Difference between revisions of "Media archaeology"
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==Bibliography== | ==Bibliography== | ||
===Books=== | ===Books=== | ||
− | [[Image:Kittler_Friedrich_Discourse_Networks_1800_1900.jpg|thumb|258px|Friedrich Kittler, ''Discourse Networks 1800 / 1900'', 1990. [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900_foreword.pdf|Download (Foreword)]], [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900_Part_2.pdf|Download (Part 2)]].]] | + | [[Image:Kittler_Friedrich_Discourse_Networks_1800_1900.jpg|thumb|258px|Friedrich Kittler, ''Discourse Networks 1800 / 1900'', 1985/1990. [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900_foreword.pdf|Download (Foreword)]], [[Media:Kittler_Friedrich_Discourse_Networks_1800_1900_Part_2.pdf|Download (Part 2)]].]] |
− | [[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb|258px|Friedrich Kittler, ''Gramophone Film Typewriter'', 1999. [[Media:Kittler_Friedrich_Gramophone_Film_Typewriter.pdf|Download]].]] | + | [[Image:Kittler_Friedrich_Gramophone_Film_Typewriter.jpg|thumb|258px|Friedrich Kittler, ''Gramophone Film Typewriter'', 1986/1999. [[Media:Kittler_Friedrich_Gramophone_Film_Typewriter.pdf|Download]].]] |
− | [[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', 1999. [http://www.oapen.org/download?type=document&docid=340252 Download].]] | + | [[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', 1989/1999. [http://www.oapen.org/download?type=document&docid=340252 Download].]] |
− | [[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', 2008. [http://monoskop.org/log/?p=7139 Download].]] | + | [[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', 2000/2008. [http://monoskop.org/log/?p=7139 Download].]] |
+ | [[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|258px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003. [http://monoskop.org/log/?p=2027 Download].]] | ||
+ | [[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|258px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011. [http://monoskop.org/log/?p=6933 Download].]] | ||
* Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. (in French) | * Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. (in French) | ||
− | * Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Wilhelm Fink, 1985. (in German) | + | * Friedrich A. Kittler, [http://monoskop.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Wilhelm Fink, 1985. (in German) |
− | * Friedrich A. Kittler, ''Grammophon Film Typewriter'', Berlin: Brinkmann & Bose, 1986. (in German) | + | ** [http://monoskop.org/log/?p=5979 ''Discourse Networks 1800/1900''], Stanford University Press, 1990. |
+ | * Friedrich A. Kittler, ''Grammophon Film Typewriter'', Berlin: Brinkmann & Bose, 1986. (in German) | ||
+ | ** [http://monoskop.org/log/?p=503 ''Gramophone, Film, Typewriter''], Stanford University Press, 1999. | ||
* Siegfried Zielinski, ''Zur Geschichte des Videorecorders'', Berlin: Wissenschaftsverlag Volker Spiess, 1986. (in German) | * Siegfried Zielinski, ''Zur Geschichte des Videorecorders'', Berlin: Wissenschaftsverlag Volker Spiess, 1986. (in German) | ||
− | * Siegfried Zielinski, ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. (in German) | + | * Siegfried Zielinski, ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. (in German) |
+ | ** [http://monoskop.org/log/?p=663 ''Audiovisions: Cinema and Television as Entr’actes in History''], Amsterdam University Press, 1999. | ||
* Peter Klier, Dietmar Kamper (eds.), ''Mediendämmerung: zur Archäologie der Medien'', Berlin Edition: Tiamat, 1989. (in German) | * Peter Klier, Dietmar Kamper (eds.), ''Mediendämmerung: zur Archäologie der Medien'', Berlin Edition: Tiamat, 1989. (in German) | ||
* Lynn Spigel, ''Make Room for TV'', Chicago and London: University of Chicago Press, 1992. | * Lynn Spigel, ''Make Room for TV'', Chicago and London: University of Chicago Press, 1992. | ||
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* Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999. | * Rachel P. Maines, [http://monoskop.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999. | ||
* Lisa Gitelman, [http://monoskop.org/log/?p=4662 ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era''], Stanford University Press, 1999. | * Lisa Gitelman, [http://monoskop.org/log/?p=4662 ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era''], Stanford University Press, 1999. | ||
− | * Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. (in German) | + | * Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. (in German) |
+ | ** [http://monoskop.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008. | ||
* Donald F McLean, ''Restoring Baird's Image'', Institution of Electrical Engineers, 2000. [http://www.tvdawn.com/rbi.htm] | * Donald F McLean, ''Restoring Baird's Image'', Institution of Electrical Engineers, 2000. [http://www.tvdawn.com/rbi.htm] | ||
* Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions)'', Duke University Press, 2000, 272 pp. | * Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions)'', Duke University Press, 2000, 272 pp. | ||
* Stephen Graham, Simon Marvin, (eds.), ''Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition'', New York: Routledge, 2001. | * Stephen Graham, Simon Marvin, (eds.), ''Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition'', New York: Routledge, 2001. | ||
− | * Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. (in German) | + | * Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. (in German) |
+ | ** [http://monoskop.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011. | ||
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. | * Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. | ||
− | * P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp. | + | * P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp. |
− | * Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve | + | ** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html] |
− | * Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch | + | * Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. |
+ | ** [http://monoskop.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009. | ||
+ | * Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. (in German) | ||
+ | ** ''Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means'', MIT Press, 2006. | ||
* Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003. | * Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003. | ||
* Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004. | * Wolfgang Lefèvre (ed.), ''[http://monoskop.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004. | ||
Line 78: | Line 88: | ||
* Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007. | * Chris Funkhouser, [http://monoskop.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007. | ||
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere'', Cologne: Verlag der Buchhandlung König, 2008. | * Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere'', Cologne: Verlag der Buchhandlung König, 2008. | ||
− | * Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont | + | * Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. (in German) [http://www.blickmaschinen.de/katalog.php?id=31] |
* Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238] | * Marina Warner, ''Phantasmagoria - Spirit Visions, Metaphors, and Media'', Oxford University Press, 2008. [http://www.oup.com/us/catalog/general/subject/LiteratureEnglish/MythologyFolklore/?view=usa&ci=9780199239238] | ||
* Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917] | * Lynda Nead, ''The Haunted Gallery: Painting, Photography and Film around 1900'', Yale University Press, 2008. [http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300112917] | ||
− | * Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin | + | * Deac Rossel, ''Laterna Magica - Magic Lantern Vol I'', Füsslin, 2008. (in German/English) [http://www.fuesslin.de/Magic_Lantern.136.0.html?&L=2] |
* Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp. | * Dieter Daniels, Barbara U. Schmidt (eds.), ''Artists as Inventors-Inventors as Artists'', Hatje Cantz, 2008, 240 pp. | ||
* Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. | * Kazys Varnelis (ed.), ''The Infrastructural City: Networked Ecologies in LA'', New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. | ||
Line 96: | Line 106: | ||
* Paul DeMarinis, ''Buried in Noise'', Kehrer, 2011. (German/English) [http://www.artbooksheidelberg.com/html/detail/en/paul-demarinis-978-3-86828-141-5.html] | * Paul DeMarinis, ''Buried in Noise'', Kehrer, 2011. (German/English) [http://www.artbooksheidelberg.com/html/detail/en/paul-demarinis-978-3-86828-141-5.html] | ||
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 5: Neapolitan Affairs'', Cologne: Verlag der Buchhandlung König, 2011. | * Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 5: Neapolitan Affairs'', Cologne: Verlag der Buchhandlung König, 2011. | ||
− | * Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Wilhelm Fink | + | * Florian Cramer, [http://monoskop.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. (in German) |
* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] | * Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. (in Swedish) [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] | ||
* Alexandra Hui, ''The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910'', The MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0] | * Alexandra Hui, ''The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910'', The MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0] |
Revision as of 23:46, 28 August 2013
Contents
Institutes
- Media Archaeology Lab, Boulder, Colorado. Director: Lori Emerson.
- Medienarchäologischer Fundus of Humboldt University, Berlin, curated by Ines Liszko.
Events
- Excavating the Future - An Archeology and Future of Moving Pictures symposium, Prague, 2-5 December 2001.
- An Archaeology of Imaginary Media, mini-festival, De Balie, Amsterdam, 5-8 February 2004.
- Variantology workshops, Cologne/Berlin/Naples, 2005-2011. [1]
- Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler, ZKM Karlsruhe, 19-20 October 2012.
- Network Archaeology conference, Miami University, 19-21 April 2012.
- Forum on the Genealogy of MediaThinking, University of the Arts Berlin, October 2012-June 2013.
- Lichtklangphonogramm exhibition, Ethnological Museum in Berlin, 13 March-26 May 2013.
- Media Archaeology & Technological Debris, Goldsmiths, University of London, 20-21 June 2013.
Educational programmes
- Courses
- Media Archaeology course by Alexander R. Galloway, Spring 2010.
- Media Technology and Exploration course by Nicole Starosielski, Winter 2011.
