Difference between revisions of "Piotr Piotrowski"
m (Text replacement - "[[Series:Art history" to "[[Series:Art history]] [[Series:Art writers") |
|||
(43 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
+ | {{Infobox artist | ||
+ | |image = Piotr_Piotrowski.jpg | ||
+ | |imagesize = 338px | ||
+ | |birth_date = {{birth date|1952|6|14|mf=y}} | ||
+ | |birth_place = Poznań, Poland | ||
+ | |death_date = {{Death date and age|2015|5|3|1952|6|14|mf=y}} | ||
+ | |death_place = Poznań, Poland | ||
+ | |web = [[Aaaaarg::http://aaaaarg.fail/maker/53108427334fe07269207c90|Aaaaarg]], [[Wikipedia::http://pl.wikipedia.org/wiki/Piotr_Piotrowski|Wikipedia-PL]], [[Academiaedu::http://www.academia.edu/Documents/in/Piotr_Piotrowski|Academia.edu]] | ||
+ | }} | ||
+ | |||
'''Piotr Piotrowski''' (1952, Poznań - 2015, Poznań) was a Polish art historian and curator. | '''Piotr Piotrowski''' (1952, Poznań - 2015, Poznań) was a Polish art historian and curator. | ||
{{TOC limit|3}} | {{TOC limit|3}} | ||
− | + | Piotr Piotrowski received his MA and PhD from the Adam Mickiewicz University in [[Poznan]], Poland, where he worked as Professor Ordinarius in the Art History Department, which he chaired from 1999 to 2008. Research Fellow at the Graduate School for East and South-East European Studies, Ludwig-Maximilians-Universität, Munich / University of Regensburg. He was also co-editor of the annual journal ''Artium Quaestiones'' (1994-2009), Director of the National Museum in Warsaw (2009-2010) and Senior Curator of Contemporary Art at the National Museum in Poznan (1992-1997). Visiting professor at the Humboldt University (2011-2012), the University of Warsaw (2011, 2012-2013), the Center for Curatorial Studies, Bard College USA (2001), and the Hebrew University in Jerusalem (2003). He has been a fellow at the Center for Advanced Studies in the Visual Arts, Washington D.C. (1989-1990), Columbia University (1994), the Institute for Advanced Study, Princeton, N.J. (2000), Collegium Budapest (2005-2006), and the Clark Art Institute, Williamstown, MA (2009). Piotrowski received the Jan Dlugosz Prize (Krakow 2006) and the Igor Zabel Award for Culture and Theory (Barcelona 2010). | |
==Publications== | ==Publications== | ||
+ | |||
===Books=== | ===Books=== | ||
− | * ''Metafizyka obrazu. O teorii sztuki i postawie artystycznej Stanisława Ignacego Witkiewicza'', Poznań: UAM, 1985. {{pl}} | + | |
− | * ''Stanisław Ignacy Witkiewicz'', Warsaw: | + | * ''Metafizyka obrazu. O teorii sztuki i postawie artystycznej Stanisława Ignacego Witkiewicza'' [The Metaphysics of the Picture: On the Art Theory and Artistic Attitude of S.I. Witkiewicz], Poznań: Wydawnictwo Naukowe UAM, 1985, 130 pp. {{pl}} |
− | * ''Dekada | + | |
− | * ''Artysta między rewolucją i reakcją. Studium z zakresu etycznej historii sztuki awangardy rosyjskiej'', Poznań: UAM, 1993. {{pl}} | + | * ''Stanisław Ignacy Witkiewicz'', Warsaw: Krajowa Agencja Wydawnicza, 1989, 167 pp. {{pl}} |
− | * ''W cieniu Duchampa. Notatki nowojorskie'', Poznań: Obserwator, 1996. {{pl}} | + | |
− | * ''Znaczenia modernizmu. W stronę historii sztuki polskiej po 1945 roku'', Poznań: Rebis, 1999. | + | * ''Dekada: o syndromie lat siedemdziesiątych, kulturze artystycznej, krytyce, sztuce – wybiórczo i subiektywnie'' [The Decade: On the Artistic Culture of the 1970s in Poland], Poznań: Obserwator, 1991, 87 pp. {{pl}} |
− | * ''Awangarda w cieniu Jałty. Sztuka w Europie Środkowo-Wschodniej w latach 1945-1989'', Poznań: Rebis, 2005. {{pl}} | + | |
+ | * ''Artysta między rewolucją i reakcją. Studium z zakresu etycznej historii sztuki awangardy rosyjskiej'' [Artist Between Revolution and Reaction. A Study on Russian Avant-garde and Politics], Poznań: Wydawnictwo Naukowe UAM, 1993, 170 pp. On the entanglements of the Soviet avant-garde in the development of the totalitarian system in the USSR. Review: [https://rcin.org.pl/ihpan/dlibra/publication/58750/edition/44135 Leinwand] (SDRESW). {{pl}} | ||
+ | |||
+ | * ''W cieniu Duchampa. Notatki nowojorskie'' [In the Shadow of Duchamp: The New York Notes], Poznań: Obserwator, 1996, 163 pp. {{pl}} | ||
+ | |||
+ | * ''Znaczenia modernizmu. W stronę historii sztuki polskiej po 1945 roku'' [Meanings of Modernism: Towards a History of Polish Art after 1945], Poznań: Rebis, 1999, 289 pp; 2nd ed., 2011, 288 pp. "An analysis of Polish art from the mid-1940s to the present day. Discusses the problem of the persistence and development of modernist notions and values as seen in the critical discourses and creative practice of various artistic formations: from abstract and figurative painting, through the circles of the Polish neo-avant-garde, to the work of the 1980s and 1990s." [https://www.rebis.com.pl/pl/book-znaczenia-modernizmu-piotr-piotrowski,HCHB04776.html Publisher]. Commentary: [https://doi.org/10.14746/aq.2019.30.14 Włodarczyk] (remarks: [https://doi.org/10.14746/aq.2019.30.15], [https://pressto.amu.edu.pl/index.php/aq/article/view/21894]). [https://zasoby.msl.org.pl/mobjects/view/3054] {{pl}} | ||
+ | ** ''Významy modernismu. K historii polského umění po roce 1945'', trans. Jan Jeništa, intro. Pavlína Morganová, Hradec Králové: Galerie moderního umění, 2022, 344 pp. [https://eshop.galeriehk.cz/piotr-piotrowski-vyznamy-modernismu/ Publisher]. Review: [https://www.advojka.cz/archiv/2023/4/piotr-piotrowski-vyznamy-modernismu Profen] (A2). {{cz}} | ||
+ | |||
+ | *{{a|Piotrowski2005}}''Awangarda w cieniu Jałty. Sztuka w Europie Środkowo-Wschodniej w latach 1945-1989'', Poznań: Rebis, 2005, 502 pp. {{pl}} | ||
** ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta. Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009, 487 pp. {{en}} | ** ''[http://monoskop.org/log/?p=1323 In the Shadow of Yalta. Art and the Avant-garde in Eastern Europe, 1945-1989]'', trans. Anna Brzyski, London: Reaktion Books, 2009, 487 pp. {{en}} | ||
** ''Avangarda u sjeni Jalte: umjetnost Srednjoistočne Europe u razdoblju 1945-1989'', Zagreb: Institut za povijest umjetnosti, 2011, 485 pp. {{cr}} | ** ''Avangarda u sjeni Jalte: umjetnost Srednjoistočne Europe u razdoblju 1945-1989'', Zagreb: Institut za povijest umjetnosti, 2011, 485 pp. {{cr}} | ||
− | * | + | ** ''Dans l'ombre de Yalta: art et avant-garde en Europe de l'Est (1945-1989)'', trans. Sophie Renaut, Yan Tomaszewski, Pascal Dubourg Glatigny, and Christian Joschke, pref. Pascal Dubourg-Glatigny and Christian Joschke, Dijon: Les presses du réel, 2021, 603 pp. [https://www.lespressesdureel.com/ouvrage.php?id=2384 Publisher]. Review: [https://journals.openedition.org/critiquedart/92045 Debeusscher] (Critique d'art). [https://www.ehess.fr/fr/ouvrage/dans-lombre-yalta] {{fr}} |
− | * ''Sztuka według polityki. Od Melancholii do Pasji'', Cracow: Universitas, 2007. {{pl}} | + | |
− | * '' | + | * ''Grenzen überwiegend. Festschrift für Adam S. Labuda zum 60. Geburtstag'' (editor, with Katja Bernhardt), Berlin: Lukas Verlag, 2006, 262 pp. {{de}},{{en}} |
− | + | ||
− | + | * ''Sztuka według polityki. Od Melancholii do Pasji'' [Art after Politics: From Melancholy to Passion], Cracow: Universitas, 2007, 259 pp. {{pl}} | |
− | ** ''Art and Democracy in Post-Communist Europe'', trans. Anna Brzyski, London: Reaktion Books, 2012, 312 pp | + | |
− | * | + | * ''Perspektywy współczesnej historii sztuki. Antologia przekładów „Artium Quaestiones”'' (co-editor), Poznań: Wydawnictwo Naukowe UAM, 2009, 1088 pp. {{pl}} |
+ | |||
+ | * ''Agorafilia. Sztuka i demokracja w postkomunistycznej Europie'' [Agoraphilia. Art and Democracy in Post-Communist Europe], Poznań: Rebis, Nov 2010, 304 pp. "Agoraphilia is a key word for the analysis of the artistic culture of Europe that took shape after the Cold War and the fall of communism. The author describes the artistic processes and specific artworks of artists whose ambition was and is to participate in the creation of democracy. The analysis is carried out both in a historical perspective, with reference to the artistic tradition of this part of Europe before 1989, as well as in a synchronous comparison of the cultural experiences of the various countries of the former Eastern Europe. Specific analyses of issues such as artistic topography, gender, biopolitics, memory, pressure of nationalisms, political censorship, new museums, etc., are preceded by an attempt to theoretically structure the research terrain, centred around a multidimensional understanding of 1989 in art-historical research." [https://www.rebis.com.pl/pl/book-agorafilia-sztuka-i-demokracja-w-postkomunistycznej-europie-piotr-piotrowski,HCHB04430.html Publisher]. {{pl}} | ||
+ | ** ''[http://library.memoryoftheworld.org/#/book/6c799142-6587-4585-a5d3-69d8a4397019 Art and Democracy in Post-Communist Europe]'', trans. Anna Brzyski, London: Reaktion Books, 2012, 312 pp. Reviews: [http://compaso.eu/wp-content/uploads/2013/01/Compaso2012-32-Popa.pdf Popa] (JCRAS), [http://sci-hub.st/10.1080/14782804.2014.884807 Smith] (JCES), [https://journals.openedition.org/critiquedart/8311 Smolianskaïa] (Critique d'art), [https://philarchive.org/rec/HRIPPA Hříbek] (Umění). {{en}} | ||
+ | ** "Od geografie k topografii", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022. Trans. of chapter. {{cz}} | ||
+ | |||
+ | * ''Muzeum krytyczne'', Poznań: Rebis, May 2011, 176 pp. "Summary of the author's fifteen months of work at the National Museum in Warsaw seen from the theoretical perspective of the new museology. A critical museum is a museum that is a forum for public debate, that takes up important, often controversial issues with which society lives, an institution that works for a democracy based on dispute. A critical museum is also a self-critical institution, revising its own tradition, measuring itself against its own authority and the art-historical canon it has shaped itself. The book presents this concept and also reports on the attempt to put it into practice in the programme of the National Museum in Warsaw in 2009-2010." [[Media:Piotrowski Piotr 2011 Muzeum krytyka instytucji.pdf|Chapter 1]]. [https://www.rebis.com.pl/pl/book-muzeum-krytyczne-piotr-piotrowski,SCHB04824.html Publisher]. Review: [https://czaskultury.pl/wp-content/uploads/2021/03/MWasilewski_WalkaOMuzeumKrytyczne_CzasKultury_3_2011.pdf Wasilewski] (Czas kultury). [https://mocak.pl/sklep/produkt/muzeum-krytyczne] {{pl}} | ||
+ | ** ''[[Media:Pjotrovski Pjotr Kriticki muzej 2013.pdf|Kritički muzej]]'', trans. Milica Markić, intro. Višnja Kisić and Marijana Cvetković, Belgrade: Evropa Nostra Srbija/Centar za muzeologiju i heritologiju Univerziteta u Beogradu, 2013, 147 pp. [http://www.cmih.rs/izdanja/ Publisher]. {{sr}} | ||
+ | |||
+ | * ''From Museum Critique to the Critical Museum'' (editor, with Katarzyna Murawska-Muthesius), Ashgate, Jul 2015, 272 pp. "Looks at the ways in which the museum could use its collections, its cultural authority, its auratic space and resources to give voice to the underprivileged, and to take an active part in contemporary and at times controversial issues." [http://academia.edu/9950176/ TOC], [http://academia.edu/12772931 Introduction]. [https://www.routledge.com/From-Museum-Critique-to-the-Critical-Museum/Murawska-Muthesius-Piotrowski/p/book/9780815399629 Publisher]. {{en}} | ||
+ | |||
+ | * ''[https://monoskop.org/log/?p=17365 Art Beyond Borders: Artistic Exchange in Communist Europe (1945-1989)]'' (editor, with Jérôme Bazin and Pascal Dubourg Glatigny), Budapest: Central European University Press, 2016, xii + 494 + 24 pp. {{en}} | ||
+ | |||
+ | * ''Globalne ujęcie sztuki Europy Wschodniej'', Poznań: Rebis, 2018, 208 pp. [https://www.biblos.pk.edu.pl/ST/2019/01/100000318079/100000318079_Piotrowski_GlobalneUjecie.pdf TOC]. [https://www.rebis.com.pl/pl/book-globalne-ujecie-sztuki-europy-wschodniej-piotr-piotrowski,HCHB07622.html Publisher]. [https://arthist.amu.edu.pl/spotkanie-piotr-piotrowski-globalne-ujecie-sztuki-europy-wschodniej/ Events]. {{pl}} | ||
+ | |||
+ | * ''Umění a emancipace: výbor z textů Piotra Piotrowského'', eds. & intro. Pavlína Morganová and Martin Škabraha, intro. Agata Jakubowska and Magdalena Radomska, Prague: VVP AVU, 2022, 263 pp. A selection of texts from 1998 to 2013, complemented by two interviews and introductions. [https://www.obalkyknih.cz/file/toc/756509/pdf TOC]. [https://vvp.avu.cz/knihy/umeni-a-emancipace-vybor-z-textu-piotra-piotrowskeho/ Publisher]. [https://artalk.cz/2023/01/15/uvedeni-knih-piotra-piotrowskeho-vyznamy-modernismu-a-umeni-a-emancipace/ Book launch]. [https://www.academia.cz/umeni-a-emancipace-vybor-z-textu-piotra-piotrowskeho--morganova-pavlina--akademie-vytvarnych--2022 Distribution]. {{cz}} | ||
===Catalogues=== | ===Catalogues=== | ||
− | |||
− | |||
− | |||
− | |||
− | === | + | * ''Galeria odNOWA 1964-1969'' (editor), Poznań: Muzeum Narodowe, 1993, 99 pp. {{pl}} |
− | * [http:// | + | |
− | * [http://nonsite.org/article/east-european-art-peripheries-facing-post-colonial-theory "East European Art Peripheries Facing Post-Colonial Theory"], ''Nonsite'' 12 | + | * ''Odwilż. Sztuka ok. 1956'' [The "Thaw". Polish Art ca. 1956] (editor), Poznań: Muzeum Narodowe, 1996, 316 pp. {{pl}} |
− | * [http:// | + | |
