Post-internet art

Name

• Post Internet
• Post-Internet
• Can also be applied to music, architecture, fashion, culture, civic design, education and other arenas

Origin

• Marisa Olson is credited with coining the term in 2008, though it was vaguely in use before, along with surrounding similar terms like "network aware", "wifi-based" and "post-digital".

Descriptions and Definitions

• Artworks, artists and art practices that are inherently internet conscious, internet infused and/or internet-cultural.

• Sometimes these artists are actively participating in physical presentations which are not usually internet-enabled or necessarily production or object focused. Art shows become a "temporary performance of materials" according to artist Kai (Kari) Altmann, with the support of online experiences and media. These shows will be documented and put back online, where they will continue to evolve. In this way the offline experiences become single "nodes" in a network of experiences and contexts. Artist Brad Troemel calls these situations "dual sites". Artist Hito Steyerl refers to this in her definition of "circulationism". Artist Artie Vierkant describes it in his "Image Object" essay.

• Artists exploring the new meanings of both cultural production and physical production along with different types of image-making, cultural access, circulation, platform politics, codes and mobility in the internet-adapted era.

• Artists exploring the intercultural and intersectional realities of life, social scenes and work which are now blended with the internet, meaning social media, memes, algorithms, mobility, various supply chains, AI and a massive overflow of "content".

• Critic Gene Mchugh describes Post Internet as art living in online ecosystems and cultures which is adapting to art institutions and the art world, while also forcing art institutions and the art world to adapt to it.

• Some curators and writers define Post Internet as related more to cameras, smartphones, laptops and social media, than to the more code-focused history of Internet Art. Many Post Internet artists are interdisciplinary and work in highly connected supply chains and social scenes.

• Many Post Internet artists also work in music, film/video, photography and writing in addition to their interdisciplinary art practice. Some also work in 3D, coding, graphics and art direction, as well as performative stages.

• Many Post Internet artists maintain highly active personal websites and social media feeds, along with releases on online host platforms.

• Many Post Internet artists are also working in genres like Futurisms, New Materialisms, Post-Western, Offsite Art, Dual Site Art, Post-Conceptual, Post-Institution, New World and more.

Artists & Creators

• Fatima Al Qadiri (US-KT)
• Monira Al Qadiri (DE-KT)
• Kai (Kari) Altmann aka Hitashya (US-IN)
• Korakrit Arunanondchai (US-TH)
• Cory Arcangel (US)
• Maya Arulpragasam aka MIA (UK-SL)
• Tianzhuo Chen aka Asian Dope Boys (CH-DE)
• Iain Ball (UK)
• BFFA3AE, Daniel Chew, Micaela Durand, Matt Gafney (US)
• Juliette Bonneviot (FR-DE)
• Claire Boucher aka Grimes (CAN-US)
• Charles Broskoski (US)
• Cargo Club
• Ian Cheng (US)
• Joshua Citarella (US-DE)
• Petra Cortright (US)
• Simon Denny (NZ-DE)
• Constant Dullaart (NL-DE)
• Aleksandra Domanović (SR-SL-AT-DE)
• Harm van den Dorpel (NL)
• Cyril Duval aka Item Idem (FR-TW)
• Alexandra Drewchin aka Eartheater (US)
• Lizzie Fitch (US)
• GCC (KT-QR-DE-US)
• Matteo Giordano (IT-DE)
• Alex Gjovic (US)
• Holly Herndon (US-DE)
• Lars Holdhus aka TCF (DE)
• Yngve Holen (DE)
• Joey Holder (UK)
• Donna Huanca aka Rua Minx (DE)
• Juliana Huxtable (US)
• Emily Jones (UK)
• Daniel Keller (DE)
• Keller & Kosmas aka AIDS-3D, Daniel Keller, Nik Kosmas (US-DE)
• K-Hole (US)
• Oliver Laric (AT-DE)
• Daniel Leyva aka Word of Command (US)
• Sara Manara aka DJ Manara (UK)
• Asma Maroof aka Ma Nguzu (US-SW)
• Ashland Mines aka Total Freedom (US)
• Brenna Murphy (US)
• N.A.A.F.I. (Alberto Bustamante a.k.a. Mexican Jihad and Fausto Bahía a.k.a. Tomás Davo) (MX)
• Sadaf H Nava aka Sadaf (US)
• Katja Novitskova (EE-NL)
• Marisa Olson (US)
• Norman Orro aka Music For Your Plants (ES-NL)
• Pakui Hardware (DE)
• Aude Pariset (FR-DE)
• Yuri Pattison (UK)
• Michael Quattlebaum aka Mykki Blanco (US)
• Johannes Paul Raether aka JP Raether (DE)
• Jon Rafman (CA)
• Alejandra Ghersi Rodriguez aka Arca (US-SP)
• Aaron David Ross aka ADR (US)
• R-U-In?S, Kai (Kari) Altmann, Iain Ball, Sebastian Moyano, Emily Jones, Matteo Giordano, Sam Hancocks, Nick Lalla and others (US-UK-IT-AR-AU)
• Borna Sammak (US)
• Timur Si-Qin (DE)
• Pascual Sisto (SP-US)
• Jazmin Venus Soto aka Venus X (US-DR)
• Jasper Spicero (US)
• Hito Steyerl (DE)
• Martine Syms (US)
• Ryan Trecartin (US)
• Brad Troemel (US)
• Wu Tsang (US-DE)
• Anna Uddenburg (DE)
• Amalia Ulman (AR-UK-US)
• Artie Vierkant (US)
• Anne de Vries (NL-DE)
• James Whipple aka M.E.S.H. (DE)
• Guan Xiao (CH)
• Julian Wadsworth aka Lil Internet (US-DE)
• Helga Wretman (DE)
• Damon Zucconi (US)

Curators, Writers and Theorists

• Karen Archey
• Roxane Bovet
• Melanie Bühler
• Harry Burke
• Michael Connor
• Lauren Cornell
• Raffael Dörig
• Jacob Gaboury
• Francesca Gavin
• Taliesin Gilkes-Bower
• Ed Halter
• Lindsay Howard
• Karl-Magnus Johannson
• Omar Kholeif
• Cadence Kinsey
• Keehnan Konyha
• Whitney Mallett
• Gene McHugh
• Ceci Moss
• Robin Peckham
• Laurel Ptak
• Domenico Quaranta
• Silvia Saitoc
• Matei Samihaian
• Nadim Samman
• Ruth Saxelby
• Ben Vickers
• Ellen Wagner

Events

Exhibitions & catalogues

• 

  Free, 2010, HTML.

• 

  Art Post-Internet, 2014, Log.

• 

  Surround Audience, 2015.

Selected group exhibitions featuring works of three or more artists.

2008

• Netmares/Netdreams, Current Gallery, Baltimore, 2008. Works by Kai (Kari) Altmann, Mark Brown, Petra Cortright, Harm Van den Dorpel, Ben Fino-Radin, Martijn Hendrik, Daniel Keller & Nik Kosmas (AIDS-3D), Guthrie Lonergan, Sara Manara, Pascual Sisto, James Whipple, Damon Zucconi. Curated by Kai (Kari) Altmann and Mark Brown. "Online and international show platform's second release, this time in a physical gallery." Writeup by Ed Halter for Rhizome.

2009

• In Real Life, Capricious Space, New York, 7-28 Mar 2009. Works by: Art Fag City, ASDF, Club Internet, Ffffound, The Highlights, Humble Arts Foundation, I Heart Photograph, Loshadka, Netmares/Netdreams, Platform For Pedagogy, Private Circulation, UbuWeb, VVORK, Why + Wherefore. Curated by Laurel Ptak. "An exhibition that invites innovative and independent online art initiatives to each come do a 4-hour residency inside the space of a gallery—attempting to explore how the distribution, production, analysis, and consumption of culture are rapidly evolving in an online context. In particular the exhibition aims to render the labor of these online practices transparent, providing 'real life' access to these cultural producers, and overall inspiring public dialogue around their practices."

• Image Search, P·P·O·W, New York City, 25 Jun-31 Jul 2009. Works by 13 artists: Aids-3D, Colleen Asper, Aleksandra Domanovic, Christoph Draeger, Daniel Everett, Oliver Laric, Jason Lazarus, Abigail Lloyd, Lucky Dragons, Jill Magid, James Shaeffer, Suzanne Treister, Conrad Ventur. Curated by Jamie Sterns. "Presents the work of artists who use the internet as the primary source for reference and research in their image-making process."

2010

• Surfing Club, Plug.in, Basel, 26 Mar-30 May 2010; Espace Multimédia Gantner, Bourogne, 9 May-3 Jul 2010. Works by Aids-3D, John Michael Boling, Petra Cortright, Aleksandra Domanovic, Harm van den Dorpel, Joel Holmberg, Oliver Laric, Marisa Olson, Guthrie Lonergan, Paul Slocum & Nasty Nets, Spirit Surfers, Loshadka. Curated by Raffael Dörig. "Works by a new generation of artists working with and within the internet." Booklet. Video report.

• Multiplex by VVORK, Peer to Space, Munich, 22 Apr 2010. Works by Paul Chan, Michael Bell-Smith, Timur Si-Qin, Agnieszka Polska, Guthrie Lonergan, Rafael Rozendaal, Constant Dullaart, Charles Broskoski, Joel Holmberg, Kai (Kari) Altmann, Hayley Silverman, Petra Cortright, Anouk Kruithof, Harm van den Dorpel, Michael Aschauer, Carla Edwards, Damon Zucconi, Laura Brothers, Ken Seeno, Eve Essex, Chris Collins, Matthieu Clainchard, Alex Delany, Brock Davis, Billy Rennekamp, Dena Yago, Jason Lee, Annika Larsson, Manuel Gorkiewicz, Will Rockel. Curated by VVORK.COM.

• Full Operational Toolbox & Index of Potential, M21, Athens, 14-30 May 2010. Works by: Otto von Busch, Forms of Melancholy curated by Chris Coy, Aleksandra Domanovic, Seth Price, Let’s Remake, Dexter Sinister, Damon Zucconi. Index of Potential (printed matter) works by: R-U-In?S and many more. Curated by Kernel, Petros Moris, Pegy Zali and Theodoros Giannakis. "Full/Operational/Toolbox looked at a set of contemporary art practices that negotiate the artwork as a hybrid object, as a flow of multiple manifestations and possibilities, involving processes of (re)production that point towards an alternative economy of creativity." [1]

• Catch & Release, Darsa Comfort, Zurich, 9-26 Jun 2010. Works by Kai (Kari) Altmann, Iain Ball, Till Forrer, Yannic Joray. Curated by Darsa Comfort, Lorenzo Bernet, Fredi Fischli and Carmen Tobler. Objects in the show were shipped, displayed on screens, or obtained as readymades by the curators, examining supply chains and the art of critical staging and context (including online context) as production. The readymade objects were "released" back into the world as normal consumer goods when the show was complete.

• Troll, Envoy Enterprises, 131 Chrystie, New York, 1-15 Jul 2010. Works by Jacob Meehan, Brad Troemel, Kai (Kari) Altmann, Andrew Laumann, Michael Magnan, Patrick Dyer, Dylan Reece, Chris Udemezue, Scott Hug, Ben Schumacher, Cody Critcheloe, Chris Bogia, Matt Lifson, Jarrod Beck, Elijah Burgher, Daniel Leyva, Lazaro Rodriguez, Ben Aqua, Da Sul Kim, Travess Smalley, Mark Spalding, Kristin Smallwood, Ivan Lozano, Khalid Al Gharaballi, Shawn Maximo, Borna Sammak, Fatima Al Qadiri, Jason Villegas, Paul Cupo, Venus Jazmin Soto, Adam Radokovich and Anthony Thornton. Curated by Keehnan Konyha and Jacob Gaboury. "TROLL is a group exhibition to examine the act of trolling as a sexual, cultural, and ethical practice. To troll is to sift through image and text, filtering and re-contextualizing subject-significant objects; it is a baiting and malicious comment made behind the anonymity of the Web, soliciting argument for the purpose of producing breakdown and chaos; it is a sexual practice, to cruise for sex, to seek partners anonymous or otherwise." Featured Kai (Kari) Altmann's "Hhellblauu", a performative printout of an online project made on request for the show.

