Difference between revisions of "Monoskop"

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<div style="margin: auto; float: right; margin-left: 5px;">{{#widget:Twitter
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Welcome to [[Monoskop:About|Monoskop]], the [[media art and culture]] wiki.
 
  
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==Media library==
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Welcome to [[About Monoskop|Monoskop]], a wiki for arts and studies.
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* [[Katalin_Ladik#O-pus|Katalin Ladik, Imre Póth, Attila Csernik: O-pus]], 8 min, 1972.
 
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* [[Robert_Adrian_X#Danube_Connection|Danube Connection]], Electronic Communication Happening for fax, two telephone lines and a picture-phone, organised by Robert Adrian X and ARTPOOL, 5 min, 1993.
 
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* [[W._G._Sebald#Patience_.28After_Sebald.29|Grant Gee: Patience (After Sebald)]], 83 min, 2012.
 
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* [[Milan_Knížák#Broken_Music|Milan Knížák: Broken Music]], 3 editions, 1979-1989.
 
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* [[CECM/Anthology_of_Slovak_Electroacoustic_Music|Anthology of Slovak Electroacoustic Music 1966-1991 and 1989-1994]], 3-CD, 1992/94.
 
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* [[Dušan Hanák#Works|Dušan Hanák: A Day of Joy]], TV documentary, 22 min, 1972.
 
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* [[Symphony of Sirens|Baku: Symphony of Sirens: Sound Experiments in The Russian Avant-Garde. Original Documents and Reconstructions of 72 Key Works of Music, Poetry and Agitprop from the Russian Avantgardes (1908-1942)]], 72 MP3s with texts, 153 min.
 
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* [[Chris_Marker#The_Owl.27s_Legacy_.28L.27H.C3.A9ritage_de_la_chouette.29|Chris Marker: The Owl's Legacy]], France/Greece, col., Beta sp, Television Mini-Series, 13 episodes x 26 min, 1989.
 
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* [[Henryk_Berlewi#Works|Henryk Berlewi: Mechano-Faktura]], selected works, 1920s-60s.
 
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* [[Otakar_V%C3%A1vra#The_Light_Penetrates_the_Dark_.28Sv.C4.9Btlo_pronik.C3.A1_tmou.29|Otakar Vávra: The Light Penetrates the Dark (Světlo proniká tmou)]], 35mm, 4 min, 1931.
 
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* [[Zbigniew_Rybczyński#Media|Zbigniew Rybczyński: Media]], 35mm, Se-Ma-For Łódź, 1980.
 
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* [[Zbigniew_Rybczyński#The_Square_.28Kwadrat.29|Zbigniew Rybczyński: The Square (Kwadrat)]], 35mm, 3'30", PWSFTviT Łódź, 1972.
 
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* [[Gábor_Bódy#Four_Bagatelles_.28N.C3.A9gy_Bagatell.29|Gábor Bódy: Four Bagatelles (Négy Bagatell)]], 35mm, 28 min, 1975.
 
  
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==Latest news==
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<gallery mode=packed heights=300px style=" margin:auto">
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[[Image:Chladni_1830_Akustik_Table_8.jpg|left|thumb|220px|[[Ernst_Chladni#Chladni_figures_.28Klangfiguren.29|Chladni figures]], 1802.]]
 
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[[Image:JE_Purkyne_kinesiskopic_disc.jpg|left|thumb|220px|[[Jan_Evangelista_Purkyně#Perception_of_space_and_movement.2C_photomicrography_.281827.E2.80.9353.29|Kinesiscopic disc]] with the portraits of Jan Evangelista Purkyně, 1865.]]
 
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[[Image:Petzvals_camera.png|left|thumb|220px|[[Joseph_Petzval#Optics|''Voigtländer'' camera]] with Joseph Petzval's lens, 1840.]]
 