+ | * ''Jarosław Kozłowski: Przestrzenie czasu / Spaces of Time'' (editor), Poznań: Muzeum Narodowe, 1997, 92 pp. {{pl}}/{{en}} | ||
+ | |||
+ | * ''Zofia Kulik: od Syberii do Cyberii / From Siberia to Cyberia'' (editor), Poznań: Muzeum Narodowe, 1999, 147 pp. Exh. held May-Jun 1999. [http://kulikzofia.pl/bibliografia-zofii-kulik/] {{pl}}/{{en}} | ||
+ | |||
+ | ===Journal issues=== | ||
+ | |||
+ | * ''Artium Quaestiones'' 8-20 (co-editor), Poznań: Wydawnictwo Naukowe UAM, 1997-2009. {{pl}} | ||
+ | |||
+ | * ''Centropa'' 8(1): "Nationalism and Democracy" (editor), Jan 2008. {{en}} | ||
+ | |||
+ | * ''Czas Kultury'' 3(186): "Kryzys uniwersytetu" (editor), 2015. {{pl}} | ||
+ | |||
+ | ===Articles=== | ||
+ | |||
+ | ====1970s-1980s==== | ||
+ | |||
+ | <div class=twocol> | ||
+ | |||
+ | * "Przeciwko instytucjom", ''Sztuka'' 6, Warsaw, 1976, pp 52-56. {{pl}} | ||
+ | |||
+ | * "Witkacy jako Portrecista", ''Sztuka'' 2, Warsaw, 1978, pp 28-30. {{pl}} | ||
+ | |||
+ | * "Portrety i społeczeństwo. O firmie portretowej S.I. Witkiewicz", ''Problemy interpretacji dzieła sztuki i jego funkcji społecznych'', ed. K. Kalinowski, Poznań: Wydawnictwo Naukowe UAM, 1980, pp 154-168. {{pl}} | ||
+ | |||
+ | * "Dialektyka kryzysu", ''Miesięcznik Literacki'' 1, Warsaw, 1981, pp 65-70. {{pl}} | ||
+ | |||
+ | * "Witkacy i paradygmat awangardy", in ''Sztuka dwudziestolecia międzywojennego'', Warsaw: PWN, 1982, pp 113-125. {{pl}} | ||
+ | |||
+ | * "Sztuka a okres miniony", ''Miesięcznik Literacki'' 9, Warsaw, 1982, pp 50-56. {{pl}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/8442 "Retoryka banknotu. Przyczynek do badan kultury wizualnej dwudziestolecia międzywojennego"], ''Artium Quaestiones'' 2, Poznań: Wydawnictwo Naukowe UAM, 1983, pp 131-143. {{pl}} | ||
+ | |||
+ | * "Kosmos i forma", ''Biuletyn Historii Sztuki'' 3-4, Warsaw: Instytut Sztuki PAN, 1985, pp 319-325. {{pl}} | ||
+ | ** "Cosmos and Form", ''Polish Art Studies'' 9, Wrocław: Instytut Sztuki PAN, 1988, pp 211-222. {{en}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/9602 "Autonomia, symbol, utopia"], ''Artium Quaestiones'' 3, Poznań: Wydawnictwo Naukowe UAM, 1986, pp 109-129. {{pl}} | ||
+ | |||
+ | * "Filozofia gestu", in ''Sztuka Polska po 1945'', Warsaw: PWN, 1987, pp 243-253. {{pl}} | ||
+ | |||
+ | * "Oblicze artystycznego Poznania", ''Kronika Miasta Poznania'' 55:1, Poznań, 1987, pp 19-30. {{pl}} | ||
+ | |||
+ | * "On the Ethos of the Polish Artist", ''Art Monthly'' 103, London, Feb 1987, pp 11-15. {{pl}} | ||
+ | |||
+ | * "Autokomentarz destrukcyjny", in "Autokomentarz artysty", ''Zeszyty Naukowe Akademii Sztuk Pięknych'' 2/20, Warsaw, 1987, ss. 114-128; repr., shortened, ''Res Publica'' 10, Warsaw, 1988, pp 53-58. {{pl}} | ||
+ | ** "L'Autocommentaire destructeur. Critique et modernité", trans. Antoine Baudin, ''Ligeia'' 3-4, Paris, 1989, pp 129-134. [https://www.cairn.info/revue-ligeia-1988-3.htm] {{fr}} | ||
+ | |||
+ | * "Kryzys awangardy czy kryzys sztuki", ''Przegląd Powszechny'' 5, Warsaw, 1987, pp 196-210; repr. in ''Kryzysy w sztuce'', Warsaw: PWN, 1988, pp 167-176. {{pl}} | ||
+ | |||
+ | * "La conception plastique du theatre chez Witkiewicz", ''Ligeia'' 2, Paris 1988, pp 60-71. [https://www.cairn.info/revue-ligeia-1988-2.htm] {{fr}} | ||
+ | |||
+ | * "Art in the Crucible of History", ''The Polish Review'' 33:2, New York, 1988, pp 123-142. {{en}} | ||
+ | |||
+ | * "Awangarda uwikłana", ''Szkice'' 9, Warsaw, 1989, pp 19-26. {{pl}} | ||
+ | |||
+ | </div> | ||
+ | |||
+ | ====1990s==== | ||
+ | |||
+ | <div class=twocol> | ||
+ | |||
+ | * [http://hdl.handle.net/10593/9594 "The Dialectics of Destiny"], ''Artium Quaestiones'' 5, Poznań: Wydawnictwo Naukowe UAM, 1991, pp 85-98. {{en}} | ||
+ | ** "Dialektyka przeznaczenia", ''Skrypt'' 5, UAM, 1992, pp 14-26. {{pl}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/9598 "W kręgu dyskusji postmodernistycznych"], ''Artium Quaestiones'' 5, Poznań: Wydawnictwo Naukowe UAM, 1991, pp 156-165. {{pl}} | ||
+ | |||
+ | * "Wielkie kwestie i martwa natura", in ''Sztuka lat trzydziestych'', ed. Anna Gogut, Warsaw: Stowarzyszenie Historyków Sztuki, 1991, pp 5-16. {{pl}} | ||
+ | |||
+ | * "Awangarda i historia", ''Sprawozdania Komisji Historii Sztuki Poznańskiego Towarzystwa Przyjaciół Nauk'' 106, Poznań, 1989, pp 50-59; repr. in ''Sztuka i Historia'', Warsaw: PWN, 1992, pp 325-334. {{pl}} | ||
+ | ** "Avant-garde et histoire", ''Ligeia'' 11-12, Paris, Dec 1992, pp 5-12. [https://www.cairn.info/revue-ligeia-1992-4.htm] {{fr}} | ||
+ | |||
+ | * "Moralność Inc.", ''Czas Kultury'' 3, Mar-May 1992, pp 34-39. {{pl}} | ||
+ | |||
+ | * "W poszukiwaniu alternatywy; odpowiadając Beuysowi", ''Obieg'' 4-5, 1992, pp 9-14; repr. in ''Na okrągło: 1989–2009 / Over and Over Again: 1989–2009'', eds. Aneta Szylak and Jan Sowa, Wrocław: Korporacja Ha!art, and BWA – Galeria Sztuki Współczesnej, 2009, pp 131-144. {{pl}} | ||
+ | ** "In Search of an Alternative, The Wealth of Nations, ed. C. Lauf, Gent, Imschoot uigevers, 1993, ss. 55-64; repr., exp., as "In Search of an Alternative", in ''Actes del III Congreso „Cultura Europea”'', Pamplona: Universidad de Navarra, Aranzadi Editorial, 1966, pp 371-376; repr. as "In Search for an Alternative – a Response to Beuys", in ''Na okrągło: 1989–2009 / Over and Over Again: 1989–2009'', eds. Aneta Szylak and Jan Sowa, Wrocław: Korporacja Ha!art, and BWA – Galeria Sztuki Współczesnej, 2009, pp 131-144. {{en}} | ||
+ | |||
+ | * "Przedmiot jako kultura. Duchamp i Ameryka śladami Baudrillarda", ''Format'' 8-9, Wrocław, 1993, pp 3-5, 112. {{pl}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/9586 "Art and Independence: Polish Art in the 1920s"], ''Artium Quaestiones'' 6, Poznań: Wydawnictwo Naukowe UAM, 1993, pp 31-37. {{en}} | ||
+ | |||
+ | * "Ameryka-Europa", ''Kresy'' 16, Lublin, Autumn 1993, pp 232-238. {{pl}} | ||
+ | |||
+ | * "Z bluźnierczej historii sztuki", in ''Andres Serano. Prace z lat 1986–1992'', Warsaw: Centrum Sztuki Współczesnej, 1994, pp 7-18. {{pl}} | ||
+ | ** "From the Blasphemous History of Art", in ''Andres Serrano. Works from 1986–1992'', Warsaw: Center for Contemporary Art, 1994, pp 7-18. {{en}} | ||
+ | ** "Iz bogokletne zgodovine umetnosti / From the Blasphemous History of Art", in ''Andres Serrano'', Ljubljana: Moderna Galerija, 1994. {{sl}}/{{en}} | ||
+ | |||
+ | * "Listy z Nowego Jorku", 4 parts, ''Nowy Nurt'' 9, 1994, p 12; 10, 1994, pp 13-14; 12, 1994, p 12; 13, 1994, pp 13-14. {{pl}} | ||
+ | |||
+ | * "Post-modernism and Post-totalitarianism. The Poland Case of the 1970s", ''ARS'' 2-3, 1993, pp 231–242; repr., exp., ''Magazyn Sztuki'' 4, 1994, pp 213-222. {{en}} | ||
+ | ** "Postmodernizm i posttotalitaryzm", ''Magazyn Sztuki'' 4, 1994, pp 56-73. {{pl}} | ||
+ | |||
+ | * "Kunst und Geschichte: über die Grenzen der Polnischen Gegenwartskunst", in ''Der Riss im Raum. Positionen der Kunst seit 1945 in Deutschland, Polen, der Slovakei und Tschechien'', Berlin: Guardini Stiftung, Verlag der Kunst, 1994, pp 58-64. {{de}} | ||
+ | ** "Artysta i historia. W stronę granicy współczesnej sztuki polskiej", in ''Rysa w przestrzeni. Sztuka po 1945 roku w Czechach, Niemczech, Polsce i Słowacji'', Warsaw: Galeria Sztuki Współczesnej Zachęta, 1995, pp 27-32. {{pl}} | ||
+ | |||
+ | * "Awangarda między estetyką i polityką. Konstruktywizm w opinii publicznej, 1921–1934", in ''Władysław Strzemiński, 1893–1952. Materiały z Sesji (1993)'', Łódź: Biblioteka Muzeum Sztuki, 1994, pp 108-124. {{pl}} | ||
+ | ** "The Avant-Garde between Aesthetic and Politics. Constructivism as Seen by Public, 1921–1934", in ''Władysław Strzemiński, 1893–1952. Materials of the Conference'', Łódź: Muzeum Sztuki, 1995, pp 108-122. {{en}} | ||
+ | |||
+ | * "Ciało artysty", in ''Jerzy Bereś: Zwidy, Wyrocznie, Ołtarze, Wyzwania'', Poznań: Muzeum Narodowe, 1995, pp 33-39. {{pl}} | ||
+ | ** The Artist’s Body", in ''Jerzy Bereś: Zwidy, Wyrocznie, Ołtarze, Wyzwania'', Poznań: Muzeum Narodowe, 1995, pp 40-46; repr. in ''Art and National Identity in Poland and England. Papers delivered at the University of London History of Art Conference'', ed. A. Kwilecka and F. Ames-Lewis, London: Dept. of History of Art, Birkbeck College, 1996, pp 135-148. {{en}} | ||
+ | ** "Telo umelca. Jerzy Bereś", in ''Rezonancie ’98'', ed. Z. Bartosova, Bratislava: AICA, Slovenska Sekcia, 2001, pp 87-100. | ||
+ | |||
+ | * "Henryk Stażewski – modernista?", ''Odra'' 5, 1995, pp 62-68. {{pl}} | ||
+ | |||
+ | * "Ambivalenses Kunster" / "Man among Ambivalences", ''Terskel/Threshold'' 15, Oslo: Museet for Samtidskunst, Sep 1995, pp 7-23. {{no}}/{{en}} | ||
+ | ** "Człowiek wśród ambiwalencji" / "Man among Ambivalences", ''Magazyn Sztuki'' 6-7, 1995, pp 134-151. {{pl}}/{{en}} | ||
+ | ** "Ember az ambivalenciák között. Jarosław Kozłowski", ''Balkon'' 1-2, Budapest, 1997, pp 42-44. {{hu}} | ||
+ | |||
+ | * "The Old Attitude and the New Faith” in ''Beyond Belief: Contemporary Art from East Central Europe'', ed. Laura J. Hoptman, Chicago: Museum of Contemporary Art, 1995, pp 34-45; exp. as "Beyond the Old and New Belief", ''Magazyn Sztuki'' 10:2, 1996, pp 161-176. {{en}} | ||
+ | ** "Poza starą i nową wiarą", ''Magazyn Sztuki'' 10:2, 1996, pp 144-160. {{pl}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/9570 "Rosja i Ameryka; Awangarda i modernizm"], ''Artium Quaestiones'' 7, Poznań, 1995, pp 153-170. {{pl}} | ||
+ | |||
+ | * "Die Kunst im Spiegel der Geschichte", in ''Der Riss im Raum. Dokumentation'', Gaurdini Stiftung, Berlin 1995, pp 25-37. {{de}} | ||
+ | ** "Art on the Mirror Stage", in ''Crossroads in Central Europe / Carrefours en Europe centrale: Ideas, Themen, Methods and Problems of Contemporary Art and Art Criticism / Des idée, des méthodes et des problémes de l’art et du critique d’art contemporains'', Budapest: Association of Hungarian Creative Artists/Association Nationale des Artistes Créatifs Hongrois, 1996, pp 62-71. {{en}} | ||
+ | |||
+ | * "Odwilż" / "The Thaw", in ''Odwilż. Sztuka ok. 1956'', exh. cat., ed. Piotr Piotrowski, Poznań: Muzeum Narodowe, 1996, pp 243-259. {{pl}}/{{en}} | ||
+ | |||
+ | * "Modernismus und sozialistische Kultur im Polen der späten 50 Jahre", in ''Die Depots der Kunst, Dokumentationszentrum Kunst der DDR'', Beeskow, 1997, pp 40-46. {{de}} | ||
+ | |||
+ | * "Art versus History; History versus Art", in ''Art from Poland, 1945-1996'', ed. Anda Rottenberg, Warsaw: Zachęta, 1997, pp 209-230. {{en}} | ||
+ | |||
+ | * "Post-War Central Europe: Art, History, and Geography", ''Krasnogruda'' 8, Sejny/Stockholm, 1998, pp 27-34. {{en}} | ||
+ | ** "Iskustwo w kontiekst", ''Kultura'' 32, Sofia, 1998, pp 9, 12. | ||
+ | |||
+ | * [http://web.archive.org/web/20170425140536/magazynsztuki.eu/old/archiwum/nr_19/archiwum_nr19_tekst_4.htm "W stronę nowej geografii artystycznej"], ''Magazyn Sztuki'' 19:3, 1998, pp 76-99. {{pl}} | ||
+ | ** "Towards a New Geography of Art", ''Magazyn Sztuki'' 19:3, 1998, pp 76-99; repr., shortened, as [http://old.guelman.ru/xz/english/XX22/X2210.HTM "'Framing' of the Central Europe"], ''Moscow Art Magazine'' 22, Moscow, 1998, pp 55-66; repr. in ''2000+ ArtEast Collection. The Art of Eastern Europe: A Selection of Works for the International and National Collection of Moderna Galerija Ljubljana'', eds. Zdenka Badovinac and Peter Weibel, Vienna/Bozen: Folio, 2001, pp 15-22; repr., rev. & exp., in ''Daniel Knorr. European Influenza. La Biennale di Venezia. Romanian Pavilion'', Oberhausen: Plitt, 2005, pp 514-550. {{en}} | ||
+ | ** [http://moscowartmagazine.com/issue/43/article/842 "'Ramirovaniye' tsentralnoy Yevropy"] [Рамирование» центральной европы], ''Moscow Art Magazine'' 22, Moscow, 1998. Trans. of shortened version. [http://old.guelman.ru/xz/362/XX22/X2210.HTM] {{ru}} | ||
+ | ** "'Rámování' střední Evropy", ''Umělec'' 3:4, Prague: Divus, 1999, pp 34-35; [[Media:Piotrowski Piotr 1998 2011 Ramovani stredni Evropy.pdf|repr. in]] ''České umění 1980-2010. Texty a dokumenty'', eds. Jiří Ševčík, et al., Prague: VVP AVU, 2011, pp 320-325. Trans. of shortened version. {{cz}} | ||
+ | ** "Framing of the Central Europe", in ''La Biennale di Venezia. 51 Esposizione Internazionale d’Arte. Romanian Pavilion / Pavilionul Romaniei'', 2005, pp 514-550. {{en}}/{{ro}} | ||
+ | ** "K nové geografii umění", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 29-50. {{cz}} | ||
+ | |||
+ | * "Mońko umetnikovo telo. Nacionalna identiteta proti politiki identitete", ''M’Ars'' 1-2, Ljubjana: Moderna Galerija, 1998, pp 14-30. {{sl}} | ||
+ | ** "Male Artist's Body: National Identity vs. Identity Politics", ''M’Ars'' 1-2, Ljubjana: Moderna Galerija, 1998, pp 14-30; repr., ''ARTMargins'', 1999; repr. in ''Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s'', eds. Laura Hoptman and Tomáš Pospiszyl, New York: MoMA, 2002, pp 225-234; repr. in ''Gender Check: A Reader. Art and Theory on Eastern Europe'', ed. Bojana Pejić, Cologne: Walther König, 2010, pp 127-137. [http://web.archive.org/web/19991004053752/http://www.gss.ucsb.edu/artmargins/] {{en}} | ||
+ | ** "Sztuka męskiego ciała: tożsamość narodowa i polityka tożsamości", ''Format'' 31-32, 1999, pp 15-20. {{pl}} | ||
+ | ** "Tělo muže-umělce. Národní identita vs. politika identity", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 51-62. {{cz}} | ||
