Difference between revisions of "Darija Medić"

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'''Darija Medić''' (1986, Serbia) is a digital practitioner and researcher, working in the fields of media art and design, critical writing, curating and production. Since 2012 she has been a core member of the organization Interkultivator that focuses on the decentralization of cultural production in Serbia through creating experimental educational platforms, and since 2015. she is a member of [[Napon]], institute of flexible cultures and technologies. Her work resides mostly in the context of the public domain and its shaping, language and its social practices, media and its archaeology, technology and its philosophy. The majority of her works are speculative interventions into the imperfections of systems that penetrate the principles of building social meaning and dynamics of power distribution.
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'''Darija Medić''' is a multimodal artist, practice based researcher and media designer investigating contemporary agential labyrinths of cohabiting with technical infrastructures and their sociopolitical ecosystems. Interested in habitual interaction as a form of embodied (un)learning, she develops work in the context of tactical media poetics, distributed cognition, materiality of interaction and politics of interface design within digital culture. Combining a range of media into speculative interfaces, low tech participatory installations, interventions and performances she creates collective processes for sensitizing, sometimes absurd, politically laden points behind the space where technical mediation and prosumer habituation meet.
  
She holds an MA in [[Networked Media Piet Zwart Institute Rotterdam|Media design and communication: Networked Media]] from the Piet Zwart Institute, Rotterdam, and a BA in New media from The Academy of Arts, in Novi Sad. Darija has exhibited in Serbia and internationally, showing her work on projects such as ''Device Art'' (Croatia; Czech Republic), ''Mindware: Technologies of Dialogue'' (Poland), ''Karasssuite'' (Slovakia; Belgium), Make Me festival (Serbia; Austria), Hacker Space Festival (France), ''Unlimited Liability'' (Germany), ''Memefest'' (international), ''Viral Communications'' conference (Netherlands), and elsewhere. She lives in [[Belgrade]].
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Together with Uroš Krčadinac, she is the coauthor of the sister poetry book ''[[Media:Medic_Darija_Krcadinac_Uros_Tactical_Poetics_2020.pdf|Tactical Poetics]]'' and ''[[Media:Krcadinac_Uros_Medic_Darija_Optimised_Poetics_2020.pdf|Optimised Poetics]]'', which introduces poetic practices of co-creational textual production through appropriating mass surveillance and artificial intelligence tools. She has worked as a researcher and producer at DiploFoundation, creating links between critical digital art and policy, including the curation and production of the international exhibition ''[https://artigf.diplomacy.edu/ Inside Internet Corridors]'' for the Internet Governance Forum in the UN in Geneva (2017).
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She holds a bachelor from the New Media department at the Academy of Arts in Novi Sad, Serbia, a master in Media Design and Communication from the [[Piet Zwart Institute]] in Rotterdam, Netherlands and is currently a PhD candidate at the Intermedia Art, Writing and Performance Program at the University of Colorado Boulder in the USA. She is also a visiting lecturer at the Faculty for Media and Communications, Singidunum University in Belgrade, Serbia, and associate researcher with [[kuda.org|Center for New Media kuda.org]].
  
 
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* [http://syntaxerrror.com/ Home page]
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* [https://syntaxerrror.com/ Website]

Latest revision as of 10:41, 8 November 2023

Darija Medić is a multimodal artist, practice based researcher and media designer investigating contemporary agential labyrinths of cohabiting with technical infrastructures and their sociopolitical ecosystems. Interested in habitual interaction as a form of embodied (un)learning, she develops work in the context of tactical media poetics, distributed cognition, materiality of interaction and politics of interface design within digital culture. Combining a range of media into speculative interfaces, low tech participatory installations, interventions and performances she creates collective processes for sensitizing, sometimes absurd, politically laden points behind the space where technical mediation and prosumer habituation meet.

Together with Uroš Krčadinac, she is the coauthor of the sister poetry book Tactical Poetics and Optimised Poetics, which introduces poetic practices of co-creational textual production through appropriating mass surveillance and artificial intelligence tools. She has worked as a researcher and producer at DiploFoundation, creating links between critical digital art and policy, including the curation and production of the international exhibition Inside Internet Corridors for the Internet Governance Forum in the UN in Geneva (2017).

She holds a bachelor from the New Media department at the Academy of Arts in Novi Sad, Serbia, a master in Media Design and Communication from the Piet Zwart Institute in Rotterdam, Netherlands and is currently a PhD candidate at the Intermedia Art, Writing and Performance Program at the University of Colorado Boulder in the USA. She is also a visiting lecturer at the Faculty for Media and Communications, Singidunum University in Belgrade, Serbia, and associate researcher with Center for New Media kuda.org.

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