• Exhibition One, Chrystal Gallery & Gentili Apri, Berlin, 6-7 Oct 2010. Works by Kai (Kari) Altmann, Charles Broskoski, Lindsay Lawson, Billy Rennekamp, Maxwell Simmer, Harm Van Den Dorpel. Curated by Timur Si-Qin. "Extracting a parallel instance of the work as a three-dimensional representation of geometric data, Exhibition One offers an opportunity to present an alternate framework that posits the questions: Where does an artwork stop and its documentation begin? What is the function of a prospective image that is decisively not-a-model?" [2]

• R-U-In?S Catalogue #002: Unboxing, Online, 2010. Participants in Catalogue #002 include Hydrothermal Emerald (Emily Jones), TRAWLR (Lorenzo Bernet & Yannic Joray), X2MX and Sony HD (Matteo Giordano), Visual Aids (Sam Morgan), ProductLaneEvol (Iain Ball), Central Unit, Econimish (Nick Lalla), Survival Tips and Expo 2020 (Katja Novitskova), Dis Magazine, KERNEL, Darsa Comfort, Kai (Kari) Altmann and many more. Curated and Edited by Kai (Kari) Altmann. "The website aimed to catalogue and represent the identities, tropes, and memes from the current phase of R-U-In?S with a bit more organization and online flexibility. It also catalogued the shows and editorial activities of the project."

• Free, New Museum, New York City, 20 Oct 2010-23 Jan 2011. Works by 22 artists: Liz Deschenes, Aleksandra Domanovic, Lizzie Fitch, Martijn Hendriks, Joel Holmberg, David Horvitz, Lars Laumann, Andrea Longacre-White, Kristin Lucas, Jill Magid, Takeshi Murata, Hanne Mugaas, Rashaad Newsome, Lisa Oppenheim, Trevor Paglen, Seth Price, Ryan Trecartin and David Karp, Jon Rafman, Clunie Reid, Amanda Ross-Ho, Alexandre Singh, Harm van den Dorpel. Curated by Lauren Cornell. "“Free” explores how the internet has fundamentally changed our landscape of information and our notion of public space. ... The artist Seth Price's essay “Dispersion” serves as touchstone for this exhibition." Interview with curator (Hyperallergic). Review: Rosenberg (NYT). [3] [4]

• BYOB Berlin, Bureau Friederich Project Studio, Berlin, 10 July 2010. Works by: AIDS-3D, Alexandra Domanovic, Andreas Angelidakis, Andrew Keaton, Angelo Plessas, Anne de Vries, Billy Rennekamp, Constant Dullaart, Dafna Maimon, Darri Lorenzen, Emile Zile, Hayley Silverman, Helga Wretman, Jaime Whipple, Juliette Bonneviot, Kai (Kari) Altmann, Katja Novitskova, Kinga Kielczynska, Lindsay Lawson, Mike Ruiz, Oliver Laric, Rafaël Rozendaal, Spiros Hadjidjanos, Timur Si-Qin, Voin de Voin, Wojciech Kosma. Curated by Anne De Vries and Rafael Rozendaal.

• BYOB NYC, Spencer Brownstone Gallery, 12 Nov 2010. Works by: Agnes Bolt, Artie Vierkant, Billy Rennekamp, Britta Thie, Brian Close, Calla Henkel & Max Pitegoff, Charles Broskoski, Damon Zucconi, Duncan Malashock, Daniel Chew, Dena Yago, Hayley Silverman, Jeremy Bailey, Jesse England, Joel Holmberg, John Michael Boling, Joyce Jordan, Kai (Kari) Altmann, Krist Wood, Mai Ueda, Marlous Borm, Michelle Ceja, Mike Ruiz, Rene Abythe, Riley Harmon, Ryder Ripps, Sarah Weis & Arturo Cubacub, Tom Moody, Travess Smalley, Travis Hallenbeck, Wojciech Kosma. Curated by Rafael Rozendaal.

• An Immaterial Survey of Our Peers, Sullivan Galleries, Art Institute of Chicago, Online, 2010. Works by AIDS-3D, Kai (Kari) Altmann, Jon Rafman, Travess Smalley, Ben Schumacher, Hermonie Only, among many others. Curated by The Jogging, Brad Troemel, Lauren Christiansen.

2011

• Post Internet Survival Guide, Future Gallery/Gentili Apri, Berlin, 28 Jan-6 Feb 2011. Works by Lorenzo Bernet & Yannic Joray, Sam Hammocks, Martin Kohout, Oliver Laric, Gene McHugh, Christian Oldham, Aude Pariset, Tabor Robak, Timur Si-Qin, Micah Shippa, Kate Steciew, Damon Zucconi. Curated by Katja Novitskova and Michael Ruiz. [5] [6]

• Stone Sky Over Thingworld, Bitforms Gallery, New York City, 2 Jun-29 Jul 2011. Works by Michelle Ceja, Brenna Murphy, Jon Rafman, Artie Vierkant. Curated by Claudia Hart. "The relatedness of style and discourse [of these artists] emerges from ... their educations, the function of the Internet as a system of distribution and communication, – and ultimately, their shared attitudes and digital strategies."

• R-U-In?S Underground Economies, Atelier 35, Bucharest, 10 Jun 2011. Works by Kai (Kari) Altmann, Iain Ball, Matteo Giordano, Sam Hancocks and Sebastian Moyano. Curated by Kai (Kari) Altmann, Matei Samihaian and Silvia Saitoc. "Images and objects pulled into a communal blackmarket of critical attitudes."

• Land Art For A New Generation, Showroom MAMA, Rotterdam, 18 Jun-7 Aug 2011. Works by Aram Bartholl, Artie Vierkant, Coralie Vogelaar & Teun Castelein, Dennis de Bel, Jeremy Wood, JODI, Juliette Bonneviot, Kai (Kari) Altmann, Constant Dullaart. "The starting point for the project is the fact that the analog and digital are now so closely interwoven. ... The exhibition centers on a generation of artists dealing with themes such as (digital) decay and the continuous processing of vast amounts of information. They all share an interest in the creation of new databases at the interface of the physical object and immaterial digital culture."

• Grouped Show, Tanya Leighton Gallery, Berlin, 16 Jul-20 Aug 2011. Works by Nicolas Ceccaldi, Aleksandra Domanovic, Yngve Holen, Keller/Kosmas, Oliver Laric, Marlie Mul, Timur Si-Qin. Selected by Robert O. Fitzpatrick. "The artists have worked together to place their work atop of, directly aside, or obtrusively in front of one another. ... These 'object hybrids' confront how the status quo methodology for curating group exhibitions (via fixed positions in physical display) is confronted by near-instantaneous peer-to-peer sharing of image, text, media and knowledge content between artists." Reviews: McGarry (Artforum), Sanchez (Artforum).

• Rat Piss Virus Give It To Me, Yautepec Gallery, Mexico City, 21 Jul-20 Aug 2011. Works by Justin Bochek, Rachel De Joode, Dosha Devastation, Cédric Fargues, Radamés "Juni" Figueroa, Parker Ito, Jeffrey Joyal, Martin Kohout, Duncan Malashock, Carlos Laszlo, Ilia Ovechkin, Artie Vierkant. Curated by Gerardo Contreras.

• New Jpegs, Johan Berggren Gallery, Malmö, 23 Jul-20 Aug 2011. Works by Chris Coy, Parker Ito, Jon Rafman, Ben Schumacher, Artie Vierkant. Curated by Parker Ito. "For this generation [of image-makers] traditional boundaries between object, action, and documentation has fully dissolved, leading to a set of working methods that can be seen as truly post-medium. ... The works exist equally as objects in gallery space and images in circulation." [7] [8]

• Collect the WWWorld: The Artist as Archivist in the Internet Age, Spazio Contemporanea, Brescia, 24 Sep-15 Oct 2011. Works by Alterazioni Video, Kai (Kari) Altmann, Cory Arcangel, Gazira Babeli, Kevin Bewersdorf, Luca Bolognesi, Natalie Bookchin, Petra Cortright, Aleksandra Domanovic, Harm van den Dorpel, Constant Dullaart, Hans-Peter Feldmann, Elisa Giardina Papa, Travis Hallenbeck, Jodi, Oliver Laric, Olia Lialina & Dragan Espenshied, Guthrie Lonergan, Eva and Franco Mattes, Seth Price, Jon Rafman, Claudia Rossini, Evan Roth, Travess Smalley, Ryan Trecartin. Curated by Domenico Quaranta. "Collect the WWWorld sets out to demonstrate how the Internet generation is implementing and developing a practice started in the Sixties by Conceptual Art, and further developed in subsequent decades in the forms of Appropriation Art and postproduction..." Catalogue with essays and additional text by Domenico Quaranta, Josephine Bosma, Joanne McNeil and Gene McHugh.

• The Greater Cloud, NIMk, Amsterdam, 10 Dec 2011-5 Feb 2012. Works by Marjolijn Dijkman, Martijn Hendriks, David Horvitz, Marisa Olson, Jon Rafman, Alexandre Singh, Ryan Trecartin, Artie Vierkant, Lance Wakeling, Pablo Larios, Pamela Rozenkranz. Curated by Petra Heck, Aleksandra Domanovic, Oliver Laric, and Katja Novitskova. "A show in which the Internet as a platform, medium or subject matter functions as a source of inspiration for artists and influences their artistic practice." Review: Dekker (NL).

• R-U-In?S for K48, PPOW Gallery, New York, 2011. Videos from Iain Ball, Sam Hancocks, Emily Jones, Matteo Giordano and Kai (Kari) Altmann. Compiled and Curated by Kai (Kari) Altmann, Invited by Scott Hug and K48.

2012

• Collect the WWWorld: The Artist As Archivist in the Internet Age, House for Electronic Arts, Basel, 9 Mar-20 May 2012. Works by Alterazioni Video, Kai (Kari) Altmann, Kevin Bewersdorf, Luca Bolognesi, Adam Cruces, Aleksandra Domanovic, Harm van den Dorpel, Constant Dullaart, Hans-Peter Feldmann, Elisa Giardina Papa, Travis Hallenbeck, Admir Jahic & Comenius Röthlisberger, Jodi, Olia Lialina & Dragan Espenschied, Guthrie Lonergan, Eva and Franco Mattes, Alexandra Navratil, Seth Price, Jon Rafman, Claudia Rossini, Evan Roth, Travess Smalley, Ryan Trecartin. Curated by Domenico Quaranta. Catalogue with essays and additional text by Domenico Quaranta, Josephine Bosma, Joanne McNeil and Gene McHugh.

• Motion, Seventeen Gallery, London, 17 May-23 June, 2012. Works by Kai (Kari) Altmann, Merce Cunningham, Harm van den Dorpel, Michael Guidetti, Oliver Laric, Mark Leckey, Sean Raspet, Emanuel Rossetti, Hito Steyerl, Artie Vierkant. Curated by Ceci Moss and Tim Steer. "The object that exists in motion spans different points, relations and existences but always remains the same thing. Like the digital file, the bootlegged copy, the icon, or Capital it reproduces, travels and accelerates, constantly negotiating the different supports that enable its movement."

• Image Object, Foxy Production, New York City, 1 Jun-20 Jul 2012. Works by Andrea Longacre-White, Travess Smalley, Kate Steciw, Artie Vierkant. "The exhibition considers the relationship between images and objects in the age of digital media. ... With visual content transposed and modified across digital platforms, notions of what an artwork can be are in flux, not unlike the way personal identities are shape-shifting across social networks."

• Remainder, Hillary Crisp, London, 14 Jun-14 Jul 2012. Works by Neïl Beloufa, Steve Bishop, Sofia Hultén, Iman Issa, Toril Johannessen, Luke Stettner, Artie Vierkant. Curated by Alex Ross. [9]

• Net Narrative, Carlos/Ishikawa, London, 13 Sep-20 Oct 2012. Works by Iain Ball, Ed Fornieles, Marlie Mul, Katja Novitskova, Ben Vickers, Holly White, Artie Vierkant. Curated by Harry Burke. Publication.