+ | |||
+ | * "Między koloryzmem a modernizmem. W stronę estetyki recepcji malarstwa Piotra Potworowskiego" [Between Colorism and Modernism. Towards the Reception Aesthetics of Piotr Potworowski Painting], in ''Piotr Potworowski, 1898–1962'', Warsaw: Galeria Sztuki Współczesnej „Zachęta”, 1998, pp 45-54. {{pl}} | ||
+ | |||
+ | * "Between History and Geography: In Search for the Identity of Central Europe", in ''Culture of the Time of Transformation. II International Congress: The Cultural Identity of the Central-Eastern Europe'', Poznań: WiS Publishers, 1999, pp 39-45. {{en}} | ||
+ | |||
+ | * "Between Siberia and Cyberia. On the Art of Zofia Kulik and on Museums", in ''Zofia Kulik: od Syberii do Cyberii / From Siberia to Cyberia'', exh. cat., Poznań: National Museum, 1999, pp 7-33. {{en}} | ||
+ | |||
+ | * "The Grey Zone of Europe", in ''After the Wall: Art and Culture in Post-Communist Europe'', eds. David Elliott and Bojana Pejić, Stockholm: Moderna Museet, 1999, pp 35-41; repr. in ''Contemporary Art in Eastern Europe'', eds. Phoebe Adler and Duncan McCorquodale, London: Black Dog, 2010, pp 199-206. {{en}} | ||
+ | ** "Szara strefa Europy", ''Format'' 33-34, Wrocław, 2000, pp 54-60. Shortened version. {{pl}} | ||
+ | ** "Cira zona Efropy", ''Suĉasnost'' 1, Kyiv, 2002, pp 140-149. {{uk}} | ||
+ | |||
+ | * "Obraz po wielkiej wojnie", in ''Sztuka w okresie PRL-u'', eds. T. Gryglewicz and A. Szczerski, Cracow: Instytut Historii Sztuki UJ, 1999, pp 13-25. {{pl}} | ||
+ | |||
+ | * "Sztuka w czasie końca utopii", ''Biuletyn Historii Sztuki'' 3-4, 1999, pp 267-282. {{pl}} | ||
+ | |||
+ | </div> | ||
+ | |||
+ | ====2000s==== | ||
+ | |||
+ | <div class=twocol> | ||
+ | |||
+ | * "Sztuka według polityki/ Art after Politics", in ''Negocjatorzy sztuki wobec rzeczywistości / Negotiators of Art Facing Reality'', Gdańsk: Centrum Sztuki „Łaźnia”, 2000, pp 20-34, 139-147. {{pl}} | ||
+ | ** "Mistiectvo zgidno z politikoj", ''Kritika'' 37:11, Kyiv, Nov 2000, pp 16-22. Trans. of shortened version. {{uk}} | ||
+ | |||
+ | * "L'autre Europe", in ''L'autre moitié de l'Europe'', ed. D. Abadie, Paris: Gelerie National du Jeu de Paume / Réunion des Musées Nationaux, 2000, pp 19-32. {{fr}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/11018 "Totalitarianism and Modernism: The “Thaw” and ''Informel'' Painting in Central Europe, 1955–1965"], ''Artium Quaestiones'' 10, Poznań, 2000, pp 119-175; repr., shortened, as [https://artmargins.com/after-stalins-death-modernism-in-central-europe-in-the-late-1950s/ "After Stalin's Death: Modernism in Central Europe in the late 1950s"], ''ARTMargins'', Oct 2001. {{en}} | ||
+ | ** "Totalita a modernismus. “Tání” a informel ve střední Evropě v letech 1955-1965", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 63-90. {{cz}} | ||
+ | |||
+ | * "Modernism and Socialist Culture: Polish Art in the late 1950s", in ''Style and Socialism. Modernity and Material Culture in Post-War Eastern Europe'', eds. S.E. Reid and D. Crowley, Oxford/New York: Berg Publishers, 2000, pp 133-147. {{en}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/11027 "Modernism and Totalitarianism II. Myths of Geometry: Neo-Constructivism in Central Europe 1948-1970"], ''Artium Quaestiones'' 11, Poznań: Wydawnictwo Naukowe UAM, 2000, pp 101-154. {{en}} | ||
+ | |||
+ | * "The Geography of Central/East European Art", in ''Borders in Art. Revisiting Kunstgeographie'', ed. K. Murawska-Muthesius, Norwich: University of East Anglia, and Warsaw: Institute of Art, 2000, pp 43-50; repr. in ''On Cultural Influence. Collected Papers from Apexart International Conferences'', eds. Steven Rand and Heather Kouris, New York: Apexart, 2006, pp 97-105. {{en}} | ||
+ | |||
+ | * "Między totalitaryzmem i demokracją. Pomnik ‘Poznańskiego Czerwca 1956", ''Kronika Miasta Poznania'' 2, Poznań, 2001, pp 195-210. {{pl}} | ||
+ | ** "Zwischen Totalitarismus und Demokratie: Das Denkmal zum Posener Juni 1956", in ''Denkmäler in Kiel und Posen. Parallelen und Kontraste'', Kiel: Verlag Ludvig, 2002, pp 250-264. {{de}} | ||
+ | |||
+ | * "Surrealistyczne interregnum", in ''Mistrzowi'', ed. T. Gryglewicz, Cracow: Instytut Historii Sztuki, Uniwersytet Jagielloński, 2001, pp 297-326. {{pl}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/11055 "Krytyka obrazu. W stronę neoawangardy Europy Środkowej lat sześćdziesiątych"], ''Artium Quaestiones'' 12, 2001, pp 161-238. {{pl}} | ||
+ | |||
+ | * "Obraza uczuć. Odbiór sztuki krytycznej w Polsce", ''Res Publica Nowa'' 3, Warsaw, 2002, pp 40-44. {{pl}} | ||
+ | |||
+ | * "Modernity and Nationalism. Avant-Garde and Polish Independence, 1912–1922", in ''Central European Avant-Gardes: Exchange and Transformation, 1910–1930'', Los Angeles: Los Angeles County Museum of Art, and Cambridge, MA: MIT Press, 2002, pp 312-326. {{en}} | ||
+ | |||
+ | * in ''[[Media:Between_Worlds_A_Sourcebook_of_Central_European_Avant-Gardes_1910-1930_2002.pdf|Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910-1930]]'', eds. Timothy O. Benson and Éva Forgács, Los Angeles, CA: Los Angeles County Museum of Art, and Cambridge, MA: MIT Press, 2002. Selection and commentaries devoted to Polish avant-garde. {{en}} | ||
+ | |||
+ | * co-author, "East Art Map: a (Re)construction of the History of Art in Eastern Europe", ''New Moment'' 20, Ljubljana, 2002; repr. as "Poland", in ''[[Media:IRWIN_ed_East_Art_Map_Contemporary_Art_and_Eastern_Europe_2006.pdf|East Art Map: Contemporary Art and Eastern Europe]]'', ed. IRWIN, London: Afterall, 2006, pp 245-251. {{en}} | ||
+ | |||
+ | * "O „sztuce dziś”, a więc „tu i teraz”", in ''Sztuka dzisiaj. Materiały z sesji Stowarzyszenia Historyków Sztuki (Warszawa, listopad 2001)'', ed. M. Poprzęcka, Warsaw: Stowarzyszenie Historyków Sztuki, 2002, pp 17-26. {{pl}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/11064 "Nad mapą neoawangardy Europy Środkowej lat siedemdziesiątych XX wieku"], ''Artium Quaestiones'' 13, 2002, pp 125-228. {{pl}} | ||
+ | |||
+ | * [https://artmargins.com/central-europe-in-the-face-of-unification/ "Central Europe in the Face of Unification"], ''ARTMargins'', Jan 2003; repr. in ''Who if not we should at least try to imagine the future of all this'', eds. Maria Hlavajova and Jill Winder, Amsterdam: Artimo, 2004, pp 271-281; [https://monoskop.org/images/d/de/Art_and_Theory_of_Post-1989_Central_and_Eastern_Europe_A_Critical_Anthology_2018.pdf#page=80 repr. in] ''Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology'', eds. Ana Janevski, Roxana Marcoci, Ksenia Nouril, New York: Museum of Modern Art, 2018, pp 79-85. {{en}} | ||
+ | |||
+ | * "Ein neue Kunst – ein neuer Staat, Der neue Staat", in ''Polinische Kunst, 1918–1939, zwischen Experiment und Repräsentation'', eds. R. Schuler and G. Gawlik, Vienna: Leopold Museum, and Hatje Cantz Verlag, 2003, pp 51-68. {{de}} | ||
+ | |||
+ | * "The Avant-Garde Institutionalised? The 1932 City of Łódź Art Prize Awarded to Władysław Strzemiński", ''Umění'' 3, Prague, 2003, pp 211-218. {{en}} | ||
+ | |||
+ | * "Agorafobia po komunizmie" / "Postkommunistische Agoraphobia" in ''Publiczna przestrzeń dla sztuki? / Öffentlisher Raum für Kusnt?'', ed. M.A. Potocka, Cracow: Bunkier Sztuki, and Vienna: Inter Esse/ Triton Verlag, 2003, pp 179-237. {{pl}}/{{de}} | ||
+ | ** "Agoraphobia after Communism", ''Umění'' 1, Prague, 2004, pp 52-60; repr., exp., in ''Visual Art Policy in Poland: Democracy, Populism and Censorship, Populism. The Reader'', New York: Lukas & Sternberg, and Frankurt am Main: Frankfurter Kunstverein, 2005, pp 187-193. {{en}} | ||
+ | ** "Cenzura crucificarii: arta, politica si democratie in Polonia" / "To Censor the Crucifixion, and Democracy in Poland", ''Idea. Arta+Societate / Art+ Society'' 20, 2005, pp 148-155. {{ro}} | ||
+ | ** "Aforabia pislia komunizmy", ''Kijewskaja rys'' 7-8, Kyiv, 2009, pp 181-199. {{uk}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/11074 "Ciało i tożsamość. Sztuka ciała w Europie Środkowej"], ''Artium Quaestiones'', Poznań: Wydawnictwo Naukowe UAM, 2003, pp 201-256. [https://digi.ub.uni-heidelberg.de/diglit/artium_quaestiones2003/0204/] {{pl}} | ||
+ | |||
+ | * "Auschwitz versus Auschwitz", ''Pro Memoria'' 20, Jan 2004, pp 15-23. {{pl}} | ||
+ | ** "Auschwitz vs. Auschwitz", in ''Zerstörer des Schweigens. Formen künstlerischer Erinnerung an die nationalsozialistische Rassen- und Vernichtungspolitik in Osteuropa'', eds. Frank Grüner, Urs Heftrich, and Hans-Dietrich Löwe, Cologne: Böhlau, 2006, pp 515-530. {{de}} | ||
+ | |||
+ | * "Geography of Changes – Changes of Geography?", in ''Anxiety of Influence. Bachalors, Brides, and a Family Romance'', ed. Adam Budak, Bern: Stadtgalerie, 2004, pp 84-97. {{en}} | ||
+ | |||
+ | * [http://hdl.handle.net/10593/11082 "Od nacjonalizacji do socjalizacji polskiego modernizmu, 1913–1950"], ''Artium Quaestiones'' 15, Poznań: Wydawnictwo Naukowe UAM, 2004, pp 97-138. {{pl}} | ||
+ | |||
+ | * "Polska sztuka między totalitaryzmem a demokracją", in ''Warszawa–Moskwa, Moskwa–Warszawa, 1900–2000'', ed. Maria Poprzęcka, Warsaw: Narodowa Galeria Sztuki „Zachęta”, 2004, pp 87-98. {{pl}} | ||
+ | ** "Polskoje iskustvo miezdu totalitarizmom i diemokracjej", in ''Moskva–Warszawa Warszawa–Moskva, 1900–2000'', Moscow: Gosudarstviennaja Trietiakovskaja Galerja, 2005, pp 98-106. {{ru}} | ||
+ | ** "Polish Art between Totalitarianism and Democracy" / "Umetnost u Poljskoj – izmedu totalitarizma i demokratije" / "Polska sztuka między totalitaryzmem i demokracją", in ''Behind the Iron Curtain. Official and Independent Art in the Soviet Union and Poland, 1945–1989 / Iza Gvozdene. Zvanićna i nezavisna umetnost u Sovjetskom Savezu i Poljkos, 1945–1989 / Za żelazną kurtyną. Sztuka oficjalna i niezależna w Związku Radzieckim i Polsce, 1945–1989'', ed. Piotr Nowicki, Warsaw: Polish Modern Art Foundation, 2010, pp 63-76, 60-75, 64-78. {{en}}/{{sr}}/{{pl}} | ||
+ | |||
+ | * [http://outernationale.memoryoftheworld.org/Thomas%20Dacosta%20Kaufmann/Time%20and%20Place_%20The%20Geohistory%20of%20A%20(200)/Time%20and%20Place_%20The%20Geohistory%20-%20Thomas%20Dacosta%20Kaufmann.pdf#page=170 "Between Place and Time: A Critical Geography of ‘New’ Central Europe"], in ''[http://library.memoryoftheworld.org/#/book/9c334a44-ddd1-4ebb-b98d-9b10025ff6a8 Time and Place: The Geohistory of Art]'', eds. Thomas DaCosta Kaufmann and Elizabeth Pilliod, Hants: Ashgate, 2005, pp 153-171; repr., 2018. {{en}} | ||
+ | |||
+ | * "Nagroda Rembrandta", in ''Tadeusz Kantor. Interior imaginacji'', eds. Jarosław Suchan and Marek Świca, Warsaw: Narodowa Galeria Sztuki Zachęta, and Cracow: Ośrodek dokumentacji sztuki Tadeusza Kantora Cricoteka, 2005, pp 33-45. {{pl}} | ||
+ | ** "The Rembrandt Prize", in ''Tadeusz Kantor. Interior of Imagination'', eds. Jarosław Suchan and Marek Świca, Warsaw: National Gallery of Art Zachęta, and Cracow: Center of the Documentation of the Art of Tadeusz Kantor Cricoteka, 2005, pp 33-45. {{en}} | ||
+ | |||
+ | * "O końcu Europy Środkowej i praktykach kuratorskich", in ''Mowa i moc obrazów. Prace dedykowane Marii Poprzęckiej'', eds. Waldemar Baraniewski, et al., Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2005, pp 398-404. {{pl}} | ||
+ | |||
+ | * "Art Criticism in Defence of Regionalisation in post-1989 Eastern Europe", in ''The Regionalisation of Art Criticism: Its Possibility and Interventions in Space'', Taiwan: AICA, 2005, pp 13-21. {{en}} | ||
+ | |||
+ | * "Von der Neoavantgarde zur kritishes Kunst – vom weichen Socialismus zur unvollkommenen Democratie" / "From Neo-Avant-Garde to Critical Art – From Soft Socialism to Imperfect Democracy", in ''Kontakt... aus der Sammlung der Erste Bank-Gruppe / Kontakt... works from the collection of Erste Bank Group'', Vienna: Museum Moderner Kunst Stiftung Ludwig, 2006, pp 62-73. {{de}}/{{en}} | ||
+ | |||
+ | * "Bridging the Past and Present", in ''Leap into the City'', eds. Katrin Klingan and Ines Kappert, Cologne: DuMont Literatur und Kunst Verlag, 2006, pp 358-371. {{en}} | ||
+ | |||
+ | * [https://sci-hub.st/10.1080/09528820600590298 "Mapping the Legacy of the Political Change of 1956 in East European Art"], ''Third Text'' 20(2): "Europe: The Fifties Legacy", eds. Nancy Jachec and Reuben Fowkes, London: Routledge, Mar 2006, pp 211-221. [https://doi.org/10.1080/09528820600590298] {{en}} | ||
+ | |||
+ | * "Drang nach Westen. The Visual Rhetoric of Polish „Western Politics”, in the 1930s", in ''Visuelle Erinnerungskulturen und Geschchtskonstruktionen in Deutschland und Polen 1800 bis 1939'', eds. Robert Born, Adam S. Labuda, and Beate Störtkuhl, Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 2006, pp 465-480. {{en}} | ||
+ | |||
+ | * "On 'Two Voices of Art History'", in ''Grenzen überwiegend. Festschrift für Adam S. Labuda zum 60. Geburtstag'', eds. Katja Bernhardt and Piotr Piotrowski, Berlin: Lukas Verlag, 2006, pp 42-56; repr. in ''Modernism and Central- and East-European Art & Culture'', Osaka: Osaka University, 2007, pp 319-337. {{en}} | ||
+ | ** [http://hdl.handle.net/10593/11101 "O 'dwóch głosach historii sztuki'"], ''Artium Quaestiones'' 17, Poznan: Wydawnictwo Naukowe UAM, 2006, pp 195-214. {{pl}} | ||
+ | |||