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* New entry: [[Postmedia]]. (12 June 2013)
 
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* Monoskop Log is featured at the online exhibition ''[http://espacevirtuel.jeudepaume.org/erreur-dimpression-1674/ Erreur d'impression/Publier à l'ère du numérique]'' [Print Error/Publishing in the Digital Age], curated by [[Alessandro Ludovico]] at the ''Espace Virtuel'' of Jeu de Paume, Paris. The exhibition runs from October 2012 through March 2014. ''Culture Mobile'' portal provides [http://www.culturemobile.net/artek/erreur-impression-une-expo-virtuelle/monoskop-log-dusan-barok-20002013 additional coverage].
 
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* New featured article: [[Ernst Chladni]]. (May 2013)
 
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* New featured articles: [[Jan Evangelista Purkyně]], [[Stefan Morawski]], [[P. K. Engelmeyer]], [[Joseph Murgas]], [[Ludwig Angerer]], [[Ede Kozics]], [[Eduard Schreiber]]. (April 2013)
 
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* [http://www.a4.sk/program/2013-03-22-20-00 Monoskop will be discussed] in the ''Krakatoa'' talk series organised by [[Mladý pes]] initiative at [[A4 - Zero Space]] in [[Bratislava]], on March 22, 2013.
 
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* Another [[Media:Monoskop_v_sieti_Rozhovor_Michala_Murina_s_Dusanom_Barokom_2012.pdf|interview about Monoskop]] appeared in the new issue of [http://www.profilart.sk/ ''Profil: Contemporary Art Magazine''] (4/2012), in Slovak. (March 2013)
 
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* New featured articles: [[Štefan Anián Jedlík]], [[Joseph Petzval]]. (March 2013)
 
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* [http://www.stanica.sk/2013/02/26/alef-0/ Monoskop was discussed] at the [[Stanica]] cultural centre in [[Žilina]] as part of a new discussion series ''Alef 0'', moderated by [[Zuzana Husárová]]. (28 February 2013)
 
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* New featured articles: [[Dušan Hanák]], [[Dvizheniye]]. (February 2013)
 
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* ''Neural'' magazine published an [[Media:Dusan_Barok_Interview_Neural_2013.pdf|interview about Monoskop]] in its 44th issue, entitled ''Post-Digital Print''. (January 2013)
 
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* [[Media:Bobnic_Robert_Smrke_Jurij_Sepetavc_Jasmina_Monoskop.pdf|An interview about Monoskop]] with Robert Bobnič and Jurij Smrke of a legendary Ljubljana-based student magazine [http://www.tribuna.si/ ''Tribuna''], in Slovenian. (January 2013).
 
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* New featured articles: [[Zbigniew Rybczyński]], [[Gábor Bódy]], [[Otakar Vávra]], [[Henryk Berlewi]], [[László Moholy-Nagy]], [[Milan Grygar]]. (23 October 2012)
 
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* Monoskop was presented at the andragogy seminar at University of Prešov, and later that same day at Wave club in [[Prešov]] within [[CyberTalks]] series. (15 October 2012)
 
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* [[Media:Monoskop.column.TheWire.Nov2012.jpg|The Wire magazine takes on Monoskop]]. (October 2012)
 
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* [[Symposium|Unlimited Editions]] - A public discussion on personal collecting and media archiving. Launch of the Monoskop library. 5 July 2012, TENT, Rotterdam.
 
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* A two-year [[Remake]] project which built upon Monoskop research produced a travelling exhibition, conference, performance evenings, workshop series, bilingual magazine, and an issue of open-access student journal. [[Remake|Documentation can be found here]]. (June 2012)
 
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* Monoskop was [http://www.msuv.org/index.php?option=com_content&view=article&id=271%3Apredavanja-prezentacije-projekata-monoskop-i-nove-tendencije&lang=en presented] at The Museum of Contemporary Art of Vojvodina in [[Novi Sad]], as part of [http://digitizing-ideas.hr/ Digitizing Ideas] project. (18 April 2012)
 
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* [[Monoskop/Brno_2012_talk|Monoskop talk]] at the Remake conference in [[Brno]], Czech Republic. (11 April 2012)
 
