Difference between revisions of "Emmy Hennings"
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==Literature== | ==Literature== | ||
| − | * Thomas F. Rugh, [[Media:Rugh Thomas F 1981 Emmy Hennings and the Emergence of Zurich Dada.pdf|"Emmy Hennings and the Emergence of Zurich Dada"]], ''Woman's Art Journal'' 2:1, Spring-Summer 1981, pp 1-6. | + | * Thomas F. Rugh, [[Media:Rugh Thomas F 1981 Emmy Hennings and the Emergence of Zurich Dada.pdf|"Emmy Hennings and the Emergence of Zurich Dada"]], ''Woman's Art Journal'' 2:1, Spring-Summer 1981, pp 1-6. {{en}} |
| + | * Ruth Hemus, [https://monoskop.org/images/6/62/Hemus_Ruth_Dadas_Women_2009.pdf#page=27 "Emmy Hennings"], in Hemus, ''Dada's Women'', Yale University Press, 2009, pp 17-52. {{en}} | ||
==See also== | ==See also== | ||
Revision as of 23:03, 6 December 2020
 Emmy Hennings, Zürich, c.1916. Photo: Hanns Noldt. [6] | |
| Web | Dada Companion, Wikipedia |
|---|---|
Emmy Hennings (born Emma Maria Cordsen, 17 January 1885, Flensburg – 10 August 1948, Sorengo near Lugano) was a writer, actress and performer. She is one of the founders of the Dada movement.
Portraits
Emmy Hennings, Munich, c.1912. [1]
Annemie Hennings, Hugo Ball and Emmy Ball-Hennings in Sorengo, 1926. [2]
Emmy Hennings, Lugano, c.1930. [3]
Emmy Hennings, Lugano, c.1935. Photo: Brunel. [4]
Emmy Hennings, Tessin, c.1945. [5]
Writings, publications
- Die letzte Freude. Gedichte, Leipzig: Kurt Wolff Verlag, 1913, 15 pp, KHZ, IDA. (German)
- Gefängnis, Berlin: Erich Reiss, 1919. (German)
- Das Brandmal. Ein Tagebuch, Berlin: Erich Reiß Verlag, 1920, 326 pp, KHZ, IDA. Diary. (German)
- Hugo Balls Weg zu Gott: ein Buch der Erinnerung, Munich: Josef Kösel, 1931, 189 pp. (German)
- Ruf und Echo: mein Leben mit Hugo Ball, Einsiedeln: Benziger, 1953, 291 pp. (German)
Literature
- Thomas F. Rugh, "Emmy Hennings and the Emergence of Zurich Dada", Woman's Art Journal 2:1, Spring-Summer 1981, pp 1-6. (English)
- Ruth Hemus, "Emmy Hennings", in Hemus, Dada's Women, Yale University Press, 2009, pp 17-52. (English)