+ | * "Biopolityka i demokracja", in ''Krzysztof Wodiczko. Doktor honoris causa Akademii Sztuk Pięknych w Poznaniu'', ed. J. Marciniak, Poznań: ASP, 2007, pp 13-26; repr., ''Czas Kultury'' 4-5, 2007, pp 189-201. [https://www.ceeol.com/search/article-detail?id=134381] {{pl}} | ||
+ | |||
+ | * "Nova Demokracja – nova cenzura", in ''Vizualniat Obraz'', Sofia: New Bulgarian University, 2007, pp 13-25. {{bg}} | ||
+ | |||
+ | * [http://web.archive.org/web/20080122184413/http://www.obieg.pl/artmix/artmix13_01.php "Śladami Louisa Althusera. O polityce autonomii i autonomii polityki w sztuce Europy Wschodniej"], ''Artmix'' 13:3, 2006. [https://archiwum-obieg.u-jazdowski.pl/artmix/4157] {{pl}} | ||
+ | ** [https://hdl.handle.net/20.500.12259/33680 "From the Politics of Autonomy to the Autonomy of Politics"], ''Art History & Criticism / Meno istorija ir kritika'' 3, Kaunas: Vytautas Magnus University, 2007, pp 18-24. [https://hdl.handle.net/20.500.12259/31343] {{en}} | ||
+ | |||
+ | * "Beyond Democracy", ''Centropa'' 8(1): "Nationalism and Democracy", Jan 2008, pp 5-15. {{en}} | ||
+ | |||
+ | * "Czy (wciąż) istnieje Europa Środkowa i czy (jeszcze) ma coś do powiedzenia" / "Does Central Europe (still) Exist, and Does it (still) Have Something Important to Say?", in ''Mediations Biennale'', Poznań: Centrum Kultury „Zamek”, 2008, pp 28-55. {{pl}} | ||
+ | |||
+ | * [https://springerin.at/en/2008/4/jenseits-der-demokratie/ "Jenseits der Demokratie. Zum Verhältnis von Kunst, Staat und Kirche in Polen"], ''springerin'' 14(4): "My Religion", 2008, pp 42-47; [https://www.eurozine.com/jenseits-der-demokratie/ repr.], ''Eurozine'', Jan 2009. {{de}} | ||
+ | |||
+ | * [[Media:Piotrowski Piotr 2008 On the Spatial Turn or Horizontal Art History.pdf|"On the Spatial Turn, or Horizontal Art History"]], ''Umění'' 56:5, Prague, 2008, pp 378–383; rev. as "Towards A Horizontal History of Modern Art", in ''Writing Central European Art History: PATTERNS Travelling Lecture Set 2008/2009'', Vienna, 2008; rev., shortened, as "Towards a Horizontal Art History", in ''Crossing Cultures. Conflict, Migration, and Convergence'', ed. Jaynie Anderson, Melbourne: Miegunyah Press, 2009, pp 82–85; rev. as [[Media:Piotrowski_Piotr_2009_Toward_a_Horizontal_History_of_the_European_Avant-Garde.pdf|"Toward a Horizontal History of the European Avant-Garde"]], trans. Marek Wilczyński, in ''Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent, 1'', eds. Sascha Bru, et al., Berlin: De Gruyter, 2009, pp 49-58; rev., shortened, as "On the Spatial Turn", in ''Promises of the Past. A Discontinuous History of Art in Former Eastern Europe'', eds. Christine Macel, et al., Paris: Centre Pompidou, 2010, pp 212-215. [https://www.umeni-art.cz/cz/detail/0D5MUO] [https://doi.org/10.1515/9783110217728.2.49] [https://monoskop.org/log/?p=17395] {{en}} | ||
+ | ** [https://doi.org/10.11588/diglit.29068.9 "O horyzontalnej historii sztuki"], ''Artium Quaestiones'' 20, 2009, pp 59-74. [https://arthist.amu.edu.pl/artium-quaestones/artium-quaestiones-xx/] {{pl}} | ||
+ | ** "Du tournant spatial ou une histoire horizontale de l’art", trans. Katarzyna Cohen, in ''Géoesthétique'', eds. Kantuta Quirós and Aliocha Imhoff, Dijon: éditions B42, 2014, pp 123-131; repr. in ''L'art à l'ère de la globalisation'', ed. Christine Macel, Paris: Éditions du Centre Pompidou, 2022, pp 30-44. [https://www.academia.edu/4056511/] [https://www.cairn.info/l-art-a-l-ere-de-la-globalisation--9782844269133-page-30.htm] {{fr}} | ||
+ | ** "Sobre la historia horizontal del arte", trans. Desiderio Navarro, ''Criterios'' 89, Havana, Sep 2016. {{es}} | ||
+ | ** [http://moscowartmagazine.com/issue/72/article/1553 "K gorizontalnoy istorii yevropeyskogo avangarda"] [К горизонтальной истории европейского авангарда], trans. Natalia Prikhodko, ''Moscow Art Magazine'' 104, Moscow, 2018. {{ru}} | ||
+ | ** [https://doi.org/10.24215/23142502e006 "Del giro espacial o una historia horizontal del arte"], trans. Berenice Gustavino, ''Boletín de Arte'' 18, Buenos Aires: Facultad de Bellas Artes, Universidad Nacional de La Plata, Oct 2018. {{es}} | ||
+ | ** "O prostorovém obratu aneb O horizontálních dějinách umění", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 91-104. {{cz}} | ||
+ | |||
+ | * [[Media:Piotrowski_Piotr_2009_How_to_Write_a_History_of_Central‐East_European_Art.pdf|"How to Write a History of Central‐East European Art?"]], ''Third Text'' 23(1): "Socialist Eastern Europe", London: Routledge, Jan 2009, pp 5-14. [https://doi.org/10.1080/09528820902786586] {{en}} | ||
+ | ** "Jak psát dějiny umění středovýchodní Evropy", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 105-118. {{cz}} | ||
+ | |||
+ | * "Artysta w Auschwitz. O (nie)banalności sztuki", in ''Zagłada: współczesne problemy rozumienia i przedstawiania'', eds. Przemysław Czapliński and Ewa Domańska, Poznań: Poznańskie Studia Polonistyczne, 2009, pp 291-307. {{pl}} | ||
+ | |||
+ | * "Modernism after the End of Modern Art" / "Modernism parast moods kunsti loopu", in ''Different Modernisms, Different Avant-Gardes. Problems in Central and Eastern European Art after World War II / Erinevad Modernismid, Erinevad Avangardid. Kesk-ja Ida-Euroopa Kunstiprobleemid Parast Teist Maailmosoda'', ed. Sirje Helme, Tallinn: Eesti Kunstimuuseum KUMU, 2009, pp 208-233. {{en}}/{{ee}} | ||
+ | |||
+ | * "Zbigniew Libera: anarchia i krytyka", in ''Zbigniew Libera. Prace z lat 1982–2008'', ed. Dorota Monkiewicz, Warsaw: Zachęta – Narodowa Galeria Sztuki, pp 8-18. {{pl}} | ||
+ | ** "Zbigniew Libera: Anarchy and Criticism", in ''Zbigniew Libera. Works from 1982–2008'', ed. Dorota Monkiewicz, Warsaw: Zachęta – National Gallery of Art, pp 8-18. {{en}} | ||
+ | |||
+ | * "Gender after the Wall", in ''Gender Check. Feminity and Masculinity in the Art of Eastern Europe'', ed. Bojana Pejić, Vienna: Museum Moderner Kunst Stiftung Ludwig, and Cologne: Verlag der Buchhandlung Walter König, 2009, pp 236-240. {{en}} | ||
+ | ** "Gender po murze", in ''Płeć? Sprawdzam! Kobiecość i męskość w sztuce Europy Wschodniej'', Warsaw: Zachęta Narodowa Galeria Sztuki, 2010, pp 75-79. {{pl}} | ||
+ | |||
+ | </div> | ||
+ | |||
+ | ====2010s==== | ||
+ | |||
+ | <div class=twocol> | ||
+ | |||
+ | * "Traumatofilia i traumatofobia. Nowe muzea w nowej Europie", in ''1968/1989. Momenty zwrotne w polityce i sztuce'', eds. Clair Bishop and Marta Dziewanska, Warsaw: Museum of Modern Art, 2010, pp 418-437. {{pl}} | ||
+ | ** [https://monoskop.org/images/a/ac/Bishop_Claire_Dziewanska_Marta_eds_1968-1989_Political_Upheaval_and_Artistic_Change.pdf#page=149 "New Museums in East-Central Europe: Between Traumaphobia and Traumaphilia"], in ''[https://monoskop.org/log/?p=14379 1968/1989: Political Upheaval and Artistic Change]'', eds. Clair Bishop and Marta Dziewanska, Warsaw: Museum of Modern Art, 2010, pp 148-166; repr., shortened, as "New Museums / New Europe", in ''Curating „Eastern Europe” and Beyond. Art Histories trough the Exhibition'', ed. Maria Orisková, Frankfurt am Main: Peter Lang, and Bratislava: Veda – Slovak Academy of Science, 2013, pp 91-99. {{en}} | ||
+ | ** "Nová muzea nové Evropy", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 157-176. {{cz}} | ||
+ | |||
+ | * [https://monoskop.org/images/b/b1/Domanska_Ewa_Loba_Miros%C5%82aw_eds_French_Theory_w_Polsce_2010.pdf#page=105 "„Francuskie teorie”, amerykańska mediacja, polska redakcja. ''Pro domo sua'' i/lub humanistyka po dekonstrukcji"], in ''[[Media:Domanska Ewa Loba Mirosław eds French Theory w Polsce 2010.pdf|French Theory w Polsce]]'', eds. Ewa Domańska and Mirosław Loba, Poznań: Wydawnictwo Poznańskie, 2010, pp 105-116. [http://ewa.home.amu.edu.pl/French_Theory_w_Polsce_ksiazka.htm] {{pl}} | ||
+ | |||
+ | * "O dymisji znaczonego", in ''[https://issuu.com/fundacjaprofile/docs/kozlowski_pol Jarosław Kozłowski. Cudzysłowy]'', ed. Bożena Czubak, Warsaw: Profile, 2010, pp 281-289. {{pl}} | ||
+ | ** "On the Dismissal of the Signified", in ''[https://issuu.com/fundacjaprofile/docs/kozlowski_ang Jarosław Kozłowski. Quotation Marks]'', ed. Bożena Czubak, Warsaw: Profile, 2010, pp 281-289. {{en}} | ||
+ | |||
+ | * "Historyk sztuki między akademią i muzeum", in ''Historia sztuki dzisiaj. Materiały LVIII Ogólnopolskiej Sesji Naukowej Stowarzyszenia Historyków Sztuki'', eds. Janusz Pazder, et al., Warsaw: Stowarzyszenie Historyków Sztuki, 2010, pp 213-221. {{pl}} | ||
+ | |||
+ | * "A General and Universal Concept of Resistance", in ''Performing History. Romanian Pavilion at the 54th International Art Exhibition'', eds. Bogdan Ghiu with Maria Rus Bojan, IDEA arts+society, 2011, pp 90-93. Excerpted from ''In the Shadow of Yalta'' (2009). [https://performinghistory.ro/publication/] {{en}} | ||
+ | |||
+ | * "Museum: From the Critique of Institution to a Critical Institution", in ''(Re)Staging the Art Museum'', ed. Tone Hansen, Høvikodden: Henie Onstad Art Center, 2011, pp 77-90. {{en}} | ||
+ | ** "Muzeum: Od kritiky instituce ke kritické instituci", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 177-190. {{cz}} | ||
+ | |||
+ | * "On (Former) Eastern Europe: Discussing the Post-Communist Condition in Art", in ''Innovative Approaches to the Complex Care of Contemporary Art'', ed. Iwona Szmelter, Warsaw: Academy of Fine Arts, and London: Archetype Publications, Jul 2012, pp 74-82. [https://archetype.co.uk/our-titles/innovative-approaches-to-the-complex-care-of-contemporary-art/?id=164 Publisher]. {{en}} | ||
+ | |||
+ | * "No komunisma uz postkomunisma situāciju" / "From Communist to Post-Communist Condition", in ''Atsedzot neredzamo pagātni / Recuperating the Invisible Past'', ed. Ieva Astahovska, Riga: Latvian Center for Contemporary Art, 2012, pp 16-27. {{lv}}/{{en}} | ||
+ | |||
+ | * [https://monoskop.org/images/3/34/Hoeller_Christian_ed_L_Internationale_Post-War_Avant-Gardes_Between_1957_and_1986.pdf#page=342 "From the International to the Cosmopolitan"], in ''[https://monoskop.org/log/?p=15655 L’Internationale. Post-War Avant-Gardes between 1957–1986]'', ed. Christian Höller, Zürich: JRP|Ringier, 2012, pp 302-310. {{en}} | ||
+ | |||
+ | * [[Media:Piotrowski Piotr 2013 Writing on Art after 1989.pdf|"Writing on Art after 1989"]], in ''The Global Contemporary and the Rise of New Art Worlds'', eds. Hans Belting, Andrea Buddensieg, and Peter Weibel, Karlsruhe: ZKM | Center for Art and Media, and Cambridge, MA: MIT Press, 2013, pp 202-207, [http://web.archive.org/web/20131014134541/http://www.globalartmuseum.de/site/guest_author/326 HTML]. {{en}} | ||
+ | ** "Schreiben über Kunst nach 1989", ''Kunstforum International'' 220: "Globalkunst – eine neue Weltordnung", Mar-Apr 2013, pp 70-85. [https://www.kunstforum.de/artikel/schreiben-uber-kunst-nach-1989/] {{de}} | ||
+ | ** "Écrire sur l’art après 1989", in ''L'art à l'ère de la globalisation'', ed. Christine Macel, Paris: Éditions du Centre Pompidou, 2022, pp 169-181. [https://www.cairn.info/l-art-a-l-ere-de-la-globalisation--9782844269133-page-169.htm] {{pl}} | ||
+ | ** "Jak psát o umění po roce 1989", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 119-132. {{cz}} | ||
+ | |||
+ | * [http://rcin.org.pl/Content/62041/PDF/WA248_79092_P-I-2524_piotrow-od-global_o.pdf "Od globalnej do alterglobalistycznej historii sztuki"], ''Teksty Drugie'' 1-2, 2013, pp 269-291; repr. in ''Historia sztuki wobec globalizacji'', ed. Maria Poprzęcka, Warsaw: Stowarzyszenie Historyków Sztuki, 2013, pp 7-30; repr. as ch. 2 in Piotrowski, ''Globalne ujęcie sztuki Europy Wschodniej'', Poznań: Rebis, 2018. "Suggests an alter-globalist art history that would be both a critique of global Western cultural hegemony (albeit different from the post-colonial perspective) and an activist contribution to the constitution of the contemporary political condition of the world, called 'global agoraphilia'." [https://www.ceeol.com/search/article-detail?id=251984] {{pl}} | ||
+ | ** [[Media:Piotrowski_Piotr_2015_From_Global_to_Alter-Globalist_Art_History.pdf|"From Global to Alter-Globalist Art History"]], ''Teksty Drugie'' 1, 2015, pp 112-134. [https://depot.ceon.pl/bitstream/handle/123456789/10920/08_piotrowski_from_global.pdf?sequence=1&isAllowed=y] {{en}} | ||
+ | ** "Od globálních k alterglobalistickým dějinám umění", trans. Justyna Suma and Hana Blažková, ''Sešit'' 34, Prague: VVP AVU, 2023, pp 117-146. [https://vvp.avu.cz/sesit/sesit-34/] {{cz}} | ||
+ | |||
+ | * "Critical Objects. The De-Musealization of Art?", in ''The Challenge of the Object'', eds. G. Urlich Grossmann and Petra Krutisch, Nürnberg: Germanisches Nationalmuseum, 2013, pp 406-410. [https://www.gnm.de/fileadmin/editorCMS/publikation/pdf/publikation134_pdf1.pdf] {{en}} | ||
+ | |||
+ | * "Avant-Garde Art in Post-Communist Central Europe", in ''Decentring the Avant-Garde'', eds. Per Bäckström and Benedikt Hjartarson, Amsterdam/New York: Rodopi, Jan 2014, pp 117-141. [https://doi.org/10.1163/9789401210379_007] {{en}} | ||
+ | |||
+ | * "Wschodnioeuropejskie peryferie artystyczne w obliczu teorii postkolonialnej", ''Konteksty'' 68:2, 2014, pp 262-272; repr. as ch. 3 in Piotrowski, ''Globalne ujęcie sztuki Europy Wschodniej'', Poznań: Rebis, 2018. [https://www.ceeol.com/search/article-detail?id=150536] [http://katalog.czasopism.pl/index.php/Konteksty._Polska_Sztuka_Ludowa_2_(305)_2014] {{pl}} | ||
