Difference between revisions of "Media archaeology"

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===Theses===
 
===Theses===
 
* Kristoffer Gansing, ''[http://monoskop.org/log/?p=8084 Transversal Media Practices: Media Archaeology, Art and Technological Development]'', PhD thesis, Malmö: Malmö University, 2013.
 
* Kristoffer Gansing, ''[http://monoskop.org/log/?p=8084 Transversal Media Practices: Media Archaeology, Art and Technological Development]'', PhD thesis, Malmö: Malmö University, 2013.
 +
 +
===Primary references===
 +
* Michel Foucault, [http://monoskop.org/log/?p=8485 ''The Archaeology of Knowledge''], 1969–.
  
 
==Resources==
 
==Resources==

Revision as of 20:22, 19 October 2013

Institutes

Educational programmes

Courses

Events

Artists, Theorists, Initiatives

Bibliography

Books

Friedrich Kittler, Discourse Networks 1800 / 1900, 1985/1990. Download (Foreword), Download (Part 2).
Friedrich Kittler, Gramophone Film Typewriter, 1986/1999. Download.
Siegfried Zielinski, Audiovisions: Cinema and Television as Entr’actes in History, 1989/1999. Download.
Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, 1999. Download.
Cornelia Vismann, Files: Law and Media Technology, 2000/2008. Download.
Lisa Gitelman, Geoffrey B. Pingree (eds.): New Media, 1740-1915, 2003. Download.
Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, 2011. Download.
  • Jacques Perriault, Mémoires de l’ombre et du son. Une archéologie de l’audiovisuel, Paris: Flammarion, 1981. (in French)
  • Friedrich A. Kittler, Aufschreibesysteme 1800/1900, Munich: Fink, 1985. 2nd edition, Munich, 1987. (in German) Reviews: Franz Futterknecht, Robert C. Holub.
  • Friedrich A. Kittler, Grammophon Film Typewriter, Berlin: Brinkmann & Bose, 1986. (in German). Foreword.
    • Gramophone Film Typewriter, trans. Geoffrey Winthrop-Young and Michael Wutz, Stanford University Press, 1999. Preface first appeared in October, trans. Dorothea von Mücke with Philippe L. Similon, Vol. 41 (Summer 1987), pp 101-118; reprinted in Literature, Media, Information Systems: Essays, ed. John Johnston, Amsterdam, 1997, pp 28-49. [5]. Review: Bruce Clarke
    • "Gramofon, film, psací stroj", Teorie vědy, trans. Silvia Vedrödiová, No. 2, Vol. 11, pp 33-55. Translation of the Introduction. Reprinted in Kapitoly z dějin a teorie umění, ed. Tomáš Dvořák, 2010, pp 51-68. (in Czech)
    • グラモフォン・フィルム・タイプライター,　trans. 石光 泰夫 and 石光 輝子, 筑摩書房, 1999, 455 pp。ちくま学芸文庫版、2006, 331 pp. (in Japanese)
  • Siegfried Zielinski, Zur Geschichte des Videorecorders, Berlin: Wissenschaftsverlag Volker Spiess, 1986. New edition, Potsdam: Polzer Media Group, 2010. (in German) [6]
  • Carolyn Marvin, When Old Technologies Were New: Thinking About Electric Communication in the Late Nineteenth Century, New York and Oxford: Oxford University Press, 1988.
  • Siegfried Zielinski, Audiovisionen: Kino und Fernsehen als Zwischenspiele in der Geschichte, Reinbek bei Hamburg: Rowohlt, 1989. (in German)
  • Peter Klier, Jean-Luc Evard (eds.), Mediendämmerung: Zur Archäologie der Medien, Berlin: Ed. Tiamat, 1989, 153 pp. (in German)
  • Lynn Spigel, Make Room for TV: Television and the Family Ideal in Postwar America, Chicago and London: University of Chicago Press, 1992.
  • Bernhard Siegert, Relais: Geschicke der Literatur als Epoche der Post, 1751-1913, Brinkmann & Bose, Berlin, 1993. (in German) Introduction to the English edition.
  • Ellen Lupton, Mechanical Brides: Women and Machines from Home to Office, Princeton Architectural Press, 1993.
  • Lisa Cartwright, Screening The Body: Tracing Medicine's Visual Culture, University of Minnesota Press, 1995.
  • Terry Castle, The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny, Oxford University Press, 1995.
  • Stephen Herbert, Luke McKernan (eds.), Who's Who of Victorian Cinema: A Worldwide Survey, London: British Film Institute, 1996. Online version.
  • Rachel P. Maines, The Technology of Orgasm: "Hysteria," the Vibrator, and Women's Sexual Satisfaction, Baltimore: Johns Hopkins University Press, 1999.
  • Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era, Stanford University Press, 1999.
  • Cornelia Vismann, Akten. Medientechnik und Recht, Frankfurt am Main: Fischer, 2000. (in German)
  • Donald F McLean, Restoring Baird's Image, Institution of Electrical Engineers, 2000, 295 pp. [7]
  • Jeffrey Sconce, Haunted Media: Electronic Presence from Telegraphy to Television (Console-ing Passions), Duke University Press, 2000, 272 pp. Pp 110-118.
  • Stephen Graham, Simon Marvin (eds.), Splintering Urbanism: Networked Infrastructures, Technological Mobilities and the Urban Condition, New York: Routledge, 2001.
  • Markus Krajewski, ZettelWirtschaft, Berlin: Kulturverlag Kadmos, 2002. (in German). Review, Review.
  • Giuliana Bruno, Atlas of Emotion: Journeys in Art, Architecture, and Film, Verso, 2002. Chapter 1, Chapter 2.
  • P.J.H. Kockelkoren, Technology: Art, Fairground and Theatre, Rotterdam: NAI Publishers, 111 pp.
    • Techniek: Kunst, Kermis en Theater, Rotterdam: NAI Publishers, 2003, 111 pp. (Dutch) [8]
  • Friedrich Kittler, Optische Medien / Berliner Vorlesung 1999, Berlin: Merve, 2002.
  • Siegfried Zielinski, Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens, Reinbek: Rowohlt Taschenbuch, 2002. Contents, Introduction. (in German)
    • Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means, MIT Press, 2006.
  • Lisa Gitelman, Geoffrey B. Pingree (eds.), New Media, 1740-1915, MIT Press, 2003.
  • Wolfgang Lefèvre (ed.), Picturing Machines 1400-1700, MIT Press, 2004.
  • Bernard Finn (ed.), Presenting Pictures, Smithsonian Institution Scholarly Press, 2004. [9] [10]
  • Lisa Parks, Cultures in Orbit: Satellites and the Televisual, Durham: Duke University Press, 2005. Introduction, Chapter 1, Chapter 5.
  • Siegfried Zielinski, Silvia M. Wagnermaier (eds.), Variantology – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2005.
  • Charles R. Acland (ed.), Residual Media, University of Minnesota Press, 2006. Chapter 2.
  • Laurent Mannoni, Werner Nekes, Marina Warner, Eyes, Lies and Illusions: Drawn from the Werner Nekes Collection, ACMI, 2006. [11]
  • Pierre Levie, Montreurs et Vues d' Optique, Editions Sofidoc, 2006. (in French)
  • Timothy C. Campbell, Wireless Writing in the Age of Marconi, University of Minnesota Press, 2006.
  • Lisa Gitelman, Always Already New: Media, History, and the Data of Culture, MIT Press, 2006.
  • Siegfried Zielinski, David Link (eds.), Variantology 2 – On Deep Time Relations Of Arts, Sciences and Technologies, Cologne: Verlag der Buchhandlung König, 2006.
  • James Lyons, John Plunkett, Multimedia Histories: From Magic Lanterns to Internet, University of Exeter Press, 2007. [12]
  • Eric Kluitenberg (ed.), Book of Imaginary Media: Excavating the Dream of the Ultimate Communication Medium, Rotterdam: NAi Publishers, with Amsterdam: De Balie, 2007, 292 pp. With DVD. Chapters by Eric Kluitenberg and Erkki Huhtamo. [13]
    • Imagināro mediju grāmata. Vispatiesākā komunikācijas medija sapņa meklējumos, trans. Daina Siliņa, Riga: RIXC, 2011, 280 pp. (in Latvian). Preview. [14]
  • Wolfgang Ernst, Das Gesetz des Gedächtnisses: Medien und Archive am Ende (des 20. Jahrhunderts), Berlin: Kulturverlag Kadmos, 2007. (in German). Contents. Review.
  • Christian Holtorf, Claus Pias (eds.), Escape!: Computerspiele als Kulturtechnik, Cologne: Böhlau, 2007. (in German). Contents.
  • Jussi Parikka, Digital Contagions: A Media Archeology of Computer Viruses, New York: Peter Lang, 2007. Conclusions. [15]
  • José Roca, Phantasmagoria - Specters of Absence, Independent Curators International, 2007.
  • Chris Funkhouser, Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995, University of Alabama Press, 2007.
  • Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 3 – On Deep Time Relations Of Arts, Sciences and Technologies in China and Elsewhere, Cologne: Verlag der Buchhandlung König, 2008.
  • Nike Bätzner, Werner Nekes, Eva Schmidt (eds.), Blickmaschinen, oder wie Bilder entstehen, DuMont, 2008. Catalogue. (in German) [16]
