Difference between revisions of "Semiotics"

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* Michel Pêcheux, ''Les vérités de la Palice'', Paris: Maspéro, 1975. {{fr}}
 
* Michel Pêcheux, ''Les vérités de la Palice'', Paris: Maspéro, 1975. {{fr}}
 
** ''[[Media:Pecheux_Michel_Language_Semantics_and_Ideology.pdf|Language, Semiotics, and Ideology]]'', trans. Harbans Nagpal, London: MacMillan, 1982; New York: St Martin's Press, 1982, [http://gr.aaaaarg.org/ref/e3c55ec0b5d4840b2d6bdeaeabe19499#1.072 ARG].
 
** ''[[Media:Pecheux_Michel_Language_Semantics_and_Ideology.pdf|Language, Semiotics, and Ideology]]'', trans. Harbans Nagpal, London: MacMillan, 1982; New York: St Martin's Press, 1982, [http://gr.aaaaarg.org/ref/e3c55ec0b5d4840b2d6bdeaeabe19499#1.072 ARG].
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{{Theory}}

Revision as of 12:58, 20 April 2015

Semiotics is the study of meaning-making, the theory of signs and symbols.

Theorists

Selected literature

  • Umberto Eco, Opera aperta, 1962. (Italian)
    • The Open Work, trans. Anna Cancogni, Harvard University Press, 1989.
  • Julia Kristeva, Séméiôtiké: recherches pour une sémanalyse, Paris: Seuil, 1969. (French)
    • Desire in Language: A Semiotic Approach to Literature and Art, Oxford: Blackwell, 1980.
  • Michel Pêcheux, Les vérités de la Palice, Paris: Maspéro, 1975. (French)


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