Difference between revisions of "Media archaeology"
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[[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', [1989] 1999, [http://www.oapen.org/download?type=document&docid=340252 PDF].]] | [[Image:Zielinski_Siegfried_Audiovisions_Cinema_and_Television_as_Entractes_in_History.png|thumb|258px|Siegfried Zielinski, ''Audiovisions: Cinema and Television as Entr’actes in History'', [1989] 1999, [http://www.oapen.org/download?type=document&docid=340252 PDF].]] | ||
[[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb|258px|Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', 1999, [http://gen.lib.rus.ec/book/index.php?md5=9BF2B15FF88CF61860E834F59F0EAB43 PDF].]] | [[Image:Gitelman_Lisa_Scripts_Grooves_and_Writing_Machines_Representing_Technology_in_the_Edison_Era.jpg|thumb|258px|Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', 1999, [http://gen.lib.rus.ec/book/index.php?md5=9BF2B15FF88CF61860E834F59F0EAB43 PDF].]] | ||
− | [[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', [2000] 2008, [http:// | + | [[Image:Vismann_Cornelia_Files_Law_and_Media_Technology.jpg|thumb|258px|Cornelia Vismann, ''Files: Law and Media Technology'', [2000] 2008, [http://monoskop.multiplace.org/log/?p=7139 Log].]] |
[[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|258px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003, [http://gen.lib.rus.ec/book/index.php?md5=D9FB5E782EE01081C7B7531CBD91AD09 PDF].]] | [[Image:Gitelman_Lisa_Pingree_Geoffrey_B_eds_New_Media_1740-1915.jpg|thumb|258px|Lisa Gitelman, Geoffrey B. Pingree (eds.): ''New Media, 1740-1915'', 2003, [http://gen.lib.rus.ec/book/index.php?md5=D9FB5E782EE01081C7B7531CBD91AD09 PDF].]] | ||
− | [[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|258px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011, [http:// | + | [[Image:Huhtamo_Erkki_Parikka_Jussi_eds_Media_Archaeology.jpg|thumb|258px|Erkki Huhtamo, Jussi Parikka (eds.), ''Media Archaeology: Approaches, Applications, and Implications'', 2011, [http://monoskop.multiplace.org/log/?p=6933 Log].]] |
* Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. {{fr}} | * Jacques Perriault, ''Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel'', Paris: Flammarion, 1981. {{fr}} | ||
− | * Friedrich A. Kittler, [http:// | + | * Friedrich A. Kittler, [http://monoskop.multiplace.org/log/?p=5979 ''Aufschreibesysteme 1800/1900''], Munich: Fink, 1985. 2nd edition, Munich, 1987. {{de}} Reviews: [http://scribd.com/doc/119849024/Futterknecht-Review-of-Mother-s-Mouth-and-Typewriter Franz Futterknecht], [http://scribd.com/doc/119847751/Holub-Aufschreibesysteme Robert C. Holub]. |
− | ** [http:// | + | ** [http://monoskop.multiplace.org/log/?p=5979 ''Discourse Networks 1800 / 1900''], trans. Michael Metteer with Chris Cullens, Stanford University Press, 1990. Foreword by David E. Wellbery, "[http://hydra.humanities.uci.edu/kittler/wellbery.html Post-Hermeneutic Criticism]". |
** ''Mediefilosofi'', trans. Knut Ove Eliassen, Oslo: Cappelen akademisk, 2009, 234 pp. {{no}} [http://www.cappelendammundervisning.no/asset/EDITION/TOC_FULL/Mediefilosofi_innholdsfortegnelse_28139.pdf?ts=1369912639000 Contents]. [http://www.mediepedagogene.no/wp-content/uploads/kittler-1-2010.pdf Review]. [http://www.cappelendammundervisning.no/undervisning/product-detail.action?id=150909] | ** ''Mediefilosofi'', trans. Knut Ove Eliassen, Oslo: Cappelen akademisk, 2009, 234 pp. {{no}} [http://www.cappelendammundervisning.no/asset/EDITION/TOC_FULL/Mediefilosofi_innholdsfortegnelse_28139.pdf?ts=1369912639000 Contents]. [http://www.mediepedagogene.no/wp-content/uploads/kittler-1-2010.pdf Review]. [http://www.cappelendammundervisning.no/undervisning/product-detail.action?id=150909] | ||
** ''Nedskrivningssystem 1800 · 1900'', trans. Tommy Andersson, Göteborg: Glänta, 2012, 656 pp. {{sw}} [http://www.smakprov.se/smakprov/visa/9789186133320 Introduction]. [http://glanta.org/?page_id=2877] [http://glanta.org/?page_id=25&view=66] | ** ''Nedskrivningssystem 1800 · 1900'', trans. Tommy Andersson, Göteborg: Glänta, 2012, 656 pp. {{sw}} [http://www.smakprov.se/smakprov/visa/9789186133320 Introduction]. [http://glanta.org/?page_id=2877] [http://glanta.org/?page_id=25&view=66] | ||
* Friedrich A. Kittler, ''[[Media:Kittler_Friedrich_Grammophon_Film_Typewriter.pdf|Grammophon Film Typewriter]]'', Berlin: Brinkmann & Bose, 1986. {{de}} [[Media:Kittler_Friedrich_Grammophon_Film_Typewriter_Vorwort.pdf|Foreword]]. | * Friedrich A. Kittler, ''[[Media:Kittler_Friedrich_Grammophon_Film_Typewriter.pdf|Grammophon Film Typewriter]]'', Berlin: Brinkmann & Bose, 1986. {{de}} [[Media:Kittler_Friedrich_Grammophon_Film_Typewriter_Vorwort.pdf|Foreword]]. | ||