• Collect the WWWorld: The Artist as Archivist in the Internet Age, 319 Scholes, New York, 18 Oct-24 Nov 2012. Works by Alterazioni Video, Kai (Kari) Altmann, Gazira Babeli, Kevin Bewersdorf, Aleksandra Domanovic, Constant Dullaart, Elisa Giardina Papa, Travis Hallenbeck, Jason Huff, Jodi, Olia Lialina & Dragan Espenschied, Eva and Franco Mattes, Oliver Laric, Jon Rafman, Ryder Ripps, Evan Roth, Ryan Trecartin, Brad Troemel, Penelope Umbrico, Clement Valla. Curated by Domenico Quaranta and Link. Catalogue with essays and additional text by Domenico Quaranta, Josephine Bosma, Joanne McNeil and Gene McHugh.

• Style is the Tailor, American Medium, New York, 26-28 Nov, 2012. Works by Kai (Kari) Altmann, Benjamin Phelan, Borna Sammak, Travess Smalley. Curated by Josh Pavlacky and Daniel Wallace.

• Biennial of Young Artists, Bucharest, 2012. Program Curated by Lea Rasovksy, Matei Samihaian and Silvia Saitoc. Works by: Kai (Kari) Altmann & Fatima Al Qadiri, Damon Zucconi, Aleksandra Domanovic, Jason Huff, Kim Asendorf, Jacob Engblom & Mitch Trale, Mihai Bulf, BTS Collective, Miron Ghiu, Dennis Knopf, Bogdan Macoviciuc, Chriss Timms, Andrew Norman Wilson. "In trying to make sense of the current conditions of art production and of the formal aspects embedded in the different mediums that aid this production, we've devised the concept of OddPoetics as a way to engulf the separate practices that deal with the preconditions or the source code of cultural artifacts."

2013

• Nothing to See Here, Swiss Institute, Milan, 30 May-12 July, 2013. Multifold exhibition, video screening and talks including program for Wired NextFest 2013. Works by: Keller / Kosmas (Aids 3D), Alden Volney, Sabrina Ratté / Boxcutter, Aleksandra Domanović, John Michael Boling & Javier Morales, Paul Slocum, Oliver Laric, Kai (Kari) Altmann, Harm van den Dorpel, Guthrie Lonergan, Beni Bischof, Marisa Olson / Tanlines, Körner Union / Larytta, Goldin + Senneby / Hinrich Sachs / Ethidium Gould & Jochen Schmith, Patrick Ward, Adam Cruces, Enrico Boccioletti, etc. Curated by Domenico Quaranta, Valentina Tanni, Raffael Dorig. "The global diffusion of computers and the Internet, that supplied a vast number of users with the access to tools to produce and distribute images, has triggered a real explosion of creativity at every level. A multiform and undefined visual universe is the result..." "a group of young artists of international provenance that confront themselves, at aesthetic and conceptual level, with the cultures of the web..."

• Open Shape 1, 2 and 3, 2013. Works by Juliette Bonneviot, Filip Olszewski + Dylan Abel, Yngve Holen, Ilya Smirnov, Kai (Kari) Altmann, Timur Si-Qin, Iain Ball, Alex Dolan, Bunny Rogers, Lenox Twins, Bea Fremderman, Kareem Lotfy, Katja Novitskova, Matthew Johnston & Max Werner, Jasper Spicero. Curated by Jasper Spicero.

• Troping: The Jailbreak Gesture I, Online 2013. Works by: Samin Son, Jasper Spicero, Aude Pariset, Kai (Kari) Altmann. Curated by Kai (Kari) Altmann. "The Jailbreak Gesture explores the vital nature of language inside extreme systemic limitations."

• #FutureMyth, 319 Scholes, New York 18 Apr-5 May 2013. Works by: Kai (Kari) Altmann, Matthew Arkell, Iain Ball, Enrico Boccioletti, Manuel Bürger, Sterling Crispin, Claire L. Evans, Ryan Whittier Hale, Erin Henry, Emily Jones, Taylor Kuffner, Paul Laffoley, Kareem Lotfy, Jonas Lund + Sebastian Schmieg, Einar Öberg, Rafaël Rozendaal, Jasper Spicero, Tanner Family, and Clement Valla + Erik Berglin. Curated by Daniel Leyva and Christina Latina.

• Yoga Center, Titanik Gallery, Turku, 22-25 Aug 2013. Part of Antagon. Works by: Kai (Kari) Altmann + Garden Club, Maja Cule, Essi Kausalainen, Brenna Murphy, Jaakko Pallasvuo, Renaissance Man. Curated by Daniel Iinatti, Ida Lehtonen & Pontus Westerberg.

• Neuromast: Certainty, Uncertainty and Contemporary Art, Franklin Street Works, Stamford, 12 Dec 2013-23 Feb 2014. Works by: Kai (Kari) Altmann, Christian Bök and Micah Lexier, Ingrid Burrington, Kaye Cain-Nielsen, Mircea Cantor, hint.fm, David Horvitz, Brian House and Jason Rabie, Juliana Huxtable, Thilde Jensen, Carolyn Lazard, M. M. Mantua, Preemptive Media, Robert Spahr, Elizabeth Stephens and Annie Sprinkle’s Sexecology collaboration, and The Waterwhispers Ilse. Curated by Taliesin Gilkes-Bower and Terri C Smith. "several shared themes arose among the thirty-one works, including: how culture and gender contribute to constructing identity; the dynamic between an individual’s health and the medical industry, commerce, or the natural environment; and the collection and distribution of digital information as it relates to business, personal security, and persona."

2014

• Material Images, Johannes Vogt Gallery, New York, 6 Mar-4 April, 2014. Works by Kai (Kari) Altmann, Trudy Benson, Petra Cortright, Franklin Evans, Lauren Luloff, Michael Manning, Jessica Sanders, Kate Steciw, Rebecca Ward, Jeff Zilm. Curated by Nate Hitchcock. "The show aims to investigate how the fact that images are no longer what they seem is expressed in current art-making."

• Art Post-Internet, Ullens Center for Contemporary Art, Beijing, 1 Mar-11 May 2014. Works by Aids-3D, Kai (Kari) Altmann, Cory Arcangel, Alisa Baremboym, Bernadette Corporation, Dara Birnbaum, Juliette Bonneviot, Nicolas Ceccaldi, Tyler Coburn, Petra Cortright, Simon Denny, Aleksandra Domanović, Harm van den Dorpel, Ed Fornieles, Calla Henkel and Max Pitegoff, Joel Holmberg, GCC, Josh Kline, Oliver Laric, LuckyPDF, Tobias Madison and Emanuel Rossetti, Marlie Mul, Katja Novitskova, Marisa Olson, Jaakko Pallasvuo, Aude Pariset, Seth Price, Jon Rafman, Jon Rafman and Rosa Aiello, Rachel Reupke, Bunny Rogers, Hannah Sawtell, Ben Schumacher, Timur Si-Qin, Hito Steyerl, Artie Vierkant, Lance Wakeling, Andrew Norman Wilson, Jordan Wolfson. Curated by Karen Archey and Robin Peckham. Catalogue. Booklet. Video presentation. Reviews: Folks (AQNB), Nastasijevic (Widewalls).

• Brands--Concept/Affect/Modularity, Salts Center, Basel, 6 Apr-21 May 2014. Works by Kai (Kari) Altmann, Florian Auer, David Jablonowski, Pierre Lumineau, Metahaven, Pamela Rosenkranz, Anne de Vries. Curated by Melanie Bühler.

• Megarave, Kunsthaus Langenthal, Langenthal, 28 Aug-16 Nov 2014. Works by Kai (Kari) Altmann, Alan Bogana, Adam Cruces, Aleksandra Domanović, Constant Dullaart, etoy.CORPORATION, Nicolas Fernandez, Daniel Keller, Olia Lialina / Dragan Espenschied, Vince Mckelvie, Lorna Mills, MSHR, Lauris Paulus, Nicolas Sassoon, Station Rose, Rudolf Steiner, Jan Vorisek, Hannah Weinberger, Giselle Zatonyl & X‑Mix, Rave Flyers, THEswissTHING / Barbara Strebel. Curated by Raffael Dörig.

• Traucum, Parc Saint Léger, Pougues-les-Eaux, 13 Sep-17 Oct 2014. Works by Xavier Antin, Kévin Bray, Erik Bünger, Ann Craven, Aleksandra Domanović, Jennifer Fréville, Dominique Gilliot, Jémérie Gindre, Jack Goldstein, Alexis Guillier, William E. Jones, Michael Jones McKean, Mark Leckey, Christophe Lemaitre & Aurélien Mole, Marc-Antoine Mathieu, Louise Hervé & Chloé Maillet, Ceel Mogami de Haas, Maya Palma, Aude Pariset, Pierre Paulin, Elodie Pong, Jon Rafman, Manon Recordon, Sébastien Rémy, Soraya Rhofir, Rita Sobral Campos, Pacôme Thiellement, Stephen Willats. Curated by Céline Poulin. Catalogue. Review: Luquet-Gad (02).

• Private Settings: Art After the Internet, Museum of Modern Art, Warsaw, 25 Sep 2014-4 Jan 2015. Works by Sarah Abu Abdallah and Joey L. DeFrancesco, Korakrit Arunanondchai, Ed Atkins, Trisha Baga and Jessie Stead, Darja Bajagic, Nicolas Ceccaldi, Jennifer Chan, CUSS Group, Czosnek Studio, Jesse Darling, DIS, Harm van den Dorpel, Loretta Fahrenholz, Daniel Keller, Ada Karczmarczyk, Jason Loebs, Piotr Łakomy, Metahaven, Takeshi Murata, Yuri Pattison, Hannah Perry, Jon Rafman, Bunny Rogers, Pamela Rosenkranz, Gregor Różański, Ryan Trecartin, Ned Vena. Curated by Natalia Sielewicz. [10]

• Hike, Hack / Hic et Nunc, XPO, Paris, 9 Oct-26 Nov 2014. Works by Pierre Clément, Guillaume Collignon, Manuel Fernandez, Hunter Jonakin, Jill Magid, Paul Souviron, Penelope Umbrico, Clement Valla, Kevin Zucker. Curated by Non Printing Character (Alexis Jakubowicz and Jean-Brice Moutout). Review: Nechvatal (Artillery Mag).

• Extinction Marathon, Serpentine Gallery, London, 18-19 Oct 2014. Extinct.ly portion featuring works and new commissions by Kai (Kari) Altmann, Ed Atkins, Kev Bewersdorf, David Blandy, Benjamin Bratton, Keller Easterling, Femke Herregraven, Folder (Marco Ferrari, Elisa Pasqual, Pietro Leoni, Delfino Sisto Legnani, Alessandro Mason), Emily Jones, Maurizio Lazzarato, Lisa Ma, Alex Mackin Dolan, Timothy Morton, Julian Olivier, Tobias Revell, Ubermorgen, Michael Wang, Liam Young, Anna Zett. Curated by Ben Vickers, Curator of Digital. Extinction Marathon curated by Hans Ulrich Obrist.

• Realflow I, The White Building, London, 2014. Performances by Emily Jones, Nkisi, Hitashya (Kai Altmann). Curated by Kai (Kari) Altmann. "Realflow invites artists to work in a live one-night event context, to perform their work in an in-person way, be it through readings, presentations, dj sets, music, or other actions."

2015

• Les Oracles, XPO, Paris, 12 Feb-4 Apr 2015. Works by Julieta Aranda, Juliette Bonneviot, Caroline Delieutraz, Aleksandra Domanovic, Jeanette Hayes, Kristin Lucas, Brenna Murphy, Katja Novitskova, Katie Torn, Saya Woolfalk. Curated by Marisa Olson. "The ten artists either respond directly to classic science fiction works or more broadly explore the iconography and pop cultural mythologies they convey and inhabit." Catalogue. Interview with curator (DIS).