+ | ** [http://nonsite.org/article/east-european-art-peripheries-facing-post-colonial-theory "East European Art Peripheries Facing Post-Colonial Theory"], ''Nonsite'' 12, Aug 2014. {{en}} | ||
+ | ** [[Media:Jazdec_1_2014.pdf|"Východoeurópske umelecké periférie zoĉi-voĉi postkoloniálnym teóriám"]], trans. Silvia Ruppeldtová, ''Jazdec'' 1, Bratislava: Centrum vizuálneho umenia - CEVIUM, 2014, pp 1, 8-12. {{sk}} | ||
+ | ** "Východoevropské umělecké periferie a postkoloniální teorie", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 191-208. {{cz}} | ||
+ | |||
+ | * [http://dx.doi.org/10.5604/04641086.1122631 "Muzeum naukowe"] [Scientific Museum], ''Muzealnictwo'' 55, 2014, pp 14-18. {{pl}} | ||
+ | |||
+ | * [https://doi.org/10.11588/diglit.42379.10 "Globalny NETwork. W stronę porównawczej historii sztuki"], ''Artium Quaestiones'' 25, Poznań: Wydawnictwo Naukowe UAM, 2014, pp 139-175; repr. as ch. 6 in Piotrowski, ''Globalne ujęcie sztuki Europy Wschodniej'', Poznań: Rebis, 2018. [https://arthist.amu.edu.pl/artium-quaestones/artium-quaestiones-xxv/] {{pl}} | ||
+ | ** "The Global NETwork: An Approach to Comperative Art History", in ''[http://libgen.rs/book/index.php?md5=3968562CFBDED1CB2E975E71BB6FCFE1 Circulations in the Global History of Art]'', eds. Thomas DaCosta Kaufmann, Catherine Dossin, and Béatrice Joyeux-Prunel, Ashgate, 2015, pp 149-165. {{en}} | ||
+ | |||
+ | * "Peryferie wszystkich części świata łączcie się", ''Rocznik Sztuki Śląskiej'' 23, 2014, pp 277-285; repr. as ch. 1 in Piotrowski, ''Globalne ujęcie sztuki Europy Wschodniej'', Poznań: Rebis, 2018; [https://magazynszum.pl/peryferie-wszystkich-czesci-swiata-laczcie-sie/ repr.], ''SZUM'', Apr 2019. {{pl}} | ||
+ | ** "Periferie světa - spojte se!", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 209-222. {{cz}} | ||
+ | |||
+ | * "Krzysztof Wodiczko i światowa politeja", in ''Krzysztof Wodiczko: On Behalf of the Public Domain'', exh. cat., ed. Bożena Czubak, Muzeum Sztuki w Łodzi, 2015, pp 49-61. {{pl}} | ||
+ | ** "Krzysztof Wodiczko and the Global Politeia", trans. M. Wawrzyńczak, in ''Krzysztof Wodiczko: On Behalf of the Public Domain'', exh. cat., ed. Bożena Czubak, Muzeum Sztuki w Łodzi, 2015, pp 49-60; [https://monoskop.org/images/1/1e/After_Piotr_Piotrowski_Art_Democracy_and_Friendship_2019.pdf#page=202 repr. in] ''After Piotr Piotrowski: Art, Democracy and Friendship'', eds. Agata Jakubowska and Magdalena Radomska, Poznań: Wydawnictwo Naukowe UAM, 2019, pp 201-217. {{en}} | ||
+ | |||
+ | * "Making the National Museum Critical", in ''From Museum Critique to the Critical Museum'', eds. Katarzyna Murawska-Muthesius and Piotr Piotrowski, Ashgate, 2015, pp 137-146. [https://www.taylorfrancis.com/chapters/edit/10.4324/9781315583433-12/making-national-museum-critical-piotr-piotrowski Publisher]. {{en}} | ||
+ | |||
+ | * [https://balticworlds.com/why-were-there-no-great-pop-art-curatorial-projects-in-eastern-europe-in-the-1960s/ "Why Were There no Great Pop Art Curatorial Projects in Eastern Europe in the 1960s?"], ''Baltic Worlds'' 8:3-4, 2015, pp 10-16, [https://balticworlds.com/wp-content/uploads/2015/11/Piotr-Piorowski.pdf PDF]; [https://monoskop.org/images/6/61/Oehrner_Annika_ed_Art_in_Transfer_in_the_Era_of_Pop_2017.pdf#page=22 repr. in] ''Art in Transfer in the Era of Pop'', ed. Annika Öhrner, Huddinge: Södertörn University, 2017, pp 21-36. {{en}} | ||
+ | |||
+ | * [https://galeria-at.siteor.pl/piotrowski-tekst "Andrzej Matuszewski i Galeria odNOWA jeszcze raz"], in ''Andrzej Matuszewski'', Poznań: Fundację 9/11 Art Space, 2015. {{pl}} | ||
+ | |||
+ | * "Nationalizing Modernism: Exhibitions of Hungarian and Czechoslovakian Avant-garde in Warsaw", in ''[https://monoskop.org/log/?p=17365 Art Beyond Borders: Artistic Exchange in Communist Europe (1945-1989)]'', eds. Jérôme Bazin, Pascal Dubourg Glatigny, and Piotr Piotrowski, Budapest: Central European University Press, 2016, pp 209-223. {{en}} | ||
+ | |||
+ | * "Czy realizm socjalistyczny był globalny?", ch. 4 in Piotrowski, ''Globalne ujęcie sztuki Europy Wschodniej'', Poznań: Rebis, 2018, pp 87-106. {{pl}} | ||
+ | |||
+ | * "Das Tor des Gedächtnisses", in ''Bildformeln. Visuelle Erinnerungskulturen in Osteuropa'', ed. Susi K. Frank, Bielefeld: transcript, 2018, pp 317-334. [https://doi.org/10.1515/9783839427170-013] {{de}} | ||
+ | |||
+ | </div> | ||
+ | |||
+ | ===Bibliography=== | ||
+ | |||
+ | * [https://www.kunstgeschichte.hu-berlin.de/personen/ehemalige-mitarbeiterinnen/seiten-ehemaliger-mitarbeiterinnen/piotr-piotrowski/ On Piotrowski's page on IKB HU Berlin], 2010. | ||
+ | |||
+ | * [https://doi.org/10.14746/aq.2015.26.2 "Bibliografia publikacji Profesora dr. hab. Piotra Piotrowskiego"], ''Artium Quaestiones'' 26, Sep 2015, pp 15-34. Based on bibliography maintained by Piotrowski on his [http://www.amu.edu.pl/~piotrpio website]. | ||
+ | |||
+ | * [https://www.obalkyknih.cz/file/bib/14351/pdf Výběrová bibliografie Piotra Piotrowského"], in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 243-247. | ||
+ | |||
+ | * [https://databaze.vvp.avu.cz/bibliobaze/?srch=piotrowski&sent=1 Piotrowski in Bibliobáze VVP AVU] | ||
+ | |||
+ | ==Interviews== | ||
+ | |||
+ | * Edit András, [https://artmargins.com/provincializing-the-west/ "Provincializing the West: Interview with Piotr Piotrowski"], ''ARTMargins'', Oct 2012. Conducted in Apr 2012. {{en}} | ||
+ | ** "Provincionalizace Západu: Rozhovor s Piotrem Piotrowským", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 223-230. {{cz}} | ||
+ | |||
+ | * Tereza Stejskalová, [https://www.advojka.cz/archiv/2012/26/kriticke-muzeum "Kritické muzeum. S Piotrem Piotrowským o jeho pojetí výstavních institucí"], ''A2'' 26, Prague, Dec 2012. {{cz}} | ||
+ | |||
+ | * [https://doi.org/10.36854/widok/2013.3.1345 "Miłość do emancypacji. O warsztacie i zaangażowaniu badacza humanisty rozmawiają Luiza Nader, Katarzyna Bojarska i Adam Mazur"] [Love for Emancipation: On the Know-How and Engagement of a Researcher-Humanist. In Conversation with Luiza Nader, Katarzyna Bojarska and Adam Mazur], ''Widok. Teorie i praktyki kultury wizualnej'' 3, 2013. {{pl}} | ||
+ | ** "Láska k emancipaci. O řemeslu a angažovanosti humanitního vědce s Piotrem Piotrowským hovoří Luiza Nader, Katarzyna Bojarska a Adam Mazur", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 231-242. {{cz}} | ||
+ | |||
+ | * Richard Kosinsky, Jan Elantkowski, Barbara Dudas, [https://artmargins.com/a-way-to-follow-interview-with-piotr-piotrowski/ "A Way to Follow: Interview with Piotr Piotrowski"], ''ARTMargins'', Jan 2015. Conducted in Oct 2014. {{en}} | ||
+ | |||
+ | ==Literature== | ||
+ | |||
+ | * Joanna Szczepanik, [https://monoskop.org/images/b/b0/Szczepanik_Joanna_Geografia_artystyczna_Neue_Slowenische_Kunst_wieloaspektowosc_i_kolektywizm_2014.pdf#page=77 "Geografia relacyjna Irit Rogoff i horyzontalna historia sztuki Piotra Piotrowskiego"], in Szczepanik, ''Geografia artystyczna Neue Slowenische Kunst. Wieloaspektowosc i kolektywizm'', Gdańsk: Wydawnictwo Naukowe Katedra, 2014, pp 76-101. [http://wnkatedra.pl/pl/geografia-artystyczna-neue-slowenische-kunst-joanna-szczepanik.html] {{pl}} | ||
+ | |||
+ | * Agata Jakubowska, [https://doi.org/10.14746/aq.2015.26.1 "Piotr Piotrowski. Portret praktyka krytycznej historii sztuki"], ''Artium Quaestiones'' 26, Sep 2015, pp 5-14. {{pl}} | ||
+ | |||
+ | * Magdalena Radomska, "Piotr Piotrowski jako praktyk teoretyczny. In Memoriam", ''Biuletyn Historii Sztuki'' 79:3, 2017, pp 625-633. [https://www.ceeol.com/search/article-detail?id=709118] {{pl}} | ||
+ | |||
+ | * Agata Jakubowska, Magdalena Radomska (eds.), ''[[Media:After Piotr Piotrowski Art Democracy and Friendship 2019.pdf|After Piotr Piotrowski: Art, Democracy and Friendship]]'', Poznań: Wydawnictwo Naukowe UAM, 2019, 233 pp. [http://blokmagazine.com/after-piotr-piotrowski-art-democracy-and-friendship-introduction/ Introduction]. [https://press.amu.edu.pl/pl/after-piotr-piotrowski-art-democracy-and-friendship.html Publisher, TOC]. Review: [https://www.umeni-art.cz/cz/issue-detail/4-7Hy1TQ Lomová] (Umění). [https://www.academia.edu/95234875/] [https://www.erstestiftung.org/en/publications/after-piotr-piotrowski/] {{en}} | ||
+ | ** "Umění, demokracie a přátelství - po Piotru Piotrowském", in ''Umění a emancipace: výbor z textů Piotra Piotrowského'', Prague: VVP AVU, 2022, pp 21-28. Trans. of Introduction. {{cz}} | ||
+ | |||
+ | * Matthew Rampley, [https://craace.com/wp-content/uploads/2022/01/Umeni-2_21-Rampley.pdf "Networks, Horizons, Centres and Hierarchies: On the Challenges of Writing on Modernism in Central Europe"], ''Umění'' 69:2, 2021, pp 145-162, 235. [[Media:Umeni_69_2_2021.pdf|Responses]] (Beáta Hock, Marie Rakušanová, Milena Bartlová, Magdalena Radomska, Jeremy Howard, Raino Isto, Claire Farago, Timothy O. Benson, Éva Forgács; pp 163-211). [https://www.umeni-art.cz/en/issue-detail/2-6Me5NY TOC]. [https://craace.com/2022/01/12/new-article-by-matthew-rampley-on-writing-on-modernism-in-central-europe/] {{en}} | ||
+ | |||
+ | * Marie Rakušanová, [https://www.researchgate.net/publication/365744690 "Writing on the History of Modern Art: From Particularism to a New Universalism"], ''Umění'' 69:2, Prague, 2021, pp 168-174. [https://www.umeni-art.cz/cz/issue-detail/2-6Me5NY] {{en}} | ||
+ | ** [https://www.umeni-art.cz/cz/detail/29m70R "Dějepis moderního umění: od partikularismu k novému universalismu"], 2021. {{cz}} | ||
+ | |||
+ | * Dan Karlholm, [https://balticworlds.com/traumatic-contemporaneity/ "Traumatic Contemporaneity: Reflections on Piotr Piotrowski's Critical Museography"], ''Baltic Worlds'' 14:3, 2021, pp 47-56, [https://urn.kb.se/resolve?urn=urn%3Anbn%3Ase%3Ash%3Adiva-46660 PDF]. {{en}} | ||
+ | |||
+ | * Agata Jakubowska, [https://doi.org/10.14746/aq.2022.33.10 "Feminism in the Time of Transformation. Piotr Piotrowski, Zofia Kulik and the Development of Feminist Art History in Poland"], ''Artium Quaestiones'' 33, 2022, pp 261-278. {{en}} | ||
+ | |||
+ | * Agata Jakubowska, Magdalena Radomska (eds.), ''[[Media:Jakubowska Agata Radomska Magdalena eds Horizontal Art History and Beyond 2023.pdf|Horizontal Art History and Beyond: Revising Peripheral Critical Practices]]'', Routledge, 2023, 232 pp. [https://www.routledge.com/Horizontal-Art-History-and-Beyond-Revising-Peripheral-Critical-Practices/Jakubowska-Radomska/p/book/9781032030678 Publisher]. {{en}} | ||
+ | |||
+ | * Milena Bartlová, "Piotr Piotrowski přichází do Česka", ''Sešit'' 34, Prague: VVP AVU, 2023, pp 148-172. [https://vvp.avu.cz/sesit/sesit-34/] {{cz}} | ||
==Links== | ==Links== | ||
− | * http://www.staff.amu.edu.pl/~piotrpio/ | + | |
− | * [ | + | * [http://piotrpiotrowskicenter.amu.edu.pl Piotr Piotrowski Center for Research on East-Central European Art], est. 2018 (Faculty of Historical Studies, Adam Mickiewicz University, Poznań). |
− | * [ | + | |
− | + | * [http://web.archive.org/web/20171210044154/http://www.staff.amu.edu.pl/~piotrpio/ Profile on Adam Mickiewicz University, Poznań] (archived) | |
+ | |||
+ | * [https://www.kunstgeschichte.hu-berlin.de/personen/ehemalige-mitarbeiterinnen/seiten-ehemaliger-mitarbeiterinnen/piotr-piotrowski/ Profile on IKB HU Berlin], 2010 | ||
+ | |||
+ | * Tributes: [https://artmargins.com/in-memoriam-piotr-piotrowski-june-14-1952-may-3-2015/ Anna Brzyski] (ARTMargins), [http://www.theguardian.com/artanddesign/2015/jun/09/piotr-piotrowski-obituary Kasia Murawska-Muthesius] (The Guardian), [https://balticworlds.com/piotr-piotrowski-in-memoriam/ Charlotte Bydler] (Baltic Worlds). | ||
+ | |||
+ | [[Series:Art history]] [[Series:Art writers]] [[Series:Writers]] | ||
+ | {{DEFAULTSORT:Piotrowski, Piotr}} |
Latest revision as of 13:31, 20 December 2023
![]() | |
Born |
June 14, 1952 Poznań, Poland |
---|---|
Died |
May 3, 2015 Poznań, Poland | (aged 62)
Web | Aaaaarg, Wikipedia-PL, Academia.edu |
Piotr Piotrowski (1952, Poznań - 2015, Poznań) was a Polish art historian and curator.
Piotr Piotrowski received his MA and PhD from the Adam Mickiewicz University in Poznan, Poland, where he worked as Professor Ordinarius in the Art History Department, which he chaired from 1999 to 2008. Research Fellow at the Graduate School for East and South-East European Studies, Ludwig-Maximilians-Universität, Munich / University of Regensburg. He was also co-editor of the annual journal Artium Quaestiones (1994-2009), Director of the National Museum in Warsaw (2009-2010) and Senior Curator of Contemporary Art at the National Museum in Poznan (1992-1997). Visiting professor at the Humboldt University (2011-2012), the University of Warsaw (2011, 2012-2013), the Center for Curatorial Studies, Bard College USA (2001), and the Hebrew University in Jerusalem (2003). He has been a fellow at the Center for Advanced Studies in the Visual Arts, Washington D.C. (1989-1990), Columbia University (1994), the Institute for Advanced Study, Princeton, N.J. (2000), Collegium Budapest (2005-2006), and the Clark Art Institute, Williamstown, MA (2009). Piotrowski received the Jan Dlugosz Prize (Krakow 2006) and the Igor Zabel Award for Culture and Theory (Barcelona 2010).
