Difference between revisions of "Nancy Mauro-Flude"

From Monoskop
Jump to navigation Jump to search
m (update)
Line 3: Line 3:
 
[[File:NancyMauro-Flude Artist Photo.jpg|thumb|N Mauro-Flude at Ghetto Bienalle, Haiti ]]
 
[[File:NancyMauro-Flude Artist Photo.jpg|thumb|N Mauro-Flude at Ghetto Bienalle, Haiti ]]
 
|imagesize = 338px
 
|imagesize = 338px
|caption =  N.Mauro-Flude at [ https://publicartarchive.org/art/Ghetto-Biennale/702d52dc Ghetto Bienalle Haiti]. Photo: Marcia Flude CC-by-ShareAlike3.0
+
|caption =  N.Mauro-Flude at [https://publicartarchive.org/art/Ghetto-Biennale/702d52dc Ghetto Bienalle Haiti]. Photo: Marcia Flude CC-by-ShareAlike3.0
|based_in = [[Hobart]] Tasmania
+
|based_in = [[Hobart]] lutruwita Tasmania
|website = [https://linktr.ee/sister0 Linktree] , [[LurkflavorMastodon::https://post.lurk.org/@sister0]]
+
|website = [https://linktr.ee/sister0 Linktree], [[LurkflavorMastodon::https://post.lurk.org/@sister0]]
 
}}
 
}}
  
 
'''Nancy Mauro-Flude''' is an artist, feminist theorist and digital caretaker. Her research is driven by the demystification of technology and the ‘mystification’ that lies in and through the performance of the machinic assemblage. The talismanic logic of island cultures and medium experimentation are foundations for her work.  
 
'''Nancy Mauro-Flude''' is an artist, feminist theorist and digital caretaker. Her research is driven by the demystification of technology and the ‘mystification’ that lies in and through the performance of the machinic assemblage. The talismanic logic of island cultures and medium experimentation are foundations for her work.  
  
Under various aliases and in varigated cooperations, Nancy actively works to fuse radical forms of self-determination by introducing experimental pedagogy to relatively conservative and weakly networked regions. The work she does is described as “…focusing on the effects of social, cultural, and intellectual diversity (among other factors)…nurturing nuanced concepts of identity within the electronic space, as is the case of Sister0 a virtual avatar who, in reality, is a facilitator and its actions are those of a medium, whether on a computer in a hacklab in Romania, a voodoo ceremony in Haiti or in a classroom in Tasmania (see suburb action performance piece Error_in_Time() by Nancy Mauro-Flude, from 2012)” Utopias of Technological Art: The State of the Question Fifty Years On
+
Under various aliases and in varigated cooperations, Nancy actively works to fuse radical forms of self-determination by introducing experimental pedagogy to relatively conservative and weakly networked regions. Her work is described as “…focusing on the effects of social, cultural, and intellectual diversity (among other factors)…nurturing nuanced concepts of identity within the electronic space, as is the case of Sister0 a virtual avatar who, in reality, is a facilitator and its actions are those of a medium, whether on a computer in a hacklab in Romania, a voodoo ceremony in Haiti or in a classroom in Tasmania (see suburb action performance piece Error_in_Time() by Nancy Mauro-Flude, from 2012)” Utopias of Technological Art: The State of the Question Fifty Years On
 
[https://www.raco.cat/index.php/Artnodes/article/view/285088  Artnodes] 2013.
 
[https://www.raco.cat/index.php/Artnodes/article/view/285088  Artnodes] 2013.
  

Revision as of 03:24, 19 June 2024

[[File:
N Mauro-Flude at Ghetto Bienalle, Haiti
|338px|alt=]]
N.Mauro-Flude at Ghetto Bienalle Haiti. Photo: Marcia Flude CC-by-ShareAlike3.0
Lives in Hobart lutruwita Tasmania
Website Linktree, https://post.lurk.org/@sister0

Nancy Mauro-Flude is an artist, feminist theorist and digital caretaker. Her research is driven by the demystification of technology and the ‘mystification’ that lies in and through the performance of the machinic assemblage. The talismanic logic of island cultures and medium experimentation are foundations for her work.

Under various aliases and in varigated cooperations, Nancy actively works to fuse radical forms of self-determination by introducing experimental pedagogy to relatively conservative and weakly networked regions. Her work is described as “…focusing on the effects of social, cultural, and intellectual diversity (among other factors)…nurturing nuanced concepts of identity within the electronic space, as is the case of Sister0 a virtual avatar who, in reality, is a facilitator and its actions are those of a medium, whether on a computer in a hacklab in Romania, a voodoo ceremony in Haiti or in a classroom in Tasmania (see suburb action performance piece Error_in_Time() by Nancy Mauro-Flude, from 2012)” Utopias of Technological Art: The State of the Question Fifty Years On Artnodes 2013.


"...Gray magics, hijackings, driftings and seizures of power the sensitive and subversive subterfuges by which she urges, twists and explores the aesthetic politic of the open source spirit" (Anne Goldenberg, 2013) ".dpi feminist journal of art and digital culture."

Alumni of Piet Zwart Institute, co founder of Moddr part of the WORM venue in Rotterdam. International Program Committee & Art Jury for ISEA

She develops, designs and delivers "Computing Art, Technology, and Materiality research integrated teaching"

Nancy is elected member of "Digital Ethnography Research Centre" and the "Post Carbon Research Centre".

Founder of Critical Media Coven and long-term member of the Genderchangers home brewed since 1998, working to actively change the ‘gender’ of technology. Involves projects such as systerserver, Eclectic Tech Carnival [School for AC⌁DC+, tactical magick faerie circuits [Bag Lady 2.0 https://mtschaefer.net/entry/bag-lady/] that specialise in "Custom Built Interfaces/Electronic Performance Tools and highly entertaining, interactive performance" as quoted by Creative Australia.

Selected Projects

Selected Curatorial work

  • Economythologies EMLX 2020 - ongoing Critical thinking, making and trading for the New World Disorder, an emphasis on voices from the Asia-Pacific region, participants to collectively imagine new aesthetic ways of (re-)configuring art and economy
  • encoding_experience/10_October_2008_18:00_EST.* Plimsoll Gallery, Tasmania 2008.
  • TacticalMagick.net Networked Art Forms: Tactical Magick Faerie Circuits, 2013.
  • Microbites.me Microbites of Innovation. Art Track ACM Creativity and Cognition, 2017.
  • Internet Lore Asia Writing for the Internet: Internet lore in Asia. Asia Research Institute, 2018.
  • Vvitchvvave Post Digital Aesthetics Symposium and Exhibition, Siteworks, 2019.
  • Asemic Runway 2022.

Selected publications

  • Nancy Mauro-Flude & Yoko Akama (2022) "A feminist server stack", CoDesign International Journal for Art and Design, 18:1, 48-62. doi:10.1080/15710882.2021.2021243.
  • Mauro-Flude, Nancy (2019), "Performing The Internet", Post Digital Folklore, Digital Humanities and Scholarly Research Trends in the Asia-Pacific, Pen:IGI-Global.
  • Mauro-Flude, Nancy (2016) "Divine Trash Strata", Unlikely: Journal for Creative Arts Issue 2, University of Melbourne.
  • Mauro-Flude, N (2015), 'Linux for Artists: Embodiment & Nix Modus Operandi', in A Mansoux & M de Valk (eds.), FLOSS+Art, GOTO10, Poitiers, France. MUTE, London, pp. 206-223.

Selected interviews


Links