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* Featured articles: [[Vladimir Bonačić]], [[Steina and Woody Vasulka]], [[Bulat Galeyev]], [[Stanisław Dróżdż]], [[Nicolas Schöffer]], [[Jozef Malovec]]. (16 March 2012)
 
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* [[Remake|REMAKE: REthinking Media Art in K(C)ollaborative Environments]] [http://www.dum-umeni.cz/en/vystava/remake exhibition] opened in [[Brno]], Czech Republic. Remake is an international art project taking place between June 2010 and May 2012. Its aim is to foster creation and presentation of contemporary works inspired by the history of media arts. The project’s final part is an international touring exhibition which is currently shown at The Brno House of Arts. The project builds upon a long-running collaborative research of media art histories, [[Monoskop:About|Monoskop]]. Remake was started by several cultural organisations coordinated by [[Atrakt Art]] with an intention to create and present the contemporary art works inspired by history of media arts in the East-Central Europe. --[[User:Dusan|dusan]] 15:20, 11 March 2012 (CET)
 
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* The first public presentation of the [[Monoskop/Zagreb 2011 talk|Monoskop media archive]], at the [http://najave.razmjenavjestina.org/2011/12/01/g33koskop-seminar-03-12-2011-1500-o-arhivi-i-knjiznici/ G33koskop] seminar in [[Mama]], [[Zagreb]]. --[[User:Dusan|dusan]] 3 December 2011
 
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* Monoskop was presented at the [http://www.goethe.de/ins/ee/prj/gtw/ueb/kbe/en8140048.htm Gateways: Workshop for Curators from Central and Eastern Europe] in [[Tallinn]] by [[Mária Rišková]]. --October 2011
 
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* Monoskop was presented at the [[New Media Art & Digital Art Meeting Point]] seminar in [[A4 - Zero Space]], [[Bratislava]]. [[Media:Barok.monoskop.talk.bratislava.18-5-2011.pdf‎|PDF of the talk (Slovak)]]. --[[User:Dusan|dusan]] 18 May 2011
 
  
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<!-- Recent sections /// Communities, movements -->
  
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{{Media art and culture}}
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{{Cities}}
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{{Countries}}
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<div style="float: left; width: 48%">
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Bibliotecha.jpg|link=Shadow_libraries|[[Libraries]]
  
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== Site news ==
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Fediposter_Jan_2020.png|link=Fediverse|[[Fediverse|Social media]]
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<small>
 
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* Support of the [http://www.mediawikiwidgets.org/Twitter Twitter widget] enabled. You can now embed a twitter feed on your profile. (11 March 2012)
 
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* Monoskop moves to a new domain: http://monoskop.org. Old links are preserved. (5 March 2012)
 
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* New categories: [[:Category:3D printing|3D printing]], [[:Category:Circuit bending|Circuit bending]] (10 December 2011)
 
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* New categories: [[:Category:Internet activism|Internet activism]], [[:Category:Data activism|Data activism]], [[:Category:Copyright activism|Copyright activism]], [[:Category:FLOSS|FLOSS]], [[:Category:Filesharing|Filesharing]] (4 December 2011)
 
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* Monoskop wiki now supports embedding videos from Youtube, Vimeo, Blip.tv, Google Video, UStream, and basically any publicly accessible website (using HTML5 video tag), as well as documents from Google Books, Scribd, and SlideShare, image searches and slideshows from Flickr, and stills from Google Maps and Google Street View. See [http://www.mediawikiwidgets.org/Widgets_Catalog#Widgets_available MediaWikiWidgets manual] to learn how. (16 November 2011)
 
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* Entry about [[:Category:Electromagnetism|Electromagnetism]] (May 2011)
 
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* Entry about [[:Category:SuperCollider|SuperCollider]] (September 2010)
 
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* Entry about [[:Category:Film labs|Film labs]] (June 2010)
 
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* Entry about [[:Category:Hauntology|Hauntology]] (May 2010)
 