Publications[edit]
Books[edit]
- Metafizyka obrazu. O teorii sztuki i postawie artystycznej Stanisława Ignacego Witkiewicza [The Metaphysics of the Picture: On the Art Theory and Artistic Attitude of S.I. Witkiewicz], Poznań: Wydawnictwo Naukowe UAM, 1985, 130 pp. (Polish)
- Stanisław Ignacy Witkiewicz, Warsaw: Krajowa Agencja Wydawnicza, 1989, 167 pp. (Polish)
- Dekada: o syndromie lat siedemdziesiątych, kulturze artystycznej, krytyce, sztuce – wybiórczo i subiektywnie [The Decade: On the Artistic Culture of the 1970s in Poland], Poznań: Obserwator, 1991, 87 pp. (Polish)
- Artysta między rewolucją i reakcją. Studium z zakresu etycznej historii sztuki awangardy rosyjskiej [Artist Between Revolution and Reaction. A Study on Russian Avant-garde and Politics], Poznań: Wydawnictwo Naukowe UAM, 1993, 170 pp. On the entanglements of the Soviet avant-garde in the development of the totalitarian system in the USSR. Review: Leinwand (SDRESW). (Polish)
- W cieniu Duchampa. Notatki nowojorskie [In the Shadow of Duchamp: The New York Notes], Poznań: Obserwator, 1996, 163 pp. (Polish)
- Znaczenia modernizmu. W stronę historii sztuki polskiej po 1945 roku [Meanings of Modernism: Towards a History of Polish Art after 1945], Poznań: Rebis, 1999, 289 pp; 2nd ed., 2011, 288 pp. "An analysis of Polish art from the mid-1940s to the present day. Discusses the problem of the persistence and development of modernist notions and values as seen in the critical discourses and creative practice of various artistic formations: from abstract and figurative painting, through the circles of the Polish neo-avant-garde, to the work of the 1980s and 1990s." Publisher. Commentary: Włodarczyk (remarks: [1], [2]). [3] (Polish)
- Awangarda w cieniu Jałty. Sztuka w Europie Środkowo-Wschodniej w latach 1945-1989, Poznań: Rebis, 2005, 502 pp. (Polish)
- In the Shadow of Yalta. Art and the Avant-garde in Eastern Europe, 1945-1989, trans. Anna Brzyski, London: Reaktion Books, 2009, 487 pp. (English)
- Avangarda u sjeni Jalte: umjetnost Srednjoistočne Europe u razdoblju 1945-1989, Zagreb: Institut za povijest umjetnosti, 2011, 485 pp. (Croatian)
- Dans l'ombre de Yalta: art et avant-garde en Europe de l'Est (1945-1989), trans. Sophie Renaut, Yan Tomaszewski, Pascal Dubourg Glatigny, and Christian Joschke, pref. Pascal Dubourg-Glatigny and Christian Joschke, Dijon: Les presses du réel, 2021, 603 pp. Publisher. Review: Debeusscher (Critique d'art). [4] (French)
- Grenzen überwiegend. Festschrift für Adam S. Labuda zum 60. Geburtstag (editor, with Katja Bernhardt), Berlin: Lukas Verlag, 2006, 262 pp. (German),(English)
- Sztuka według polityki. Od Melancholii do Pasji [Art after Politics: From Melancholy to Passion], Cracow: Universitas, 2007, 259 pp. (Polish)
- Perspektywy współczesnej historii sztuki. Antologia przekładów „Artium Quaestiones” (co-editor), Poznań: Wydawnictwo Naukowe UAM, 2009, 1088 pp. (Polish)
- Agorafilia. Sztuka i demokracja w postkomunistycznej Europie [Agoraphilia. Art and Democracy in Post-Communist Europe], Poznań: Rebis, Nov 2010, 304 pp. "Agoraphilia is a key word for the analysis of the artistic culture of Europe that took shape after the Cold War and the fall of communism. The author describes the artistic processes and specific artworks of artists whose ambition was and is to participate in the creation of democracy. The analysis is carried out both in a historical perspective, with reference to the artistic tradition of this part of Europe before 1989, as well as in a synchronous comparison of the cultural experiences of the various countries of the former Eastern Europe. Specific analyses of issues such as artistic topography, gender, biopolitics, memory, pressure of nationalisms, political censorship, new museums, etc., are preceded by an attempt to theoretically structure the research terrain, centred around a multidimensional understanding of 1989 in art-historical research." Publisher. (Polish)
- Art and Democracy in Post-Communist Europe, trans. Anna Brzyski, London: Reaktion Books, 2012, 312 pp. Reviews: Popa (JCRAS), Smith (JCES), Smolianskaïa (Critique d'art), Hříbek (Umění). (English)
- "Od geografie k topografii", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022. Trans. of chapter. (Czech)
- Muzeum krytyczne, Poznań: Rebis, May 2011, 176 pp. "Summary of the author's fifteen months of work at the National Museum in Warsaw seen from the theoretical perspective of the new museology. A critical museum is a museum that is a forum for public debate, that takes up important, often controversial issues with which society lives, an institution that works for a democracy based on dispute. A critical museum is also a self-critical institution, revising its own tradition, measuring itself against its own authority and the art-historical canon it has shaped itself. The book presents this concept and also reports on the attempt to put it into practice in the programme of the National Museum in Warsaw in 2009-2010." Chapter 1. Publisher. Review: Wasilewski (Czas kultury). [5] (Polish)
- Kritički muzej, trans. Milica Markić, intro. Višnja Kisić and Marijana Cvetković, Belgrade: Evropa Nostra Srbija/Centar za muzeologiju i heritologiju Univerziteta u Beogradu, 2013, 147 pp. Publisher. (Serbian)
- From Museum Critique to the Critical Museum (editor, with Katarzyna Murawska-Muthesius), Ashgate, Jul 2015, 272 pp. "Looks at the ways in which the museum could use its collections, its cultural authority, its auratic space and resources to give voice to the underprivileged, and to take an active part in contemporary and at times controversial issues." TOC, Introduction. Publisher. (English)
- Art Beyond Borders: Artistic Exchange in Communist Europe (1945-1989) (editor, with Jérôme Bazin and Pascal Dubourg Glatigny), Budapest: Central European University Press, 2016, xii + 494 + 24 pp. (English)
- Globalne ujęcie sztuki Europy Wschodniej, Poznań: Rebis, 2018, 208 pp. TOC. Publisher. Events. (Polish)
- Umění a emancipace: výbor z textů Piotra Piotrowského, eds. & intro. Pavlína Morganová and Martin Škabraha, intro. Agata Jakubowska and Magdalena Radomska, Prague: VVP AVU, 2022, 263 pp. A selection of texts from 1998 to 2013, complemented by two interviews and introductions. TOC. Publisher. Book launch. Distribution. (Czech)
Catalogues[edit]
- Galeria odNOWA 1964-1969 (editor), Poznań: Muzeum Narodowe, 1993, 99 pp. (Polish)
- Odwilż. Sztuka ok. 1956 [The "Thaw". Polish Art ca. 1956] (editor), Poznań: Muzeum Narodowe, 1996, 316 pp. (Polish)
- Jarosław Kozłowski: Przestrzenie czasu / Spaces of Time (editor), Poznań: Muzeum Narodowe, 1997, 92 pp. (Polish)/(English)
- Zofia Kulik: od Syberii do Cyberii / From Siberia to Cyberia (editor), Poznań: Muzeum Narodowe, 1999, 147 pp. Exh. held May-Jun 1999. [6] (Polish)/(English)
Journal issues[edit]
- Artium Quaestiones 8-20 (co-editor), Poznań: Wydawnictwo Naukowe UAM, 1997-2009. (Polish)
- Centropa 8(1): "Nationalism and Democracy" (editor), Jan 2008. (English)
- Czas Kultury 3(186): "Kryzys uniwersytetu" (editor), 2015. (Polish)
Articles[edit]
1970s-1980s[edit]
- "Przeciwko instytucjom", Sztuka 6, Warsaw, 1976, pp 52-56. (Polish)
- "Witkacy jako Portrecista", Sztuka 2, Warsaw, 1978, pp 28-30. (Polish)
- "Portrety i społeczeństwo. O firmie portretowej S.I. Witkiewicz", Problemy interpretacji dzieła sztuki i jego funkcji społecznych, ed. K. Kalinowski, Poznań: Wydawnictwo Naukowe UAM, 1980, pp 154-168. (Polish)
- "Dialektyka kryzysu", Miesięcznik Literacki 1, Warsaw, 1981, pp 65-70. (Polish)
- "Witkacy i paradygmat awangardy", in Sztuka dwudziestolecia międzywojennego, Warsaw: PWN, 1982, pp 113-125. (Polish)
- "Sztuka a okres miniony", Miesięcznik Literacki 9, Warsaw, 1982, pp 50-56. (Polish)
- "Retoryka banknotu. Przyczynek do badan kultury wizualnej dwudziestolecia międzywojennego", Artium Quaestiones 2, Poznań: Wydawnictwo Naukowe UAM, 1983, pp 131-143. (Polish)
- "Kosmos i forma", Biuletyn Historii Sztuki 3-4, Warsaw: Instytut Sztuki PAN, 1985, pp 319-325. (Polish)
- "Cosmos and Form", Polish Art Studies 9, Wrocław: Instytut Sztuki PAN, 1988, pp 211-222. (English)
- "Autonomia, symbol, utopia", Artium Quaestiones 3, Poznań: Wydawnictwo Naukowe UAM, 1986, pp 109-129. (Polish)
- "Filozofia gestu", in Sztuka Polska po 1945, Warsaw: PWN, 1987, pp 243-253. (Polish)
- "Oblicze artystycznego Poznania", Kronika Miasta Poznania 55:1, Poznań, 1987, pp 19-30. (Polish)
- "On the Ethos of the Polish Artist", Art Monthly 103, London, Feb 1987, pp 11-15. (Polish)
- "Autokomentarz destrukcyjny", in "Autokomentarz artysty", Zeszyty Naukowe Akademii Sztuk Pięknych 2/20, Warsaw, 1987, ss. 114-128; repr., shortened, Res Publica 10, Warsaw, 1988, pp 53-58. (Polish)
- "L'Autocommentaire destructeur. Critique et modernité", trans. Antoine Baudin, Ligeia 3-4, Paris, 1989, pp 129-134. [7] (French)
- "Kryzys awangardy czy kryzys sztuki", Przegląd Powszechny 5, Warsaw, 1987, pp 196-210; repr. in Kryzysy w sztuce, Warsaw: PWN, 1988, pp 167-176. (Polish)
- "La conception plastique du theatre chez Witkiewicz", Ligeia 2, Paris 1988, pp 60-71. [8] (French)
- "Art in the Crucible of History", The Polish Review 33:2, New York, 1988, pp 123-142. (English)
- "Awangarda uwikłana", Szkice 9, Warsaw, 1989, pp 19-26. (Polish)
1990s[edit]
- "The Dialectics of Destiny", Artium Quaestiones 5, Poznań: Wydawnictwo Naukowe UAM, 1991, pp 85-98. (English)
- "Dialektyka przeznaczenia", Skrypt 5, UAM, 1992, pp 14-26. (Polish)
- "W kręgu dyskusji postmodernistycznych", Artium Quaestiones 5, Poznań: Wydawnictwo Naukowe UAM, 1991, pp 156-165. (Polish)
- "Wielkie kwestie i martwa natura", in Sztuka lat trzydziestych, ed. Anna Gogut, Warsaw: Stowarzyszenie Historyków Sztuki, 1991, pp 5-16. (Polish)
- "Awangarda i historia", Sprawozdania Komisji Historii Sztuki Poznańskiego Towarzystwa Przyjaciół Nauk 106, Poznań, 1989, pp 50-59; repr. in Sztuka i Historia, Warsaw: PWN, 1992, pp 325-334. (Polish)
- "Avant-garde et histoire", Ligeia 11-12, Paris, Dec 1992, pp 5-12. [9] (French)
- "Moralność Inc.", Czas Kultury 3, Mar-May 1992, pp 34-39. (Polish)
- "W poszukiwaniu alternatywy; odpowiadając Beuysowi", Obieg 4-5, 1992, pp 9-14; repr. in Na okrągło: 1989–2009 / Over and Over Again: 1989–2009, eds. Aneta Szylak and Jan Sowa, Wrocław: Korporacja Ha!art, and BWA – Galeria Sztuki Współczesnej, 2009, pp 131-144. (Polish)
- "In Search of an Alternative, The Wealth of Nations, ed. C. Lauf, Gent, Imschoot uigevers, 1993, ss. 55-64; repr., exp., as "In Search of an Alternative", in Actes del III Congreso „Cultura Europea”, Pamplona: Universidad de Navarra, Aranzadi Editorial, 1966, pp 371-376; repr. as "In Search for an Alternative – a Response to Beuys", in Na okrągło: 1989–2009 / Over and Over Again: 1989–2009, eds. Aneta Szylak and Jan Sowa, Wrocław: Korporacja Ha!art, and BWA – Galeria Sztuki Współczesnej, 2009, pp 131-144. (English)
- "Przedmiot jako kultura. Duchamp i Ameryka śladami Baudrillarda", Format 8-9, Wrocław, 1993, pp 3-5, 112. (Polish)
- "Art and Independence: Polish Art in the 1920s", Artium Quaestiones 6, Poznań: Wydawnictwo Naukowe UAM, 1993, pp 31-37. (English)
- "Ameryka-Europa", Kresy 16, Lublin, Autumn 1993, pp 232-238. (Polish)
- "Z bluźnierczej historii sztuki", in Andres Serano. Prace z lat 1986–1992, Warsaw: Centrum Sztuki Współczesnej, 1994, pp 7-18. (Polish)
- "From the Blasphemous History of Art", in Andres Serrano. Works from 1986–1992, Warsaw: Center for Contemporary Art, 1994, pp 7-18. (English)
- "Iz bogokletne zgodovine umetnosti / From the Blasphemous History of Art", in Andres Serrano, Ljubljana: Moderna Galerija, 1994. (Slovenian)/(English)
- "Listy z Nowego Jorku", 4 parts, Nowy Nurt 9, 1994, p 12; 10, 1994, pp 13-14; 12, 1994, p 12; 13, 1994, pp 13-14. (Polish)
- "Post-modernism and Post-totalitarianism. The Poland Case of the 1970s", ARS 2-3, 1993, pp 231–242; repr., exp., Magazyn Sztuki 4, 1994, pp 213-222. (English)
- "Postmodernizm i posttotalitaryzm", Magazyn Sztuki 4, 1994, pp 56-73. (Polish)
- "Kunst und Geschichte: über die Grenzen der Polnischen Gegenwartskunst", in Der Riss im Raum. Positionen der Kunst seit 1945 in Deutschland, Polen, der Slovakei und Tschechien, Berlin: Guardini Stiftung, Verlag der Kunst, 1994, pp 58-64. (German)
- "Artysta i historia. W stronę granicy współczesnej sztuki polskiej", in Rysa w przestrzeni. Sztuka po 1945 roku w Czechach, Niemczech, Polsce i Słowacji, Warsaw: Galeria Sztuki Współczesnej Zachęta, 1995, pp 27-32. (Polish)
- "Awangarda między estetyką i polityką. Konstruktywizm w opinii publicznej, 1921–1934", in Władysław Strzemiński, 1893–1952. Materiały z Sesji (1993), Łódź: Biblioteka Muzeum Sztuki, 1994, pp 108-124. (Polish)
- "The Avant-Garde between Aesthetic and Politics. Constructivism as Seen by Public, 1921–1934", in Władysław Strzemiński, 1893–1952. Materials of the Conference, Łódź: Muzeum Sztuki, 1995, pp 108-122. (English)
- "Ciało artysty", in Jerzy Bereś: Zwidy, Wyrocznie, Ołtarze, Wyzwania, Poznań: Muzeum Narodowe, 1995, pp 33-39. (Polish)
- The Artist’s Body", in Jerzy Bereś: Zwidy, Wyrocznie, Ołtarze, Wyzwania, Poznań: Muzeum Narodowe, 1995, pp 40-46; repr. in Art and National Identity in Poland and England. Papers delivered at the University of London History of Art Conference, ed. A. Kwilecka and F. Ames-Lewis, London: Dept. of History of Art, Birkbeck College, 1996, pp 135-148. (English)
- "Telo umelca. Jerzy Bereś", in Rezonancie ’98, ed. Z. Bartosova, Bratislava: AICA, Slovenska Sekcia, 2001, pp 87-100.
- "Henryk Stażewski – modernista?", Odra 5, 1995, pp 62-68. (Polish)
- "Ambivalenses Kunster" / "Man among Ambivalences", Terskel/Threshold 15, Oslo: Museet for Samtidskunst, Sep 1995, pp 7-23. (Norwegian)/(English)
- "Człowiek wśród ambiwalencji" / "Man among Ambivalences", Magazyn Sztuki 6-7, 1995, pp 134-151. (Polish)/(English)
- "Ember az ambivalenciák között. Jarosław Kozłowski", Balkon 1-2, Budapest, 1997, pp 42-44. (Hungarian)
- "The Old Attitude and the New Faith” in Beyond Belief: Contemporary Art from East Central Europe, ed. Laura J. Hoptman, Chicago: Museum of Contemporary Art, 1995, pp 34-45; exp. as "Beyond the Old and New Belief", Magazyn Sztuki 10:2, 1996, pp 161-176. (English)
- "Poza starą i nową wiarą", Magazyn Sztuki 10:2, 1996, pp 144-160. (Polish)
- "Rosja i Ameryka; Awangarda i modernizm", Artium Quaestiones 7, Poznań, 1995, pp 153-170. (Polish)
- "Die Kunst im Spiegel der Geschichte", in Der Riss im Raum. Dokumentation, Gaurdini Stiftung, Berlin 1995, pp 25-37. (German)
- "Art on the Mirror Stage", in Crossroads in Central Europe / Carrefours en Europe centrale: Ideas, Themen, Methods and Problems of Contemporary Art and Art Criticism / Des idée, des méthodes et des problémes de l’art et du critique d’art contemporains, Budapest: Association of Hungarian Creative Artists/Association Nationale des Artistes Créatifs Hongrois, 1996, pp 62-71. (English)
- "Odwilż" / "The Thaw", in Odwilż. Sztuka ok. 1956, exh. cat., ed. Piotr Piotrowski, Poznań: Muzeum Narodowe, 1996, pp 243-259. (Polish)/(English)
- "Modernismus und sozialistische Kultur im Polen der späten 50 Jahre", in Die Depots der Kunst, Dokumentationszentrum Kunst der DDR, Beeskow, 1997, pp 40-46. (German)
- "Art versus History; History versus Art", in Art from Poland, 1945-1996, ed. Anda Rottenberg, Warsaw: Zachęta, 1997, pp 209-230. (English)
- "Post-War Central Europe: Art, History, and Geography", Krasnogruda 8, Sejny/Stockholm, 1998, pp 27-34. (English)
- "Iskustwo w kontiekst", Kultura 32, Sofia, 1998, pp 9, 12.