• Surround Audience: New Museum Triennial, New Museum, New York City, 25 Feb-24 May 2015. Works by 51 artists: Nadim Abbas, Lawrence Abu Hamdan, niv Acosta, Njideka Akunyili Crosby, Sophia Al-Maria, Ketuta Alexi-Meskhishvili, Ed Atkins, Olga Balema, Frank Benson, Sascha Braunig, Antoine Catala, Aslı Çavuşoğlu, José León Cerrillo, Onejoon CHE, Tania Pérez Córdova, Verena Dengler, DIS, Aleksandra Domanović, Casey Jane Ellison, Exterritory, Geumhyung Jeong, Ane Graff, Guan Xiao, Shadi Habib Allah, Eloise Hawser, Lena Henke, Lisa Holzer, Juliana Huxtable, Renaud Jerez, K-HOLE, Shreyas Karle, Kiluanji Kia Henda, Josh Kline, Eva Koťátková, Donna Kukama, Firenze Lai, Oliver Laric, Li Liao, Rachel Lord, Basim Magdy, Nicholas Mangan, Ashland Mines, Shelly Nadashi, Eduardo Navarro, Steve Roggenbuck, Avery K. Singer, Daniel Steegmann Mangrané, Martine Syms, Lisa Tan, Luke Willis Thompson, Peter Wächtler. Curated by Lauren Cornell and Ryan Trecartin. Reviews: Pulitzer (Artforum), Weiner (Art Agenda), Gilbert (Bomb), Viveros-Fauné (Village Voice), Wilson (Daily Serving), Scott (New Yorker), Wolin (TimeOut NY), Hendricks (Huffpost). Video report, Photographs.

• Concentrations 59: Mirror Stage—Visualizing the Self After the Internet, Dallas Museum of Art, Dallas, 10 Apr-6 Dec 2015. Series of solo shows by Ed Atkins, Trisha Baga, Antoine Catala, Aleksandra Domanović, Jon Rafman, Jacolby Satterwhite, Hito Steyerl, Ryan Trecartin. Curated by Gabriel Ritter. "Examines the changing understanding and representation of the self via digital technology and the Internet." Booklet.

• Generation Smart, NTK Gallery, Prague, 13 May-13 Jun 2015. Works by Kryštof Ambrůz, Filip Dvořák, Jakub Geltner, Katarína Hládeková, Ondřej Homola, Martin Kohout, Martin Kolarov, Adéla Korbičková, David Krňanský, Ladislav Kyllar, Martin Lukáč, Kristýna Lutzová, Black Media, Andrea Mikysková, Richard Nikl, Olbram Pavlíček, Julius Reichel, The Rodina, Lucie Rosenfeldová, Barbora Švehláková, Ladislav Tejml, Nik Timková. Curated by David Kořínek a Milan Mikuláštík. Review: Jindrová (A2).

• Inflected Objects #1: Abstraction - Rising Automated Reasoning, Istituto Svizzero, Milan, 15 May-13 Jun 2015. Works by Philippe Decrauzat, Harm van den Dorpel, Katharina Fengler, Femke Herregraven, Lars Holdhus, Pierre Lumineau, Jenna Sutela and Sophie Jung. Curated by Melanie Bühler and Valerio Mannucci. Photos.

• Return of the Object & The Disorder of Things, Kvalitář Gallery, Prague, 11 Sep-6 Nov 2015. Works by Annabelle Arlie, Iain Ball, Delong, Constant Dullaart, Tereza Fišerová – Evžen Šimera, Martin Kohout, Martin Kolarov – Filip Dvořák, Kristýna Lutzová, Štěpán Marko, Richard Nikl – Jan Brož, Nik Timková – Jakub Hošek, Magdaléna Vojteková, Ted Whitaker. Curated by Václav Janoščík.

• Ocean of Images: New Photography 2015`, Museum of Modern Art, New York, 7 Nov 2015-20 Mar 2016. Works by 19 artists and collectives from 14 countries: Ilit Azoulay, Zbyněk Baladrán, Lucas Blalock, Edson Chagas, Natalie Czech, DIS, Katharina Gaenssler, David Hartt, Mishka Henner, David Horvitz, John Houck, Yuki Kimura, Anouk Kruithof, Basim Magdy, Katja Novitskova, Marina Pinsky, Lele Saveri, Indrė Šerpytytė, Lieko Shiga. Organised by Quentin Bajac, Roxana Marcoci, and Lucy Gallun. "Probing the effects of an image-based post-Internet reality, the exhibition examines various ways of experiencing the world: through images that are born digitally, made with scanners or lenses in the studio or the real world, presented as still or moving pictures, distributed as zines, morphed into three-dimensional objects, or remixed online. Its title refers to the Internet as a vortex of images, a site of piracy, and a system of networks." Reviews: NYT, Woodward (WSJ], Wolukau-Wanambwa (Aperture). Interview with curator. [11]

2016

• Electronic Superhighway (2016-1966): From Experiments in Art and Technology to Art After the Internet, Whitechapel Gallery, London, 29 Jan-15 May 2016. Curated by Omar Kholeif. Reviews: Fuller (Mute), Meixnerová (Iluminace, CZ).

• 9th Berlin Biennale for Contemporary Art: The Present in Drag, Kunstwerke and other venues in Berlin, 4 Jun-8 Sep 2016. Works by ca 50 artists. Curated by DIS (Lauren Boyle, Solomon Chase, Marco Roso, David Toro). Reviews: Perlson (Artnet), Edmonson (Art Agenda), Langham (Aqnb), Archey (Frieze), Farago (Guardian), Casavecchia (Mousse), Petersson (Kunstkritikk), Plinta (Szum), Čech (Artalk), Elderton (Flash Art), Duncan (Apollo), Forbes (Artsy), Batycka (Hyperallergic),Vaughan (Artfagcity), Lukáčová (Artalk), Maier-Rothe (Ibraaz), Heddaya (Art Newspaper), Salemy (Ocula), Bisello (CFA), Kleinmichel (CAS), Öğüt (e-flux), Pinto (WDW), Franke (Metropolis M), Shental (Colta, RU).

• Geologos Space, Komplot, Brussels and Online, 8 Sept-8 Oct 2016. Works by: Kai (Kari) Altmann, Iain Ball, Enrico Boccioletti, Holly Childs, Claire L. Evans, Stefanie Hessler, Joey Holder, Yuri Pattison, Nadim Samman, Manuel Scheiwiller, Viktor Timofeev, Elvia Wilk. Curated by Blunt x Skensved. Installation Shots. Also included as hanging lightbox installation in Hybrid Layers.

2017

• Held Together With Water, Le Commun and Other Venues, Geneva, 2017. Works by: Kai (Kari) Altmann, Art & Language, Mathieu Arbez-Hermoso, Sacha Béraud, Erik Boulatov, Roxane Bovet, Nicolas Brulhart, Dayna Casey, Mathieu Copeland, Cuss Group, Anne-Laure Franchette, Gilles Furtwängler, Charlotte Laubard, Anders Karlsson, Elise Lammer, Jonas Lund, Sébastien Mennet, Nastasia Meyrat, Yoan Mudry, NONu, Camilla Paolino, Civic Paths, Steve Roggenbuck, Tiziana Terranova, Lawrence Weiner, Arnaud Wohlhauser, Emilia Yang. Curated by Roxane Bovet. "By associating the tools, experiments, and ethics of early conceptual artists, with those of the participative web’s new knowledge communities, Held Together With Water attempts to link together similar developments from different times in history. This exhibition tries to stand aside from the generational acceptation of a new aesthetic; from the hashtag “post-Internet” and from its global interpretation."

• Ars17: Hello World! Art After the Internet, Museum of Contemporary Art Kiasma, Helsinki, 31 Mar 2017-14 Jan 2018.

• Archéonauts, Galerie Charlot, Paris, 27 Apr-4 Jun 2017. Curated by Valentina Peri. Review: Nechvatal (Hyperallergic).

• Hybrid Layers, ZKM, Karlsruhe, June 2017-Jan 2018. Works by: Kai (Kari) Altmann, Iain Ball, Enrico Boccioletti, Holly Childs, Claire L. Evans, Stefanie Hessler, Joey Holder, Yuri Pattison, Nadim Samman, Manuel Scheiwiller, Viktor Timofeev, Elvia Wilk, Sophia Al Maria, Auto Italia South East, Glass Bead, Ricardo Benassi, Blunt x Skensved, Aleksandra Domanovic, Ed Fornieles, Guan Xiao, Yngve Holen & Aedrhlsomrs Othryutupt Lauecehrofn, Rachel de Joode, Delia Jürgens, Daniel Keller, La Plage, Lawrence Lek, Metaphysics (Beteiligte KünstlerInnen: Eddie Peake, Florian Meisenberg, Anne de Vries, Rubén Grilo, Jack Strange und Anna K.E.; produziert von: Philip Hausmeier), Katja Novitsokva, Tabita Rezaire, Unknown Fields, Anne de Vries, Yu Honglei. Curated by Giulia Bini, Sabiha Keyif, Daria Mille, and Philipp Ziegler.

2018

• I Was Raised on the Internet, Museum of Contemporary Art, Chicago, 23 Jun-14 Oct 2018. Online section. Media. Reviews: Kelly (WSJ), Morris (Art Newspaper).

2019

• Get Well Soon, Kunsthaus Nürnberg, 7 Dec 2019-1 March 2020. Works by AIDS-3D (Keller & Kosmas), Kai (Kari) Altmann, Llyn Folkes and Stanya Kahn, Daniel Kiss, Linda Weiß, Benjamin Zuber. Curated by Ellen Wagner. "Works are collected together that deal with the recuperation of the human body as well as others forming a bridge to the healing of the ecosystem or society as a whole."

2023

• Poetics of Encryption, KW Institute for Contemporary Art, Berlin, 2023-2024. Curated by Nadim Samman.

Discussions

• Immaterial Dispersal, Guild Art Gallery, New York, 7 Mar 2010. Speakers: Kai (Kari) Altmann, Lance Wakeling, Gene McHugh, Brad Troemel. Curated by Nik Pence. [12]

• Ways Beyond the Internet, panel discussion, DLD (Digital Life Design) conference, Munich, 23 Jan 2012. Moderated by Hans Ulrich Obrist, speakers: Ed Fornieles, Nik Kosmas, Karen Archey, Jon Nash, Oliver Laric, Cory Arcangel, Rafael Rozendaal. Video documentation. Archey's diary of events.

• A New Aesthetic?, Hirshhorn Museum, Washington DC, 12 Oct 2012. Curated and moderated by Melanie Bühler, speakers: Kai (Kari) Altmann, David M. Berry, Adam Cruces, James Ferraro, Bea Fremderman, Katja Kwastek, Pierre Lumineau, Daniel Pinkas. Supported by The Goethe Institute.

• Vital Content, Union Docs, New York, 21 Oct 2012. Screening and discussion. Speakers: Kai (Kari) Altmann, Nick Lalla, Jacob Gaboury. Moderated by Jacob Gaboury.

• On Releasing, Distributing and Exhibiting Art Online, Art Basel Auditorium Hall 1, Basel, 15 Jun 2013. Speakers: Aleksandra Domanović, Oliver Laric, Domenico Quaranta, Ben Vickers. Moderated by Melanie Bühler and Fabian Schöenich in collaboration with Kunsthalle Basel.

• Nothing to See Here, ISR, Milan, 18 June 2013. Speakers: Valentina Tanni, Domenico Quaranta, Raffael Dörig, Adam Cruces, Enrico Boccioletti. Curated by Valentina Tanni and Domenico Quaranta.

• Post-Net Aesthetics, Institute of Contemporary Arts, London, 17 Oct 2013. Moderated by Karen Archey, speakers: Harm van den Dorpel, Rozsa Farkas, Ben Vickers, Josephine Berry Slater. Video documentation.

• Seven on Seven 2014, New Museum, New York, May 2014. Speakers: Kate Crawford, Holly Herndon, Kate Ray, Aza Raskin, Kai (Kari) Altmann, Hannah Sawtell, Avi Flombaum, Simon Denny, Nick Bilton, Jen Fong-Adwent, Ian Cheng, Frances Stark, David Kravitz, Anil Dash, Kevin McCoy. Curated and Moderated by Michael Connor. Kevin McCoy and Anil Dash created a prototype of NFT. Video. Kai (Kari) Altmann and Aza Raskin created a "Cultural AI" art tool. Video.

• Circulationism, Van Abbemuseum, June 2014. Speakers: Josephine Bosma, Metahaven, David Riff and Hito Steyerl.

• Já bych ty postinternety zakázala, panel discussion, Veletržní palác, Prague, 28 May 2014. Organised by KIV Gallery, moderated by Martina Poliačková and Lumír Nikl, speakers: Martin Kohout, Richard Nikl, Palo Fabuš, David Kořínek. Review: Stejskalová (A2larm).

