Difference between revisions of "Ljubomir Micić"

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Founder of ''[[Zenit]]'' journal. The first artist to collaborate with Micić and to contribute to Zenit's original orientation towards Expressionism was [[Vilko Gecan]]. Micić's Zenitism was supported only by a small number of the youngest Yugoslav artists, who joined and left after varying period of collaboration. [[Mihailo S. Petrov]] did linocuts of an expressionistic-abstract structure, wrote poems and published translations on abstract art for ''Zenit''. From 1922-1925, [[Jo Klek]]'s (Josip Seissel) drawings, aquarelles and collages were the best representatives of Zenitist art. Micić's important mission was collecting and exhibiting avant-garde arts in ''Zenit'' editorial offices in Zagreb and Belgrade, and the organisation of Zenit international exhibition of new art in Belgrade 1924.
 
Founder of ''[[Zenit]]'' journal. The first artist to collaborate with Micić and to contribute to Zenit's original orientation towards Expressionism was [[Vilko Gecan]]. Micić's Zenitism was supported only by a small number of the youngest Yugoslav artists, who joined and left after varying period of collaboration. [[Mihailo S. Petrov]] did linocuts of an expressionistic-abstract structure, wrote poems and published translations on abstract art for ''Zenit''. From 1922-1925, [[Jo Klek]]'s (Josip Seissel) drawings, aquarelles and collages were the best representatives of Zenitist art. Micić's important mission was collecting and exhibiting avant-garde arts in ''Zenit'' editorial offices in Zagreb and Belgrade, and the organisation of Zenit international exhibition of new art in Belgrade 1924.
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==Publications==
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* ''Ritmi mojih slutnja'', 1919.
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* ''Ritmi bez sjaja'', 1919.
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* ''Istočni greh'', 1920.
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* ''Misterij za bezbožne ljude čiste savesti'', 1920.
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* ''Spas duše'', 1920.
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* ''Stotinu vam bogova'', 1922. Banned the same year, published again as ''Kola za spasavanje'', which was banned as well.
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* ''Aeroplan bez motora'', 1925.
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* ''Antievropa'', 1926.
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; Novels
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* ''Hardi! A la Barbarie. Paroles zénitistes d'un barbare européen'', 1928. {{fr}}
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* ''Zéniton, L'Amant de Fata Morgana'', 1930. {{fr}}
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* ''Les Chevaliers de Montparnasse'', 1932. {{fr}}
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* ''Etre ou ne pas être i Après Saraïevo – Expédition punitive'', 1933. {{fr}}
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* ''Rien sans Amour'', 1935. {{fr}}
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* ''Barbarogénie le Décivilisateur'', 1938. {{fr}}
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==Literature==
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* Gojko Tešić, ''Antologija pesništva srpske avangarde 1902-1934'', Novi Sad: Svetovi, 1994. {{sr}}
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* Irina Subotić, ''Od avangarde do arkadije'', Belgrade: Klio, 2000. {{sr}}
  
 
==See also==
 
==See also==

Revision as of 22:05, 9 September 2015


In front of the international exhibition of posters Zenit, 1925.
Born November 16, 1895(1895-11-16)
Jastrebarsko, Austria-Hungary
Died June 14, 1971(1971-06-14) (aged 75)
Kačarevo, near Pančevo, Yugoslavia

Founder of Zenit journal. The first artist to collaborate with Micić and to contribute to Zenit's original orientation towards Expressionism was Vilko Gecan. Micić's Zenitism was supported only by a small number of the youngest Yugoslav artists, who joined and left after varying period of collaboration. Mihailo S. Petrov did linocuts of an expressionistic-abstract structure, wrote poems and published translations on abstract art for Zenit. From 1922-1925, Jo Klek's (Josip Seissel) drawings, aquarelles and collages were the best representatives of Zenitist art. Micić's important mission was collecting and exhibiting avant-garde arts in Zenit editorial offices in Zagreb and Belgrade, and the organisation of Zenit international exhibition of new art in Belgrade 1924.

Publications

  • Ritmi mojih slutnja, 1919.
  • Ritmi bez sjaja, 1919.
  • Istočni greh, 1920.
  • Misterij za bezbožne ljude čiste savesti, 1920.
  • Spas duše, 1920.
  • Stotinu vam bogova, 1922. Banned the same year, published again as Kola za spasavanje, which was banned as well.
  • Aeroplan bez motora, 1925.
  • Antievropa, 1926.
Novels
  • Hardi! A la Barbarie. Paroles zénitistes d'un barbare européen, 1928. (French)
  • Zéniton, L'Amant de Fata Morgana, 1930. (French)
  • Les Chevaliers de Montparnasse, 1932. (French)
  • Etre ou ne pas être i Après Saraïevo – Expédition punitive, 1933. (French)
  • Rien sans Amour, 1935. (French)
  • Barbarogénie le Décivilisateur, 1938. (French)

Literature

  • Gojko Tešić, Antologija pesništva srpske avangarde 1902-1934, Novi Sad: Svetovi, 1994. (Serbian)
  • Irina Subotić, Od avangarde do arkadije, Belgrade: Klio, 2000. (Serbian)

See also

Links

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