− | ** [http:// | + | ** [http://monoskop.multiplace.org/log/?p=503 ''Gramophone Film Typewriter''], trans. Geoffrey Winthrop-Young and Michael Wutz, Stanford University Press, 1999. Preface first appeared in ''October'', trans. Dorothea von Mücke with Philippe L. Similon, Vol. 41 (Summer 1987), pp 101-118; [[Media:Kittler_Friedrich_1997_Gramophone_Film_Typewriter.pdf|reprinted]] in ''Literature, Media, Information Systems: Essays'', ed. John Johnston, Amsterdam, 1997, pp 28-49. [http://raley.english.ucsb.edu/wp-content/Engl800/Kittler-GFT.pdf]. Review: [http://www.altx.com/ebr/reviews/rev10/r10cla.htm Bruce Clarke] |
** "[http://www2.iim.cz/wiki/images/1/12/Kittler2-02.pdf Gramofon, film, psací stroj]", ''Teorie vědy'', trans. Silvia Vedrödiová, No. 2, Vol. 11, pp 33-55. Translation of the Introduction. Reprinted in ''Kapitoly z dějin a teorie umění'', ed. Tomáš Dvořák, 2010, pp 51-68. {{cz}} | ** "[http://www2.iim.cz/wiki/images/1/12/Kittler2-02.pdf Gramofon, film, psací stroj]", ''Teorie vědy'', trans. Silvia Vedrödiová, No. 2, Vol. 11, pp 33-55. Translation of the Introduction. Reprinted in ''Kapitoly z dějin a teorie umění'', ed. Tomáš Dvořák, 2010, pp 51-68. {{cz}} | ||
** ''グラモフォン・フィルム・タイプライター'', trans. 石光 泰夫 and 石光 輝子, 筑摩書房, 1999, 455 pp。ちくま学芸文庫版、2006, 331 pp. {{jp}} | ** ''グラモフォン・フィルム・タイプライター'', trans. 石光 泰夫 and 石光 輝子, 筑摩書房, 1999, 455 pp。ちくま学芸文庫版、2006, 331 pp. {{jp}} | ||
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* Carolyn Marvin, ''When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century'', New York and Oxford: Oxford University Press, 1988. | * Carolyn Marvin, ''When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century'', New York and Oxford: Oxford University Press, 1988. | ||
* Siegfried Zielinski, ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. {{de}} | * Siegfried Zielinski, ''Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte'', Reinbek bei Hamburg: Rowohlt, 1989. {{de}} | ||
− | ** [http:// | + | ** [http://monoskop.multiplace.org/log/?p=663 ''Audiovisions: Cinema and Television as Entr’actes in History''], Amsterdam University Press, 1999. |
** 2003 in a Hungarian edition. | ** 2003 in a Hungarian edition. | ||
* Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989, 153 pp. {{de}} | * Peter Klier, Jean-Luc Evard (eds.), ''Mediendämmerung: Zur Archäologie der Medien'', Berlin: Tiamat, 1989, 153 pp. {{de}} | ||
* Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992. | * Lynn Spigel, ''Make Room for TV: Television and the Family Ideal in Postwar America'', Chicago and London: University of Chicago Press, 1992. | ||
− | * Bernhard Siegert, [http:// | + | * Bernhard Siegert, [http://monoskop.multiplace.org/log/?p=4074 ''Relais: Geschicke der Literatur als Epoche der Post, 1751-1913''], Berlin: Brinkmann & Bose, 1993. {{de}} |
− | ** ''[http:// | + | ** ''[http://monoskop.multiplace.org/log/?p=4074 Relays: Literature as an Epoch of the Postal System]'', trans. Kevin Repp, Stanford University Press, 1999, 340 pp. |
− | * Ellen Lupton, [http:// | + | * Ellen Lupton, [http://monoskop.multiplace.org/log/?p=1598 ''Mechanical Brides: Women and Machines from Home to Office''], Princeton Architectural Press, 1993. |
* Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995. | * Lisa Cartwright, ''Screening The Body: Tracing Medicine's Visual Culture'', University of Minnesota Press, 1995. | ||
− | * Terry Castle, ''[http:// | + | * Terry Castle, ''[http://monoskop.multiplace.org/log/?p=6116 The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny]'', Oxford University Press, 1995. |
* Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version]. | * Stephen Herbert, Luke McKernan (eds.), ''Who's Who of Victorian Cinema: A Worldwide Survey'', London: British Film Institute, 1996. [http://victorian-cinema.net Online version]. | ||
− | * Rachel P. Maines, [http:// | + | * Rachel P. Maines, [http://monoskop.multiplace.org/log/?p=2339 ''The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction''], Baltimore: Johns Hopkins University Press, 1999. |
− | * Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', Stanford University Press, 1999, 282 pp. [http:// | + | * Lisa Gitelman, ''Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era'', Stanford University Press, 1999, 282 pp. [http://monoskop.multiplace.org/log/?p=4662] |
* Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}} | * Cornelia Vismann, ''Akten. Medientechnik und Recht'', Frankfurt am Main: Fischer, 2000. {{de}} | ||
− | ** [http:// | + | ** [http://monoskop.multiplace.org/log/?p=7139 ''Files: Law and Media Technology''], Stanford University Press, 2008. |
− | * Donald F McLean, ''[http:// | + | * Donald F McLean, ''[http://monoskop.multiplace.org/log/?p=9286 Restoring Baird's Image]'', Institution of Electrical Engineers, 2000, 295 pp. [http://www.tvdawn.com/rbi.htm] |
* Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television'', Duke University Press, 2000, 272 pp. [[Media:Sconce_Jeffrey_Haunted_Media_ch_1.pdf|Chapter 1]], [http://web.archive.org/web/20140423121242/http://uwf.edu/pbelk/LIT_2100/pdfs/Sconce_HauntedMedia.pdf Extract (pp 110-118)]. | * Jeffrey Sconce, ''Haunted Media: Electronic Presence from Telegraphy to Television'', Duke University Press, 2000, 272 pp. [[Media:Sconce_Jeffrey_Haunted_Media_ch_1.pdf|Chapter 1]], [http://web.archive.org/web/20140423121242/http://uwf.edu/pbelk/LIT_2100/pdfs/Sconce_HauntedMedia.pdf Extract (pp 110-118)]. | ||
* Stephen Graham, Simon Marvin (eds.), ''[http://gen.lib.rus.ec/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001. | * Stephen Graham, Simon Marvin (eds.), ''[http://gen.lib.rus.ec/book/index.php?md5=7214C38F5A3BE26A6CC21775531178B4 Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition]'', New York: Routledge, 2001. | ||
* Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. {{de}} [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review]. | * Markus Krajewski, ''ZettelWirtschaft'', Berlin: Kulturverlag Kadmos, 2002. {{de}} [http://ssl.einsnull.com/paymate/dbfiles/pdf/resource/358.pdf Review], [http://edoc.hu-berlin.de/kunsttexte/download/bwt/Kuehl.PDF Review]. | ||
− | ** [http:// | + | ** [http://monoskop.multiplace.org/log/?p=4076 ''Paper Machines: About Cards & Catalogs, 1548-1929''], MIT Press, 2011. |
* Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2]. | * Giuliana Bruno, ''Atlas of Emotion: Journeys in Art, Architecture, and Film'', Verso, 2002. [http://faculty.arch.utah.edu/benham/readings/atlas.pdf Chapter 1], [http://faculty.arch.utah.edu/benham/readings/Moving%20Image.pdf Chapter 2]. | ||
* P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp. | * P.J.H. Kockelkoren, ''Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp. | ||
** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html] | ** ''Techniek: Kunst, Kermis en Theater'', Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [http://www.naipublishers.nl/art/techniekkunst_e.html] | ||
* Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. | * Friedrich Kittler, ''Optische Medien / Berliner Vorlesung 1999'', Berlin: Merve, 2002. | ||
− | ** [http:// | + | ** [http://monoskop.multiplace.org/log/?p=7557 ''Optical Media. Berlin Lectures 1999''], trans. Anthony Enns, Polity, 2009. |
* Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 Contents], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}} | * Siegfried Zielinski, ''Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens'', Reinbek: Rowohlt Taschenbuch, 2002. [http://d-nb.info/965253627/04 Contents], [http://www.medientheorie.com/doc/archaeologie/zielinski_archaeologie.pdf Introduction]. {{de}} | ||
− | ** ''[http:// | + | ** ''[http://monoskop.multiplace.org/log/?p=13148 Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means]'', intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006. |
− | * Lisa Gitelman, Geoffrey B. Pingree (eds.), [http:// | + | * Lisa Gitelman, Geoffrey B. Pingree (eds.), [http://monoskop.multiplace.org/log/?p=2027 ''New Media, 1740-1915''], MIT Press, 2003. |
* Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}} | * Wolfgang Ernst, ''[http://edoc.hu-berlin.de/humboldt-vl/ernst-wolfgang-2003-10-21/PDF/Ernst.pdf Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003]'', Berlin: Humboldt University, 2004, 31 pp. {{de}} | ||
− | * Wolfgang Lefèvre (ed.), ''[http:// | + | * Wolfgang Lefèvre (ed.), ''[http://monoskop.multiplace.org/log/?p=689 Picturing Machines 1400-1700]'', MIT Press, 2004. |
* Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html] | * Bernard Finn (ed.), ''Presenting Pictures'', Smithsonian Institution Scholarly Press, 2004. [http://www.artefactsconsortium.org/Publications/Contents4F.html] [http://www.artefactsconsortium.org/Publications/Intro4F.html] | ||
− | * Lisa Parks, ''[http:// | + | * Lisa Parks, ''[http://monoskop.multiplace.org/log/?p=11667 Cultures in Orbit: Satellites and the Televisual]'', Durham: Duke University Press, 2005. |
* Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''Variantology – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2005. | * Siegfried Zielinski, Silvia M. Wagnermaier (eds.), ''Variantology – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2005. | ||
* Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006. [http://sterneworks.org/OutwiththeTrash.pdf Chapter 2]. | * Charles R. Acland (ed.), ''Residual Media'', University of Minnesota Press, 2006. [http://sterneworks.org/OutwiththeTrash.pdf Chapter 2]. | ||
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* Pierre Levie, ''Montreurs et Vues d' Optique'', Editions Sofidoc, 2006. {{fr}} | * Pierre Levie, ''Montreurs et Vues d' Optique'', Editions Sofidoc, 2006. {{fr}} | ||
* Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', University of Minnesota Press, 2006. | * Timothy C. Campbell, ''Wireless Writing in the Age of Marconi'', University of Minnesota Press, 2006. | ||
