ''4 Saints in 3 Acts: A Snapshot of the American Avant-garde in the 1930s'', Manchester University Press, 2017, 200 pp. [ | + | * Emily Bernard, Carl Van Vechten & The Harlem Renaissance: A Portrait in Black & White, New Haven & London: Yale University Press, 2012. |
+ | * Patricia Allmer, John Sears (eds.), ''4 Saints in 3 Acts: A Snapshot of the American Avant-garde in the 1930s'', Manchester University Press, 2017, 200 pp. publication for exhibition held October 2017-February 2018. Exhibition page: [https://thephotographersgallery.org.uk/whats-on/exhibitions/4-saints-in-3-acts] Curators' introduction: [https://vimeo.com/239095417] |
Revision as of 22:53, 11 November 2017
Carl Van Vechten (June 17, 1880 – December 21, 1964) was an American writer and photographer who was a patron of the Harlem Renaissance and the literary executor of Gertrude Stein.
Works
- Music After the Great War, 1915
- Music and Bad Manners, 1916
- Interpreters and Interpretations, 1917
- The Music of Spain, 1918
- Sacred and Profane Memories, 1932
- Carl Van Vechten Papers, 1833-1965, 1992, 2000
Links
Literature
- Emily Bernard, Carl Van Vechten & The Harlem Renaissance: A Portrait in Black & White, New Haven & London: Yale University Press, 2012.
- Patricia Allmer, John Sears (eds.), 4 Saints in 3 Acts: A Snapshot of the American Avant-garde in the 1930s, Manchester University Press, 2017, 200 pp. publication for exhibition held October 2017-February 2018. Exhibition page: [1] Curators' introduction: [2]