- Urban Media Archaeology course by Shannon Mattern, Fall 2012.
- Gebhard Sengmüller's lectures on media archaeology, UFG Linz.
Theorists and initiatives
- Zoe Beloff
- John M. Bowers
- Lucie Česálková
- Paul DeMarinis
- Bernhard Dotzler
- Timothy Druckrey
- Tomáš Dvořák
- Lori Emerson
- Wolfgang Ernst
- Lisa Gitelman
- Michael Goddard
- Erkki Huhtamo
- Alexandra Hui
- Francis Hunger
- IMA Institute of Media Archeology
- Gunnar Iversen
- Jonathan Kemp
- Friedrich Kittler
- Aleksander Kolkowski
- Markus Krajewski
- Julia Kursell
- Petra Löffler
- Patrik Lundell
- Irene Lusztig
- Thor Magnusson
- Bonnie Mak
- Shannon Mattern
- Media Archaeology Lab
- Shintaro Miyazaki
- Alberto Novello
- Jussi Parikka
- Lisa Parks
- Miklós Peternák
- Claus Pias
- Georgii Pocheptsov
- Joost Rekveld
- Axel Roch
- Wolfgang Schäffner
- Gebhard Sengmüller
- Bernhard Siegert
- Pelle Snickars
- Nicole Starosielski
- Jonathan Sterne
- Kateřina Svatoňová
- Tjebbe van Tijen
- John Tresch
- Pasi Väliaho
- Cornelia Vismann
- Thomas Weynants
- Siegfried Zielinski
Bibliography
Books
- Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (in French)
- Friedrich A. Kittler, Aufschreibesysteme 1800/1900, Munich: Wilhelm Fink, 1985. (in German)
- Discourse Networks 1800/1900, Stanford University Press, 1990.
- Friedrich A. Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986. (in German)
- Gramophone, Film, Typewriter, Stanford University Press, 1999.
- Siegfried Zielinski, Zur Geschichte des Videorecorders, Berlin: Wissenschaftsverlag Volker Spiess, 1986. (in German)
- Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (in German)
- Audiovisions: Cinema and Television as Entr’actes in History, Amsterdam University Press, 1999.
- Peter Klier, Dietmar Kamper (eds.), Mediendämmerung: zur Archäologie der Medien, Berlin Edition: Tiamat, 1989. (in German)
- Lynn Spigel, Make Room for TV, Chicago and London: University of Chicago Press, 1992.
- Bernhard Siegert, Relais: Geschicke der Literatur als Epoche der Post, 1751-1913, Brinkmann & Bose, Berlin, 1993. (in German) Introduction to the English edition.
- Ellen Lupton, Mechanical Brides: Women and Machines from Home to Office, Princeton Architectural Press, 1993.
- Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
- Terry Castle, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny, Oxford University Press, 1995.
- Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
- Rachel P. Maines, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, Baltimore: Johns Hopkins University Press, 1999.
- Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, Stanford University Press, 1999.
- Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (in German)
- Files: Law and Media Technology, Stanford University Press, 2008.
- Donald F McLean, Restoring Baird's Image, Institution of Electrical Engineers, 2000. [2]
- Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions), Duke University Press, 2000, 272 pp.
- Stephen Graham, Simon Marvin, (eds.), Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition, New York: Routledge, 2001.
- Markus Krajewski, ZettelWirtschaft, Berlin: Kulturverlag Kadmos, 2002. (in German)
- Paper Machines: About Cards & Catalogs, 1548-1929, MIT Press, 2011.
- Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, Verso, 2002.
- P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.
- Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [3]
- Friedrich Kittler, Optische Medien / Berliner Vorlesung 1999, Berlin: Merve, 2002.
- Optical Media. Berlin Lectures 1999, trans. Anthony Enns, Polity, 2009.
- Siegfried Zielinski, Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Reinbek: Rowohlt Taschenbuch, 2002. (in German)
- Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means, MIT Press, 2006.
- Lisa Gitelman, Geoffrey B. Pingree (eds.), New Media, 1740-1915, MIT Press, 2003.
- Wolfgang Lefèvre (ed.), Picturing Machines 1400-1700, MIT Press, 2004.
- Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [4] [5]
- Lisa Parks, Cultures in Orbit: Satellites and the Televisual, Durham: Duke University Press, 2005.
- Charles R. Acland (ed.), Residual Media, University of Minnesota Press, 2006.
- Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. [6]
- Pierre Levie, Montreurs et Vues d' Optique, Editions Sofidoc, 2006. (in French)
- Timothy C. Campbell, Wireless Writing in the Age of Marconi, University of Minnesota Press, 2006.