− | * Lisa Gitelman, [http:// | + | * Lisa Gitelman, [http://monoskop.multiplace.org/log/?p=669 ''Always Already New: Media, History, and the Data of Culture''], MIT Press, 2006. |
* Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}} | * Bernhard J. Dotzler, ''[http://cdn.anonfiles.com/1394099963968.pdf Diskurs und Medium. Zur Archäologie der Computerkultur]'', Munich: Fink, 2006, 233 pp. {{de}} | ||
* Siegfried Zielinski, David Link (eds.), ''Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2006. | * Siegfried Zielinski, David Link (eds.), ''Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies'', Cologne: Verlag der Buchhandlung König, 2006. | ||
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* Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837] | * Jussi Parikka, ''Digital Contagions: A Media Archeology of Computer Viruses'', New York: Peter Lang, 2007. [http://www.medientheorie.com/doc/archaeologie/parikka_digital%20contagions.pdf Conclusions]. [http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=46484&concordeid=68837] | ||
* José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007. | * José Roca, ''Phantasmagoria - Specters of Absence'', Independent Curators International, 2007. | ||
− | * Chris Funkhouser, [http:// | + | * Chris Funkhouser, [http://monoskop.multiplace.org/log/?p=179 ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995''], University of Alabama Press, 2007. |
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere'', Cologne: Verlag der Buchhandlung König, 2008. | * Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere'', Cologne: Verlag der Buchhandlung König, 2008. | ||
* Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. {{de}} [http://www.blickmaschinen.de/katalog.php?id=31] | * Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), ''Blickmaschinen, oder wie Bilder entstehen'', DuMont, 2008. Catalogue. {{de}} [http://www.blickmaschinen.de/katalog.php?id=31] | ||
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* Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html] | * Peter Morris, Klaus Staubermann (eds.), ''Illuminating Instruments'', Smithsonian Institution Scholarly Press, 2010. [http://www.artefactsconsortium.org/Publications/Contents7F.html] [http://www.artefactsconsortium.org/Publications/Intro7F.html] | ||
* Jussi Parikka, [http://gen.lib.rus.ec/book/index.php?md5=FC63B9B2EF00638A1D1F1D919F456C54 ''Insect Media: An Archaeology of Animals and Technology''], University of Minnesota Press, 2010. | * Jussi Parikka, [http://gen.lib.rus.ec/book/index.php?md5=FC63B9B2EF00638A1D1F1D919F456C54 ''Insect Media: An Archaeology of Animals and Technology''], University of Minnesota Press, 2010. | ||
− | * Pasi Väliaho, ''[http:// | + | * Pasi Väliaho, ''[http://monoskop.multiplace.org/log/?p=1665 Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900]'', Amsterdam University Press, 2010. |
− | * Erkki Huhtamo, Jussi Parikka (eds.), [http:// | + | * Erkki Huhtamo, Jussi Parikka (eds.), [http://monoskop.multiplace.org/log/?p=6933 ''Media Archaeology: Approaches, Applications, and Implications''], University of California Press, 2011. [http://www.ucpress.edu/book.php?isbn=9780520262744] |
* Paul DeMarinis, ''Buried in Noise'', Kehrer, 2011. {{de}}/{{en}} [http://www.artbooksheidelberg.com/html/detail/en/paul-demarinis-978-3-86828-141-5.html] | * Paul DeMarinis, ''Buried in Noise'', Kehrer, 2011. {{de}}/{{en}} [http://www.artbooksheidelberg.com/html/detail/en/paul-demarinis-978-3-86828-141-5.html] | ||
* Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 5: Neapolitan Affairs'', Cologne: Verlag der Buchhandlung König, 2011. | * Siegfried Zielinski, Eckhard Fürus (eds.), ''Variantology 5: Neapolitan Affairs'', Cologne: Verlag der Buchhandlung König, 2011. | ||
− | * Florian Cramer, [http:// | + | * Florian Cramer, [http://monoskop.multiplace.org/log/?p=5936 ''Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts''], Munich: Wilhelm Fink, 2011. {{de}} |
* Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. {{sw}} [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] | * Johan Jarlbrink, Patrik Lundell (eds.), ''[http://www.kb.se/dokument/Aktuellt/audiovisuellt/Fr%C3%A5n%20pressarkivet/Fran_pressarkivet.pdf Från pressarkivet 1800-1899. En källsamling]'', Stockholm: Mediehistoriskt arkiv, 2012. {{sw}} [http://www.kb.se/aktuellt/Butik-och-Publikationer/mediehistoriskt-arkiv2/Fran-pressarkivet-1800-1899-En-kallsamling/] | ||
* Alexandra Hui, ''[http://gen.lib.rus.ec/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', The MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0] | * Alexandra Hui, ''[http://gen.lib.rus.ec/book/index.php?md5=f2a214b0320f9f8efb650775a121d047 The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910]'', The MIT Press, 2012. [http://mitpress.mit.edu/books/psychophysical-ear-0] | ||