- "W stronę nowej geografii artystycznej", Magazyn Sztuki 19:3, 1998, pp 76-99. (Polish)
- "Towards a New Geography of Art", Magazyn Sztuki 19:3, 1998, pp 76-99; repr., shortened, as "'Framing' of the Central Europe", Moscow Art Magazine 22, Moscow, 1998, pp 55-66; repr. in 2000+ ArtEast Collection. The Art of Eastern Europe: A Selection of Works for the International and National Collection of Moderna Galerija Ljubljana, eds. Zdenka Badovinac and Peter Weibel, Vienna/Bozen: Folio, 2001, pp 15-22; repr., rev. & exp., in Daniel Knorr. European Influenza. La Biennale di Venezia. Romanian Pavilion, Oberhausen: Plitt, 2005, pp 514-550. (English)
- "'Ramirovaniye' tsentralnoy Yevropy" [Рамирование» центральной европы], Moscow Art Magazine 22, Moscow, 1998. Trans. of shortened version. [10] (Russian)
- "'Rámování' střední Evropy", Umělec 3:4, Prague: Divus, 1999, pp 34-35; repr. in České umění 1980-2010. Texty a dokumenty, eds. Jiří Ševčík, et al., Prague: VVP AVU, 2011, pp 320-325. Trans. of shortened version. (Czech)
- "Framing of the Central Europe", in La Biennale di Venezia. 51 Esposizione Internazionale d’Arte. Romanian Pavilion / Pavilionul Romaniei, 2005, pp 514-550. (English)/(Romanian)
- "K nové geografii umění", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 29-50. (Czech)
- "Mońko umetnikovo telo. Nacionalna identiteta proti politiki identitete", M’Ars 1-2, Ljubjana: Moderna Galerija, 1998, pp 14-30. (Slovenian)
- "Male Artist's Body: National Identity vs. Identity Politics", M’Ars 1-2, Ljubjana: Moderna Galerija, 1998, pp 14-30; repr., ARTMargins, 1999; repr. in Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, eds. Laura Hoptman and Tomáš Pospiszyl, New York: MoMA, 2002, pp 225-234; repr. in Gender Check: A Reader. Art and Theory on Eastern Europe, ed. Bojana Pejić, Cologne: Walther König, 2010, pp 127-137. [11] (English)
- "Sztuka męskiego ciała: tożsamość narodowa i polityka tożsamości", Format 31-32, 1999, pp 15-20. (Polish)
- "Tělo muže-umělce. Národní identita vs. politika identity", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 51-62. (Czech)
- "Między koloryzmem a modernizmem. W stronę estetyki recepcji malarstwa Piotra Potworowskiego" [Between Colorism and Modernism. Towards the Reception Aesthetics of Piotr Potworowski Painting], in Piotr Potworowski, 1898–1962, Warsaw: Galeria Sztuki Współczesnej „Zachęta”, 1998, pp 45-54. (Polish)
- "Between History and Geography: In Search for the Identity of Central Europe", in Culture of the Time of Transformation. II International Congress: The Cultural Identity of the Central-Eastern Europe, Poznań: WiS Publishers, 1999, pp 39-45. (English)
- "Between Siberia and Cyberia. On the Art of Zofia Kulik and on Museums", in Zofia Kulik: od Syberii do Cyberii / From Siberia to Cyberia, exh. cat., Poznań: National Museum, 1999, pp 7-33. (English)
- "The Grey Zone of Europe", in After the Wall: Art and Culture in Post-Communist Europe, eds. David Elliott and Bojana Pejić, Stockholm: Moderna Museet, 1999, pp 35-41; repr. in Contemporary Art in Eastern Europe, eds. Phoebe Adler and Duncan McCorquodale, London: Black Dog, 2010, pp 199-206. (English)
- "Szara strefa Europy", Format 33-34, Wrocław, 2000, pp 54-60. Shortened version. (Polish)
- "Cira zona Efropy", Suĉasnost 1, Kyiv, 2002, pp 140-149. (Ukrainian)
- "Obraz po wielkiej wojnie", in Sztuka w okresie PRL-u, eds. T. Gryglewicz and A. Szczerski, Cracow: Instytut Historii Sztuki UJ, 1999, pp 13-25. (Polish)
- "Sztuka w czasie końca utopii", Biuletyn Historii Sztuki 3-4, 1999, pp 267-282. (Polish)
2000s[edit]
- "Sztuka według polityki/ Art after Politics", in Negocjatorzy sztuki wobec rzeczywistości / Negotiators of Art Facing Reality, Gdańsk: Centrum Sztuki „Łaźnia”, 2000, pp 20-34, 139-147. (Polish)
- "Mistiectvo zgidno z politikoj", Kritika 37:11, Kyiv, Nov 2000, pp 16-22. Trans. of shortened version. (Ukrainian)
- "L'autre Europe", in L'autre moitié de l'Europe, ed. D. Abadie, Paris: Gelerie National du Jeu de Paume / Réunion des Musées Nationaux, 2000, pp 19-32. (French)
- "Totalitarianism and Modernism: The “Thaw” and Informel Painting in Central Europe, 1955–1965", Artium Quaestiones 10, Poznań, 2000, pp 119-175; repr., shortened, as "After Stalin's Death: Modernism in Central Europe in the late 1950s", ARTMargins, Oct 2001. (English)
- "Totalita a modernismus. “Tání” a informel ve střední Evropě v letech 1955-1965", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 63-90. (Czech)
- "Modernism and Socialist Culture: Polish Art in the late 1950s", in Style and Socialism. Modernity and Material Culture in Post-War Eastern Europe, eds. S.E. Reid and D. Crowley, Oxford/New York: Berg Publishers, 2000, pp 133-147. (English)
- "Modernism and Totalitarianism II. Myths of Geometry: Neo-Constructivism in Central Europe 1948-1970", Artium Quaestiones 11, Poznań: Wydawnictwo Naukowe UAM, 2000, pp 101-154. (English)
- "The Geography of Central/East European Art", in Borders in Art. Revisiting Kunstgeographie, ed. K. Murawska-Muthesius, Norwich: University of East Anglia, and Warsaw: Institute of Art, 2000, pp 43-50; repr. in On Cultural Influence. Collected Papers from Apexart International Conferences, eds. Steven Rand and Heather Kouris, New York: Apexart, 2006, pp 97-105. (English)
- "Między totalitaryzmem i demokracją. Pomnik ‘Poznańskiego Czerwca 1956", Kronika Miasta Poznania 2, Poznań, 2001, pp 195-210. (Polish)
- "Zwischen Totalitarismus und Demokratie: Das Denkmal zum Posener Juni 1956", in Denkmäler in Kiel und Posen. Parallelen und Kontraste, Kiel: Verlag Ludvig, 2002, pp 250-264. (German)
- "Surrealistyczne interregnum", in Mistrzowi, ed. T. Gryglewicz, Cracow: Instytut Historii Sztuki, Uniwersytet Jagielloński, 2001, pp 297-326. (Polish)
- "Krytyka obrazu. W stronę neoawangardy Europy Środkowej lat sześćdziesiątych", Artium Quaestiones 12, 2001, pp 161-238. (Polish)
- "Obraza uczuć. Odbiór sztuki krytycznej w Polsce", Res Publica Nowa 3, Warsaw, 2002, pp 40-44. (Polish)
- "Modernity and Nationalism. Avant-Garde and Polish Independence, 1912–1922", in Central European Avant-Gardes: Exchange and Transformation, 1910–1930, Los Angeles: Los Angeles County Museum of Art, and Cambridge, MA: MIT Press, 2002, pp 312-326. (English)
- in Between Worlds. A Sourcebook of Central European Avant-Gardes, 1910-1930, eds. Timothy O. Benson and Éva Forgács, Los Angeles, CA: Los Angeles County Museum of Art, and Cambridge, MA: MIT Press, 2002. Selection and commentaries devoted to Polish avant-garde. (English)
- co-author, "East Art Map: a (Re)construction of the History of Art in Eastern Europe", New Moment 20, Ljubljana, 2002; repr. as "Poland", in East Art Map: Contemporary Art and Eastern Europe, ed. IRWIN, London: Afterall, 2006, pp 245-251. (English)
- "O „sztuce dziś”, a więc „tu i teraz”", in Sztuka dzisiaj. Materiały z sesji Stowarzyszenia Historyków Sztuki (Warszawa, listopad 2001), ed. M. Poprzęcka, Warsaw: Stowarzyszenie Historyków Sztuki, 2002, pp 17-26. (Polish)
- "Nad mapą neoawangardy Europy Środkowej lat siedemdziesiątych XX wieku", Artium Quaestiones 13, 2002, pp 125-228. (Polish)
- "Central Europe in the Face of Unification", ARTMargins, Jan 2003; repr. in Who if not we should at least try to imagine the future of all this, eds. Maria Hlavajova and Jill Winder, Amsterdam: Artimo, 2004, pp 271-281; repr. in Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, eds. Ana Janevski, Roxana Marcoci, Ksenia Nouril, New York: Museum of Modern Art, 2018, pp 79-85. (English)
- "Ein neue Kunst – ein neuer Staat, Der neue Staat", in Polinische Kunst, 1918–1939, zwischen Experiment und Repräsentation, eds. R. Schuler and G. Gawlik, Vienna: Leopold Museum, and Hatje Cantz Verlag, 2003, pp 51-68. (German)
- "The Avant-Garde Institutionalised? The 1932 City of Łódź Art Prize Awarded to Władysław Strzemiński", Umění 3, Prague, 2003, pp 211-218. (English)
- "Agorafobia po komunizmie" / "Postkommunistische Agoraphobia" in Publiczna przestrzeń dla sztuki? / Öffentlisher Raum für Kusnt?, ed. M.A. Potocka, Cracow: Bunkier Sztuki, and Vienna: Inter Esse/ Triton Verlag, 2003, pp 179-237. (Polish)/(German)
- "Agoraphobia after Communism", Umění 1, Prague, 2004, pp 52-60; repr., exp., in Visual Art Policy in Poland: Democracy, Populism and Censorship, Populism. The Reader, New York: Lukas & Sternberg, and Frankurt am Main: Frankfurter Kunstverein, 2005, pp 187-193. (English)
- "Cenzura crucificarii: arta, politica si democratie in Polonia" / "To Censor the Crucifixion, and Democracy in Poland", Idea. Arta+Societate / Art+ Society 20, 2005, pp 148-155. (Romanian)
- "Aforabia pislia komunizmy", Kijewskaja rys 7-8, Kyiv, 2009, pp 181-199. (Ukrainian)
- "Ciało i tożsamość. Sztuka ciała w Europie Środkowej", Artium Quaestiones, Poznań: Wydawnictwo Naukowe UAM, 2003, pp 201-256. [12] (Polish)
- "Auschwitz versus Auschwitz", Pro Memoria 20, Jan 2004, pp 15-23. (Polish)
- "Auschwitz vs. Auschwitz", in Zerstörer des Schweigens. Formen künstlerischer Erinnerung an die nationalsozialistische Rassen- und Vernichtungspolitik in Osteuropa, eds. Frank Grüner, Urs Heftrich, and Hans-Dietrich Löwe, Cologne: Böhlau, 2006, pp 515-530. (German)
- "Geography of Changes – Changes of Geography?", in Anxiety of Influence. Bachalors, Brides, and a Family Romance, ed. Adam Budak, Bern: Stadtgalerie, 2004, pp 84-97. (English)
- "Od nacjonalizacji do socjalizacji polskiego modernizmu, 1913–1950", Artium Quaestiones 15, Poznań: Wydawnictwo Naukowe UAM, 2004, pp 97-138. (Polish)
- "Polska sztuka między totalitaryzmem a demokracją", in Warszawa–Moskwa, Moskwa–Warszawa, 1900–2000, ed. Maria Poprzęcka, Warsaw: Narodowa Galeria Sztuki „Zachęta”, 2004, pp 87-98. (Polish)
- "Polskoje iskustvo miezdu totalitarizmom i diemokracjej", in Moskva–Warszawa Warszawa–Moskva, 1900–2000, Moscow: Gosudarstviennaja Trietiakovskaja Galerja, 2005, pp 98-106. (Russian)
- "Polish Art between Totalitarianism and Democracy" / "Umetnost u Poljskoj – izmedu totalitarizma i demokratije" / "Polska sztuka między totalitaryzmem i demokracją", in Behind the Iron Curtain. Official and Independent Art in the Soviet Union and Poland, 1945–1989 / Iza Gvozdene. Zvanićna i nezavisna umetnost u Sovjetskom Savezu i Poljkos, 1945–1989 / Za żelazną kurtyną. Sztuka oficjalna i niezależna w Związku Radzieckim i Polsce, 1945–1989, ed. Piotr Nowicki, Warsaw: Polish Modern Art Foundation, 2010, pp 63-76, 60-75, 64-78. (English)/(Serbian)/(Polish)
- "Between Place and Time: A Critical Geography of ‘New’ Central Europe", in Time and Place: The Geohistory of Art, eds. Thomas DaCosta Kaufmann and Elizabeth Pilliod, Hants: Ashgate, 2005, pp 153-171; repr., 2018. (English)
- "Nagroda Rembrandta", in Tadeusz Kantor. Interior imaginacji, eds. Jarosław Suchan and Marek Świca, Warsaw: Narodowa Galeria Sztuki Zachęta, and Cracow: Ośrodek dokumentacji sztuki Tadeusza Kantora Cricoteka, 2005, pp 33-45. (Polish)
- "The Rembrandt Prize", in Tadeusz Kantor. Interior of Imagination, eds. Jarosław Suchan and Marek Świca, Warsaw: National Gallery of Art Zachęta, and Cracow: Center of the Documentation of the Art of Tadeusz Kantor Cricoteka, 2005, pp 33-45. (English)
- "O końcu Europy Środkowej i praktykach kuratorskich", in Mowa i moc obrazów. Prace dedykowane Marii Poprzęckiej, eds. Waldemar Baraniewski, et al., Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2005, pp 398-404. (Polish)
- "Art Criticism in Defence of Regionalisation in post-1989 Eastern Europe", in The Regionalisation of Art Criticism: Its Possibility and Interventions in Space, Taiwan: AICA, 2005, pp 13-21. (English)
- "Von der Neoavantgarde zur kritishes Kunst – vom weichen Socialismus zur unvollkommenen Democratie" / "From Neo-Avant-Garde to Critical Art – From Soft Socialism to Imperfect Democracy", in Kontakt... aus der Sammlung der Erste Bank-Gruppe / Kontakt... works from the collection of Erste Bank Group, Vienna: Museum Moderner Kunst Stiftung Ludwig, 2006, pp 62-73. (German)/(English)
- "Bridging the Past and Present", in Leap into the City, eds. Katrin Klingan and Ines Kappert, Cologne: DuMont Literatur und Kunst Verlag, 2006, pp 358-371. (English)
- "Mapping the Legacy of the Political Change of 1956 in East European Art", Third Text 20(2): "Europe: The Fifties Legacy", eds. Nancy Jachec and Reuben Fowkes, London: Routledge, Mar 2006, pp 211-221. [13] (English)
- "Drang nach Westen. The Visual Rhetoric of Polish „Western Politics”, in the 1930s", in Visuelle Erinnerungskulturen und Geschchtskonstruktionen in Deutschland und Polen 1800 bis 1939, eds. Robert Born, Adam S. Labuda, and Beate Störtkuhl, Warsaw: Instytut Sztuki Polskiej Akademii Nauk, 2006, pp 465-480. (English)
- "On 'Two Voices of Art History'", in Grenzen überwiegend. Festschrift für Adam S. Labuda zum 60. Geburtstag, eds. Katja Bernhardt and Piotr Piotrowski, Berlin: Lukas Verlag, 2006, pp 42-56; repr. in Modernism and Central- and East-European Art & Culture, Osaka: Osaka University, 2007, pp 319-337. (English)
- "O 'dwóch głosach historii sztuki'", Artium Quaestiones 17, Poznan: Wydawnictwo Naukowe UAM, 2006, pp 195-214. (Polish)
- "Biopolityka i demokracja", in Krzysztof Wodiczko. Doktor honoris causa Akademii Sztuk Pięknych w Poznaniu, ed. J. Marciniak, Poznań: ASP, 2007, pp 13-26; repr., Czas Kultury 4-5, 2007, pp 189-201. [14] (Polish)
- "Nova Demokracja – nova cenzura", in Vizualniat Obraz, Sofia: New Bulgarian University, 2007, pp 13-25. (Bulgarian)
- "Śladami Louisa Althusera. O polityce autonomii i autonomii polityki w sztuce Europy Wschodniej", Artmix 13:3, 2006. [15] (Polish)
- "From the Politics of Autonomy to the Autonomy of Politics", Art History & Criticism / Meno istorija ir kritika 3, Kaunas: Vytautas Magnus University, 2007, pp 18-24. [16] (English)
- "Beyond Democracy", Centropa 8(1): "Nationalism and Democracy", Jan 2008, pp 5-15. (English)
- "Czy (wciąż) istnieje Europa Środkowa i czy (jeszcze) ma coś do powiedzenia" / "Does Central Europe (still) Exist, and Does it (still) Have Something Important to Say?", in Mediations Biennale, Poznań: Centrum Kultury „Zamek”, 2008, pp 28-55. (Polish)
- "Jenseits der Demokratie. Zum Verhältnis von Kunst, Staat und Kirche in Polen", springerin 14(4): "My Religion", 2008, pp 42-47; repr., Eurozine, Jan 2009. (German)
- "On the Spatial Turn, or Horizontal Art History", Umění 56:5, Prague, 2008, pp 378–383; rev. as "Towards A Horizontal History of Modern Art", in Writing Central European Art History: PATTERNS Travelling Lecture Set 2008/2009, Vienna, 2008; rev., shortened, as "Towards a Horizontal Art History", in Crossing Cultures. Conflict, Migration, and Convergence, ed. Jaynie Anderson, Melbourne: Miegunyah Press, 2009, pp 82–85; rev. as "Toward a Horizontal History of the European Avant-Garde", trans. Marek Wilczyński, in Europa! Europa? The Avant-Garde, Modernism and the Fate of a Continent, 1, eds. Sascha Bru, et al., Berlin: De Gruyter, 2009, pp 49-58; rev., shortened, as "On the Spatial Turn", in Promises of the Past. A Discontinuous History of Art in Former Eastern Europe, eds. Christine Macel, et al., Paris: Centre Pompidou, 2010, pp 212-215. [17] [18] [19] (English)