• Curator's Intensive Talk: Robin Peckham, Tracing the Post Internet, 4A Center for Contemporary Asian Art, Sydney. 10 July 2014. Speaker: Robin Peckham.

• Structures and Textures: Materiality, Kunstforeningen GL STRAND, Copenhagen, 3 Sept 2014. Speakers: Ana Teixeira Pinto, Mette Ramsgard Thomsen, Dan Stockholm, Timur Si-Qin. Moderated by Melanie Bühler and Toke Lykkeberg.

• Structures and Textures: The Status of the Object, Sinne, Helsinki, 9 Sept 2014. Speakers: Jenna Sutela, Cecile B. Evans, Lily Diaz, Marcus Steinweg. Moderated by Melanie Bühler.

• Society: Image Excess, Unseen Photo Festival, Living Room, Amsterdam, 21 Sept 2014. Speakers: Jörg Heiser, Katja Novitskova, Kate Steciw, Hito Steyerl. Moderated by Melanie Bühler and Marceil Feil.

• Do You Follow? Art In Circulation, Institute of Contemporary Arts, London, 15-17 Oct 2014. Speakers: Kai (Kari) Altmann, Alex Bacon, Hannah Black, Michael Connor, Constant Dullaart, Renzo Martens, Monira Al Qadiri (GCC), Derica Shields, Takeshi Shiomitsu, Martine Syms, Christopher Kulendran Thomas and Amalia Ulman. Moderated and Curated by Michael Connor. Part of Frieze London ICA Offsite 2014.

• Post Internet Art Practices, MOMA, New York, October 22 2014. Speakers: Karen Archey, Lauren Cornell, Lev Manovich, Artie Vierkant. Part of MOMA: Forums on Contemporary Photography.

• Life: Representation, Visibility Online and the Self, Foam, Amsterdam, 30 Nov 2014. Speakers: Amalia Ulman, William Popelier, Kathrin Peters, Geert Lovink. Moderated by Melanie Bühler and Marcel Feil.

• "Attention Ecology: Biological Metaphors in Post Internet Art" by Saelan Twerdy, Concordia AHGSA Conference: Constellations, Clusters, Networks, March 7, 2015.

• Lunch Bytes Conference, Haus der Kulturen der Welt, Berlin, 20-21 Mar 2015. Speakers: Victoria Camblin, Carson Chan, Maeve Connolly, Jesse Darling, Diedrich Diedrichsen, Stephan Dillemuth, Constant Dullaart, Cecile B. Evans, Kristoffer Gansing, Melissa Gronlund, David Joselit, Ilja Karilampi, Paul Kneale, Maria Lind, Toke Lykkeberg, Katrina Sluis, Cornelia Solifrank, Kerstin Stakemeier, Hito Steyerl, Jenna Sutela, Christopher Kulendran Thomas, Ben Vickers, Elvia Wilk. Curated by Melanie Bühler. Video documentation of closing panel discussion.

• Blame it on the Algorithm, Rijksakademie, Amsterdam, 4 April 2015. Speakers: Kai (Kari) Altmann, David Wightman, Dr. Bettina Speckman. Curated by Kai (Kari) Altmann, Rijksakademie and Melanie Bühler. Moderated by Melanie Bühler.

• Post-Internet & Lunch Bytes: Labels, Categories and Catchphrases, Witte de With, Rotterdam, May 23 2015. Part of The Internetional Conference. Moderated and Curated by Melanie Bühler.

• Walled Gardens: Art After the Internet, MAMA, Rotterdam, May 22-23 2015. Part of the Internetional Conference. Speaker: Cadence Kinsey.

• No Internet, No Art, book launch and presentation, Swiss Institute, New York, 14 Jul 2015. Speakers: Kai (Kari) Altmann, Melanie Bühler.

• On Hype-Cycles, Post-Internet and How the Digital Became Fashionable, Hirshhorn Museum and Sculpture Garden, Sept 2 2015. Speakers: Karen Archey, Adam Cruces, Vivian Trammer. Moderated and Curated by Melanie Bühler.

• Institutionalizing the Digital, Goethe-Institut London, Oct 16, 2015. Speakers: Lauren Boyle, Cecile B. Evans, Zachary Kaplan, Susanne Pfeffer. Curated by Melanie Bühler. Moderated by Filipa Ramos.

• The Technological Future and Art, Metropolis M at Art Rotterdam, Feb 13, 2016. Speakers: Florian Cramer, Orit Gaat, Jonas Lund, Martijn Hendriks and Femke Herregraven. Moderated by Melanie Bühler.

• R-U-In?S: Survival, Peer Networks and Niche Evolution in Art After the Internet by Cadence Kinsey, Networked Images, Basel, October 2016.

• Juliana Huxtable’s Networked Body by Antje Krause-Wahl, Networked Images, Basel, October 2016.

• Freeportism as Style and Ideology?, E-Flux, New York, 2016. Speakers: Kai (Kari) Altmann, Julieta Aranda, Hayal Pozanti, Brad Troemel. Moderated by Julieta Aranda.

• Post-Internet Art: Understanding the New Art Movement, Sydney Contemporary, 2016.

• Meta Images, Le Commun, Geneva, 2017. Speaker: Kai (Kari) Altmann, Roxane Bovet. Invited by Roxane Bovet and Yoann Mudry as part of Held Together With Water vernissage.

• Post Internet Cities International Conference, MAAT Museum of Art, Architecture and Technology, Lisbon, 2017. Speakers: Helena Barranha, Pedro Gadanho, Morten Søndergaard, Alice Bucknell, IOCOSE Collective, Andrea L . Baldini, Stephanie Cedeño, Godiva Veliganilao Reisenbichler, Salvatore Iaconesi, and Marisa Olson.

• Ways Beyond the Post-Internet, iMAL, Brussels, 20 Apr 2018. Moderated by Josephine Bosma, speakers: Yves Bernard, Peter Beyls, Constant Dullaart, Valérie Hasson-Benillouche, Hampus Lindwall, Fabio Paris, Domenico Quaranta, and Carlo Zanni.

• From Net Art to Post-Internet, Hosted by Thomas Erben Gallery and Caesura Magazine, July 14 2022. Speakers: Kerry Doran, Christiane Paul, Elle Burchill, and Andrea Monti. Moderated by Caesura’s David Faes and Patrick Zapien.

Publications

See also catalogues above.

Books

R-U-In?S Catalogue #001, Edited by Kai (Kari) Altmann, 2010.

Post Internet Survival Guide 2010, Edited by Katja Novitskova, 2011.

Post Internet, Gene Mchugh, 2011, PDF, Log.

You Are Here: Art After the Internet, Edited by Omar Kholeif, 2014, PDF.

Mass Effect: Art and the Internet in the Twenty-First Century, Edited by Lauren Cornell and Ed Halter, 2015, PDF.

• Aids-3D (Daniel Keller and Nik Kosmas) (eds.), Free Internet (Printed), XYM.NO, Berlin, 2009. Works by Kai (Kari) Altmann, Cory Arcangel, John Michael Boling, Brody Condon, Petra Cortright, Anne de Vries, Harm Van Den Dorpel, Yngve Holen, Lauris Paulus, Rafael Rozendaal, Dan Sandin, Zoe Weisman, James Whipple.

• Kai (Kari) Altmann (ed.), R-U-In?S Catalogue #001, 2010. Visual content, art and new editorial spreads culled from the R-U-In?S project in 2009-2010. Includes an essay. Works by Kai (Kari) Altmann, Iain Ball, Matteo Giordano, Sebastian Moyano, Emily Jones, Sam Hancocks.

• Keehnan Konyha (ed.), Domain, 2010. Curated for the NY Art Book Fair at MOMA PS1, New York, hosted by Printed Matter, 2010.

• Brad Troemel, Peer Pressure: Essays on the Internet by an Artist on the Internet, Link Editions, 2011.

• Katja Novitskova (ed.), Post Internet Survival Guide 2010, Berlin: Revolver, 2011, 272 pp. Editor, Worldcat. Works by AIDS-3D, Aaron Graham, Adam Cruces, André Carlos Lenox & Evan Lenox, Anne de Vries, Artie Vierkant, Brad Troemel (The Jogging), Brian Khek, Constant Dullaart, Chris Coy, Chris Lee, Christian Oldham, Damon Zucconi, Daniel Chew, Emily Jones, Gene McHugh, Iain Ball, Jaakko Pallasvuo, Jack Latham, Jacob Broms Engblom, John Transue, Jon Rafman, Kareem Lotfy, Kai (Kari) Altmann, Kate Steciw, Katja Novitskova, Lauren Brick, Lauren Christiansen, Laurence Punshon, Lorenzo Bernet, Louis Doulas, Martin Kohout, Matei Samihaian, Matteo Giordano, Micah Schippa, Mike Ruiz, Orlando Orellano, Pierre Lumineau, R-U-INS?, Rachael Milton, Sam Hancocks, Sebastian Moyano, Sterling Crispin, Tabor Robak, Timur Si-Qin and Yannic Joray.

• Gene McGugh, Post Internet: Notes on the Internet and Art, Brescia: Link Editions, 2011. Collected posts from the blog 122909a.com, Dec 2009-Sep 2010.

• Domenico Quaranta (ed.), Collect the WWWorld: The Artist as Archivist in the Internet Age, 2011.

• Daniel Chew, Micaela Durand, Matt Gaffney (eds.), BFFA3AE'S Ad Book, New York: Badlands Unlimited and Gloria Maria Gallery, 2013. Publisher.

• Karl-Magnus Johannson, Gluey-C (eds.), Communicating the Archive: Physical Migration, Gothenburg: The Regional State Archives in Gothenburg, 2013, 112 pp. [13]

• Phoebe Adler, Leanne Hayman, Arrate Hidalgo, Dana Saey, Phoebe Stubbs, Nick Warner (eds.), Art and the Internet, London: Black Dog Publishing, 2013.

• Marie Meixnerová (ed.), #mm net art: internetové umění ve virtuálním a fyzickém prostoru prezentace, Olomouc: Pastiche Filmz (PAF Edition), 2014, 232 pp. Anthology. Publisher, [14]. Facebook. (Czech)
  • #mm Net Art: Internet Art in the Virtual and Physical Space of Its Presentation, Brescia: Link Editions, and Olomouc: PAF, 2019, 218 pp. [15]

• Enrico Boccioletti, U+29dc aka Documento Continuo, Lulu, 2014.

• Omar Kholeif (ed.), You Are Here: Art After the Internet, Manchester: Cornerhouse Books, and London: SPACE, Apr 2014, 256 pp, ARG. Publisher, Co-publisher. Reviews: Swift (AQNB), Sumpter (ArtReview), Mutlu (J Curatorial Studies).

• Melanie Bühler (ed.), No Internet, No Art: A Lunch Bytes Anthology, Eindhoven: Onomatopee, Sep 2015, 351+[63] pp; 2nd ed., 2018. Publisher, Editor. [16]. Reviews: Kay (AQNB), Roestenburg (INC).

• Lauren Cornell, Ed Halter (eds.), Mass Effect: Art and the Internet in the Twenty-First Century, MIT Press, Oct 2015, 528 pp. Anthology. Publisher. Review: Galati (Leonardo).

• Nadim Samman (ed.), Rare Earth, Sternberg Press, 2015. Contributions from Iain Ball, Erick Beltrán, Jane Bennett, Benjamin H. Bratton, Revital Cohen & Tuur Van Balen, Erik Davis, John Durham Peters & Paul Feigelfeld, Mircea Eliade, Boris Groys, Marguerite Humeau, Timothy Morton & Emilija Skarnulyte, Boris Ondreička, The Otolith Group, Jussi Parikka, Matteo Pasquinelli, Nadim Samman, Charles Stankievech.

• Parker Kay, A Cube Has Six Sides: The White Cube as Medium, Rome: The Canadian Academy in Rome, and Toronto: Swimmers Group, 2016, 90 pp.

• Domenico Quaranta, AFK. Texts on Artists 2011 - 2016, Link Editions, 2016.

• Melissa Gronlund, Contemporary Art and Digital Culture, Routledge, Dec 2016, 220 pp. Publisher.

• Francesca Gavin, Watch This Space, Antenne Books, 2017, 226 pp. Publisher.

• Ceci Moss, Expanded Internet Art: Twenty First Century Artistic Practice and the Informational Milieu, New York: Bloomsbury, 2019, 160 pp, EPUB. Publisher.