* Jussi Parikka, ''[http://gen.lib.rus.ec/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012. | * Jussi Parikka, ''[http://gen.lib.rus.ec/book/index.php?md5=2f2a3190395185b7caa41459989dedf3 What is Media Archaeology?]'', Polity, 2012. | ||
* John Tresch, ''[http://gen.lib.rus.ec/book/index.php?md5=54c307c59d6b2d732f2c88d60399b601 The Romantic Machine: Utopian Science and Technology after Napoleon]'', University of Chicago Press, 2012. [http://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html] | * John Tresch, ''[http://gen.lib.rus.ec/book/index.php?md5=54c307c59d6b2d732f2c88d60399b601 The Romantic Machine: Utopian Science and Technology after Napoleon]'', University of Chicago Press, 2012. [http://press.uchicago.edu/ucp/books/book/chicago/R/bo12645421.html] | ||
− | * Jonathan Sterne, ''[http:// | + | * Jonathan Sterne, ''[http://monoskop.multiplace.org/log/?p=6984 MP3: The Meaning of a Format]'', Duke University Press, 2012. |
− | * Wolfgang Ernst, ''[http:// | + | * Wolfgang Ernst, ''[http://monoskop.multiplace.org/log/?p=14030 Digital Memory and the Archive]'', University of Minnesota Press, 2012. |
* Wolfgang Ernst, ''Chronopoetik. Zeitweisen und Zeitgaben technischer Medien'', Berlin: Kadmos, 2013, 428 pp. ISBN 3865991432. [http://d-nb.info/1021565679/04 TOC], [http://www.kulturverlag-kadmos.de/buch/chronopoetik.html]. Review: [http://muse.jhu.edu/journals/german_studies_review/v037/37.2.powell.html Powell] (2014, EN). | * Wolfgang Ernst, ''Chronopoetik. Zeitweisen und Zeitgaben technischer Medien'', Berlin: Kadmos, 2013, 428 pp. ISBN 3865991432. [http://d-nb.info/1021565679/04 TOC], [http://www.kulturverlag-kadmos.de/buch/chronopoetik.html]. Review: [http://muse.jhu.edu/journals/german_studies_review/v037/37.2.powell.html Powell] (2014, EN). | ||
* Shintaro Miyazaki, ''Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Kulturverlag Kadmos, 2013, 281 pp. [http://www.academia.edu/3641556/ Introduction]. {{de}} [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414] | * Shintaro Miyazaki, ''Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte'', Kulturverlag Kadmos, 2013, 281 pp. [http://www.academia.edu/3641556/ Introduction]. {{de}} [http://ssl.einsnull.com/paymate/search.php?vid=5&aid=3414] | ||
* Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press, 2013, 312 pp. [http://rowman.com/ISBN/9781935623106] | * Frode Weium, Tim Boon (eds.), ''Material Culture and Electronic Sound'', Smithsonian Institution Scholarly Press, 2013, 312 pp. [http://rowman.com/ISBN/9781935623106] | ||
* Erkki Huhtamo, ''[http://aaaaarg.fail/ref/750eaec680ab48f8e9642e0c5b21cffb#0.01 Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press, 2013. [http://mitpress.mit.edu/books/illusions-motion] | * Erkki Huhtamo, ''[http://aaaaarg.fail/ref/750eaec680ab48f8e9642e0c5b21cffb#0.01 Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles]'', MIT Press, 2013. [http://mitpress.mit.edu/books/illusions-motion] | ||
− | * Karla Jasso, ''[http:// | + | * Karla Jasso, ''[http://monoskop.multiplace.org/log/?p=12723 Arte-tecnología. Arqueología, dialéctica, mediación]'', México D.F.: self-published, 2013, 329 pp. {{es}} |
− | * Lisa Gitelman, ''[http:// | + | * Lisa Gitelman, ''[http://monoskop.multiplace.org/log/?p=11855 Paper Knowledge: Toward a Media History of Documents]'', Durham: Duke University Press, 2014, 210 pp. |
− | * Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), ''[http:// | + | * Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), ''[http://monoskop.multiplace.org/log/?p=13674 Återkopplingar]'', Lund University, 2014, 416 pp. {{sw}} |
− | * [http:// | + | * [http://monoskop.multiplace.org/log/?tag=media-archeology Publications on media archaeology at Monoskop Log] |
===Journal issues and Special sections=== | ===Journal issues and Special sections=== | ||
Line 162: | Line 162: | ||
===Theses=== | ===Theses=== | ||
− | * Kristoffer Gansing, ''[http:// | + | * Kristoffer Gansing, ''[http://monoskop.multiplace.org/log/?p=8084 Transversal Media Practices: Media Archaeology, Art and Technological Development]'', PhD thesis, Malmö: Malmö University, 2013. |
===Primary references=== | ===Primary references=== | ||
− | * Michel Foucault, [http:// | + | * Michel Foucault, [http://monoskop.multiplace.org/log/?p=8485 ''The Archaeology of Knowledge''], 1969–. |
==Research, Resources== | ==Research, Resources== |
Revision as of 18:14, 25 July 2015
Contents
Institutes
- Media Archaeological Fundus of Humboldt University, Berlin, founded in c2003. Collection supervisor: Wolfgang Ernst, curator: Ines Liszko.
- IMA Institute of Media Archeology, Hainburg, founded in 2005. Head: Elisabeth Schimana.
- Media Archaeology Lab, Boulder, Colorado, founded in 2009. Director: Lori Emerson.
- Preservation, Archaeology, Media Art Lab, Art school of Avignon, France, founded in 2013. Head : Emmanuel Guez.