- Lisa Gitelman, Always Already New: Media, History, and the Data of Culture, MIT Press, 2006.
- James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [7]
- Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. [8]
- Wolfgang Ernst, Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kulturverlag Kadmos, 2007. (in German)
- Christian Holtorf, Claus Pias (eds.), Escape!: Computerspiele als Kulturtechnik, Cologne: Böhlau, 2007. (in German)
- Siegfried Zielinski, Silvia M. Wagnermaier (eds.), Variantology – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2007.
- Siegfried Zielinski, David Link (eds.), Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2007.
- Jussi Parikka, Digital Contagions (Digital Formations), Peter Lang Publishing, 2007.
- José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
- Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, University of Alabama Press, 2007.
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere, Cologne: Verlag der Buchhandlung König, 2008.
- Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. (in German) [9]
- Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [10]
- Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [11]
- Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. (in German/English) [12]
- Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
- Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009.
- Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. (in French) [13]
- Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), Mediernas kulturhistoria, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [14]
- Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), 1897 – Mediehistorier kring Stockholmsutställningen, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [15]
- Jonas Harvard, Patrik Lundell (eds.), 1800-talets mediesystem, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [16]
- Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), The Story of Storage I. Kompendium, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [17]
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 4 – On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, Cologne: Verlag der Buchhandlung Walther König, 2010.
- Adrian Mackenzie, Wirelessness: Radical Empiricism in Network Cultures, MIT Press, 2010.
- Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [18] [19]
- Jussi Parikka, Insect Media: An Archaeology of Animals and Technology, University of Minnesota Press, 2010.
- Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, University of California Press, 2011. [20]
- Paul DeMarinis, Buried in Noise, Kehrer, 2011. (German/English) [21]
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 5: Neapolitan Affairs, Cologne: Verlag der Buchhandlung König, 2011.
- Florian Cramer, Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Munich: Wilhelm Fink, 2011. (in German)
- Johan Jarlbrink, Patrik Lundell (eds.), Från pressarkivet 1800-1899. En källsamling, Stockholm: Mediehistoriskt arkiv, 2012. (in Swedish) [22]
- Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910, The MIT Press, 2012. [23]
- Jussi Parikka, What is Media Archaeology?, Polity, 2012.
- John Tresch, The Romantic Machine: Utopian Science and Technology after Napoleon, University of Chicago Press, 2012. [24]
- Wolfgang Ernst, Digital Memory and the Archive, University of Minnesota Press, 2012. [25]
- Shintaro Miyazaki, Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Kulturverlag Kadmos, 2013, 281 pp. (in German) [26]
- Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press, 2013, 312 pp. [27]
- Erkki Huhtamo, Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles, MIT Press, 2013. [28]
- Douglas Kahn, Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts, University of California Press, 2013, 344 pp. [29]
- Publications on media archaeology at Monoskop Log
Journal issues and Special sections
- Grey Room 43, Spring 2011, Special issue: "Audio/Visual". [30]
Theses
- Kristoffer Gansing, Transversal Media Practices: Media Archaeology, Art and Technological Development, PhD thesis, Malmö: Malmö University, 2013.
Book chapters, Papers, Articles
- Erkki Huhtamo, "From Kaleidoscomaniac to Cybernerd: Towards an Archeology of the Media", Leonardo, 3, 1997, pp 221-224.
- Wolfgang Ernst, "Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines", Art History 28, November 2005, pp 582-603.
- Shannon Mattern, "From Post Offices to Radiograms: Local Primary Resources on Urban Media History", Words In Space blog, 20 July 2010.
- Garnet Hertz, Jussi Parikka, "Zombie Media: Circuit Bending Media Archaeology into an Art Method", Leonardo, 2012.
- Shannon Mattern, "Infrastructural Tourism", Words in Space blog, 20 July 2012.
- more, more
Resources
- Bundled, Buried & Behind Closed Doors, documentary film by Ben Mendelsohn and Alex Chohlas-Wood, 2011.
- Early Visual Media, A Historical Window to Early Vintage Visual Media Archaeology, maintained by Thomas Weynants.
- First Sounds, an initiative founded by Patrick Feaster, David Giovannoni, Richard Martin, and Meagan Hennessey.
- René Rondeau's Antique Phonograph, Fan, and Photography Site
- Media Archaeology of Place, a project initiated by a collaborative course at Harvard University, Fall 2010.
- Gebhard Sengmüller's links collection
- Renesys presentations and reports
See also
- REDIRECT Template:Art and culture