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* Entry about [[:Category:Surf clubs|Surf clubs]] (April 2010)
 
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* Research of history of [[Media_art_in_CEE|media arts and culture in Central and Eastern Europe]]. (2009)
 
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* Realising there are almost 100 users or so registered, we did small improvements in user profiles. Using your profile (find [[Special:Userlist|here]]) you can now share what you have been working on, message others, etc. (28 July 2008)
 
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</small></div><div style="float: left; width: 4%">&nbsp;&nbsp;</div><div style="float: left; width: 48%">
 
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==Sister projects==
 
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* [[Monoskop Log]], writings on art, culture, and media technology.
 
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* [[Remake]], REthinking Media Art in K(C)ollaborative Environments
 
  
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== Wiki ==
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Counter_Cloud_Action_2023.jpg|link=Community servers|[[Internet]]
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[[Monoskop:About|Monoskop]] is a wiki where anyone can edit any article and have those changes posted immediately. Learn [http://en.wikipedia.org/wiki/Wikipedia:How_to_edit_a_page how to edit pages].
 
  
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==Design==
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Old Boys Network 1997 100 Anti-Theses of Cyberfeminism.jpg|link=Technofeminism|[[Technofeminisms]]
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Current Monoskop skin was inspired by [http://www.movingbrands.com/?category_name=wikipedia-work#img5 Moving Brands' Wikipedia Identity proposal] and [[Michael Murtaugh]]'s customized MediaWiki Monobook skin, and uses [http://www.typotheque.com/fonts/fedra_sans Fedra Sans] font designed by [[Peter Biľak]], along with [http://www.google.com/webfonts/specimen/GFS+Neohellenic Greek Font Society's Neohellenic] font for the headlines.
 
  
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== Hosting ==
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Ehlers_Jeannette_2013_Whip_It_Good_photo_Casper_Maare.jpg|link=Decolonial aestheSis|[[Decolonial aestheSis]]
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Monoskop runs on [http://www.mediawiki.org MediaWiki] software, and is hosted by the [http://multiplace.org/wiki/doku.php?id=server Sanchez] free art server, maintained by [[Multiplace]].
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Kuenstlerinnengruppe_Erfurt.jpg|link=East_Central_Europe|[[East Central Europe]]
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Ukeles_Mierle_Laderman_1973_Washing_Tracks_Maintenance_Outside.jpg|link=Performance|[[Performance]]
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Grof_Ferenc_2021_Das_Kapital_Raum_2_39.jpg|link=1990s|[[1990s]]
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The Years Without Art 1990-1993 c1989.png|link=Art_and_activism|[[Art and activism|Activism]]
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Bibliotecha_Stuff_Youll_need.jpg|link=Free software|[[Free software|Free software, libre culture]]
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</gallery>
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==Log2==
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{{#ask:[[Series:Log]]
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==Recent files==
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<DynamicPageList>
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[[Monoskop:Recent files|{{inf}}]]
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==Recent edits==
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[[Monoskop:Recent edits|{{inf}}]]
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==Recent pages==
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<div class=threecol>
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<DynamicPageList>
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namespace            = mainspace
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ordermethod          = created
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</div>
 