• Michael Connor, Aria Dean, Dragan Espenschied (eds.), The Art Happens Here: Net Art Anthology, forew. Zachary Kaplan, intro. Michael Connor, New York: Rhizome, 2019, 444 pp. Essays by manuel arturo abreu, Josephine Bosma, Megan Driscoll, Ceci Moss, Lila Pagola, Paul Soulellis, Elvia Wilk. TOC. Exhibition. [17] [18]. Reviews: Quaranta (Camera Austria), Weisburg (Brooklyn Rail).

• Loreto Alonso Atienza, Vida en los humedales electrónicos. Arte y prácticas electrónicas, maquínicas, ficcionales e informacionales. (Life in Technological Wetlands. Electronic, machine, fictional and informational art and practices), Instituto Nacional de Bellas Artes y Literatura / Centro Nacional de Investigación, Documentación e Información de Artes Plásticas, Ciudad de Mexico, 2020, 300pp. (Spanish)

• Kevin Tavin, Gila Kolb, Juuso Tervo (eds.), Post-Digital, Post-Internet Art and Education. The Future is All-Over, Palgrave Macmillan, 2021, xxii+308 pp. Publisher.

• Ellen Wagner, Falsche Signale. Strategien der Mimikry in der Post-Internet Art, Zürich: diaphanes, 2021, 328 pp. Publisher. (German)

• Cadence Kinsey, Walled Gardens: Autonomy, Automation and Art After the Internet, Oxford University Press, Nov 2021, 258 pp. Publisher.

• Kyle Parry, A Theory of Assembly: From Museums to Memes, University of Minnesota Press, Jan 2023, 320 pp. Publisher.

• Marlene Wenger, Postdigital Displays: Interior, Brandscape and Interface as Formats of Art Presentation, Heidelberg: arthistoricum.net-ART-Books, Apr 2024, 190 pp. Includes correlating website.

Magazines, journals, blogs, vlogs, podcasts

• VVORK blog, eds. Aleksandra Domanovic, Christoph Priglinger, Georg Schnitzer, and Oliver Laric, Vienna, 2006-12.

• R-U-In?S blog, ed. Kai (Kari) Altmann, New York, 2008-.

• 122909a/Post Internet, ed. Gene McHugh, New York, 2009-2010. Funded by the Andy Warhol Arts Writing Grant 2010.

• Painted, Etc., ed. Ry David Bradley, 2009-2011. Description.

• DIS Magazine, 8 issues, eds. Lauren Boyle, Solomon Chase, Marco Roso, and David Toro, New York, 2010-2014.

• Garden Club blog, ed. Kai (Kari) Altmann, New York, 2011-.

• The Jogging, eds. Brad Troemel, Lauren Christiansen, etc., Chicago and New York, 2011-2014.

• The New Aesthetic blog, ed. James Bridle, London, May 2011-.

• Pool, 2011.

• Compiler: DVD Magazine for art and music 4: "Replay" ed. Raffael Dörig, Otto Publishers, Berlin, 2012. Publisher.

• Zérodeux 70: Pre->Post-Internet, ed. Patrice Joly, Nantes: Association Zoo galerie, Summer 2014. Essay by Benoît Lamy de la Chapelle; interviews with Artie Vierkant, Tobias Madison, features on Ed Atkins, Neïl Beloufa. [19] (French)/(English)

• Elephant 23: "What is Post-Internet Art?", Frame Publishers, Summer 2015. Publisher. [20]

• Kunstforum 242: "Postdigital 1: Allgegenwart und Unsichtbarkeit eines Phänomens", 2016. Publisher. (German)

• Calvert Journal: Post-Internet Art and the New East, Jun 2016.

• Flash Art CZ/SK 42: "Postinternet", ed. Lýdia Pribišová, Prague, Dec 2016-Feb 2017. (Czech),(Slovak)

• XLE.LIFE, ed. Kai (Kari) Altmann, Global, 2018-.

• New Models, eds. Julian Wadsworth, Caroline Busta, Daniel Keller, Berlin, 2018-.

Essays, Articles, Book Chapters

For writing on individual artists, see their respective pages.

• Marisa Olson, "Lost Not Found: The Circulation of Images in Digital Visual Culture" [18 Sep 2008], in Words Without Pictures, ed. Alex Klein, Los Angeles: LACMA, 2009, pp 274-284, HTML, PDF. On surf clubs and film montage.
  • "Perdido, no encontrado: la circulación de imágenes en la cultura visual digital", trans. Paloma Checa-Gismero, in Olson, Arte postinternet, Mérida, MX: Cocom, 2014, pp 9-18. (Spanish)

• Alex Gartenfeld, "At Home Online", Fantom Magazine, Issue 01, Milan and New York, 2009.

• "Ideas of Exhibition Design", GRAPHIC MAG, Seoul, ISSUE 11, pp.62-73, 2009. Featuring In Real Life curated by Laurel Ptak.

• Brian Droitcour, Kai (Kari) Altmann, "Turn On, Tune In, Zoom Out: An Interview with Kari Altmann", Rhizome.org, New York, March 03 2009.

• Domenico Quaranta, "It Isn't Immaterial Stupid! The Unbearable Materiality of the Digital", ArteContexto, 2009. (English)|(Spanish)

• Artie Vierkant, "The Image-Object Post Internet", Jst Chillin' , Dec 2010.
  • "Objekt obrazu po internetu", trans. Martin Micka, Sešit 17, Prague: VVP AVU, 2014, pp 98-119. (Czech)

• Marisa Olson, "Postinternet: Art After the Internet", Foam Magazine 29, Winter 2011, pp 59-63; repr. in Art and the Internet, London: Black Dog, 2013. [21]
  • "Postinternet: arte a partir de internet", trans. Paloma Checa-Gismero, in Olson, Arte postinternet, México: ESAY - Escuela Superior de Arte de Yucatán, 2014, pp 19-29. (Spanish)
  • "Pós-internet: a arte depois da internet", in Museus sem lugar: ensaios, manifestos e diálogos em rede, eds. Helena Barranha, et al., Lisbon: Universidade Nova de Lisboa, 2015, pp 123-136. (Portuguese)

• Kai (Kari) Altmann, "R-U-In?S Catalogue #001 Essay", R-U-In?S Catalogue #001, 2010.

• Matei Samihaian, "R-U-IN?S Underground Economies", Bucharest and Online, 2011.

• Jacob Gaboury, Kai (Kari) Altmann, Sam Hancocks, "R-U-In?S, An Interview with Kari Altmann and Sam Hancocks", Rhizome, April 14, 2011.

• Louis Doulas, "Within Post-Internet Part One", 2011.

• Kai (Kari) Altmann, Katja Novitskova, "R-U-In?S Survival Quiz", Post Internet Survival Guide, 2011.

• Sofia Leiby, "Post-Internet Painting and the Death of Affect", Poool, December 2011.

• Annet Dekker, "Post-Internet Art", Metropolis M, 2011. (Dutch)

• Jennifer Chan, "Stacking and Leaning: The Seduction of The Found in <Postinternet> Contemporary Sculpture", in “Real Things” Rachel de Joode, Dallas, TX: Oliver Francis Gallery, 2012, pp 60-74. [22]

• Kai (Kari) Altmann, "Core Samples Behind the Scenes", Dis Magazine, 2012.

• Charlie Jones, "Grimes is leading a generation of online musicians to the material world. The post-internet pop that Grimes pioneered suggests a world beyond the digital that no-one expected.", Dummy Magazine, London and Online, 22 May 2012.

• Ruth Saxelby, "The Visual Artist at the Centre of the Post Internet Explosion", on Kai (Kari) Altmann, Dummy Magazine, London and Online, 29 Aug 2012.

• Ben Valentine, "Tumblr as Art", Hyperallergic, June 19 2012.

• "Postinternet Art", in Art and the Internet, ed. Phoebe Adler, et al., Black Dog Publishing, London, 2013, pp 116-169. TOC, [23].

• Marisa Olson, Nick Warner, "Symptoms of Connectedness" in Art and the Internet, ed. Phoebe Adler, et al., Black Dog Publishing, London, 2013.

• Kevin McGarry, "Open Up: The Mutating Activities of Dis", Frieze Magazine Issue 154, London, 14 March 2013.

• Michael Connor, "What's Postinternet Got to do with Net Art?", Rhizome, 1 Nov 2013.

• "Beginnings + Ends", Frieze 159, Nov-Dec 2013, pp 125-131, PDF. Video.

• Ceci Moss, "Expanded Internet Art and the Informational Milieu", Rhizome, New York, December 19 2013.

• Ian Wallace, "What is Post-Internet Art? Understanding the Revolutionary New Art Movement", Artspace Magazine, 18 March 2014.

• Ben Luke, "Web Of Intrigue: How has the 'post internet' era changed the contemporary art world?", The Art Newspaper, 1 Jan, 2014.

• Andrew Durbin, "We Don’t Need a Dislike Function: Post-Internet, Social Media, and Net Optimism", Mousse Magazine, 2014.

• Melanie Bühler, "Internet Art Beyond the Internet", in Run Computer Run, ed. Nora O'Murchù, Link Editions, 2014.

• Melanie Bühler, "Art and Digital Technologies. Producing, Distributing and Selling Art When the Digital Has Become Part of Everything", Unseen Magazine, FOAM, 2014.

• Melanie Bühler, "Brand Immersion", in Megarave Metarave, ed. Raffael Dörig, Dijon: Les presses du reel, 2014.

• Benoit Lamy de la Chapelle, "De l'art « post-Internet »" / "On “post-Internet” Art", Zero Deux, 2014. (French)/(English)

• Eva Folks, "Concerning Art Post-Internet", AQNB, 3 Mar 2014.

• Alexander Scrimgeour, Ben Vickers, "Participate don’t dominate: An interview with curator and activist Ben Vickers", Spike Magazine, Issue 39, Spring 2014.

• Domenico Quaranta, "Art and the Internet 1994 - 2014. Notes and Comments", Megarave Metarave Catalogue, 2014.

• Jennifer Chan, "Notes on Post-Internet", in You Are Here: Art After the Internet, 2014.

• Katharina Weinstock, "Re-Arranging the World: Found Objects & the Collection – Pre- and Post-Internet", Curatorial Things Conference, Haus der Kulturen der Welt, Berlin, October 30–November 1 , 2014.

• Brian Droitcour, "The Perils of Post-Internet Art", Art in America, Nov 2014. Based on blog post, "Why I Hate Post-Internet Art", 3 Mar 2014.

• Domenico Quaranta, "#post-internet", Flash Art 305, Mar-Apr 2014, p 28. (Italian)

• Domenico Quaranta, "Art and the Internet 1994-2014: Notes and Comments", in Megarave – Metarave, Lagenthal: Kunsthaus Langenthal – WallRiss, 2014, pp 8-22. [24] (English)
  • "Umění a internet 1994-2014. Poznámky a komentáře k postinternetovému umění", trans. Marta Svobodová, A2 24, Prague, 2014. (Czech)

• "Post-Internet Materialism: Martijn Hendriks & Katja Novitskova", Metropolis M, June 06 2014.

• Sheila Dickinson, "Post Physical: Visual Reactions to the Post Internet Age at SooLocal", Temporary Art Review, July 25 2014.

• Scott Reyburn, "Post-Internet Art Waits Its Turn", New York Times, 26 Sep 2014. [25]

• Dylan Gauthier, "Networked Monumental: Some conditions of working in public — online and IRL.", Hunter College Department of Film and Media Studies, October 2014, 39pp.

• Melissa Gronlund, "From Narcissism to the Dialogic: Identity in Art after the Internet", Afterall 37, Autumn/Winter 2014, pp 4-13.

• Susanne Von Falkenhausen, "Too Much Too Fast: A lament for the work of art in the age of digital circulation", Frieze, Issue 17, November 14 2014.

• Václav Magid, "Aura postinternetového umění. Umělecká kritika masové kultury a zbožní estetiky", A2 24, Prague, 19 Nov 2014. (Czech)

• Václav Magid, "Ozvěny špatného smíchu. Postinternetové umění a kulturní průmysl", Sešit 17, Prague: VVP AVU, 2014, pp 66-96. (Czech)

• Melanie Bühler, "Introduction", No Internet, No Art. A Lunch Bytes Anthology, 2015.