Educational programs
- Courses
- Media Archaeology course (with Dead Media Archive wiki), Dept of Media, Culture, and Communication, NYU, led by Alexander R. Galloway, Spring (syllabus) and Fall 2010.
- Media Technology and Exploration course by Nicole Starosielski, Winter 2011.
- Pojmy z teorie a dějin médií II course by Lucie Česálková, Masaryk University, Brno, Spring 2012.
- Urban Media Archaeology course by Shannon Mattern, Fall 2012.
- Gebhard Sengmüller's lectures on media archaeology, UFG Linz.
- Medienarchäologie seminar by Claus Pias, Leuphana, 2012/2013.
- Media Archaeology and Media Poetics course by Lori Emerson, U Colorado, Boulder, Spring 2014.
Events
- Excavating the Future - An Archeology and Future of Moving Pictures symposium, Prague, 2-5 December 2001. Initiated by Jaroslav Anděl, collaboration: Miloš Vojtěchovský, Michael de la Fontaine, Michael Bielický.
- An Archaeology of Imaginary Media, mini-festival, De Balie, Amsterdam, 5-8 February 2004. Initiated by Eric Kluitenberg. Publication.
- Variantology: On Deep Time Relations of the Arts, Sciences and Technologies workshops, Cologne/Berlin/Naples, 2005-2011. Initiated by Siegfried Zielinski. Publications.
- Götter und Schriften rund ums Mittelmeer: Symposion in memoriam Friedrich Kittler, ZKM Karlsruhe, 19-20 October 2012.
- Network Archaeology conference, Miami University, 19-21 April 2012. Convened by Cris Cheek and Nicole Starosielski. Publication.
- Forum on the Genealogy of MediaThinking, University of the Arts Berlin, October 2012-June 2013. Facilitated by Siegfried Zielinski.
- Lichtklangphonogramm exhibition, Ethnological Museum in Berlin, 13 March-26 May 2013.
- Only Connect Festival of Sound: Machine Dreams, Oslo, 5-8 June 2013.
- Media Archaeology & Technological Debris, postgraduate workshop and conference, Goldsmiths, University of London, 20-21 June 2013. Organised by Stefania Charitou, Gabriel Menotti, and Corey Kai Nelson Schultz.
- Media Archeologies Institute lecture series, Film, Video, New Media, Animation department, School of the Art Institute of Chicago, October-November 2013. [1]
Artists, Theorists
- Zoe Beloff
- John M. Bowers
- Lucie Česálková
- Paul DeMarinis
- Bernhard Dotzler
- Timothy Druckrey
- Tomáš Dvořák
- Lori Emerson
- Wolfgang Ernst
- Lisa Gitelman
- Michael Goddard
- Erkki Huhtamo
- Alexandra Hui
- Francis Hunger
- IMA Institute of Media Archeology
- Gunnar Iversen
- Jonathan Kemp
- Friedrich Kittler
- Aleksander Kolkowski
- Markus Krajewski
- Julia Kursell
- Petra Löffler
- Patrik Lundell
- Irene Lusztig
- Thor Magnusson
- Bonnie Mak
- Shannon Mattern
- Media Archaeology Lab
- Shintaro Miyazaki
- Alberto Novello
- Jussi Parikka
- Lisa Parks
- Miklós Peternák
- Claus Pias
- Georgii Pocheptsov
- Joost Rekveld
- Axel Roch
- Wolfgang Schäffner
- Gebhard Sengmüller
- Bernhard Siegert
- Pelle Snickars
- Nicole Starosielski
- Jonathan Sterne
- Kateřina Svatoňová
- Tjebbe van Tijen
- John Tresch
- Pasi Väliaho
- Cornelia Vismann
- Thomas Weynants
- Siegfried Zielinski
Bibliography
Monographs
- Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (French)
- Friedrich A. Kittler, Aufschreibesysteme 1800/1900, Munich: Fink, 1985. 2nd edition, Munich, 1987. (German) Reviews: Franz Futterknecht, Robert C. Holub.
- Discourse Networks 1800 / 1900, trans. Michael Metteer with Chris Cullens, Stanford University Press, 1990. Foreword by David E. Wellbery, "Post-Hermeneutic Criticism".
- Mediefilosofi, trans. Knut Ove Eliassen, Oslo: Cappelen akademisk, 2009, 234 pp. (Norwegian) Contents. Review. [2]
- Nedskrivningssystem 1800 · 1900, trans. Tommy Andersson, Göteborg: Glänta, 2012, 656 pp. (Swedish) Introduction. [3] [4]
- Friedrich A. Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986. (German) Foreword.
- Gramophone Film Typewriter, trans. Geoffrey Winthrop-Young and Michael Wutz, Stanford University Press, 1999. Preface first appeared in October, trans. Dorothea von Mücke with Philippe L. Similon, Vol. 41 (Summer 1987), pp 101-118; reprinted in Literature, Media, Information Systems: Essays, ed. John Johnston, Amsterdam, 1997, pp 28-49. [5]. Review: Bruce Clarke
- "Gramofon, film, psací stroj", Teorie vědy, trans. Silvia Vedrödiová, No. 2, Vol. 11, pp 33-55. Translation of the Introduction. Reprinted in Kapitoly z dějin a teorie umění, ed. Tomáš Dvořák, 2010, pp 51-68. (Czech)
- グラモフォン・フィルム・タイプライター, trans. 石光 泰夫 and 石光 輝子, 筑摩書房, 1999, 455 pp。ちくま学芸文庫版、2006, 331 pp. (Japanese)
- Siegfried Zielinski, Zur Geschichte des Videorecorders, Berlin: Wissenschaftsverlag Volker Spiess, 1986. New edition, Potsdam: Polzer Media Group, 2010. (German) [6]
- Carolyn Marvin, When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century, New York and Oxford: Oxford University Press, 1988.
- Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (German)
- Audiovisions: Cinema and Television as Entr’actes in History, Amsterdam University Press, 1999.
- 2003 in a Hungarian edition.
- Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Tiamat, 1989, 153 pp. (German)
- Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
- Bernhard Siegert, Relais: Geschicke der Literatur als Epoche der Post, 1751-1913, Berlin: Brinkmann & Bose, 1993. (German)
- Relays: Literature as an Epoch of the Postal System, trans. Kevin Repp, Stanford University Press, 1999, 340 pp.
- Ellen Lupton, Mechanical Brides: Women and Machines from Home to Office, Princeton Architectural Press, 1993.
- Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
- Terry Castle, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny, Oxford University Press, 1995.
- Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
- Rachel P. Maines, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, Baltimore: Johns Hopkins University Press, 1999.
- Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, Stanford University Press, 1999, 282 pp. [7]
- Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (German)
- Files: Law and Media Technology, Stanford University Press, 2008.
- Donald F McLean, Restoring Baird's Image, Institution of Electrical Engineers, 2000, 295 pp. [8]
- Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television, Duke University Press, 2000, 272 pp. Chapter 1, Extract (pp 110-118).
- Stephen Graham, Simon Marvin (eds.), Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition, New York: Routledge, 2001.
- Markus Krajewski, ZettelWirtschaft, Berlin: Kulturverlag Kadmos, 2002. (German) Review, Review.
- Paper Machines: About Cards & Catalogs, 1548-1929, MIT Press, 2011.
- Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, Verso, 2002. Chapter 1, Chapter 2.
- P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.
- Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [9]
- Friedrich Kittler, Optische Medien / Berliner Vorlesung 1999, Berlin: Merve, 2002.
- Optical Media. Berlin Lectures 1999, trans. Anthony Enns, Polity, 2009.
- Siegfried Zielinski, Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Reinbek: Rowohlt Taschenbuch, 2002. Contents, Introduction. (German)
- Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means, intro. Timothy Druckrey, trans. Gloria Custance, MIT Press, 2006.
- Lisa Gitelman, Geoffrey B. Pingree (eds.), New Media, 1740-1915, MIT Press, 2003.
- Wolfgang Ernst, Medienwissen(schaft), zeitkritisch. Ein Programm aus der Sophienstraße. Antrittsvorlesung v. 21. Oktober 2003, Berlin: Humboldt University, 2004, 31 pp. (German)
- Wolfgang Lefèvre (ed.), Picturing Machines 1400-1700, MIT Press, 2004.
- Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [10] [11]
- Lisa Parks, Cultures in Orbit: Satellites and the Televisual, Durham: Duke University Press, 2005.
- Siegfried Zielinski, Silvia M. Wagnermaier (eds.), Variantology – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2005.
- Charles R. Acland (ed.), Residual Media, University of Minnesota Press, 2006. Chapter 2.
- Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. [12]
- Pierre Levie, Montreurs et Vues d' Optique, Editions Sofidoc, 2006. (French)
- Timothy C. Campbell, Wireless Writing in the Age of Marconi, University of Minnesota Press, 2006.
- Lisa Gitelman, Always Already New: Media, History, and the Data of Culture, MIT Press, 2006.
- Bernhard J. Dotzler, Diskurs und Medium. Zur Archäologie der Computerkultur, Munich: Fink, 2006, 233 pp. (German)
- Siegfried Zielinski, David Link (eds.), Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2006.
- James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [13]
- Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. Chapters by Eric Kluitenberg and Erkki Huhtamo. [14]
- Wolfgang Ernst, Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kulturverlag Kadmos, 2007. (German) Contents. Review.
- Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [16]
- José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
- Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, University of Alabama Press, 2007.
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere, Cologne: Verlag der Buchhandlung König, 2008.
- Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. (German) [17]
- Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [18]
- Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [19]
- Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. (German)/(English) [20]
- Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
- Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
- Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
- Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. (French) [21]
- Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), Mediernas kulturhistoria, Stockholm: Mediehistoriskt arkiv, 2009. (Swedish) [22]
- Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), 1897 – Mediehistorier kring Stockholmsutställningen, Stockholm: Mediehistoriskt arkiv, 2009. (Swedish) [23]
- Jonas Harvard, Patrik Lundell (eds.), 1800-talets mediesystem, Stockholm: Mediehistoriskt arkiv, 2010. (Swedish) [24]
- Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), The Story of Storage I. Kompendium, Stockholm: Mediehistoriskt arkiv, 2010. (Swedish) [25]
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 4 – On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, Cologne: Verlag der Buchhandlung Walther König, 2010.
- Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [26] [27]
- Jussi Parikka, Insect Media: An Archaeology of Animals and Technology, University of Minnesota Press, 2010.
- Pasi Väliaho, Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900, Amsterdam University Press, 2010.
- Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, University of California Press, 2011. [28]
- Paul DeMarinis, Buried in Noise, Kehrer, 2011. (German)/(English) [29]
- Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 5: Neapolitan Affairs, Cologne: Verlag der Buchhandlung König, 2011.