</div>
  
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[[Monoskop:Recent pages|{{inf}}]]
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==Log3==
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<div class=threecol>
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{{:Log3}}
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</div>
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[[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@monoskop]]
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[[Log3|{{inf}}]]
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==wiki==
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<gallery mode=packed heights=300px style=" margin:auto">
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Grof_Ferenc_2021_Das_Kapital_Raum_2_39.jpg|link=1990s|[[1990s]]
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The_worlds_protected_areas_2015.jpg|link=Anthropocene|[[Anthropocene]]
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Rossi_Aldo_1976_La_citta_analoga.jpg|link=Architecture|[[Architecture]]
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AWC 1969 Art Workers Wont Kiss Ass.jpg|link=Art_and_activism|[[Art and activism]]
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Steina Vasulka in The Kitchen.jpg|link=Art and technology centres|[[Art and technology centres]]
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Ono_Yoko_Grapefruit_1964.jpg|link=Artists publishing|[[Artist publishing]]
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MA_8_1_15_Oct_1922_back_cover.jpg|link=Avant-garde and modernist magazines|[[Avant-garde and modernist magazines]]
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Bauhaus_2-1_1928.jpg|link=Bauhaus|[[Bauhaus]]
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lumbung_Radio.png|link=Community radio|[[Community radio]]
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Dreamingintheruins_pink.png|link=Community servers|[[Community servers]]
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Delphine_Seyrig_Maria_Schneider_and_Carole_Roussopoulos_1975.jpg|link=Community television|[[Community television]]
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Lippard_Lucy_R_Six_Years_The_Dematerialization_of_the_Art_Object_from_1966_to_1972_1973.jpg|link=Conceptual art|[[Conceptual art]]
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Varlez_Robert_Suites_2016.jpg|link=Conceptual_comics|[[Conceptual comics]]
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Kay_Emma_1999_Worldview.jpg|link=Conceptual_writing|[[Conceptual writing]]
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Second_Spring_Exhibition_of_OBMOKhU_Moscow_May-June_1921.jpg|link=Constructivism|[[Constructivism]]
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Picasso_Pablo_1913_Photographic_composition_with_Construction_with_Guitar_Player_and_Violin_grayscaled.jpg|link=Cubism|[[Cubism]]
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From_Victor_Turner_The_Ritual_Process_Structure_and_Anti-Structure_1969.jpg|link=Cultural_techniques|[[Cultural techniques]]
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LisaFoo.png|link=Cyberfeminism|[[Cyberfeminism|Cyberfeminism, technofeminism]]
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Vocal_apparatus_and_Voder_ATT_pamphlet.jpg|link=Cybernetics|[[Cybernetics]]
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Lasch_Pedro_2008_Black_Mirror_Espejo_Negro.jpg|link=Decolonial aestheSis|[[Decolonial aestheSis]]
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HfG_Ulm_Metal_workshop_1958.jpg|link=Design research|[[Design research]]
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Kuenstlerinnengruppe_Erfurt_Monika_Andres_1988_Name_Stadt_Land.jpg|link=East_Central_Europe|[[East Central Europe]]
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Dusan_Barok_and_Monoskop_2018_Exhibition_Library_at_Mediacity_Biennale_Seoul_1_small.jpg|link=Exhibition Library|[[Exhibition Library]]
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Valie_Export_1967-68_Abstract_Film_No_1.jpg|link=Expanded cinema|[[Expanded cinema]]
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Marey_1894_Falling_cat.jpg|link=Experimental_film|[[Experimental film]]
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Revoy_David_2022_Lets_leave_planet_GAFAM_NATU_BATX.jpg|link=Fediverse|[[Fediverse]]
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Heresies 7 Women Working Together 1979.jpg|link=feminism|[[Feminism]]
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Maciunas_George_ed_Fluxus_1_box_version.jpg|link=Fluxus|[[Fluxus]]
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Bibliotecha_Stuff_Youll_need.jpg|link=Free software|[[Free software|Free software, libre culture]]
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Stein_Gertrude_The_Complete_Writings_2017.png|link=HTML|[[HTML]]
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Ferrari Teodoro Wolf 1912 Prima Fabbrica Italiana Macchine per Scrivere.jpg|link=Media archaeology|[[Media archaeology]]
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Monoskop_Log_Screenshot_2022-05-16.png|link=Monoskop_Log|[[Monoskop Log]]
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The_Ghassulian_star.jpg|link=Mundaneum|[[Mundaneum]]
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Griffiths_Mansoux_de_Valk_2010_Naked_on_Pluto.png|link=Naked on Pluto|[[Naked on Pluto]]
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OBN_Venice_2001.jpg|link=net art|[[net art]]
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post.lurk.org_flyer_2018.jpg|link=net culture|[[net culture]]
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Neoist_Akademgorod.jpg|link=Neoism|[[Neoism]]
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Hinton_et_al_2006_p_7.jpg|link=Neural_aesthetics|[[Neural aesthetics]]
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New_Tendencies_5_poster_by_Ivan_Picelj_1973.png|link=New Tendencies|[[New Tendencies]]
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Russolo_intonorumori_1913.jpg|link=Noise|[[Noise]]
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Ukeles_Mierle_Laderman_1977-1980_Touch_Sanitation_.jpg|link=Performance art|[[Performance art]]
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Flusser-Za-filosofii-fotografie.jpg|link=Philosophy_of_technology|[[Philosophy of technology]]
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When_everyone_is_librarian_library_is_everywhere.jpg|link=Shadow_libraries|[[Shadow libraries]]
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Shed_building_Sorfinnset_skole_the_nord_land_2005.jpg|link=Sites|[[Sites]]
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The_Situationist_Times_5_1964.jpg|link=Situationists|[[Situationist International]]
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0100101110101101.org_Epidemic_2001_Biennale_py.jpg|link=Software_art|[[Software art]] and [[Software studies]]
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Fuer_Augen_und_Ohren_1980.jpg|link=Sound_art|[[Sound art]]
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Rosler Martha 1975 Semiotics of the Kitchen.jpg|link=Video|[[Video art]]
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Buren_Mosset_Parmentier_Toroni_1967_Photo-souvenir_Manifestation_3.jpg|link=Art|[[Visual art]]
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Monoskop.org_Screenshot_2024-05-26_detail.jpg|link=wikis|[[wikis]]
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Sa_Neide_1968_Transparencia.jpg|link=Women_in_concrete_poetry|[[Women in concrete poetry]]
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</gallery>
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[[Monoskop:Contents|{{inf}}]]
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{{Monoskop}}
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[[Series:Monoskop]] [[Series:Wikis]] [[Series:net culture]] [[Series:Artist publishing]] [[Series:Shadow libraries]]
 