• Richard Grayson, "An Internet of Things: Post Internet Art", Broadsheet Magazine, Vol. 44.1, CACSA, Australia, 2015.

• Jörg Heiser, "Post-Internet Art: The Art of Digital Natives", DeutschlandFunk, January 11 2015.

• IOCOSE (Ruffino P., Cremonesi M., Cuttica F., Prati D.), "Art after failure: an artistic manifesto from the city of Bangalore", Silicon Plateau Vol-1, T.A.J. Residency and SKE Projects, Bangalore: India, 2015.

• Florian Cramer, "Talking Past Each Other. On the word combinatorics of 'post', 'media', 'digital' and 'Internet'", Rotterdam University of Applied Science, 2015.

• Ben Valentine, "Art After Social Media in Cambodia", Rhizome.org, 2015.

• Rasit Mutlu, "Art, Internet, Post-Internet: Between Theory and Practice", University of Westminster, August 2015. English and Turkish.

• Andreas Schlaegel, "Post Internet Art Criticism: The ‘Post-Internet’ concept has entered mainstream consciousness–but does it receive the critique it requires? How does it reflect on the status quo of art criticism today?", Kunstkritikk, 24 Apr 2015.

• Carson Chan, Andreas Angelidakis, "ARCHITECTURE POST INTERNET: ANDREAS ANGELIDAKIS in Conversation with Carson Chan", 032C, Berlin, August 10 2015.

• Victoria Ivanova, "Art’s Values: A Détente, a Grand Plié", Parse Journal, Issue 2, 2015.

• Andreas Schlaegel, Ana Finel Honigman, Carson Chan, Cedar Lewisohn, Christian Kobald, Kolja Reichert, Georg Diez, Gesine Borcherdt, Jacob Lillemose, Jennifer Allen, Jörg Heiser, Kenneth Goldsmith, Matthew Burbidge, Pablo Larios, Pernille Albrethsen, Power Ekroth, Raimar Stange, Róza El-Hassan, Stian Gabrielsen, Timotheus Vermeulen, Tiziana Casapietra, Toke Lykkeberg, "Post Internet Art Criticism Survey", Kunstkritikk, 24 Apr 2015.

• Fan Zhong, "Art 2.0: If you want to ride the next wave in contemporary art, you’re going to have to update your operating system", W Magazine, 7 May 2015.

• Mandy Lynn Ginson, “How Some Things are Representable: The Counter Aesthetics of Kari Altmann’s R-U-In?S”, Simon Frasier University, British Columbia, 2015.

• Hanna Magauer, "Post Internet: The New Order", Canon, 2015.

• Earl Miller, "On Kawara’s 'I Am Still Alive' Twitter Presence: An Anomaly in Post-Internet Art", Momus.ca, July 24 2015.

• “Que es el Arte de Post Internet? Conoce a Estos 10 Artistes”, Revista Codigo, Mexico City, 19 Aug 2015. (Spanish)

• Melanie Bühler, "Ideas About the Contemporary Role of Photography Within Digital Culture and Artistic Practice", Fotomuseum Winterthur Blog, 16 Mar-30 Apr 2015.

• Gregory Chatonsky, "Post-Internet: Time, Ontology and Style /POST-INTERNET: ÉPOQUE, ONTOLOGIE ET STYLISTIQUE ", Apr 2015. (English) and (French)

• Morgan Quaintance, "Right Shift", Art Monthly 387, Jun 2015.

• Richard Grayson, "An Internet of Things: Post Internet Art", Broadsheet 44:1, CACSA, 2015, pp 75-78, PDF.

• Ché Zara Blomfield, "A Network Perspective", 2015.

• Fabio Frasca, "Post Internet Identity: Digital Natives and the Quest for the Self", 2015.

• Kevin Hollidge, "Decoding Super-Hybridity: Informational Capitalism, Post-Internet Art, and Queer Possibilities", 2015.

• Tim Gentles, "Between Here and Nowhere: A Survey of Post Internet Art Practices Among New Zealand Artists", Reading Room 7, Auckland: Auckland Art Gallery, 2015, pp 110-125.

• Paolo Magagnoli, "Digital Utopia in the Post-Internet Age", ch 4 in Magagnoli, Documents of Utopia: The Politics of Experimental Documentary, Columbia University Press, 2015, pp 123-160.

• Zeynep Beler, "On Painting Photographs, Post-Internet", m-est, January 23 2016.

• Patina Lee, "What Is Post Internet Art?", Widewalls, 10 April 2016.

• Stefan Heidenreich, "Freeportism as Style and Ideology: Post-Internet and Speculative Realism, Part I", e-flux 71, Mar 2016; Part II, e-flux, May 2016.

• Robin Lynch, "The Art of Flex: Network Lessons from Post Internet Art", Institute of Network Cultures, June 22 2016.

• Matsutani Yosaku, "アートとコンピュテーション：「ポスト・インターネット・ アート」と「新たな美学」の観点から / Art and Computation: Aspects of 'Post-Internet Art' and 'New Aesthetics'", 同志社女子大学総合文化研究所 (学術研究支援課), July 15 2016. (Japanese)

• Bret Schneider, "Criticism & Ambivalence", Caesura Magazine, July 17 2016.

• Andra Mavropol, "THE ARTIST AS CURATOR IN POST-INTERNET ART", Studia Universitatis Babes-Bolyai, Philosophy Special Issue, 2016, pp. 157-165.

• Eduardo Egea, "Adiós al arte experimental (Goodbye to experimental art)", Cronica, Mexico, 13 Aug 2016.

• Ana Texeiro Pinto, Anselm Franke, "The Post Internet Condition", Art is On, No. 4, Medium/Post-Medium Oscillations in Contemporary Art, 2016.

• Birk Weiberg, "Post-Internet as Post-Apparatus", Studia Culturae, Issue 23, pp. 141-154, Saint Petersburg State University, 2016. (Russian)

• Veronika Sellnerová, "Reflexe českého post-internetového umění", 2016. (Czech)

• Francesca Gavin, "Click Here--The Pros and Cons of Art Online", 21 Sep 2016.

• Anselm Franke, Ana Teixeira Pinto, "Post-Political, Post-Critical, Post-Internet: Why Can't Leftists Be More Like Fascists?", Open!, 8 Sep 2016.

• Jihoon Kim, "왜 포스트인터넷아트인가?(Why Postinternet Art?)", 아트인컬처(Art in Culture), November 2016, pp. 92-109. (Korean)

• Roxane Bovet, "HTWW, au sujet de l’art à l’heure du post internet" / "HTWW: Concerning Art in Post-Internet Times", trans. Lucile Dupraz, Editions Clinamen, Dec 2016, 20 pp. (French)/(English)

• Josephine Berry, "Self-relation as Self-negation in Post-Internet Art", Technology is Not Neutral Conference and Exhibition,

Watermans Gallery, London, December 2016.

• Domenico Quaranta, "Situating Post Internet", in Media Art: Towards a New Definition of Arts in the Age of Technology, ed. Valentino Catricalà, Pistoia: Gli Ori, 2015; repr. in Renewable Futures: Art, Science and Society in the Post-Media Age, eds. Rasa Smite, Raitis Smits, and Armin Medosch, Riga: RIXC, and Liepaja: MPLab of Liepaja University, 2017.

• Marisa Olson, "On the Internet, No One Knows You're a Doghouse", eFlux Post-Internet Cities Conference, 2017.

• "An Overview of the Post-Internet Art Movement and How it has Changed Music", Wax Cylinder, May 11 2017.

• Milica Jovicevic, "Valuation of Post-Internet Art", 2017.

• Jonas Blume, "Exploring the Potentials and Challenges of Virtual Distribution of Contemporary Art", in Digital Environments. Ethnographic Perspectives across Global Online and Offline Spaces, eds. Urte Undine Frömming, et al., Bielefeld: transcript, 2017, pp 97-115.

• Juan Martín Prada, "Sobre el arte «post-Internet»", Revista Aureus no. 3, University of Guanajato, June 2017. (Spanish)

• María Muñoz-Martínez, Armen Avanessian, "An interview with Armen Avanessian. Power and sabotage in contemporary art", A*Desk, June 12 2017.

• Mark Gens, "A Critical Analysis of Art in the Post Internet Era", Gnovis Journal 17:2, Georgetown University, 2017.

• Ryan Cherewaty, "Where do we go from here? - An inquiry into the state of 'Post-Internet' Art", March 02 2017.

• Elisavet Christu, "It's Just the Internet! Appropriation in Postinternet Art", Artech, September 06-08, 2017, Macau, China.

• Ellen Wagner, "Sadness and Survival: An Attempt via Post-Truth and Post-Internet Art", Dafkinist, 2017.

• Michael Waugh, "'My laptop is an extension of my memory and self': Post-Internet identity, virtual intimacy and digital queering in online popular music", Popular Music 36:2, Cambridge University Press, 2017.

• Jihoon Kim, "포스트-재현, 포스트-진실, 포스트인터넷 : 히토 슈타이얼의 이론과 미술 프로젝트 (Post-representation, Post-truth, Post-Internet: Hito Steyerl's Theory and Art Projects)", Journal of Contemporary Art Studies, Volume 21 Issue 2, December 2017, pp.51-94. (Korean)

• Rosi Braidoti, Maria Hlavajova (eds.), "Post Internet", Posthuman Glossary, Bloomsbury, p.326, Feb 2018

• Alberto Melendo, "Post-internet: beyond the screen.", Wordpress, March 29 2018.

• Rachel Margetts, "The Pixelated Woman: A feminist Reading of Post-internet Art and the New Aesthetic", May 2018.

• Anika Meier, "Kunst nach den sozialen Medien: Was ist eigentlich aus der Post-Internet-Art geworden?", Monopol Magazin, May 11 2018.(German)

• Adam Harper, "Charting the Evolution of Post-Internet Music", Redbull.com, 3 Oct 2018.

• Boris Groys, "Curating in the Post-Internet Age", e-flux 94, Oct 2018.

• Rita Xavier Monteiro, "What Can and Cannot Be Felt: The Paradox of Affectivity in Post-Internet Art", Journal of Science and Technology of the Arts, Issue 1 Volume 10, 2018, pp. 03-14.

• Shauna Jean Doherty, "How Does a JPG Feel Against Your Skin?", Peripheral Review, 3 Jan 2019.

• Marie Chatel, "Net Art, Post-Internet Art, New Aesthetics: The Fundamentals of Art on the Internet", Danae, 31 Jan 2019.

• Cristina Baldacci, "Recirculation: The Wandering of Digital Images in Post-Internet Art", Re-: An Errant Glossary, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, Cultural Inquiry, 15, Berlin: ICI Berlin, 2019, pp. 25–33.

• Syahriar Tri Rizaldi, "We Have Never Been Post-Internet", 3rd International Symposium for Media Art, Tokyo, February 2019.

• Nancy Mauro-Flude, "Performing the Internet: Post Internet Folklore", Scholarly Research Trends in the Asia-Pacific, 2019.

• Rafael Lubner, "2010s: Against the Post-Internet, How we mistook the map for the territory and failed to register the present", Tinymixtapes, 19 Nov 2019.

• Jihoon Kim, "Postinternet Art of the Moving Image and the Disjunctures of the Global and the Local: Kim Heecheon and Other Young East Asian Artists", CLCWeb: Comparative Literature and Culture, Volume 21, Issue 7, Article 9, Purdue University Press, 2019.

• Lidia García García, "Prácticas artísticas offline: materialidad de la obra de arte en la era post-internet. Caracteres. Estudios culturales y críticos de la esfera digital", Caracteres. Estudios culturales y críticos de la esfera digital, 2019. (Spanish)

• Matteo Cremenesi, "Da post-internet a contra-internet", Art Tribune, January 28 2020. (Italian)

• Kai (Kari) Altmann, "Ambiguationist Bullets Preface", 2020.

• Kai (Kari) Altmann, Cadence Kinsey, "The Meta Image: Ambiguationist Bullets, Visual Culture in a Post-Western, Post-Production, Pan-Optic World" [2015], 2020.

• Kai (Kari) Altmann, "New Terms 2015" [2015], 2020.

• Artie Vierkant, "Flatten the Cube: Post-Internet Art's Lessons For Our Current Crisis and What Comes After", Art in America, 30 Apr 2020.