- "O horyzontalnej historii sztuki", Artium Quaestiones 20, 2009, pp 59-74. [20] (Polish)
- "Du tournant spatial ou une histoire horizontale de l’art", trans. Katarzyna Cohen, in Géoesthétique, eds. Kantuta Quirós and Aliocha Imhoff, Dijon: éditions B42, 2014, pp 123-131; repr. in L'art à l'ère de la globalisation, ed. Christine Macel, Paris: Éditions du Centre Pompidou, 2022, pp 30-44. [21] [22] (French)
- "Sobre la historia horizontal del arte", trans. Desiderio Navarro, Criterios 89, Havana, Sep 2016. (Spanish)
- "K gorizontalnoy istorii yevropeyskogo avangarda" [К горизонтальной истории европейского авангарда], trans. Natalia Prikhodko, Moscow Art Magazine 104, Moscow, 2018. (Russian)
- "Del giro espacial o una historia horizontal del arte", trans. Berenice Gustavino, Boletín de Arte 18, Buenos Aires: Facultad de Bellas Artes, Universidad Nacional de La Plata, Oct 2018. (Spanish)
- "O prostorovém obratu aneb O horizontálních dějinách umění", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 91-104. (Czech)
- "How to Write a History of Central‐East European Art?", Third Text 23(1): "Socialist Eastern Europe", London: Routledge, Jan 2009, pp 5-14. [23] (English)
- "Jak psát dějiny umění středovýchodní Evropy", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 105-118. (Czech)
- "Artysta w Auschwitz. O (nie)banalności sztuki", in Zagłada: współczesne problemy rozumienia i przedstawiania, eds. Przemysław Czapliński and Ewa Domańska, Poznań: Poznańskie Studia Polonistyczne, 2009, pp 291-307. (Polish)
- "Modernism after the End of Modern Art" / "Modernism parast moods kunsti loopu", in Different Modernisms, Different Avant-Gardes. Problems in Central and Eastern European Art after World War II / Erinevad Modernismid, Erinevad Avangardid. Kesk-ja Ida-Euroopa Kunstiprobleemid Parast Teist Maailmosoda, ed. Sirje Helme, Tallinn: Eesti Kunstimuuseum KUMU, 2009, pp 208-233. (English)/(Estonian)
- "Zbigniew Libera: anarchia i krytyka", in Zbigniew Libera. Prace z lat 1982–2008, ed. Dorota Monkiewicz, Warsaw: Zachęta – Narodowa Galeria Sztuki, pp 8-18. (Polish)
- "Zbigniew Libera: Anarchy and Criticism", in Zbigniew Libera. Works from 1982–2008, ed. Dorota Monkiewicz, Warsaw: Zachęta – National Gallery of Art, pp 8-18. (English)
- "Gender after the Wall", in Gender Check. Feminity and Masculinity in the Art of Eastern Europe, ed. Bojana Pejić, Vienna: Museum Moderner Kunst Stiftung Ludwig, and Cologne: Verlag der Buchhandlung Walter König, 2009, pp 236-240. (English)
- "Gender po murze", in Płeć? Sprawdzam! Kobiecość i męskość w sztuce Europy Wschodniej, Warsaw: Zachęta Narodowa Galeria Sztuki, 2010, pp 75-79. (Polish)
2010s[edit]
- "Traumatofilia i traumatofobia. Nowe muzea w nowej Europie", in 1968/1989. Momenty zwrotne w polityce i sztuce, eds. Clair Bishop and Marta Dziewanska, Warsaw: Museum of Modern Art, 2010, pp 418-437. (Polish)
- "New Museums in East-Central Europe: Between Traumaphobia and Traumaphilia", in 1968/1989: Political Upheaval and Artistic Change, eds. Clair Bishop and Marta Dziewanska, Warsaw: Museum of Modern Art, 2010, pp 148-166; repr., shortened, as "New Museums / New Europe", in Curating „Eastern Europe” and Beyond. Art Histories trough the Exhibition, ed. Maria Orisková, Frankfurt am Main: Peter Lang, and Bratislava: Veda – Slovak Academy of Science, 2013, pp 91-99. (English)
- "Nová muzea nové Evropy", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 157-176. (Czech)
- "„Francuskie teorie”, amerykańska mediacja, polska redakcja. Pro domo sua i/lub humanistyka po dekonstrukcji", in French Theory w Polsce, eds. Ewa Domańska and Mirosław Loba, Poznań: Wydawnictwo Poznańskie, 2010, pp 105-116. [24] (Polish)
- "O dymisji znaczonego", in Jarosław Kozłowski. Cudzysłowy, ed. Bożena Czubak, Warsaw: Profile, 2010, pp 281-289. (Polish)
- "On the Dismissal of the Signified", in Jarosław Kozłowski. Quotation Marks, ed. Bożena Czubak, Warsaw: Profile, 2010, pp 281-289. (English)
- "Historyk sztuki między akademią i muzeum", in Historia sztuki dzisiaj. Materiały LVIII Ogólnopolskiej Sesji Naukowej Stowarzyszenia Historyków Sztuki, eds. Janusz Pazder, et al., Warsaw: Stowarzyszenie Historyków Sztuki, 2010, pp 213-221. (Polish)
- "A General and Universal Concept of Resistance", in Performing History. Romanian Pavilion at the 54th International Art Exhibition, eds. Bogdan Ghiu with Maria Rus Bojan, IDEA arts+society, 2011, pp 90-93. Excerpted from In the Shadow of Yalta (2009). [25] (English)
- "Museum: From the Critique of Institution to a Critical Institution", in (Re)Staging the Art Museum, ed. Tone Hansen, Høvikodden: Henie Onstad Art Center, 2011, pp 77-90. (English)
- "Muzeum: Od kritiky instituce ke kritické instituci", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 177-190. (Czech)
- "On (Former) Eastern Europe: Discussing the Post-Communist Condition in Art", in Innovative Approaches to the Complex Care of Contemporary Art, ed. Iwona Szmelter, Warsaw: Academy of Fine Arts, and London: Archetype Publications, Jul 2012, pp 74-82. Publisher. (English)
- "No komunisma uz postkomunisma situāciju" / "From Communist to Post-Communist Condition", in Atsedzot neredzamo pagātni / Recuperating the Invisible Past, ed. Ieva Astahovska, Riga: Latvian Center for Contemporary Art, 2012, pp 16-27. (Latvian)/(English)
- "From the International to the Cosmopolitan", in L’Internationale. Post-War Avant-Gardes between 1957–1986, ed. Christian Höller, Zürich: JRP|Ringier, 2012, pp 302-310. (English)
- "Writing on Art after 1989", in The Global Contemporary and the Rise of New Art Worlds, eds. Hans Belting, Andrea Buddensieg, and Peter Weibel, Karlsruhe: ZKM | Center for Art and Media, and Cambridge, MA: MIT Press, 2013, pp 202-207, HTML. (English)
- "Schreiben über Kunst nach 1989", Kunstforum International 220: "Globalkunst – eine neue Weltordnung", Mar-Apr 2013, pp 70-85. [26] (German)
- "Écrire sur l’art après 1989", in L'art à l'ère de la globalisation, ed. Christine Macel, Paris: Éditions du Centre Pompidou, 2022, pp 169-181. [27] (Polish)
- "Jak psát o umění po roce 1989", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 119-132. (Czech)
- "Od globalnej do alterglobalistycznej historii sztuki", Teksty Drugie 1-2, 2013, pp 269-291; repr. in Historia sztuki wobec globalizacji, ed. Maria Poprzęcka, Warsaw: Stowarzyszenie Historyków Sztuki, 2013, pp 7-30; repr. as ch. 2 in Piotrowski, Globalne ujęcie sztuki Europy Wschodniej, Poznań: Rebis, 2018. "Suggests an alter-globalist art history that would be both a critique of global Western cultural hegemony (albeit different from the post-colonial perspective) and an activist contribution to the constitution of the contemporary political condition of the world, called 'global agoraphilia'." [28] (Polish)
- "From Global to Alter-Globalist Art History", Teksty Drugie 1, 2015, pp 112-134. [29] (English)
- "Od globálních k alterglobalistickým dějinám umění", trans. Justyna Suma and Hana Blažková, Sešit 34, Prague: VVP AVU, 2023, pp 117-146. [30] (Czech)
- "Critical Objects. The De-Musealization of Art?", in The Challenge of the Object, eds. G. Urlich Grossmann and Petra Krutisch, Nürnberg: Germanisches Nationalmuseum, 2013, pp 406-410. [31] (English)
- "Avant-Garde Art in Post-Communist Central Europe", in Decentring the Avant-Garde, eds. Per Bäckström and Benedikt Hjartarson, Amsterdam/New York: Rodopi, Jan 2014, pp 117-141. [32] (English)
- "Wschodnioeuropejskie peryferie artystyczne w obliczu teorii postkolonialnej", Konteksty 68:2, 2014, pp 262-272; repr. as ch. 3 in Piotrowski, Globalne ujęcie sztuki Europy Wschodniej, Poznań: Rebis, 2018. [33] [34] (Polish)
- "East European Art Peripheries Facing Post-Colonial Theory", Nonsite 12, Aug 2014. (English)
- "Východoeurópske umelecké periférie zoĉi-voĉi postkoloniálnym teóriám", trans. Silvia Ruppeldtová, Jazdec 1, Bratislava: Centrum vizuálneho umenia - CEVIUM, 2014, pp 1, 8-12. (Slovak)
- "Východoevropské umělecké periferie a postkoloniální teorie", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 191-208. (Czech)
- "Muzeum naukowe" [Scientific Museum], Muzealnictwo 55, 2014, pp 14-18. (Polish)
- "Globalny NETwork. W stronę porównawczej historii sztuki", Artium Quaestiones 25, Poznań: Wydawnictwo Naukowe UAM, 2014, pp 139-175; repr. as ch. 6 in Piotrowski, Globalne ujęcie sztuki Europy Wschodniej, Poznań: Rebis, 2018. [35] (Polish)
- "The Global NETwork: An Approach to Comperative Art History", in Circulations in the Global History of Art, eds. Thomas DaCosta Kaufmann, Catherine Dossin, and Béatrice Joyeux-Prunel, Ashgate, 2015, pp 149-165. (English)
- "Peryferie wszystkich części świata łączcie się", Rocznik Sztuki Śląskiej 23, 2014, pp 277-285; repr. as ch. 1 in Piotrowski, Globalne ujęcie sztuki Europy Wschodniej, Poznań: Rebis, 2018; repr., SZUM, Apr 2019. (Polish)
- "Periferie světa - spojte se!", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 209-222. (Czech)
- "Krzysztof Wodiczko i światowa politeja", in Krzysztof Wodiczko: On Behalf of the Public Domain, exh. cat., ed. Bożena Czubak, Muzeum Sztuki w Łodzi, 2015, pp 49-61. (Polish)
- "Krzysztof Wodiczko and the Global Politeia", trans. M. Wawrzyńczak, in Krzysztof Wodiczko: On Behalf of the Public Domain, exh. cat., ed. Bożena Czubak, Muzeum Sztuki w Łodzi, 2015, pp 49-60; repr. in After Piotr Piotrowski: Art, Democracy and Friendship, eds. Agata Jakubowska and Magdalena Radomska, Poznań: Wydawnictwo Naukowe UAM, 2019, pp 201-217. (English)
- "Making the National Museum Critical", in From Museum Critique to the Critical Museum, eds. Katarzyna Murawska-Muthesius and Piotr Piotrowski, Ashgate, 2015, pp 137-146. Publisher. (English)
- "Why Were There no Great Pop Art Curatorial Projects in Eastern Europe in the 1960s?", Baltic Worlds 8:3-4, 2015, pp 10-16, PDF; repr. in Art in Transfer in the Era of Pop, ed. Annika Öhrner, Huddinge: Södertörn University, 2017, pp 21-36. (English)
- "Andrzej Matuszewski i Galeria odNOWA jeszcze raz", in Andrzej Matuszewski, Poznań: Fundację 9/11 Art Space, 2015. (Polish)
- "Nationalizing Modernism: Exhibitions of Hungarian and Czechoslovakian Avant-garde in Warsaw", in Art Beyond Borders: Artistic Exchange in Communist Europe (1945-1989), eds. Jérôme Bazin, Pascal Dubourg Glatigny, and Piotr Piotrowski, Budapest: Central European University Press, 2016, pp 209-223. (English)
- "Czy realizm socjalistyczny był globalny?", ch. 4 in Piotrowski, Globalne ujęcie sztuki Europy Wschodniej, Poznań: Rebis, 2018, pp 87-106. (Polish)
- "Das Tor des Gedächtnisses", in Bildformeln. Visuelle Erinnerungskulturen in Osteuropa, ed. Susi K. Frank, Bielefeld: transcript, 2018, pp 317-334. [36] (German)
Bibliography[edit]
- "Bibliografia publikacji Profesora dr. hab. Piotra Piotrowskiego", Artium Quaestiones 26, Sep 2015, pp 15-34. Based on bibliography maintained by Piotrowski on his website.
- Výběrová bibliografie Piotra Piotrowského", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 243-247.
Interviews[edit]
- Edit András, "Provincializing the West: Interview with Piotr Piotrowski", ARTMargins, Oct 2012. Conducted in Apr 2012. (English)
- "Provincionalizace Západu: Rozhovor s Piotrem Piotrowským", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 223-230. (Czech)
- Tereza Stejskalová, "Kritické muzeum. S Piotrem Piotrowským o jeho pojetí výstavních institucí", A2 26, Prague, Dec 2012. (Czech)
- "Miłość do emancypacji. O warsztacie i zaangażowaniu badacza humanisty rozmawiają Luiza Nader, Katarzyna Bojarska i Adam Mazur" [Love for Emancipation: On the Know-How and Engagement of a Researcher-Humanist. In Conversation with Luiza Nader, Katarzyna Bojarska and Adam Mazur], Widok. Teorie i praktyki kultury wizualnej 3, 2013. (Polish)
- "Láska k emancipaci. O řemeslu a angažovanosti humanitního vědce s Piotrem Piotrowským hovoří Luiza Nader, Katarzyna Bojarska a Adam Mazur", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 231-242. (Czech)
- Richard Kosinsky, Jan Elantkowski, Barbara Dudas, "A Way to Follow: Interview with Piotr Piotrowski", ARTMargins, Jan 2015. Conducted in Oct 2014. (English)
Literature[edit]
- Joanna Szczepanik, "Geografia relacyjna Irit Rogoff i horyzontalna historia sztuki Piotra Piotrowskiego", in Szczepanik, Geografia artystyczna Neue Slowenische Kunst. Wieloaspektowosc i kolektywizm, Gdańsk: Wydawnictwo Naukowe Katedra, 2014, pp 76-101. [37] (Polish)
- Agata Jakubowska, "Piotr Piotrowski. Portret praktyka krytycznej historii sztuki", Artium Quaestiones 26, Sep 2015, pp 5-14. (Polish)
- Magdalena Radomska, "Piotr Piotrowski jako praktyk teoretyczny. In Memoriam", Biuletyn Historii Sztuki 79:3, 2017, pp 625-633. [38] (Polish)
- Agata Jakubowska, Magdalena Radomska (eds.), After Piotr Piotrowski: Art, Democracy and Friendship, Poznań: Wydawnictwo Naukowe UAM, 2019, 233 pp. Introduction. Publisher, TOC. Review: Lomová (Umění). [39] [40] (English)
- "Umění, demokracie a přátelství - po Piotru Piotrowském", in Umění a emancipace: výbor z textů Piotra Piotrowského, Prague: VVP AVU, 2022, pp 21-28. Trans. of Introduction. (Czech)
- Matthew Rampley, "Networks, Horizons, Centres and Hierarchies: On the Challenges of Writing on Modernism in Central Europe", Umění 69:2, 2021, pp 145-162, 235. Responses (Beáta Hock, Marie Rakušanová, Milena Bartlová, Magdalena Radomska, Jeremy Howard, Raino Isto, Claire Farago, Timothy O. Benson, Éva Forgács; pp 163-211). TOC. [41] (English)
- Marie Rakušanová, "Writing on the History of Modern Art: From Particularism to a New Universalism", Umění 69:2, Prague, 2021, pp 168-174. [42] (English)
- Dan Karlholm, "Traumatic Contemporaneity: Reflections on Piotr Piotrowski's Critical Museography", Baltic Worlds 14:3, 2021, pp 47-56, PDF. (English)
- Agata Jakubowska, "Feminism in the Time of Transformation. Piotr Piotrowski, Zofia Kulik and the Development of Feminist Art History in Poland", Artium Quaestiones 33, 2022, pp 261-278. (English)
- Agata Jakubowska, Magdalena Radomska (eds.), Horizontal Art History and Beyond: Revising Peripheral Critical Practices, Routledge, 2023, 232 pp. Publisher. (English)
- Milena Bartlová, "Piotr Piotrowski přichází do Česka", Sešit 34, Prague: VVP AVU, 2023, pp 148-172. [43] (Czech)
Links[edit]
- Piotr Piotrowski Center for Research on East-Central European Art, est. 2018 (Faculty of Historical Studies, Adam Mickiewicz University, Poznań).
- Profile on IKB HU Berlin, 2010
- Tributes: Anna Brzyski (ARTMargins), Kasia Murawska-Muthesius (The Guardian), Charlotte Bydler (Baltic Worlds).