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Latest revision as of 20:56, 14 October 2025

Welcome to Monoskop, a wiki for arts and studies.

Log2

File:Deborder Bollore 2025.epub

Deborder Bollore 2025.jpg
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Déborder Bolloré
Faire face au li­bé­ra­lisme au­to­ri­taire dans le monde du livre

"Une publication multiformat coéditée par plus d’une centaine d’éditeurices indépendant·es, disponible à la vente en librairie et en libre diffusion sur deborderbollore.​fr aux formats web, EPUB et PDF.

Dans le contexte de la campagne Désarmons Bolloré, et en emboîtant le pas au boycott appelé par les « libraires antifascistes », nous, éditeurices indépendant·es, coéditons collectivement cette publication multiformat pour prendre part depuis notre secteur à la réflexion générale sur le démantèlement de l’empire Bolloré.

Les contributions mettent en avant la pensée de chercheureuses, d’imprimeureuses, d’éditeurices et de libraires qui analysent et/ou subissent les dynamiques de concentration et d’extrême droitisation du marché. Chacun·e tente de formuler, depuis sa position respective, des réponses à cette question urgente : comment faire face au libéralisme autoritaire dans le monde du livre ?

En tant qu’éditeurices indépendant·es, nous sommes indirectement visé·es par le projet totalisant de Bolloré car nos structures sont des espaces qui permettent la fabrique de contre-récits et la circulation de voix minoritaires. Face à de grands groupes monopolistiques qui filtrent les récits, il nous faut lutter pour préserver ces espaces essentiels de résistance et qui — n’en déplaise aux prophètes·ses du « grand remplacement » et aux croyant·es du « lobby LGBTQ+ » — se font rares.