• Elena Giulia Rossi, "Mind the Gap. La vita tra bioarte, arte ecologica e post internet.", 2020. (Italian)

• Federica Matelli, "Art Post-Internet", Materia Oscura, September 27, 2020. (Spanish)

• "Constellations of post internet art and cybersecurity in china", Daedalus Magazine, Rome, November 08 2020.

• Domenico Quaranta, "Presentism and Post-Internet", 2020.

• Gianni Romano, "Mind the Gap: La vita tra bioarte, arte ecologica e post internet.", 2020. (Italian)

• Kai (Kari) Altmann, "Post Internet Post Info Wars", Dec 2021.

• Jan Jagodzinski, "A Meditation on the Post-digital and Post-internet Condition: Screen Culture, Digitalization, and Networked Art", Chapter Four in Post-Digital, Post-Internet Art and Education, Palgrave Studies in Educational Futures, 2021.

• Kristin Klein, Eva Klein, "Mapping of Exhibitions in the Field of Post-Internet Art, 2009-2020", Post-Internet Arts Education Research, University of Cologne, 2021.

• Osiris Arias, Mario Bogarín Quintana, "Críticas a la intersubjetividad digital en el arte mexicano post-internet / Critics to digital intersubjectivity on Mexican post-internet art", HArtes, Volume III, Number 5, January-June 2022. {es}

• María Goicoechea de Jorge, "The Art Object in a Post-Digital World: Some Artistic Tendencies in the Use of Instagram", From ELO 2021 Conference and Festival: Platform [Post?]Pandemic, 2022.

• Maya Arulpragasam, Claire Boucher, Salvatore Maicki, "M.I.A. and Grimes on What 'Mata' and What Don't", Paper Magazine, 18 Oct 2022.

• Alexandra Orlova, "Post-Internet Art in Russia as a Digital Folder in the World Practice", 2022.

• Mario Bogarín, "Críticas a la intersubjetividad digital en el arte mexicano post-internet", HArtes Issue 5 Volume 3, 2022.(Spanish)

• Theo Carnegy-Tan, "Post Internet Art and the Time Complex", Studium Artium, University of Olomouc, 2022.

• Elisavet Christou, "Mediation in the Post-Internet Condition", Presented at EVA 2022 Conference, London, 2022.

• Dr. Amani Abu Rahma, "Post internet phenomenon and its representation in the world of art", Al Taksheel, 2022.

• Kai (Kari) Altmann, "Welcome to the New World, You're Late" [2021], 2023.

• Alexis Loisel-Montambaux, "Nouvelles technologies et art post-internet", Fonds d'Art Contemporain Paris Collections, January 27 2023. (French)

• Tatiana Fadeeva, "THE PHENOMENON OF POST-INTERNET ART: ARTISTIC STRATEGIES AND PLACE IN THE FIELD OF CONTEMPORARY ART", Scientific and analytical journal Burganov House The space of culture, pp. 57-65, February 2023.

• Kate Brown, "From Rising-Star Painters to the Return of Post-Internet Art—Here’s What’s Stealing the Spotlight at Gallery Weekend Berlin", ArtNet, April 28 2023.

• Grant Tyler, Ann Hirsch, Parker Ito, "What Was Post-Internet? An Interview with Ann Hirsch and Parker Ito", Caesura Mag, April 2023.

• Basharat Bashir, "Post-Internet Art", Kashmir Images, May 2023.

• Anna Frattini, "What is Post Internet Art?", Collater.al, June 2023.

• J. Starr, "In Defence of the term ‘Post-Internet’", Substack, June 12 2023.

• Ian Mcartney, "The Post-Post Internet", Spamzine, 2023.

• "Blue Mark Verification? Marisa Olson Says: Not Sleek. An Essay About Art in the Post-Internet World.", Sleek Mag, 13 Oct 2023.

• Orit Gat, "The Digital Culture Odyssey of Post Internet Art", Frieze, Issue #239, 7 Nov 2023.

• Claudia Zapata, "Post-Internet Latinx Art: Networked Interventions in the Digital Diaspora", Latin American and Latinx Visual Culture, Issue 2 Volume 6, pp 133-140, 2024.

• Kat Kitay, "What's after Post-Internet Art?", Spike Magazine, February 28 2024.

• Javier Iáñez Picazo, "I'm Feeling Lucky: Modos de virtualización y apropiación en la pintura post-internet / I’m Feeling Lucky: Modes of virtualization and appropriation in post-internet painting", Sobre: Prácticas Editoriales en Arte y Arquitectura, Vol. 10, 2024. (Spanish)

• Kate Brown, "An Uncanny Exhibition Turns the Online World Into Artistic Material", ArtNet, May 13 2024.

• Michael Mackenzie, "Curated Content: an exploration of the act of (digital) mark-making in the form of analogue drawings", Telematics and Informatics Reports, Volume 14, June 2024.

Theses

• Karen Verschooren, Situating Internet Art in the Traditional Institution for Contemporary Art, Masters Thesis at Massachusetts Institute of Technology, June 2007, 202 pp.

• Enrico Boccioletti, U+29dc aka Documento Continuoso, 2014. MA Thesis.

• Petr Hošek, Post internetové umění v galerijní praxi / Post Internet Art within the Galleries, Prague: Charles University, 2014, 71 pp. Master's thesis. (Czech)

• Michael Waugh, Music That Actually Matters? Post-Internet Musicians, Retromania and Authenticity in Online Popular Musical Milieux, Cambridge: Anglia Ruskin University, 2015. PhD Thesis.

• Rosi Grillmair, Digital Arts within the Post Internet Theory and its Relationship to the Institutional Art World, Bachelors Thesis at Kunstuniversität Linz, April 2015.

• Marialaura Ghidini, Curating Web-Based Art Exhibitions: Mapping Their Integration with Offline Formats of Display, Sunderland: University of Sunderland, May 2015. PhD thesis.

• Andreas Ervik, Evolving Images: Attraction and Dispersion on the Tumblr blog Garden Club, Oslo: University of Oslo, 2015, 103 pp. Master's thesis. Garden Club project by Kai (Kari) Altmann.

• Federico Sargentone, Art Criticism as Value Creation Driver in the Post-Internet Era, Bachelors Thesis at Bocconi University, November 2015.

• Agata Cieslak, "Pre-, During, Post-: Art and the Internet", London: London Metropolitan University, 2015, 40 pp. Bachelor's thesis.

• Ceci Moss, Expanded Internet Art and the Informational Milieu, New York: University of New York, 2015. PhD dissertation.

• Walter Van Rijn, Rethinking the Status of the Art Object Through Distribution, Winchester School of Art, University of Southhampton, 2015. PhD Thesis.

• Raimondas Pocius, The use of still image in the post-internet era, Leiden University, Leiden, Netherlands, 2015. 66pp.

• Veronika Sellnerová, Reflexe českého post-internetového umění, Brno: Masaryk University, 2016, 52 pp. Bachelor's thesis. (Czech)

• César Escudero Andaluz, FROM THE IMAGE TO THE GRAPHIC USER INTERFACE (GUI): Falsehood and appropriation tactics in new media art, Masters Thesis at Universität für Künstlerische und Industrielle Gestaltung Kunstuniversität Linz , Institu für Medien Studierinchtung Interface Cultures, 2016.

• Sira Pizá Airas, El artista como obra. Formas de autoproducción online y offline en el arte contemporáneo 2000-2016, Barcelona – Berlín., Doctoral Thesis at the Universitat Pompeu Fabra, Barcelona, 2016. (Spanish)

• Petra Mačingová, Objekt post internet, Brno: Masaryk University, 2016, 63 pp. Master's thesis (Czech)

• Pao Waelder Laeso, Selling and Collecting Art in the Network Society: Interactions Among Contemporary Art, New Media and the Art Market, Barcelona: Universitat Oberta de Catalunya, 2016, 188 pp. PhD thesis.

• Khristopher R. K. Ohlendorf, On the Internet by Means of Popular Music: The Cases of Grimes and Childish Gambino, London, Canada: The University of Western Ontario, 2016, 157 pp. Master's thesis.

• Vilborg Krista Alexandersdóttir , THE WORK OF ART IN THE AGE OF POST PREFIXES: Re-examining the symbolic and economic value of the artwork in a post-internet society, Masters Thesis at Lund University, Lund, Sweden, 2017.

• Federica Matelli, Nuevas perspectivas para lo cotidiano en al arte contemporáneo. Del marco textual al marco especulativo (1980-2014), Universitat de Barcelona, Doctoral Thesis, 2017, 357pp. (Spanish)

• Elina Nissinen, Postinternet, Its Art and (the) New Aesthetic", Aalto University School of Arts, Design and Architecture, 2018, 86 pp. Master's thesis.

• Jonathon Austin Lourenço Pereira, MEDIATING INTERNET ART: CURATORIAL MODES IN TANGIBLE AND VIRTUAL DOMAINS, Masters Thesis at University of Porto, 2018.

• Ignacio Rodriquez Dominguez, La condición aumentada: prácticas artísticas entre los períodos web 2.0 y 3.0, Madrid: Universidad Complutense De Madrid, 2019, 292 pp. PhD thesis. (Spanish)

• Ellen Wagner, FalscheSignale. Strategien der Mimikry in der Post-Internet Art, University of Arts and Design, Offenbach, Germany, 2019. Doctoral thesis. (German)

• Filippo Tambressoni, L’opera d’arte nell’epoca della sua comunicazione digitale. Gli artisti dell’installazione contemporanea e la loro integrazione all’interno dei sistemi online., Politecnico Milano, Italy, 2019-2020, 259pp. (Italian)

• Elisavet Christou, Dimensions of the Post-Internet Condition. An Exploration through Post-Internet Art, PhD Thesis at Lancaster University School of Computing and Communications, 2021, 190pp.

• Laurel Vaccaro, Internet art: An interactive timeline resource, Masters Thesis at James Madison University, Virginia, 2022.

• Rebecca Close, Post-Internet Queer Reproductive Work and the Fixed Capital of Fertility, Doctoral Thesis at Aalto University, Espoo, Finland, 2023.

• Marlene Wenger, Postdigital Displays: Interior, Brandscape and Interface as Formats of Art Presentation, Doctorate Dissertation at the the University of Bern in March 2021. Published by Edition Metzel, Munich in April 2024. (German)

• Kai (Kari) Altmann, Welcome to the New World Part I: Emerging Transcultural Futurisms and Presents, Masters Thesis, Central Saint Martins, University of the Arts, London, August 2024.

Conferences and Symposia

• The Internetional Conference, Rotterdam, May 2015.
• Post-Internet Cities International Conference, Hosted by eFlux Architecture and Museum of Art, Architecture and Technology, Lisbon, May 26 2017.
• Post-Internet Art Painting, Department of Comprehensive Painting, School of Painting, China Academy of Art, Nanshan Campus, 2019.

Primary references

• Surf clubs
• VVORK blog, eds. Aleksandra Domanovic, Christoph Priglinger, Georg Schnitzer, and Oliver Laric, Vienna, 2006-12.
• R-U-In?S blog, ed. Kai (Kari) Altmann, New York, 2008-.
• Garden Club blog, ed. Kai (Kari) Altmann, New York, 2011-.
• DIS Magazine, eds. DIS (Lauren Boyle, Solomon Chase, Marco Roso, David Toro), New York, 2010-.
• The New Aesthetic blog, ed. James Bridle, London, May 2011-.
• Seth Price, Dispersion, New York, 2002/2008.

See also

• Surf clubs, Net art, Futurisms, Post-Internet Music, Cloud Bass, Post-Digital, Post-Institution, Post-Western, New World, Internet Cultural, Transcultural, New Materialism, Post-Media, Social Media, Post-Conceptual, Post-Contemporary, Post-Capitalism, Post-Production, Offsite Art, Dual Sites, Algorithms, AI, Worlding, Interdisciplinary Art, Antidisciplinary Art, Systems Thinking, Internet Conscious, Social Media Conscious, Network Conscious, Circulationism, Ambiguationist, Meta, Distribution, Circulation, Memes, Influencer, Artfluencer, Troping
• Post-Internet Sound, a crowdsourced database of sound and music works started by Holly Herndon & Jennifer Walshe in 2015.

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