  • Marina Warner, Phantasmagoria - Spirit Visions, Metaphors, and Media, Oxford University Press, 2008. [17]
  • Lynda Nead, The Haunted Gallery: Painting, Photography and Film around 1900, Yale University Press, 2008. [18]
  • Deac Rossel, Laterna Magica - Magic Lantern Vol I, Füsslin, 2008. (in German/English) [19]
  • Dieter Daniels, Barbara U. Schmidt (eds.), Artists as Inventors-Inventors as Artists, Hatje Cantz, 2008, 240 pp.
  • Ovidiu Tichindeleanu, The Graphic Sound. An Archeology of Sound, Technology and Knowledge at 1900, ProQuest, 2008, 555 pp.
  • Kazys Varnelis (ed.), The Infrastructural City: Networked Ecologies in LA, New York: Actar, The Los Angeles Forum for Architecture and Urban Design, and The Network Architecture Lab at Columbia University, 2009. Contents.
  • Dominique Willoughby, Le Cinéma graphique: Une histoire des dessins animés, des jouets d’optique au cinéma numérique, Les editions textuel, 2009. (in French) [20]
  • Solveig Jülich, Patrik Lundell, Pelle Snickars (eds.), Mediernas kulturhistoria, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [21]
  • Anders Ekström, Solveig Jülich, Pelle Snickars (eds.), 1897 – Mediehistorier kring Stockholmsutställningen, Stockholm: Mediehistoriskt arkiv, 2009. (in Swedish) [22]
  • Jonas Harvard, Patrik Lundell (eds.), 1800-talets mediesystem, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [23]
  • Lars Björk, Jānis Krēsliņš och Matts Lindström (eds.), The Story of Storage I. Kompendium, Stockholm: Mediehistoriskt arkiv, 2010. (in Swedish) [24]
  • Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 4 – On Deep Time Relations of Arts, Sciences and Technologies in the Arabic-Islamic World and Beyond, Cologne: Verlag der Buchhandlung Walther König, 2010.
  • Adrian Mackenzie, Wirelessness: Radical Empiricism in Network Cultures, MIT Press, 2010.
  • Peter Morris, Klaus Staubermann (eds.), Illuminating Instruments, Smithsonian Institution Scholarly Press, 2010. [25] [26]
  • Jussi Parikka, Insect Media: An Archaeology of Animals and Technology, University of Minnesota Press, 2010.
  • Pasi Väliaho, Mapping the Moving Image: Gesture, Thought and Cinema Circa 1900, Amsterdam University Press, 2010.
  • Erkki Huhtamo, Jussi Parikka (eds.), Media Archaeology: Approaches, Applications, and Implications, University of California Press, 2011. [27]
  • Paul DeMarinis, Buried in Noise, Kehrer, 2011. (German/English) [28]
  • Siegfried Zielinski, Eckhard Fürus (eds.), Variantology 5: Neapolitan Affairs, Cologne: Verlag der Buchhandlung König, 2011.
  • Florian Cramer, Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Munich: Wilhelm Fink, 2011. (in German)
  • Johan Jarlbrink, Patrik Lundell (eds.), Från pressarkivet 1800-1899. En källsamling, Stockholm: Mediehistoriskt arkiv, 2012. (in Swedish) [29]
  • Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910, The MIT Press, 2012. [30]
  • Jussi Parikka, What is Media Archaeology?, Polity, 2012.
  • John Tresch, The Romantic Machine: Utopian Science and Technology after Napoleon, University of Chicago Press, 2012. [31]
  • Jonathan Sterne, MP3: The Meaning of a Format, Duke University Press, 2012.
  • Wolfgang Ernst, Digital Memory and the Archive, University of Minnesota Press, 2012. [32]
  • Shintaro Miyazaki, Algorhythmisiert: Eine Medienarchäologie digitaler Signale und (un)erhörter Zeiteffekte, Kulturverlag Kadmos, 2013, 281 pp. Introduction. (in German) [33]
  • Frode Weium, Tim Boon (eds.), Material Culture and Electronic Sound, Smithsonian Institution Scholarly Press, 2013, 312 pp. [34]
  • Erkki Huhtamo, Illusions In Motion: Media Archaeology of the Moving Panorama and Related Spectacles, MIT Press, 2013. [35]
  • Lisa Gitelman, Paper Knowledge: Toward a Media History of Documents, Durham: Duke University Press. (forthcoming in 2014)
  • Publications on media archaeology at Monoskop Log

Journal issues and Special sections

Book chapters, Papers, Articles

Theses

Primary references

Resources

See also


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