La forme de cette publication multiformat part du constat suivant : si, à lui seul, Vincent Bolloré se montre capable de mobiliser des moyens logistiques et médiatiques colossaux pour mener sa « guerre civilisationnelle », alors nous devons, de notre côté, mobiliser l’entièreté de notre réseau d’éditeurices, de diffuseurs, de libraires et de relais médiatiques pour y résister. Face à la concentration par les grands groupes, faisons jouer la multiplicité et la singularité caractéristique du monde du livre indépendant.

Bolloré, par l’intermédiaire d’Hachette, est un acteur majeur de la concentration capitalistique du milieu éditorial, mais il n’est pas le seul instigateur de cette dynamique. C’est la structure même du monde du livre qui permet à de grands groupes de s’accaparer 90 % du marché de l’édition. Ainsi avons-nous décidé de « déborder Bolloré », c’est-à-dire de dépasser la figure, certes exubérante du personnage, pour comprendre, dans un premier temps, les mécanismes avec lesquels il opère et comment, dans un second temps, les déjouer depuis nos positions d’acteurices de l’édition indépendante." 

 Collectif éditorial Déborder Bolloré, 2025
 Creative Commons BY-NC-ND 4.0 International License
 ISBN 978-3-0361-0138-5
 EPUB, Web, PDFs, Markdown

Project website. Toot. Git.

2025-7-23

File:Figure it Out The Art of Living Through System Failures 2024.pdf

Figure it Out The Art of Living Through System Failures 2024.jpg
Figure it Out
The Art of Living Through System Failures

edited by Mara Ferreri, Valeria Graziano, Marcell Mars, Tomislav Medak and Davor Mišković

Figure it Out (FIO) is an artistic and research project engaging practices and phenomena of coping, tinkering, making-do, and circumventing exclusions that are developed by marginalized, underserved, discriminated, and vulnerable people. Gendered, racialized, bordered, disabled, and exploited, these constituencies are often forced to develop tools and strategies that are considered unacceptable to the institutions of the system. Sometimes these tools and strategies are forged out of necessity, of survival, sometimes to exercise rights or to secure access to basic services available to those deemed more “deserving”. Other times, these coping mechanisms reclaim rest, beauty, or pleasure as part of a dignified life. What FIO practices and phenomena have in common is that they are not about scamming peers or those more vulnerable than them. Instead, they are practices that take issue with formalized, normative forms of oppression (state, welfare institutions, corporations, workplace, credit, housing, utilities etc.) that have sets of rules and conditions of access that specific populations or individuals cannot meet. They are actions directed at the conditions that produce and reproduce systemic violence and which reformist approaches aim to fix in the long run. FIO practices instead inhabit different temporalities from the perspective of those who cannot and will not wait. In their urgency, they open up spaces where different ethical practices can emerge, where knowledges are passed on in ways that complicate claims to a universal and transparent public sphere. 

 Publisher  Drugo more, Rijeka, November 2024
 ISBN  9789539976482
 108 pages
 PDF (1.4 mb)
 Zine

Publisher. Research project.

2025-7-19

File:Hofman Socialism Now Singing Activism after Yugoslavia 2025.pdf

Hofman Socialism Now Singing Activism after Yugoslavia 2025.jpg
Socialism Now
Singing Activism after Yugoslavia

by Ana Hofman

Socialism Now traces the activities of the self-organized choirs that have emerged in the region in the twenty-first century. These collectives have been recuperating Yugoslav and international revolutionary, partisan, and workers’ songs and performing them alongside a contemporary socially engaged repertoire. Their singing activism demasks the privatization, dispossession, and political and social fragmentation that, instead of a promised capitalist dreamland, have shaped lives in the region after the dissolution of socialist Yugoslavia. Combining historical and ethnographic approaches, the book offers a nuanced account of collective singing as a way of organizing against the adverse effects of neoliberal capitalism in its potentialities and limits. Taking a perspective on the politics of music and sound outside the usual understanding of social justice or social change, Socialism Now revalorizes the “lost” historical knowledge and lived experiences from the former Second World. The book’s central concept, strategic amateurism, proposes the key role of nonprofessional, communal leisure musical activities in building the structures for anti-capitalist organizing. 