- Florian Cramer, Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Munich: Wilhelm Fink, 2011. (German)
- Johan Jarlbrink, Patrik Lundell (eds.), Från pressarkivet 1800-1899. En källsamling, Stockholm: Mediehistoriskt arkiv, 2012. (Swedish) [30]
- Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910, The MIT Press, 2012. [31]
- Jussi Parikka, What is Media Archaeology?, Polity, 2012.
- John Tresch, The Romantic Machine: Utopian Science and Technology after Napoleon, University of Chicago Press, 2012. [32]
- Jonathan Sterne, MP3: The Meaning of a Format, Duke University Press, 2012.
- Wolfgang Ernst, Digital Memory and the Archive, University of Minnesota Press, 2012.
- Wolfgang Ernst, Chronopoetik. Zeitweisen und Zeitgaben technischer Medien, Berlin: Kadmos, 2013, 428 pp. ISBN 3865991432. TOC, [33]. Review: Powell (2014, EN).
- Shintaro Miyazaki, Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Kulturverlag Kadmos, 2013, 281 pp. Introduction. (German) [34]
- Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press, 2013, 312 pp. [35]
- Erkki Huhtamo, Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles, MIT Press, 2013. [36]
- Karla Jasso, Arte-tecnología. Arqueología, dialéctica, mediación, México D.F.: self-published, 2013, 329 pp. (Spanish)
- Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham: Duke University Press, 2014, 210 pp.
- Marie Cronqvist, Patrik Lundell, Pelle Snickars (eds.), Återkopplingar, Lund University, 2014, 416 pp. (Swedish)
- Publications on media archaeology at Monoskop Log
Journal issues and Special sections
- Grey Room, No. 43 (Spring 2011), Special issue: "Audio/Visual". [37]
- Amodern, No. 2 (2013), Special Issue: "Network Archaeology".
Book chapters, Papers, Articles
- Erkki Huhtamo, "From Kaleidoscomaniac to Cybernerd: Towards an Archeology of the Media", Leonardo, 3, 1997, pp 221-224.
- Wolfgang Ernst, "Medienarchäologie. Eine Provokation der Kommunikationsgeschichte", in Habbo Knoch, Daniel Morat (eds.), Kommunikation als Beobachtung. Medienwandel und Gesellschaftsbilder 1880–1960, Munich: Fink 2003, pp 37–56. (German)
- Thomas Elsaesser, "The New Film History as Media Archaeology", Cinémas, Vol. 14, No. 2-3, 2004, pp 75-117.
- Wolfgang Ernst, "Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines", Art History 28, November 2005, pp 582-603.
- Shannon Mattern, "From Post Offices to Radiograms: Local Primary Resources on Urban Media History", Words In Space blog, 20 July 2010.
- Garnet Hertz, Jussi Parikka, "Zombie Media: Circuit Bending Media Archaeology into an Art Method", Leonardo, 2012.
- Shannon Mattern, "Infrastructural Tourism", Words in Space blog, 20 July 2012.
- Petra Löffler, "Towards a new media archaeology? A report on some books and tendencies", NECSUS / European Journal of Media Studies 1 (Spring 2012).
- Bonnie Mak, "Archaeology of a Digitization", Journal of the American Society for Information Science and Technology, 2013.
- Sanne Krogh Groth, "Provoking, disturbing, hacking: Media archaeology as a framework to the understanding of contemporary DIY composers’ instruments and ideas", Organised Sound 18:3 (December 2013), pp 266-273. [38] [39]
- Morten Riis, "The Media Archaeological Repairman", Organised Sound 18:3 (December 2013), pp 255-265. [40]
- Georgii Pocheptsov (Георгий Почепцов), "Lozh Odisseya, kotoruyu otkryla novaya nauka media-archeologiya. Vvedenie v novuyu nauku: vlast obrazov nad syuzhetami" [Ложь Одиссея, которую открыла новая наука медиа-археология. Введение в новую науку: власть образов над сюжетами], Gefter, 11 Mar 2015. (Russian)
- more, more
Theses
- Kristoffer Gansing, Transversal Media Practices: Media Archaeology, Art and Technological Development, PhD thesis, Malmö: Malmö University, 2013.
Primary references
- Michel Foucault, The Archaeology of Knowledge, 1969–.
Research, Resources
- Bundled, Buried & Behind Closed Doors, documentary film by Ben Mendelsohn and Alex Chohlas-Wood, 2011.
- Early Visual Media, A Historical Window to Early Vintage Visual Media Archaeology, maintained by Thomas Weynants.
- First Sounds, an initiative founded by Patrick Feaster, David Giovannoni, Richard Martin, and Meagan Hennessey.
- The Cylinder Archive, cylinder phonograph recordings. Maintained by Norman Bruderhofer.
- René Rondeau's Antique Phonograph, Fan, and Photography Site
- Media Archaeology of Place, a project initiated by a collaborative course at Harvard University, Fall 2010.
- Maryland Institute for Technology in the Humanities' Vintage Computers, dir. Matthew Kirschenbaum.
- Institute for Algorhythmics, an ongoing research project investigating the algorhythmic structures in contemporary culture. Started in 2008 by Shintaro Miyazaki.
- Gebhard Sengmüller's links collection
- Renesys presentations and reports
See also
- REDIRECT Template:Studies