 Publisher  Oxford University Press, May 2025
 ISBN  9780197576304
 Creative Commons BY-NC-ND 4.0 License
 xiii+193 pages
 PDF (15 mb), HTML, PDFs

Publisher.

2025-7-18

File:Medosch The Rise of the Network Commons A History of Community Infrastructure 2025.pdf

Medosch The Rise of the Network Commons A History of Community Infrastructure 2025.jpg
The Rise of the Network Commons
A History of Community Infrastructure

by Armin Medosch

"This book is a message in a bottle that washed ashore ten years after it was sent. Armin Medosch began documenting self-managed local networking initiatives with his book Freie Netze published in the German language in 2004. He iteratively developed The Rise of the Network Commons in draft chapters published on his website, The Next Layer, from 2013 until 2015, before his death in 2017.

The Rise of the Network Commons is a cultural history of ‘the exciting world of wireless community network projects’ that spread from its origins in London, Berlin, Vienna, Copenhagen to Spain, Greece, North- and South America, and Africa. While deploying cutting-edge technology, the movement is made up of technical, social, and artistic hackers with a range of backgrounds and skills.

This is the twofold thesis that Armin develops in this book: Involving ordinary people in building a network commons has a profound emancipatory effects on them. At the same time, doing so contributes to the democratization of technology: As a community we can begin to shape future technologies to serve our local needs rather than benefit commercial interests.

As a history of community infrastructure, The Rise of the Network Commons is a highly topical narrative for strengthening the resilience of our local last mile digital infrastructures and re-enforcing regional digital self-sovereignty through direct community participation and knowledge sharing. We build the wireless commons by becoming sovereign neighbors of practice and expertise." 

 Publisher Institute of Network Cultures, Amsterdam, 2025
 Edited by Volker Ralf Grassmuck and Adam Burns
 ISBN 978-90-83520-92-6
 Creative Commons BY-NC-SA 4.0 Unported License
 107 pages  
 PDF (5 mb)
 EPUB (9 mb)

Book website. Toot. Publisher.

2025-5-29

File:The Scores Project Essays on Experimental Notation in Music Art Poetry and Dance 1950-1975 2025.pdf

The Scores Project Essays on Experimental Notation in Music Art Poetry and Dance 1950-1975 2025.webp
The Scores Project
Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–1975

Edited by Michael Gallope, Natilee Harren, John Hicks

"A collection of essays examining experimental scores and source documents from the postwar avant-gardes, interpreted by experts on art, music, dance, and poetry.

Individuals working in and across the fields of visual art, music, poetry, theater, and dance in the mid–twentieth century began to use experimental scores in ways that revolutionized artistic practice and opened up new forms of interdisciplinary collaboration. Their experimental methods—associated with the neo-avant-garde, neo-Dadaism, intermedia, Fluxus, and postmodernism—exploded in notoriety during the 1960s in locales from New York to Europe, East Asia, and Latin America, becoming foundational to global trends in contemporary art and performance.

The Scores Project provides an in-depth view of this historical moment. Through expert commentaries from an interdisciplinary team of scholars with accompanying illustrations, this publication examines a series of experimental scores by John Cage, George Brecht, Sylvano Bussotti, Morton Feldman, Allan Kaprow, Alison Knowles, Jackson Mac Low, Benjamin Patterson, Yvonne Rainer, Mieko Shiomi, David Tudor, and La Monte Young. Ambitious, provocative, and playful, The Scores Project is an illuminating resource to scholars and students who seek to understand this innovative and historically complex moment in the history of art."

With contributions by Emily Ruth Capper, George E. Lewis, Julia Bryan-Wilson, Benjamin Piekut, and Nancy Perloff. 

 Publisher Getty Research Institute, Los Angeles, 2025
 ISBN 9781606069356
 Creative Commons BY-NC 4.0 International License
 248 pages
 Website, with additional materials
 PDF (2 mb)
 EPUB (46 mb)

Publisher.

2025-5-21

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